Spanish and Portuguese Language and Literature Commons^™

Keja L. Valens. Desire Between Women In Caribbean Literature. New York: Palgrave Macmillan, 2013. Vii + 214 Pp., Mary Mccullough

Studies in 20th & 21st Century Literature

Book Review of Keja L. Valens. Desire between Women in Caribbean Literature. New York: Palgrave Macmillan, 2013. vii + 214 pp.

Sttcl Editorial Board

Studies in 20th & 21st Century Literature

STTCL Editorial Board

William J. Nichols And H. Rosi Song, Eds. Toward A Cultural Archive Of La Movida. Back To The Future. Madison: Fairleigh Dickinson Up, 2014., Jorge Gonzalez Del Pozo

Studies in 20th & 21st Century Literature

Review of William J. Nichols and H. Rosi Song, eds. Toward a Cultural Archive of La Movida. Back to the Future. Madison: Fairleigh Dickinson UP, 2014.

Jobst Welge. Genealogical Fictions: Cultural Periphery And Historical Change. Baltimore: Johns Hopkins Up, 2015., Patrick R. Young

Studies in 20th & 21st Century Literature

Review of Jobst Welge. Genealogical Fictions: Cultural Periphery and Historical Change. Baltimore: Johns Hopkins UP, 2015.

Martin Munro. Writing On The Fault Line: Haitian Literature And The Earthquake Of 2010. Liverpool: Liverpool University Press, 2014., Linda Alcott

Studies in 20th & 21st Century Literature

Review of Martin Munro. Writing on the Fault Line: Haitian Literature and the Earthquake of 2010. Liverpool: Liverpool University Press, 2014.

Tom Burns, Elcio Cornelson, Volker Jaeckel, And Luis Gustavo Vieira, Eds. War And Literature: Looking Back On 20th Century Armed Conflicts. Stuttgart: Ibidem Verlag, 2014., Paul R. Schue

Studies in 20th & 21st Century Literature

Review of Tom Burns, Elcio Cornelson, Volker Jaeckel, and Luis Gustavo Vieira, eds. War and Literature: Looking Back on 20^th Century Armed Conflicts. Stuttgart: Ibidem Verlag, 2014.

Stafford, Katherine O. Narrating War In Peace: The Spanish Civil War In The Transition And Today. New York: Palgrave, 2015., William Viestenz

Dissidences

No abstract provided.

“The Hour Of The Furnaces: Collaborative Cinema’S Fragmentary Form”, Eunha Choi

Dissidences

Cinematic structure remains constitutively collaborative. While critics like André Bazin have described cinema as mixed or impure, this article advances the concept of cinema as collaborative aesthetics. The conventional understanding of collaboration is that it represents aggregation, namely the gradual growth toward a total and completed whole. After all, collaborative practice generally works toward identifiable goals. Conversely, I argue here that The Hour of the Furnaces shows us how cinematic collaboration also operates by subtractions, unresolved dissonances, unfinished instances, and contradictions rather than syntheses or cohesive totality. Despite the filmmakers’ express intentions, I contend that their political documentary film lacks …

Intenciones Enmascaradas En La Pantalla Plateada. El Santo Y El Mimetismo Imperial, David S. Dalton

Alambique. Revista académica de ciencia ficción y fantasía / Jornal acadêmico de ficção científica e fantasía

El cine Mexploitation de los 1960 y 1970 ha recibido poca atención académica debido a las supuestas fallas estéticas que emergieron cuando los directores de este movimiento yuxtaponían los tropos de la ciencia ficción y el horror hollywoodenses a películas protagonizadas por luchadores enmascarados. No obstante, este cine elucida los discursos imperialistas que abundaban en México a mediados del siglo veinte. En este ensayo analizamos el personaje del Santo —el luchador más exitoso del cine Mexploitation— a través de varias películas. Luego afirmamos que su cine postula una colonialidad liminal mexicana. El Santo interpretaba una versión ficticia de sí mismo …

Televisual Subjectivities In Pepe Rojo’S Speculative Fiction From Mexico: 1996-2003, Stephen C. Tobin

Alambique. Revista académica de ciencia ficción y fantasía / Jornal acadêmico de ficção científica e fantasía

Pepe Rojo, a key author often tied to the Mexican cyberpunk movement of the 1990s, has been most effective in articulating a kind of visual dystopia in the country that focuses upon television as a key site for constructing dislocated subjectivities. His writing reacts to larger shifts occurring in the country’s field of vision that have been catalyzed by the neoliberal political-economic policy changes and have altered the way in which the mass media culture industry in Mexico functioned in the 1990s. This brought a multitude of changes in how the media industry functioned both internally and externally, ultimately becoming …

Subjective Identity Takes Flight: Magical Realism In Birdman, Kelly Kramer

Montview Journal of Research & Scholarship

Analysis of magical realism in the film Birdman.

