Russian Literature Commons^™

Religious And Cultural Dimension Of The "Ringing Cedars Of Russia" Movement In The Context Of Hybrid Warfare, Oleksandr Lukyanenko, Vitaly Dmytrenko, Vita Dmytrenko

Occasional Papers on Religion in Eastern Europe

The article is devoted to a comprehensive religious analysis of the neo-religious movement “The Ringing Cedars of Russia,” based on the works of Vladimir Megre and the image of the prophetess Anastasia. The study covers the ideological and doctrinal foundations of the movement, its socio-cultural practices, the functioning of tribal settlements, as well as mechanisms of influence on individual and collective consciousness. Particular attention is paid to the concepts of “Vedrussia”, the sacralization of “Russian space” and the mythologization of Russia’s calling to revive the “primitive civilization of harmony.” The analysis shows that the movement, while declaring ecological and humanistic …

Medical Minds, Literary Voices: The Intersection Of Healing And Storytelling In Russian Literature, Emily Doris Gervais

The Journal of Purdue Undergraduate Research

This project examines the intersection of medicine and literature through the works of Russian physicians who became influential authors. Focusing on Anton Chekhov’s Sakhalin Island, Vikenty Veresaev’s Memoirs of a Physician, and Mikhail Bulgakov’s A Young Doctor’s Notebook, this research highlights how their medical experiences shaped both their personal narratives and broader societal criticism. By analyzing the variation of both implicit, individual-centered stories and systemic, sociopolitical commentaries, the project reveals how these authors brought a unique clinical perspective to Russian literature. Their attention to detail, moral and ethical concerns, and use of medical language enriched their writings, imbuing their prose …

Maxim Gorky’S Illusionary Reformation Of Human Nature And The Rise Of The Soviet Citizen: Socialist Realism As A Constructive Force In Mother, Alysia Gayle Meyer

Honors Projects

This paper examines the origins and evolution of the Socialist Realism movement headed by Maxim Gorky, as a defining ideological and artistic framework of the Stalin era. Emerging in response to the experimental avant-garde movements of Revolutionary Russia, Socialist Realism sought to construct the ideal Soviet Reality, reimaging society and its citizens through the lens of collectivism, labor, and ideological purity. Central to this exploration is Gorky’s first major Socialist Realist novel, Mother, which serves as a blueprint for depicting the ideal Soviet citizen. By analyzing the motivations behind this movement and its portrayal of utopian ideals, this study reveals …

No Unified Ableukhov: Orientalism And Imperialism In Andrei Bely's Petersburg., Tuesday Shaw

College of Arts & Sciences Senior Theses

This project brings into dialogue the 1913 Russian novel Petersburg by Andrei Bely and postcolonial approaches to literature, primarily those developed by Edward Said in Orientalism (1978) and Culture and Imperialism (1994). Petersburg was the product of an artistic movement, Symbolism, that idealized breaking apart boundaries between artforms. Said’s notion of Orientalism, in contrast, is based on the idea that there is an essential division between “East” and “West.” While there might appear to be a tension in applying a theory premised on division to a work that apparently wants to dissolve all boundaries, attention to Petersburg’s depiction of …

Living By The Sword: Religiosity And The Terrorist Subculture Of Russian Revolutionaries, 1904-1910, Gregory I. Mcevoy

Dissertations and Theses

The Marxist dictum of “religion is the opiate of the masses” has led to a prevailing assumption in scholarship that the socialist movements of the early twentieth century have been inherently atheistic. Religion is often associated as a remnant of old, antiquated society and incompatible with the claimed modernity of socialist progress. This assumption has led to overlooking the religiosity within certain radical movements and revolutionary culture at large. Scholarship on the political underground in Tsarist Russia has, thus far, perpetuated this impression. While it is the true that the Bolsheviks and Leninist Social Democrats rejected religion as obscurantist and …

