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- Women (2)
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- Alfredo González Prada (1)
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- Historical Consciousness (1)
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- Luis Alberto Sánchez correspondance. (1)
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- Madness (1)
- Manuel González Prada (1)
- Peruvian Literature (1)
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Articles 1 - 4 of 4
Full-Text Articles in Latin American Literature
Manuel González Prada En La Intimidad: Una Mirada A Su Universo Personal A Través De La Correspondencia De Luis Alberto Sánchez, Alfredo González Prada Y Adriana De Verneuil, Odalis Patricia Hidalgo
Manuel González Prada En La Intimidad: Una Mirada A Su Universo Personal A Través De La Correspondencia De Luis Alberto Sánchez, Alfredo González Prada Y Adriana De Verneuil, Odalis Patricia Hidalgo
Doctoral Dissertations
This dissertation focuses on the epistolary communication between Alfredo González Prada, Luis Alberto Sánchez and Adriana de Verneuil between the years 1925-1943. The correspondence reveals unfamiliar aspects in the life of the controversial Peruvian writer, Manuel González Prada (1844-1918). I argue that in order to better understand his work and personal life it is necessary to study the voices that were close to him, and in charge of the publication of his posthumous work. The correspondence also opens the discussion of the literary work of Luis Alberto Sánchez in Don Manuel (1930). Sánchez’s book constructs Prada’s heroic character within a …
Para Donde Miran Los Ojos: Confluencias Entre Locura, (Des)Identidad Y Violencia En La Obra De João Guimarães Rosa, Silvina Ocampo Y Luis Martín-Santos, Giseli C. Tordin
Para Donde Miran Los Ojos: Confluencias Entre Locura, (Des)Identidad Y Violencia En La Obra De João Guimarães Rosa, Silvina Ocampo Y Luis Martín-Santos, Giseli C. Tordin
Doctoral Dissertations
This dissertation studies the representation of madness in the literary works of three twentieth-century authors, namely, João Guimarães Rosa (from Brazil), Silvina Ocampo (from Argentina), and Luis Martín-Santos (from Spain). The first chapter argues that madness in Ocampo’s “El castigo”, Rosa’s “Buriti”, and Martín-Santos, Tiempo de silencio, reveals a series of conflicts between tradition and modernity, rather than the alleged symptoms of an individual suffering from a mental illness. After comparing the three works, it is evident that the decisions of their characters reproduce certain values idealized by authoritarian cultures. The second chapter discusses Rosa’s “Substância”, Ocampo’s “La casa …
Mujer, Tradición Y Conciencia Histórica En Gertrudis Gómez De Avellaneda, Ana Lydia Barrios
Mujer, Tradición Y Conciencia Histórica En Gertrudis Gómez De Avellaneda, Ana Lydia Barrios
Doctoral Dissertations
This dissertation studies the historical consciousness in the literary production of Gertrudis Gómez de Avellaneda (1814, Cuba – 1873, Spain). The numerous novels, plays, and legends, as well as articles written by her, display an array of female characters selected from history, traditions, and the Bible. This focus of women undoubtedly shows the author’s concern with the condition of women in society, which transcends her own time and place in history, nineteenth century Spain, as her stories attempt to establish a connection between herself and her readers, and women of different times in history. In doing so, Gómez de Avellaneda’s …
La Construcción Literaria De La Identidad De Puerto Rico: El País De Cuatro Voces, Lisa Ybonne Figueroa Parker
La Construcción Literaria De La Identidad De Puerto Rico: El País De Cuatro Voces, Lisa Ybonne Figueroa Parker
Doctoral Dissertations
This dissertation studies how language in Puerto Rican literature has been instrumental in reconstructing national identity in the context of the Island’s colonial histories. Bearing in mind that colonialism not only produced economic and political domination, but also epistemic control over cultural values and practices in general, Puerto Rican writers have used language to resignify a national imaginary that continues to be elusive and contradictory. To demonstrate how language in literature has become a site of struggle for decolonization, this study analyzes four representative voices from the nineteenth and twentieth century which construct distinct, yet complementary, identities.
Chapter one focuses …