Open Access. Powered by Scholars. Published by Universities.®

Spanish and Portuguese Language and Literature Commons

Open Access. Powered by Scholars. Published by Universities.®

Digital Humanities

Institution
Keyword
Publication Year
Publication
Publication Type

Articles 331 - 338 of 338

Full-Text Articles in Spanish and Portuguese Language and Literature

(Un) Continuity In E-Lit In Portuguese And Spanish, Vinicius Carvalho Pereira, Tina Escaja Jul 2020

(Un) Continuity In E-Lit In Portuguese And Spanish, Vinicius Carvalho Pereira, Tina Escaja

Electronic Literature Organization Conference 2020

The creation of digital literature in Portuguese and Spanish has shown a constant engagement with fluidity and change. Whereas the topics developed in e-lit in Portuguese and Spanish have shown a continuum as manifested by the use of metaphors to represent popular culture, high culture and gender issues, the media used to express those concepts has shown (un)continuity by relying in new digital means that open up new possibilities of expression, representation and dissemination. The two papers in this panel explore how e-lit provides a new medium to present the myth of the labyrinth in digital poems that challenge our …


Poetry For Seers Or The Peruvian Visual Poetic Tradition In Front Of New Media, Michael Hurtado, Pamela Medina, Enrique García, Michael Prado Jul 2020

Poetry For Seers Or The Peruvian Visual Poetic Tradition In Front Of New Media, Michael Hurtado, Pamela Medina, Enrique García, Michael Prado

Electronic Literature Organization Conference 2020

Since the first decades of the twentieth century, Peruvian poetic tradition has been characterized by experimental uses of language. Among these possibilities, some records tensioned this medium from the link with the plastic arts, as in the case of the poetry of José María Eguren, while others opted for the playing with the spatiality and visuality of the blank sheet, such as in the case of the work of Carlos Oquendo de Amat. However, it is not until the appearance of the poetry of César Vallejo, specifically with a poems like Trilce in 1922, that these breakages force us to …


Reacting To The Past Pedagogy, Jesus-David Jerez-Gomez Jan 2020

Reacting To The Past Pedagogy, Jesus-David Jerez-Gomez

Q2S Enhancing Pedagogy

This project was the product of the Reacting to the Past Pedagogy workshops provided by Dr. Terri Nelson during various years for the Q2S transformation and innovative course redesign strategies.


Un Viaje Gráfico De Crítica Política: Análisis Geográfico-Temático De Los Diseños De Eneko De Las Heras Sobre Los Periódicos Interviú Y 20 Minutos, Giovanni Pietro Vitali Dec 2019

Un Viaje Gráfico De Crítica Política: Análisis Geográfico-Temático De Los Diseños De Eneko De Las Heras Sobre Los Periódicos Interviú Y 20 Minutos, Giovanni Pietro Vitali

Artl@s Bulletin

Esta contribución pretende ser una tentativa de análisis crítico y geográfico del trabajo del caricaturista venezolano Eneko de Las Heras Leizaola. En este artículo proponemos un análisis espacial y cronológico de sus dibujos de humor gráfico y de denuncia social publicados en los periódicos Interviú y 20 Minutos entre los años de 2007 a 2018. El sustento de dicho análisis reside en el empleo de herramientas digitales. Demostraremos cómo Eneko representa, incluso si hay algunas críticas sociales en respuesta a fenómenos económicos, políticos y bélicos, nuevas formas de contar cuestiones sociales como el sexismo o la ecología.


Networks Of Collaboration And Creation In Latin American Digital Literature, Carolina Gainza Mar 2017

Networks Of Collaboration And Creation In Latin American Digital Literature, Carolina Gainza

CLCWeb: Comparative Literature and Culture

In her article "Networks of Collaboration and Creation in Latin American Digital Literature" Carolina Gainza examines how production and reception of literature have been affected by digital technology, with special emphasis on issues related to Latin American digital literature. Gainza analyzes Jaime Alejandro Rodriguez's Narratopedia, Doménico Chiappe's La Huella de Cosmos, and Leonardo Valencia's and Eugenio Tiselli's El Libro Flotante in order to highlight collective practices of creation involved in digital productions. Through the discussion of these issues, Gainza offers an overview of ongoing changes wrought by digital technology in contemporary Latin American digital culture.


Colonialab: A Collaborative Workshop For The Digital Edition Of Colonial Latin American Texts, Clayton Mccarl, Karthikeyan Umapathy, Cameron Adelsperger, Kathlina Brady, Krysten Ross Nov 2016

Colonialab: A Collaborative Workshop For The Digital Edition Of Colonial Latin American Texts, Clayton Mccarl, Karthikeyan Umapathy, Cameron Adelsperger, Kathlina Brady, Krysten Ross

DHI Digital Projects Showcase

No abstract provided.


Eating Spain: National Cuisine Since 1900, Matthew J. Wild Jan 2015

Eating Spain: National Cuisine Since 1900, Matthew J. Wild

Theses and Dissertations--Hispanic Studies

Analyzing cookbooks, gastronomic guides, literature and film, this dissertationoutlines the creation of a Spanish national cuisine. Studying the works of Carmen de Burgos, Emilia Pardo Bazán, Dionisio Pérez, Ana María Herrera, Juan Mari Arzak and Ferrán Adrià among others, the project examines the evolution of this nationalist discourse by identifying common and recurring themes in an effort to extrapolate and describe the historical and cultural evolution of food from 1900 to the present day.

Within the framework of Food and Cultural Studies, this project treats cookbooks, culinary manifestos and guidebooks as texts. Influenced by a variety of culinary and gastronomic …


Red Social En La Celestina: Una Aproximación Cuantitativa A Su Sistema De Personajes, Jennifer Isasi May 2014

Red Social En La Celestina: Una Aproximación Cuantitativa A Su Sistema De Personajes, Jennifer Isasi

Department of Modern Languages and Literatures: Dissertations, Theses, and Student Research

La que hoy es conocida como La Celestina se publicó en su edición príncipe con el título de Comedia de Calisto y Melibea (1499 o 1500), con 16 actos, para ser retitulada Tragicomedia de Calisto y Melibea en 1502, añadiéndosele cinco actos más. Parece que sin prestar demasiada atención a la decisión tomada respecto a la trama trágica en lugar de cómica, ya en ese mismo siglo Juan de Valdés o Juan Luis Vives comenzaron a referirse a la obra tal y como la conocemos hoy, haciendo de Celestina la protagonista de la obra ¿Por qué se dio dicho cambio, …