Russian Literature Commons^™

From Sorochyntsi To St. Petersburg: National Identity In The Works Of Nikolai Gogol, Gary Jay Kogoy Jr.

Honors Theses

Nikolai Gogol's extant works depict a man torn between his birthplace of Ukraine and the nineteenth-century milieu of Imperial Russia. Notably, he did not reveal his name for some time after publishing his first story collection Evenings on a Farm Near Dikanka; as a result, readers attributed the tales of Ukrainian life within not to Gogol, but to the charming "Ukrainian jester" persona of Rudy Panko. Even after revealing his identity and garnering respect in the St. Petersburg literary scene, his contemporaries often viewed him as sly and suspicious because of his ancestry. Perhaps due to external doubts regarding …

No Unified Ableukhov: Orientalism And Imperialism In Andrei Bely's Petersburg., Tuesday Shaw

College of Arts & Sciences Senior Theses

This project brings into dialogue the 1913 Russian novel Petersburg by Andrei Bely and postcolonial approaches to literature, primarily those developed by Edward Said in Orientalism (1978) and Culture and Imperialism (1994). Petersburg was the product of an artistic movement, Symbolism, that idealized breaking apart boundaries between artforms. Said’s notion of Orientalism, in contrast, is based on the idea that there is an essential division between “East” and “West.” While there might appear to be a tension in applying a theory premised on division to a work that apparently wants to dissolve all boundaries, attention to Petersburg’s depiction of …

Odesa Will Never Be A 'Russian' City Again, Ian R. Singleton

Living in Languages

Russophone poet Galina Itskovich wrote the statement serving as the title of this text about the identity of her native Odesa, Ukraine in 2023, more than a year and a half after the full-scale invasion by Russia. I propose an examination of the relationship of contemporary Odesan writers to the Russian language. Sources for this examination include the work of writers in or from Odesa such as Galina Itskovich, Maria Galina, Oleg Fesenko, and Igor Bozhko. To discuss what this situation means for translation, such as is demanded by Ukraine’s 2019 law on the status of the Ukrainian language, I …

The Romani People In The European Cultural Imagination: Alexander Pushkin, Prosper Mérimée And Virginia Woolf, Nadya Siyam

Theses and Dissertations

Scholarly literature on Roma is scarce compared to other racial groups as a lack of academic interest, financial limitations, and other social and political factors has constrained it. This resulted in a cross-cultural circulation of misinformation about Romani people and the reproduction of Romani myths and stereotypes in fiction. This project aims to analyze selected literary works on Gypsies from three Eastern and Western European countries and two periods to unpack the cultural and political roots of Romani literary misrepresentation. This research employs a range of theoretical frameworks chosen to put the Gypsy protagonists under maximum spotlight without unnecessary repetition, …

The Confounding Body: Female Corporeality, Androgyny, And Disgust In The Work Of Virginia Woolf And Zinaida Gippius, Yelizaveta Shapiro

Dissertations, Theses, and Capstone Projects

The Confounding Body: Female Corporeality, Androgyny, and Disgust in the Work of Virginia Woolf and Zinaida Gippius examines how the discourses of degeneration, eugenics, and sexology shaped representations of women’s bodies in British and Russian modernist literature. Focusing on the writing of Zinaida Gippius (1869-1945) and Virginia Woolf (1882-1941), I challenge the longstanding argument that both authors attempted to escape the material body by resorting to androgynous tropes. I argue that the material female body takes center stage in both Gippius’s and Woolf’s work and functions as a powerfully paradoxical entity: one that generates disgust and enables oppression while housing …

Doppelgängers And Doubles In Literature: A Comparison Of Fyodor Dostoevsky’S Crime And Punishment And Vladimir Nabokov’S Lolita, Meghan E. Cooper

College Honors Program

This thesis is dedicated to the concept of the double character in literature and how such characters were utilized by authors Fyodor Dostoevsky in Crime and Punishment (1866) and Vladimir Nabokov in Lolita (1955). First, this thesis discusses the theoretical aspects of the double—a villainous character who mirrors another character in some way, whether in appearance or in their actions— and the religious, psychological, philosophical, and societal roots of the concept of a double in literature. Then it explores how double characters in Dostoevsky and Nabokov’s works serve a crucial role in their novels by mirroring the worst traits of …

The Problem Of Literary Development In Russian Formalism And Digital Humanities, Basil Lvoff

Dissertations, Theses, and Capstone Projects

The interest of this dissertation is how our understanding of literary development—as gradual or revolutionary; self-governed or socio-politically determined; like or unlike biological evolution—informs the status, meaning, and value of literature and literary studies. The dissertation shows how this problem—most pressing in our post-logocentric age—was addressed at the dawn of contemporary literary theory by the Russian Formalists. The latter are compared with Distant Readers, i.e., the Digital Humanists from, or conducting research in dialogue with, the Stanford Literary Lab: Franco Moretti, Matthew Jockers, Ted Underwood, William Benzon, and others.

