Russian Literature Commons^™

From Sorochyntsi To St. Petersburg: National Identity In The Works Of Nikolai Gogol, Gary Jay Kogoy Jr.

Honors Theses

Nikolai Gogol's extant works depict a man torn between his birthplace of Ukraine and the nineteenth-century milieu of Imperial Russia. Notably, he did not reveal his name for some time after publishing his first story collection Evenings on a Farm Near Dikanka; as a result, readers attributed the tales of Ukrainian life within not to Gogol, but to the charming "Ukrainian jester" persona of Rudy Panko. Even after revealing his identity and garnering respect in the St. Petersburg literary scene, his contemporaries often viewed him as sly and suspicious because of his ancestry. Perhaps due to external doubts regarding …

Maxim Gorky’S Illusionary Reformation Of Human Nature And The Rise Of The Soviet Citizen: Socialist Realism As A Constructive Force In Mother, Alysia Gayle Meyer

Honors Projects

This paper examines the origins and evolution of the Socialist Realism movement headed by Maxim Gorky, as a defining ideological and artistic framework of the Stalin era. Emerging in response to the experimental avant-garde movements of Revolutionary Russia, Socialist Realism sought to construct the ideal Soviet Reality, reimaging society and its citizens through the lens of collectivism, labor, and ideological purity. Central to this exploration is Gorky’s first major Socialist Realist novel, Mother, which serves as a blueprint for depicting the ideal Soviet citizen. By analyzing the motivations behind this movement and its portrayal of utopian ideals, this study reveals …

No Unified Ableukhov: Orientalism And Imperialism In Andrei Bely's Petersburg., Tuesday Shaw

College of Arts & Sciences Senior Theses

This project brings into dialogue the 1913 Russian novel Petersburg by Andrei Bely and postcolonial approaches to literature, primarily those developed by Edward Said in Orientalism (1978) and Culture and Imperialism (1994). Petersburg was the product of an artistic movement, Symbolism, that idealized breaking apart boundaries between artforms. Said’s notion of Orientalism, in contrast, is based on the idea that there is an essential division between “East” and “West.” While there might appear to be a tension in applying a theory premised on division to a work that apparently wants to dissolve all boundaries, attention to Petersburg’s depiction of …

Living By The Sword: Religiosity And The Terrorist Subculture Of Russian Revolutionaries, 1904-1910, Gregory I. Mcevoy

Dissertations and Theses

The Marxist dictum of “religion is the opiate of the masses” has led to a prevailing assumption in scholarship that the socialist movements of the early twentieth century have been inherently atheistic. Religion is often associated as a remnant of old, antiquated society and incompatible with the claimed modernity of socialist progress. This assumption has led to overlooking the religiosity within certain radical movements and revolutionary culture at large. Scholarship on the political underground in Tsarist Russia has, thus far, perpetuated this impression. While it is the true that the Bolsheviks and Leninist Social Democrats rejected religion as obscurantist and …

Spectre Of Justice: Russian Reform In The Courtrooms Of Dostoevsky And Tolstoy, Abby Moore

Senior Theses

The Great Reforms of Alexander II are regarded as transformative policies in the history of Tsarist Russia, drastically changing the empire’s social and political fabric. The judicial reforms of 1864 in particular addressed longstanding issues within the existing criminal justice system, yet they also liberalized the institution at large. Following in the West’s footsteps, the reforms introduced an unprecedented level of democracy into Russia’s courtroom. Among the critics of these changes were renowned authors Fyodor Dostoevsky and Leo Tolstoy, both of whom used the realm of fiction to explore their respective concerns with reformed Russian jurisprudence. Both authors bring distinct …

The Romani People In The European Cultural Imagination: Alexander Pushkin, Prosper Mérimée And Virginia Woolf, Nadya Siyam

Theses and Dissertations

Scholarly literature on Roma is scarce compared to other racial groups as a lack of academic interest, financial limitations, and other social and political factors has constrained it. This resulted in a cross-cultural circulation of misinformation about Romani people and the reproduction of Romani myths and stereotypes in fiction. This project aims to analyze selected literary works on Gypsies from three Eastern and Western European countries and two periods to unpack the cultural and political roots of Romani literary misrepresentation. This research employs a range of theoretical frameworks chosen to put the Gypsy protagonists under maximum spotlight without unnecessary repetition, …