Baba Yaga: An Ecofeminist Analysis Of The Witch Of The Woods, Maya Lozinsky

Scripps Senior Theses

In this thesis, I will argue that Baba Yaga’s prevalence in Russia’s culture and media provide a unique opportunity to gain insight into the junctures between the climate crisis and gender inequality in Russia. Despite the persistent gender inequities present in current Russian society, ecofeminist frameworks and ideologies are already deeply embedded in Russian culture. Women, as a group, have always been politically active in Russia, from resisting the introduction of Christianity in the 9th century, to the feminist resistance group Pussy Riot founded in 2011. I will examine Baba Yaga’s history, her role in the Russian folktale, and her …

I Return My Ticket, Caroline Caldwell

Honors Scholars Collaborative Projects

This project serves to open up an accessible way to introduce people to Fyodor Dostoevsky’s masterpiece novel, The Brothers Karamazov. Questions around human nature and the problem of evil are enduring and I have found more peace in the works of Dostoevsky than anywhere else. I know, however, that Russian literature and long novels in general are incredibly intimidating, so I chose to follow in the footsteps of Dave Malloy and his work Natasha, Pierre, and the Great Comet of 1812 to create an approachable and engaging avenue to consume Dostoevsky in a more palatable fashion. Knowledge of other cultures …

Issues Of Modernity In Russian And U.S. Southern Discourse: Literary And Cinematic Crosscurrents, Zachary John Killebrew

Graduate Research Theses & Dissertations

This dissertation traces formulations of modernity, national and regional identity, and economy in the literature and film of Russia and the U.S. South from serfdom to the Second World War. Studying serf and slave narratives, Russian Realist and Southern Renaissance novels such as The Brothers Karamazov (1879), Demons (1872), The Sound and the Fury (1929), Tobacco Road (1932), and Wise Blood (1952), and American and Soviet films such as Volga, Volga (1938) and Cabin in the Sky (1943), this examination locates within Russo-Southern discourses a shared interest in striking out against Western or Northern epistemologies to assert a “peripheral” modernity …

Retro-Future In Post-Soviet Dystopia, Sergey Toymentsev

CLCWeb: Comparative Literature and Culture

In his article “Retro-Future in Post-Soviet Dystopia” Sergey Toymentsev explores the vision of retrospective future in such Russian novels as Tatiana Tolstaya’s The Slynx, Vladimir Sorokin’s Day of the Oprichnik, Olga Slavnikova’s 2017, and Dmitry Bykov’s Zhd. Unlike Zamyatin’s and Platonov’s anti-Soviet satires, post-Soviet dystopias do not respond to any utopian narrative, but project the historical and ideological reality of Russia’s violent (predominantly Soviet) past into the future. Such a traumatic reenactment of the Soviet past in the dystopian future testifies to the rise of authoritarianism in contemporary Russia as well as its incomplete collective memory …

Introduction. Dialogues With Shklovsky: The Duvakin Interviews 1967-1968., Slav N. Gratchev, Irina Evdokimova

Modern Languages Faculty Research

Dialogues with Shklovsky: The Duvakin Interviews 1967–1968 reflects the spirit of times—when the most dramatic events of the twentieth century were happening in Russia and the USSR. The first English translation of the 1967–1968 interviews with the founder of the Formalist School of literary theory, Viktor Shklovsky, this volume offers a slice of Russian micro-history that relies on the living voice of that history. Through the transcription of a six-hour phono-document, the readers will hear the voice of a real participant in events that for the longest time in the USSR were forbidden to be discussed or written about.

Don Quixote In Russia In The 1920s-1930s: The Problem Of Perception And Interpretation, Slav N. Gratchev

Modern Languages Faculty Research

This study logically continues my previous examination of the perception of Don Quixote in Russia throughout the early twentieth century and how this perception changed over time. In this new article, which will be the third in a sequence of five, I will again use a number of materials inaccessible to English-speaking scholars to demonstrate how the perception of Don Quixote by Russian intelligentsia shifted from being skeptical to complete admiration and even glorification of the hero. Don Quixote was increasingly compared with Prometheus, the most powerful and most romanticized personage of Greek methodology. Indeed, “. . . начав юмористический …

Blood, Water And Mars: Soviet Science And The Alchemy For A New Man, Sophie Y. Andarovna