Ana Corbalán And Ellen Mayock. Toward A Multicultural Configuration Of Spain: Local Cities, Global Spaces. Madison: Fairleigh Dickinson Up, 2015. Vii–Xix + 211 Pp., Jennifer Brady

Studies in 20th & 21st Century Literature

Review of Ana Corbalán and Ellen Mayock. Toward a Multicultural Configuration of Spain: Local Cities, Global Spaces. Madison: Fairleigh Dickinson UP, 2015. vii–xix + 211 pp.

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Studies in 20th & 21st Century Literature

STTCL Editorial Board and Ad for Tulsa Studies in Women's Literature

Vindicating The Femme Fatale In Manuel Antín’S 'Circe', Daria Cohen

Dissidences

Vindicating the Femme Fatale in Manuel Antín’s Circe

The present article analyzes a classic Argentine film noir, Circe, to explore its representation of a powerful, autonomous female protagonist ahead of the historical moment of 1964. The director Manuel Antín creates a film adaptation that departs from the source text by Julio Cortázar by focalizing the motivations and actions of a female character that flouts societal expectations and mores. The article is theoretically grounded in feminist, subjectivity and film adaptation theory. The article contributes to the fields of Latin American Studies, Global Film and Media Studies, Argentine Cultural and Literary Studies, …

Cynthia Tompkins. Experimental Latin American Cinema. Austin: U Of Texas P, 2013. X+ 294 Pp., Carolina Rocha

Studies in 20th & 21st Century Literature

Review of Cynthia Tompkins. Experimental Latin American Cinema. Austin: U of Texas P, 2013. x+ 294 pp.

Buenos Aires Dreaming: Chronopolitics, Memory And Dystopia In La Sonámbula, Mariano Paz

Alambique. Revista académica de ciencia ficción y fantasía / Jornal acadêmico de ficção científica e fantasía

The Argentine film La Sonámbula (dir. Fernando Spiner, 1998) is one of the most renowned examples of local science fiction cinema. The film portrays a post-apocalyptic, totalitarian Argentina in the year 2010 (the near future at the time of the film’s release). Since this dystopian scenario never materialized, it might be assumed the concerns and anxieties about Argentine politics that the film conveys might have been exaggerated or unfounded. Drawing on the concept of chronopolitcs, as defined by Paul Virilio, and on the theoretical framework proposed by Paul Ricoeur related to the study of memory and forgetting, this paper discusses …

Borgesian Libraries And Librarians In Television Popular Culture, Iana Konstantinova

Studies in 20th & 21st Century Literature

In the works of Jorge Luis Borges, the library appears frequently as a metaphor representative of life and its secrets. It becomes a metaphysical location, posing questions about the nature of time, life, and the universe itself. The librarian becomes a metaphysical figure, leading the search for answers to life’s questions. This article examines the way in which the Borgesian library metaphor has crossed over from the realm of literature into the realm of popular television. By examining two episodes of the BBC series Doctor Who, the TNT franchise The Librarian, and several episodes of Joss Whedon’s cult …

Claire Legendre’S Portrait Of Hypermodern Society, Michèle A. Schaal

Studies in 20th & 21st Century Literature

Theorists from various academic disciplines believe Western society has entered an age of excess and exacerbated modernity: all areas of life are affected by a will to be or do more at an always faster pace. This article focuses on French writer Claire Legendre’s literary translation of hypermodernity, especially in her narratives published over the past decade. First, it examines her portrayal of contemporary individuality, marked by all sorts of excesses and especially by the imperative to make the most of oneself and one’s life. This ideal being in itself excessive, her characters resort to extreme behaviors. However, they never …

“Knaller-Sex Für Alle”: Popfeminist Body Politics In Lady Bitch Ray, Charlotte Roche, And Sarah Kuttner, Carrie Smith-Prei