The Confounding Body: Female Corporeality, Androgyny, And Disgust In The Work Of Virginia Woolf And Zinaida Gippius, Yelizaveta Shapiro

Dissertations, Theses, and Capstone Projects

The Confounding Body: Female Corporeality, Androgyny, and Disgust in the Work of Virginia Woolf and Zinaida Gippius examines how the discourses of degeneration, eugenics, and sexology shaped representations of women’s bodies in British and Russian modernist literature. Focusing on the writing of Zinaida Gippius (1869-1945) and Virginia Woolf (1882-1941), I challenge the longstanding argument that both authors attempted to escape the material body by resorting to androgynous tropes. I argue that the material female body takes center stage in both Gippius’s and Woolf’s work and functions as a powerfully paradoxical entity: one that generates disgust and enables oppression while housing …

The Search For Existential Meaning: Tracing Leo Tolstoy’S Nihilism Through His Later Works, Elisabeth Koyfman

Student Theses and Dissertations

In this senior thesis, I explore the writings of acclaimed 19th-century author Leo Tolstoy through the lens of existential and ethical nihilism: a philosophical ideology espousing an assertion of a meaningless existence shaped by similarly meaningless governing social, political, and religious conventions. Prior to the author’s religious conversion at the age of 50, Tolstoy’s writings reflected a nihilistic worldview that opposed any socially accepted definition of a meaningful existence. Although within the span of 1800s Russia nihilism was strongly associated with atheism and terrorism, Tolstoy distanced himself from any accepted cultural value or label—including the negative political associations and other …

Echoes Of Eternity: The (Meta)Physics Of Time And Space In Eugene Vodolazkin's Laurus, Samuel Jayasi

World Languages, Literatures and Cultures Honors Theses

This study will consider ways in which Eugene Vodolazkin demonstrates his aesthetic and cultural understanding of what he calls “Christian reenchantment” in his novel Laurus. While “national medievalism” and “Christian reenchantment” share concerns about postmodernism, Vodolazkin’s novel investigates not so much issues of Russian national identity, but the consciousness of the age itself. Leaving aside any possibility of representing some kind of new utopia to counter the problems of postmodernism as too historically traumatic, Vodolazkin recreates the “medieval mindset” as a way to introduce “Christian reenchantment” of the (fictional) world. In the novel, the return to the medieval way …

Baba Yaga: An Ecofeminist Analysis Of The Witch Of The Woods, Maya Lozinsky

Scripps Senior Theses

In this thesis, I will argue that Baba Yaga’s prevalence in Russia’s culture and media provide a unique opportunity to gain insight into the junctures between the climate crisis and gender inequality in Russia. Despite the persistent gender inequities present in current Russian society, ecofeminist frameworks and ideologies are already deeply embedded in Russian culture. Women, as a group, have always been politically active in Russia, from resisting the introduction of Christianity in the 9th century, to the feminist resistance group Pussy Riot founded in 2011. I will examine Baba Yaga’s history, her role in the Russian folktale, and her …

Samozvanets (The Pretender), Matthew Garrell, Alikzandr Malakov

Dartmouth College Master’s Theses

he Russian word Samozvanets most directly translates to Imposter in English. However, for this thesis, I have selected the alternative interpretation of Pretender. Imposter implies the taking or assuming of another’s position. Pretender, more personally, carries the meaning of presenting self as something one is not. It is through the lens of the Pretender that I examine the idea of what it means to be a member of a particular ethnicity, and to engage with one’s cultural heritage. I do this through a collection of fictional stories, investigating various lives within the Russian diaspora following the dissolution of the Soviet …

Gamblers And The Game Of Life: A Literary Examination Of The Professional And The Addict, Annika Ozizmir

CMC Senior Theses

The gambler is a mysterious persona in life and in literature. Who is the gambler? While we can envision the gambler as many different kinds of people, this thesis seeks to answer this question by focusing on certain literary figures who gamble. Its author analyzes two archetypes in particular, that of the professional gambler and that of the addict. To illustrate these types, the author looks to four protagonists from a mix of four novels and short stories: Casino Royale by Ian Fleming, “A Gentleman’s Game” by Jonathan Lethem, “Queen of Spades” by Alexander Pushkin, and The Gambler by Fyodor …

