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Full-Text Articles in Russian Literature
No Unified Ableukhov: Orientalism And Imperialism In Andrei Bely's Petersburg., Tuesday Shaw
No Unified Ableukhov: Orientalism And Imperialism In Andrei Bely's Petersburg., Tuesday Shaw
College of Arts & Sciences Senior Theses
This project brings into dialogue the 1913 Russian novel Petersburg by Andrei Bely and postcolonial approaches to literature, primarily those developed by Edward Said in Orientalism (1978) and Culture and Imperialism (1994). Petersburg was the product of an artistic movement, Symbolism, that idealized breaking apart boundaries between artforms. Said’s notion of Orientalism, in contrast, is based on the idea that there is an essential division between “East” and “West.” While there might appear to be a tension in applying a theory premised on division to a work that apparently wants to dissolve all boundaries, attention to Petersburg’s depiction of …
Coming To Terms With Gonzo Journalism : An Analysis In Russian Formalism., Beau Kilpatrick
Coming To Terms With Gonzo Journalism : An Analysis In Russian Formalism., Beau Kilpatrick
Electronic Theses and Dissertations
Gonzo journalism is notoriously difficult to define because of its ambiguous nature. To date, scholarly definitions focus on historical interpretations of Gonzo’s content, its connection to social and political contexts, or the biography of Hunter S. Thompson. These definitional attempts neglect the formal devices of the composition. This thesis aims to redefine Gonzo as its own genre by using the nearly forgotten methods of Russian formalism—specifically the works of Victor Shklovsky, Vladimir Propp, and Boris Tomashevsky—to analyze the formal devices and components of its form. The results are twofold; first, it acts to rejuvenate an unpopular literary theory by illustrating …
Title., Douglas Miller
Title., Douglas Miller
Electronic Theses and Dissertations
Title is a series of drawings that explores the aspects of failed projects and the complications of representation within literary and visual practices. This series is informed by preliminary drawings, marginalia, and written notations that are inherent in the formulation processes of both visual and literary compositions. Through an investigation of the 19th Century Russian author Nikolai Gogol’s unfinished novel Dead Souls, I situate this series of drawings as a means to conflate literary theories with visual representation. In this way, the Title series presents fragmentary images, texts, and digressive narratives that demonstrate intermediaries between propositional states and reconciled …