Latin American Literature Commons^™

El Rock En Nicaragua: Un Discurso De Resistencia Contra La Neoliberalización O Una Re-Definición De La Tradición., Martina Barinova

Department of Modern Languages and Literatures: Dissertations, Theses, and Student Research

Abstract in English

This work, which parts from the premise that music is a medium of communication with the potential to transform and create identities, explores rock music in Nicaragua since its beginning until the present. Nicaraguan rock music is born in a sociopolitical context of extreme economic instability and during a crisis of values in the last decade of the 20^th century, with the end of the Sandinista Revolution and the establishment of neoliberal government. The young cultural movement, and rock in particular, constructs a discourse dissident from the patriarchal and capitalist hegemony and interrogates the social reality …

“To Say Nothing”: Variations On The Theme Of Silence In Selected Works By Sor Juana Inés De La Cruz, Sandra Cisneros, And María Luisa Bombal, Hannah M. Frantz

Student Publications

This paper explores the various ways in which Sor Juana Inés de la Cruz’s La Respuesta, Sandra Cisneros’s “Woman Hollering Creek,” and María Luisa Bombal’s “The Tree” address the theme of silence. It interrogates how the female characters in each of these works are silenced as well as their responses to that oppression. Meaning is subjective, so writing is a safe outlet for the oppressed. These works each identify an oppressor, either a husband or the male dominated church, as well as an oppressed individual, who is the female lead. In La Respuesta, the Catholic church, and specifically …