Studies in 20th & 21st Century Literature

Germany has seen a recent upsurge in publications proclaiming that feminism is again an urgent matter for a new generation of women. Faced with the reactionary demography debate and the hegemony of second-wave feminism, young writers, musicians, journalists, and critics call for new models of feminism relevant to women today. As one of these viable models, popfeminism draws on dominant trends in mass culture, on pop’s forty-year history as a cultural prefix in Germany, and on traditional feminism in order to create a new, ostensibly apolitical, feminist subculture based in self-stylization and individual autonomy. Shared by many popfeminist sources is …

“Our Theater,” In Performance, Debra Castillo

Studies in 20th & 21st Century Literature

The final chapter of Miguel Rubio Zapata’s El cuerpo ausente (performance político) ‘Absent body (political performance)’ begins with an epigraph from Antonin Artaud, at first glance a very unexpected inspiration for a group famed for its politically-charged performances...

It’S My (National) Stage Too: Sabina Berman And Jesusa Rodríguez As Public Intellectuals, Stuart A. Day

Studies in 20th & 21st Century Literature

Based on interviews with Sabina Berman and Jesusa Rodríguez, this article offers a view of artists as public intellectuals in Mexico. These two prominent figures, in addition to staging biting commentaries on Mexican politics, have reached beyond the traditional theater to take on the role of public intellectuals (artists, activists, professors, performers, writers, among others, who speak truth to power) on the national stage, Berman through a book on the 2006 elections and her television program, Shalalá, and Rodríguez as the stage director for the massive public demonstrations of Andrés Manuel López Obrador. Both artists see the importance of reaching …

An Account Of Señorita Maquiladora, Rosina Conde

Studies in 20th & 21st Century Literature

Performer and scholar Rosina Conde finds that Señorita Maquiladora is the performance piece that has gone through the most transformations, not in its script, but in its text, as it is constantly being rewritten to speak to contemporary social issues. She believes that Señorita Maquiladora has potential because it speaks to global themes that affect workers in the assembly plant industry, not only with respect to the questions of the environment and health, but also in terms of the patriarchial patterns that force these women to compete in an atmosphere of a vertical structure dominated by men, with all the …

Reviews Of Recent Publications

Studies in 20th & 21st Century Literature

Fuentes, Carlos. Christopher Unborn by Asela Laguna

Faber, Sebastian. Exile and Cultural Hegemony: Spanish Intellectuals in Mexico, 1939-1975 by Miguel González-Abellás

Haines, Brigid and Margaret Littler. Contemporary Women’s Writing in German: Changing the Subject by Anna K. Kuhn

Cate Arries, Francie. Spanish Culture behind Barbed Wire: Memory and Representation of the French by Carmen Moreno-Nuño

Tremblay, Rosaline. L’Écrivain imaginaire, Essai sur le roman québécois, 1960-1995 by Betty Louise McLane-Iles

Ponomareff, Constantin V. One Less Hope: Essays on Twentieth-Century Russian Poets by Maria Khotimsky

Telling Tales Of War To Teens: Ignacio Martínez De Pisón's Una Guerra Africana And Morocco As "Open Wound" In The Spanish National Imaginary , Silvia Bermúdez

Studies in 20th & 21st Century Literature

Exactly ten years after its traumatic defeat in the Spanish-American War of 1898, Spain appeared to find some compensation for the loss of its last colonies by undertaking the invasion of Morocco in 1908. The enterprise proved difficult when the forces of Abd-el-Krim defeated the Spanish army in the summer of 1921. This terrible loss was metaphorized as an "open wound" and entered the collective imagination by becoming a theme in novels such as José Díaz Fernández's El blocao (1928), Ramón Sender's Imán (1930), and Arturo Barea's series La forja de un rebelde (1941-1944). Known as the "Disaster of Annual," …

"Soy Tú. Soy Él": African Immigration And Otherness In The Spanish Collective Conscience, Michael Ugarte

Studies in 20th & 21st Century Literature

The commonly heard statement "Spain is different" contains a series of contradictions, paradoxes, and questions concerning Iberia's place within the global community, a community that is itself deeply contradictory—more and more the same and yet more and more fragmented. Immigration highlights the sameness/otherness dichotomy in Spanish culture, and the situation of African immigrants has especially caused the Spanish national consciousness an ethical quandary. Here I examine four recent cultural representations of African immigration in Spain—two journalistic works: Mikel Azurmendi's Estampas del Ejido and Antonio Elorza's articles in El País; and two documentary films: Básel Ramsis's El otro lado: un …