To Whom Did Pushkin Write? The Narrator-Reader Friendship In Eugene Onegin, Tatum Grace Hall

CMC Senior Theses

In this thesis, I argue that in his novel in verse, Eugene Onegin, Alexander Pushkin transcends the traditional narrator-reader hierarchy to foster a sense of friendship between himself and his reader. I suggest that Pushkin’s desire for friendship with his reader necessitates a keen awareness of his and his reader’s collective engagement within the novel. If Pushkin seeks friendship with his readers, he must treat them as friends. Consequently, the reader’s role in Eugene Onegin is elevated to that of Pushkin’s intimate. In my analysis, I identify three methods by which Pushkin successfully fosters a sense of overlapping experience …

Making The Old New: The Recontextualization And Traditionalization Of Tree Spirits In Video Games, Alexandria Ziegler

All Graduate Plan B and other Reports, Spring 1920 to Spring 2023

Folklorists study the active rituals between humans and deities, as well as the inactive participation between them in narrative. However, they do not study the active participation that comes in the form of video games between them, though with shifts in society, this new way of engaging through digital forms is widespread and accessible. In my research, I studied Russian and Japanese tree spirits in a variety of video games to understand this new form of engagement with ancient deities. These video games are Okami, The Legend of Zelda: Breath of the Wild, Black Book, and The Witcher 3: The …

Writing Dystopia: Zamyatin’S Writing Philosophy, Genre, And The Protagonist Of We, Kelly A. Gallagher

College Honors Program

This thesis examines how Russian author Yevgeny Zamyatin (1884-1937) came to write one of the first literary dystopias. I argue that he designed dystopia in his novel We as a place that threatens the creation of what he considered “true literature,” in order to show why his conception of true literature is essential to the survival of the human spirit. The first chapter synthesizes Zamyatin’s critical essays and biographical details to reveal his writing philosophy, which I characterize as his belief that “creative revolution” sustains literature’s movement forward into the future. The second chapter explores why Zamyatin’s philosophy may have …

Once Upon A Time/There Was A Story That Began: Novelty, Endings, And Chronotope In John Barth’S The Tidewater Tales, Zachary K. Gibson

Theses and Dissertations

This thesis examines the use of frame tales, genre blending, multi-voiced narration, and circular structure in John Barth’s 1987 novel, The Tidewater Tales. It tracks the isomorphy of Barth’s general aesthetic project, set forth in his essays, “The Literature of Exhaustion,” “The Literature of Replenishment,” and “Very Like an Elephant: Reality Versus Realism,” onto the theoretical aesthetics of Russian philosopher Mikhail Bakhtin. Both Barth and Bakhtin praise the novel its omnivorous capability to accommodate, and juxtaposes conflicting genres against one another; they each see the novelist as an “arranger” or “orchestrator,” who reassembles pre-existing forms to make them …

Doppelgängers And Doubles In Literature: A Comparison Of Fyodor Dostoevsky’S Crime And Punishment And Vladimir Nabokov’S Lolita, Meghan E. Cooper

College Honors Program

This thesis is dedicated to the concept of the double character in literature and how such characters were utilized by authors Fyodor Dostoevsky in Crime and Punishment (1866) and Vladimir Nabokov in Lolita (1955). First, this thesis discusses the theoretical aspects of the double—a villainous character who mirrors another character in some way, whether in appearance or in their actions— and the religious, psychological, philosophical, and societal roots of the concept of a double in literature. Then it explores how double characters in Dostoevsky and Nabokov’s works serve a crucial role in their novels by mirroring the worst traits of …

Embodied Performance As Queer Theatre Historiography: Translation, Gender, Identity, And Temporalities In Mikhail Kuzmin's The Dangerous Precaution, Keenan Shionalyn

