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Full-Text Articles in Latin American Literature
Antología Vol. Iii Crónica, Cuento, Microrrelato, Poesía Y Relato, Jose Higuera Lopez, Dejanira Alvarez Cardenas
Antología Vol. Iii Crónica, Cuento, Microrrelato, Poesía Y Relato, Jose Higuera Lopez, Dejanira Alvarez Cardenas
CUNY Mexican Studies Institute
Creada por iniciativa del Instituto de Estudios Mexicanos de CUNY,
la Feria Internacional del Libro de la Ciudad de Nueva York es el espacio
por antonomasia de la promoción del español en la ciudad más
vibrante y cosmopolita de los Estados Unidos. Un español que se
mantiene vivo y cambiante por las muchas migraciones que componen
el entramado de la metrópoli y cuya vitalidad se ve reflejada en
la expresión escrita de la lengua; no solo en el terreno de la literatura
sino también en los de la academia y el periodismo.
La literatura producida en español en la ciudad …
La Quebrada Y La Costa Peruanas En Voces Narrativas A Mediados Del Siglo Xx: María Rosa Macedo Y Sara María Larrabure, Ricardo N. Fernández
La Quebrada Y La Costa Peruanas En Voces Narrativas A Mediados Del Siglo Xx: María Rosa Macedo Y Sara María Larrabure, Ricardo N. Fernández
Dissertations, Theses, and Capstone Projects
Each of the two female writers at the crux of this dissertation, María Rosa Macedo (1909-1991) and Sara María Larrabure (1921-1962), wrote an unparalleled novel: respectively, Rastrojo (1944) and Rioancho (1949). Their primary and complementary narratives overlap in the sociocultural, historical and political context of the first half of 20th-century Peru. This study proposes to demonstrate how the given premise of their link, particularly in portraying the coastal region they both know intimately, is in line with what Antonio Cornejo Polar (1989) calls "La totalidad literaria como totalidad social". To what extent these two authors contribute to such …
Trauma And The Representation Of The Unsayable In Late Twentieth-Century Fiction, Katina Rogers
Trauma And The Representation Of The Unsayable In Late Twentieth-Century Fiction, Katina Rogers
Publications and Research
This dissertation explores the ways in which several fiction writers from France, the U.S., and Latin America experiment with the form of their works in writing about traumatic experience, as they navigate the tension between a propulsion toward expression and toward silence. Some of these traumas are vast, as in Edmond Jabès’ Le livre des questions (1963-1973), which addresses not only the Holocaust, but also questions of exile and identity. Others are on a smaller scale, such as Jacques Roubaud’s Quelque chose noir (1986), Julio Cortázar's Los autonautas de la cosmopista (1983), and Macedonio Fernández’s Museo de la Novela de …