Russian Literature Commons^™

The Secret Of Smerdyakov, Abigail M. Munzar

Global Tides

This paper analyzes the mysterious character of Pavel Smerdyakov from Dostoevsky’s novel, The Brothers Karamazov, by examining his loveless upbringing, motives for murdering Fyodor Karamazov, and his final conversations with Ivan Karamazov, to argue that Smerdyakov committed suicide out of guilt from his crime. Smerdyakov may have had a potential conversion to Christianity which would have triggered an identity crisis in which he was tormented between accepting Christ’s love and hanging on to his lifelong hatred. Thus, he would have committed suicide out of remorse from his sin like the biblical Judas and an inability to choose between conversion or …

Spectre Of Justice: Russian Reform In The Courtrooms Of Dostoevsky And Tolstoy, Abby Moore

Senior Theses

The Great Reforms of Alexander II are regarded as transformative policies in the history of Tsarist Russia, drastically changing the empire’s social and political fabric. The judicial reforms of 1864 in particular addressed longstanding issues within the existing criminal justice system, yet they also liberalized the institution at large. Following in the West’s footsteps, the reforms introduced an unprecedented level of democracy into Russia’s courtroom. Among the critics of these changes were renowned authors Fyodor Dostoevsky and Leo Tolstoy, both of whom used the realm of fiction to explore their respective concerns with reformed Russian jurisprudence. Both authors bring distinct …

Ivan And His Doubles: The Failure Of Intellect In The Brothers Karamazov, Alex Donley

Montview Journal of Research & Scholarship

The purpose of this research is to explore Dostoevsky’s theodicy in The Brothers Karamazov, including key critical commentary that enhances an understanding of the text. One of the novel’s title characters, Ivan, embodies the emerging spirit of intellectualism and freethinking in nineteenth-century Europe. He confronts the Christian concept of God in two famous speeches. First, Ivan’s “Rebellion” epitomizes the problem of evil by asking why an omnipotent, omnibenevolent God allows earthy atrocities. Second, Ivan’s “Grand Inquisitor” rejects the moral freedom given to men, reasoning that it is too great a burden for mankind to bear. These arguments remain relevant …

Final Words, Final Shots: Kurosawa, Bortko And The Conclusion Of Dostoevsky’S Idiot, Saera Yoon, Robert O. Efird

CLCWeb: Comparative Literature and Culture

In their article "Final Words, Final Shots: Kurosawa, Bortko, and the Conclusion of Dostoevsky’s Idiot" Robert O. Efird and Saera Yoon discuss film adaptations of Dostoevsky’s novel. Both in his homeland and abroad, the major works of Fyodor Dostoevsky have largely made for disappointing film adaptations. This article examines the cultural diversity and aesthetic motivations underlying two very different adaptations of his novel Idiot, with particular attention to the concluding scenes. Both Akira Kurosawa and Vladimir Bortko follow the novelist's lead by hinting at some form of hope and future redemption amidst the tragedy but, for different reasons, …

Dostoevsky As A Translator Of "Eugénie Grandet", Julia Titus

Dissertations, Theses, and Capstone Projects

The focus of this study in comparative criticism is a close analysis of Dostoevsky’s first literary publication - his 1844 translation of the first edition of Balzac’s Eugе́nie Grandet (1834) and the stylistic choices that he made as a young writer while working on Balzac’s novel. Through the prism of close reading this dissertation analyzes Dostoevsky’s literary debut in the context of his future mature aesthetic style and poetics. Comparing the original and the translation side by side, the dissertation focuses on the omissions, additions and substitutions that Dostoevsky brought into the text. It demonstrates how young Dostoevsky’s free translation …

For Narrativity: How Creating Narratives Structures Experience And Self, Natallia Stelmak Schabner

Dissertations, Theses, and Capstone Projects

This dissertation responds to the challenge to narrativity posed by Galen Strawson in “Against Narrativity,” where he claims that not everyone is Narrative by nature and that there is no reason to be. I make my claim “For Narrativity” as a mental process of form finding and coherence seeking over time that is an inherent mental activity and essential for experience of one’s Self. I make my case through examinations of our experience of time, our use of language, how we plan, and our sense of Self. In the first chapter, I show that considering Narrativity as viewing life as …

The Crisis Of Self-Understanding In Dostoevsky, Joshua Miller

The Kabod

This paper seeks to explain the characterization of Raskolnikov in Dostoevsky's Crime and Punishment. It makes the argument that Raskolnikov exemplifies the inexhaustible depth of the human consciousness, the quest for self-understanding, and the radical schism of the psyche which Dostoevsky wrote about in other works such as Notes From Underground. Contrasting Crime and Punishment with Joseph Conrad's Heart of Darkness, this paper concludes that Conrad's main character Marlow loses himself in the schism and that Raskolnikov finds peace through confession and repentance.

One Big Thing: Suffering As The Path To New Life In Crime And Punishment, Kelly M. Kramer

Montview Journal of Research & Scholarship

After spending a whole semester reading and thinking about Dostoevsky, the main thing that has struck me about him is his treatment of the theme of suffering. Despite, and even through, his extremely complicated characters and events, he nevertheless focuses his novels, particularly Crime and Punishment, on presenting a nuanced yet unified picture of suffering. After a brief analysis of several of the relevant characters and plot points, his thoughts on what suffering does to and for the individual will be presented. In contrast to our culture’s almost idolization of suffering as an experience which gives one instant respect, …

Themes Of Self-Laceration Towards A Modicum Of Control In Nineteenth Century Russia As Expressed By Dostoevsky In The Brothers Karamazov, Jonathan Ball

Electronic Theses and Dissertations

The majority of the academic discourse surrounding Dostoevsky and his epic, The Brothers Karamazov, has been directed toward the philosophic and religious implications of his characters. Largely overlooked, however, is the theme of laceration. In the greater scope of laceration stands the topic of self-laceration. Self-laceration refers to the practice of causing harm to the self in a premeditated and specifically emotionally destructive fashion. The cause of this experience is varied and expressed in as many ways as there are individuals. The struggle in the Russian psyche between viewing the world as fatalistic or as more of an existential …

Dostoevsky And Tolstoy's Oblique Responses To The Epidemic Of Chernyshevskian Philosophy, Zachary D. Rewinski

Honors Papers

This paper focuses on Fyodor Dostoevsky and Lev Tolstoy's subtle responses to the work and philosophy of the radical intelligent, literary critic and philosopher Nikolai Gavrilovich Chernyshevsky. Dostoevsky and Tolstoy had deep qualms about Chernyshevsky's ideas and their consequences, both for the individual and Russian society at large. The goal of this paper is to describe these ideas and consequences as they appear in two of the most famous and important works of 19th century Russian and world literature, Dostoevsky's "Crime and Punishment" and Tolstoy's "Anna Karenina."

Discussion begins with exegesis of the radical utilitarian and utopian philosophy advocated by …