All Master's Theses

The “World of Art” and “The Tower,” two groups of symbolist artists in St. Petersburg at the turn of the 20^th century, are often noted for their contributions to queer art in poetry, literature, and the visual arts. However, the theatrical record has yet to acknowledge the significant contributions by these groups, largely ignoring their queer dramatic writings. Mikhail Kuzmin, a notable contributor in both groups of symbolists, is recognized for having contributed music to Meyerhold and Blok’s The Puppet Show but is less known for his multitude of plays. Seeking to remedy this problem, I examine one of …

The Problem Of Literary Development In Russian Formalism And Digital Humanities, Basil Lvoff

Dissertations, Theses, and Capstone Projects

The interest of this dissertation is how our understanding of literary development—as gradual or revolutionary; self-governed or socio-politically determined; like or unlike biological evolution—informs the status, meaning, and value of literature and literary studies. The dissertation shows how this problem—most pressing in our post-logocentric age—was addressed at the dawn of contemporary literary theory by the Russian Formalists. The latter are compared with Distant Readers, i.e., the Digital Humanists from, or conducting research in dialogue with, the Stanford Literary Lab: Franco Moretti, Matthew Jockers, Ted Underwood, William Benzon, and others.

This dissertation argues that both Russian Formalism and Distant Reading were …

On Angels’ Wings: Idolatry In Viktoria Tokareva’S “Five Figures On A Pedestal” And Lyudmila Ulitskaya’S “Angel”, Courtney E. Bentz

Undergraduate Theses, Professional Papers, and Capstone Artifacts

In his essays on Greek deities, Ralph Waldo Emerson declared: “Every man is a divinity in disguise, a god playing the fool.” While the idea of gods taking a corporeal form or angels walking among humans is a common literary trope, seldom do mortal characters find themselves compared to the divine without negative repercussions. Select post-Soviet women writers, however, flip this trope to explore the opposite. They instead embrace the human as holy, restrained by little consequence, as a means to highlight its destructive qualities in the context of an intimate relationship. These contemporary authors, Viktoria Tokareva and Lyudmila Ulitskaya, …

The Paganist Totem Birds In Slavic Folklore: The Black And The White, Anastasia Radzievska

Dissertations and Theses

It is believed that pagan cosmology once ran strong through the Slavic countries and traces are visible through the passed down folklore that spread through the land. While we talk of animals and their representation in folklore, we usually only refer to the Christian written western folklore, but these pagan born animals stand in strong contrast to them. The Slavic people believed that the world was made of diverse natural forces that shared what the Earth had to offer and worked in unison to protect one another, whereas the Christian belief saw the world as a distinct separation of man …

Issues Of Modernity In Russian And U.S. Southern Discourse: Literary And Cinematic Crosscurrents, Zachary John Killebrew

Graduate Research Theses & Dissertations

This dissertation traces formulations of modernity, national and regional identity, and economy in the literature and film of Russia and the U.S. South from serfdom to the Second World War. Studying serf and slave narratives, Russian Realist and Southern Renaissance novels such as The Brothers Karamazov (1879), Demons (1872), The Sound and the Fury (1929), Tobacco Road (1932), and Wise Blood (1952), and American and Soviet films such as Volga, Volga (1938) and Cabin in the Sky (1943), this examination locates within Russo-Southern discourses a shared interest in striking out against Western or Northern epistemologies to assert a “peripheral” modernity …

Coming To Terms With Gonzo Journalism : An Analysis In Russian Formalism., Beau Kilpatrick

Electronic Theses and Dissertations

Gonzo journalism is notoriously difficult to define because of its ambiguous nature. To date, scholarly definitions focus on historical interpretations of Gonzo’s content, its connection to social and political contexts, or the biography of Hunter S. Thompson. These definitional attempts neglect the formal devices of the composition. This thesis aims to redefine Gonzo as its own genre by using the nearly forgotten methods of Russian formalism—specifically the works of Victor Shklovsky, Vladimir Propp, and Boris Tomashevsky—to analyze the formal devices and components of its form. The results are twofold; first, it acts to rejuvenate an unpopular literary theory by illustrating …

Forbidden Attraction: Russian Poets Read T. S. Eliot During The Cold War, Nataliya Karageorgos

