Russian Literature Commons^™

Alyosha The Christian Hermeneut, Eddie Li

Seaver College Research And Scholarly Achievement Symposium

Presentation Abstract: Alyosha as the Christian Hermeneut

This presentation is adapted from my essay Alyosha as the Christian Hermeneut, written under the supervision of Dr. Paul Contino. In the essay, I gave an analysis of the character Alyosha in Dostoyevsky’s The Brothers Karamazov, in light of Merleau-Ponty’s phenomenology, Hans-Georg Gadamer’s hermeneutics, and Dr. Contino’s book on Incarnational Realism. I discussed how Alyosha adapts from an inexperienced Christian disciple to a mature interpreter capable of conducting the hermeneutical fusion of horizons with different horizons. Within this capability, Alyosha develops his unique Christian horizon, enabling him to understand and reconcile the …

I Return My Ticket, Caroline Caldwell

Honors Scholars Collaborative Projects

This project serves to open up an accessible way to introduce people to Fyodor Dostoevsky’s masterpiece novel, The Brothers Karamazov. Questions around human nature and the problem of evil are enduring and I have found more peace in the works of Dostoevsky than anywhere else. I know, however, that Russian literature and long novels in general are incredibly intimidating, so I chose to follow in the footsteps of Dave Malloy and his work Natasha, Pierre, and the Great Comet of 1812 to create an approachable and engaging avenue to consume Dostoevsky in a more palatable fashion. Knowledge of other cultures …

The Centrality Of Human Freedom In Dostoevsky And Huxley, Evelyn J. Hylton

Masters Theses

Fyodor Dostoevsky learned the hard way that human beings need to be free. In a Siberian prison camp, a four-year period which would later inspire his semi-autobiographical prison memoir Notes from a Dead House, he was forced to come to terms with the realities of life under severe constraint and without the freedom for self-actualization, which convicted him of the dangers of the Westernized liberalism he once embraced. Dostoevsky’s transformed understanding of humanity and its need for individual freedom eventually matured to form the moral and philosophical foundations of his final novel, The Brothers Karamazov, whose support of the centrality …

Themes Of Self-Laceration Towards A Modicum Of Control In Nineteenth Century Russia As Expressed By Dostoevsky In The Brothers Karamazov, Jonathan Ball

Electronic Theses and Dissertations

The majority of the academic discourse surrounding Dostoevsky and his epic, The Brothers Karamazov, has been directed toward the philosophic and religious implications of his characters. Largely overlooked, however, is the theme of laceration. In the greater scope of laceration stands the topic of self-laceration. Self-laceration refers to the practice of causing harm to the self in a premeditated and specifically emotionally destructive fashion. The cause of this experience is varied and expressed in as many ways as there are individuals. The struggle in the Russian psyche between viewing the world as fatalistic or as more of an existential …