All Master's Theses

The themes of blood, water and Mars in Soviet science and technology show the strong utopian and even religious foundations of Soviet society, which invariably centered around forging a new environment and, in so doing, a new variety of human to inhabit it. In the minds and experiments of some of the radical men behind Russia’s Revolution, blood was to create a more advanced, biologically “equal” humanity capable of potential immortality, while water was harnessed with the millenarian aim of transforming the Soviet Union’s vast landscape into fields of bountiful fertility, as well as cities of efficient industry. Mars represents …

Margarita As Supernatural Woman: Bulgakov's Subversion Of The Superfluous Man In The Master And Margarita, Jana Marie Domanico

Electronic Theses and Dissertations

The paper explores the shifting definitions of the superfluous man through Russian history through the 19th century up until the Soviet era. The paper then examines Mikhail Bulgakov's subversion of the character trope in The Master and Margarita through his creation of Margarita, the supernatural woman. The author critiques Bulgakov's character Margarita through a feminist lens and then proceeds to examine work from Russian female writers who are historically undervalued. By comparing The Master and Margarita to the work of Teffi and Tatyana Tolstaya, the author hopes to reveal that in their use of Russian folklore and magical realism, the …

Adapting Skazki: How American Authors Reinvent Russian Fairy Tales, Sarah Krasner

Scripps Senior Theses

Adaptations of works have the potential to bring their subject matter to a new audience. This thesis explores the adaptation of Russian fairy tales into novels by authors Orson Scott Card and Joy Preble by looking at how they present Russian fairy tales, folkloric figures, and fairy tale structure to an American audience.

The Eurasian Agenda: The International Relations Of Kyrgyzstan, Azamat Baiyzbekov

Master's Theses

The disintegration of the Soviet Union and the emergence of the newly independent states in Central Asia are among the most important historical events of the 20^th century. As one of these newly independent and sovereign state, Kyrgyzstan found itself in the sphere of the geopolitical rivalry among the Great Powers, such as the U.S., Russia, and China. Even though a relatively small and militarily weak state, Kyrgyzstan came to play an important role in their Eurasian agenda. In this thesis, I examine in detail the international relations of Kyrgyzstan with all its neighboring states, but focus extensively on …

A Clash Of Fictions: Geopolitics In Recent Russian And Ukrainian Literature, Yvonne Howell

Languages, Literatures, and Cultures Faculty Publications

When the vast, multinational Soviet empire collapsed in 1991, the geopolitical structure it had struggled to maintain for most of the 20111 century - often by means of brutal repression and forced remobilization of entire populations - proved itself in the eyes of many to be fatally out of sync with the epochal norm of the nation-state. By the end of the 18th century, people in many parts of the world had begun to "imagine themselves" as nations and to organize politically into states whose primary function would be to protect, nurture, and (in a kind of Romantic feedback loop) …

Resilient Russian Women In The 1920s & 1930s, Marcelline Hutton

Zea E-Books Collection

The stories of Russian educated women, peasants, prisoners, workers, wives, and mothers of the 1920s and 1930s show how work, marriage, family, religion, and even patriotism helped sustain them during harsh times.

The Russian Revolution launched an economic and social upheaval that released peasant women from the control of traditional extended families. It promised urban women equality and created opportunities for employment and higher education. Yet, the revolution did little to eliminate Russian patriarchal culture, which continued to undermine women’s social, sexual, economic, and political conditions. Divorce and abortion became more widespread, but birth control remained limited, and sexual liberation …

Zamayatin, Evgeny Ivanovich (1884-1937), Yvonne Howell

Languages, Literatures, and Cultures Faculty Publications

Zamayatin, Evgeny Ivanovich (1884-1967), Russian engineer, fiction writer, critic-essayist, and editor. Zamayatin was born in the provincial town of Lebedyan in central Russia. He joined the Bolshevik Party in opposition to the tsar's regime while still a student of naval engineering in the imperial capital of St. Petersburg. He was imprisoned and exiled from St. Petersburg, an experience that provided material for his first short novels and stories.