Dissertations, Theses, and Capstone Projects

The goal of this study is to demonstrate how the reception of T. S. Eliot, one of the leading proponents of Anglo-American modernism, shaped the aesthetics of Russian poetry in the second half of the twentieth century. In the twentieth century, Russian culture found itself in a unique situation of separation from the Western world, with which it had largely identified in the previous century. The official change of the cultural paradigm that took place in the aftermath of the October Revolution led to the advancement of the literary theory and practices of Socialist Realism, shutting off modernist tendencies and …

Blood, Water And Mars: Soviet Science And The Alchemy For A New Man, Sophie Y. Andarovna

All Master's Theses

The themes of blood, water and Mars in Soviet science and technology show the strong utopian and even religious foundations of Soviet society, which invariably centered around forging a new environment and, in so doing, a new variety of human to inhabit it. In the minds and experiments of some of the radical men behind Russia’s Revolution, blood was to create a more advanced, biologically “equal” humanity capable of potential immortality, while water was harnessed with the millenarian aim of transforming the Soviet Union’s vast landscape into fields of bountiful fertility, as well as cities of efficient industry. Mars represents …

Diagnosing The Will To Suffer: Lovesickness In The Medical And Literary Traditions, Jane Shmidt

Dissertations, Theses, and Capstone Projects

Throughout Western medical history, unconsummated, unreturned, or otherwise failed love was believed to generate a disorder of the mind and body that manifested in physiological and psychological symptoms. This study traces the medical and literary history of lovesickness from antiquity through the 19^th century, emphasizing significant moments in the development of the medical discourse on love. The project is part of the recent academic focus on the intersection between the humanities and the medical sciences, and it situates literary texts in concurrent medical and philosophical debates on afflictions of the psyche. By contextualizing the fictional works within the scientific …

Old Belief And The Balance Of Red And Blue: How Old Believers Managed Cultural Infringement, Joseph K. Van Den Berg

History

This paper covers the spread of the Old Believers into Western society, studying how they changed and evolved during the Cold War. The paper focuses on two communities, using them to compare the different attitudes Old Believers had towards differing host cultures. Using a litany of newspapers and the work of a few dedicated anthropologists, "Old Belief and the Balance of Red and Blue: How Old Believers Managed Cultural Infringement" shows the vast array of responses to a small group of Russian sectarians establishing themselves within Western Cultures of differing size and values.

Title., Douglas Miller

Electronic Theses and Dissertations

Title is a series of drawings that explores the aspects of failed projects and the complications of representation within literary and visual practices. This series is informed by preliminary drawings, marginalia, and written notations that are inherent in the formulation processes of both visual and literary compositions. Through an investigation of the 19th Century Russian author Nikolai Gogol’s unfinished novel Dead Souls, I situate this series of drawings as a means to conflate literary theories with visual representation. In this way, the Title series presents fragmentary images, texts, and digressive narratives that demonstrate intermediaries between propositional states and reconciled …

Dostoevsky As A Translator Of "Eugénie Grandet", Julia Titus

Dissertations, Theses, and Capstone Projects

The focus of this study in comparative criticism is a close analysis of Dostoevsky’s first literary publication - his 1844 translation of the first edition of Balzac’s Eugе́nie Grandet (1834) and the stylistic choices that he made as a young writer while working on Balzac’s novel. Through the prism of close reading this dissertation analyzes Dostoevsky’s literary debut in the context of his future mature aesthetic style and poetics. Comparing the original and the translation side by side, the dissertation focuses on the omissions, additions and substitutions that Dostoevsky brought into the text. It demonstrates how young Dostoevsky’s free translation …

Ideology In Literature And Literature As Ideology: Totalitarian And Reactionary Appropriation Of Resistant Texts, Huntley Hughes

Master’s Theses

This thesis seeks to explore the means by which nominally or potentially resistant texts are appropriated into violent or exploitative political structures for propaganda and profit. In the first chapter two pre-soviet Russian novels closely associated with the radical tradition are examined, through the lens of literary analysis, in order to uncover the ways in which ideologically egalitarian revolutionary movements can degenerate into authoritarian regimes. The second chapter is concerned with a Welsh text, How Green Was My Valley, which, despite being concerned with the conditions of the Welsh mining class, utilizes the narrative form of childhood recollection to insidiously …