This dissertation argues that both Russian Formalism and Distant Reading were …

Final Words, Final Shots: Kurosawa, Bortko And The Conclusion Of Dostoevsky’S Idiot, Saera Yoon, Robert O. Efird

CLCWeb: Comparative Literature and Culture

In their article "Final Words, Final Shots: Kurosawa, Bortko, and the Conclusion of Dostoevsky’s Idiot" Robert O. Efird and Saera Yoon discuss film adaptations of Dostoevsky’s novel. Both in his homeland and abroad, the major works of Fyodor Dostoevsky have largely made for disappointing film adaptations. This article examines the cultural diversity and aesthetic motivations underlying two very different adaptations of his novel Idiot, with particular attention to the concluding scenes. Both Akira Kurosawa and Vladimir Bortko follow the novelist's lead by hinting at some form of hope and future redemption amidst the tragedy but, for different reasons, …

Retro-Future In Post-Soviet Dystopia, Sergey Toymentsev

CLCWeb: Comparative Literature and Culture

In his article “Retro-Future in Post-Soviet Dystopia” Sergey Toymentsev explores the vision of retrospective future in such Russian novels as Tatiana Tolstaya’s The Slynx, Vladimir Sorokin’s Day of the Oprichnik, Olga Slavnikova’s 2017, and Dmitry Bykov’s Zhd. Unlike Zamyatin’s and Platonov’s anti-Soviet satires, post-Soviet dystopias do not respond to any utopian narrative, but project the historical and ideological reality of Russia’s violent (predominantly Soviet) past into the future. Such a traumatic reenactment of the Soviet past in the dystopian future testifies to the rise of authoritarianism in contemporary Russia as well as its incomplete collective memory …

Coming To Terms With Gonzo Journalism : An Analysis In Russian Formalism., Beau Kilpatrick

Electronic Theses and Dissertations

Gonzo journalism is notoriously difficult to define because of its ambiguous nature. To date, scholarly definitions focus on historical interpretations of Gonzo’s content, its connection to social and political contexts, or the biography of Hunter S. Thompson. These definitional attempts neglect the formal devices of the composition. This thesis aims to redefine Gonzo as its own genre by using the nearly forgotten methods of Russian formalism—specifically the works of Victor Shklovsky, Vladimir Propp, and Boris Tomashevsky—to analyze the formal devices and components of its form. The results are twofold; first, it acts to rejuvenate an unpopular literary theory by illustrating …

Forbidden Attraction: Russian Poets Read T. S. Eliot During The Cold War, Nataliya Karageorgos

Dissertations, Theses, and Capstone Projects

The goal of this study is to demonstrate how the reception of T. S. Eliot, one of the leading proponents of Anglo-American modernism, shaped the aesthetics of Russian poetry in the second half of the twentieth century. In the twentieth century, Russian culture found itself in a unique situation of separation from the Western world, with which it had largely identified in the previous century. The official change of the cultural paradigm that took place in the aftermath of the October Revolution led to the advancement of the literary theory and practices of Socialist Realism, shutting off modernist tendencies and …

Diagnosing The Will To Suffer: Lovesickness In The Medical And Literary Traditions, Jane Shmidt

Dissertations, Theses, and Capstone Projects

Throughout Western medical history, unconsummated, unreturned, or otherwise failed love was believed to generate a disorder of the mind and body that manifested in physiological and psychological symptoms. This study traces the medical and literary history of lovesickness from antiquity through the 19^th century, emphasizing significant moments in the development of the medical discourse on love. The project is part of the recent academic focus on the intersection between the humanities and the medical sciences, and it situates literary texts in concurrent medical and philosophical debates on afflictions of the psyche. By contextualizing the fictional works within the scientific …

Title., Douglas Miller

Electronic Theses and Dissertations

Title is a series of drawings that explores the aspects of failed projects and the complications of representation within literary and visual practices. This series is informed by preliminary drawings, marginalia, and written notations that are inherent in the formulation processes of both visual and literary compositions. Through an investigation of the 19th Century Russian author Nikolai Gogol’s unfinished novel Dead Souls, I situate this series of drawings as a means to conflate literary theories with visual representation. In this way, the Title series presents fragmentary images, texts, and digressive narratives that demonstrate intermediaries between propositional states and reconciled …

Dostoevsky As A Translator Of "Eugénie Grandet", Julia Titus

Dissertations, Theses, and Capstone Projects

The focus of this study in comparative criticism is a close analysis of Dostoevsky’s first literary publication - his 1844 translation of the first edition of Balzac’s Eugе́nie Grandet (1834) and the stylistic choices that he made as a young writer while working on Balzac’s novel. Through the prism of close reading this dissertation analyzes Dostoevsky’s literary debut in the context of his future mature aesthetic style and poetics. Comparing the original and the translation side by side, the dissertation focuses on the omissions, additions and substitutions that Dostoevsky brought into the text. It demonstrates how young Dostoevsky’s free translation …

Zamyatin's Reception Of Wells's Fiction, Natalia Aksenova, Marina Khatyamova

CLCWeb: Comparative Literature and Culture

In their article "Zamyatin's Reception of Well's Fiction," Natalia Aksenova and Marina Albertovna Khatyamova examine several essays written by Yevgeny Zamyatin on Herbert Wells's texts and analyse Zamyatin's reception of Wells's work. Wells's ironic mindset, plot-driven writings, and attraction to parody drew Zamyatin's attention. Zamyatin felt a rapport with the central role of plot dynamics, unorthodox socialist politics, and dystopian tendencies in Wells's fiction. Discussions of the artistic qualities of Wells's writings allow Zamyatin to expound upon his own aesthetic program, known as "synthetism." In these discussions Zamyatin interprets Wells's work as a complex interpretation of technological modernity where the …

A Theory Of Genre Formation In The Twentieth Century, Michael Rodgers

CLCWeb: Comparative Literature and Culture

In his article "A Theory of Genre Formation in the Twentieth Century" Michael Rodgers explores the relationship between Vladimir Nabokov's Invitation to a Beheading and magical realism in order to theorize about genre formation in the twentieth century. Rodgers argues not only that specific twentieth-century narrative forms are bound intrinsically with literary realism and socio-political conditions, but also that these factors can produce formal commonalities.

The Literary Unconscious: Ideology And Utopia In The Nineteenth-Century Realist Novel In England And Russia, Isra Ahmed Daraiseh

Graduate Theses and Dissertations

In this volume, I have examined a number of works of nineteenth-century realist fiction from England and Russia, using the double interpretive method recommended by Fredric Jameson in The Political Unconscious. In particular, I have employed the dialectical double hermeneutic suggested by Jameson, who argues that the most productive approach to literary texts is to consider them from the double perspective of ideology and utopia. That is, critics should approach literary texts by seeking out the ideological roots that lie beneath the textual surface and from which the texts grow, while at the same time keeping a careful eye out …

Review: Electric Salome, Loie Fuller's Performance Of Modernism, Tim Scholl

Faculty & Staff Scholarship

No abstract provided.

A Calendar Of Wisdom. Daily Thoughts To Nourish The Soul. Written And Selected From The World's Sacred Texts (Book Review), Yvonne Howell

Languages, Literatures, and Cultures Faculty Publications

Tolstoy spent over fifteen years collecting "the wisdom of the centuries in one book" (6). He began compiling this wisdom in written form, as quotes from the world's sacred texts and from famous (as well as obscure) artists, in 1902-1903. The first version of the resulting book was published in 1904. It was reprinted three times during his lifetime, variously titled Thoughts of Wise Men, A Circle of Reading, or The Way of Life. It is the early version of the book that made it into the 1957 Soviet edition of Tolstoy's collected works as Krug chteniia: …

The Great Day: A Fantasy Play In Five Acts, Six Scenes By Vladimir Kirshon, Christopher Lee Philips

Institute for the Humanities Theses

Vladimir Kirshon was a proletarian playwright of the Soviet Union who died in the Great Purge. The thesis presents an English version of the author's last play, The Great Day, which is preceded by an introduction which places Kirshon and his plays in their proper historical context. The introduction details Kirshon's political and artistic background and his politico-literary position as a playwright. The introduction and analysis of the play produce an understanding of Vladimir Kirshon as a Soviet proletarian playwright and an understanding of the spirit in which The Great Day was written.