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Articles 1 - 11 of 11
Full-Text Articles in Russian Literature
Ruslan And Lolita: Nabokov's Pursuit Of Pushkin's Monsters, Maidens, And Morals, Ludmila Lavine
Ruslan And Lolita: Nabokov's Pursuit Of Pushkin's Monsters, Maidens, And Morals, Ludmila Lavine
Faculty Journal Articles
This article discusses the Russian precursor to Humbert’s explicit “kingdom by the sea”: Pushkin’s mock-epic Ruslan and Liudmila (RL). An amalgam of Slavic and Western folklore that scandalized the reading public in its day, Pushkin’s work underpins Nabokov’s own transnational position as a writer whose splash onto the Anglophone scene was accompanied by similar outcries of smut and pornography. In addition to a multitude of fairy-tale sources already documented in the scholarship, Lolita’s cluster of mermaids, sleeping beauties, dark magic, invisibility, pursuit and captivity, physical topography, and “brothers”-rivals finds in Pushkin’s RL a synthesizing subtext. Moreover, Pushkin’s play …
Samozvanets (The Pretender), Matthew Garrell, Alikzandr Malakov
Samozvanets (The Pretender), Matthew Garrell, Alikzandr Malakov
Dartmouth College Master’s Theses
he Russian word Samozvanets most directly translates to Imposter in English. However, for this thesis, I have selected the alternative interpretation of Pretender. Imposter implies the taking or assuming of another’s position. Pretender, more personally, carries the meaning of presenting self as something one is not. It is through the lens of the Pretender that I examine the idea of what it means to be a member of a particular ethnicity, and to engage with one’s cultural heritage. I do this through a collection of fictional stories, investigating various lives within the Russian diaspora following the dissolution of the Soviet …
Once Upon A Time/There Was A Story That Began: Novelty, Endings, And Chronotope In John Barth’S The Tidewater Tales, Zachary K. Gibson
Once Upon A Time/There Was A Story That Began: Novelty, Endings, And Chronotope In John Barth’S The Tidewater Tales, Zachary K. Gibson
Theses and Dissertations
This thesis examines the use of frame tales, genre blending, multi-voiced narration, and circular structure in John Barth’s 1987 novel, The Tidewater Tales. It tracks the isomorphy of Barth’s general aesthetic project, set forth in his essays, “The Literature of Exhaustion,” “The Literature of Replenishment,” and “Very Like an Elephant: Reality Versus Realism,” onto the theoretical aesthetics of Russian philosopher Mikhail Bakhtin. Both Barth and Bakhtin praise the novel its omnivorous capability to accommodate, and juxtaposes conflicting genres against one another; they each see the novelist as an “arranger” or “orchestrator,” who reassembles pre-existing forms to make them …
The Forest, The Trees, The Bark, The Pith: An Intensive Look At The Circulation Rates Of Primary Texts In Ten Major Literature Areas At The University Of Oregon Libraries, Jeff D. Staiger
Charleston Library Conference
This poster looks at the circulation rate for literary primary texts, which constitute a unique area of collecting in academic libraries: while they do not in most cases meet immediate research needs, it is assumed that libraries ought to acquire them, for reasons including future research needs, preservation of the cultural record, and the ability of members of the intellectual community to stay current, those these remain primarily tacit. The circulation trends of contemporary literary works in ten areas of literature (English, American, German, French, Italian, Spanish, Latin American, Chinese, Japanese, and Russian) over the past twenty years at the …
Issues Of Modernity In Russian And U.S. Southern Discourse: Literary And Cinematic Crosscurrents, Zachary John Killebrew
Issues Of Modernity In Russian And U.S. Southern Discourse: Literary And Cinematic Crosscurrents, Zachary John Killebrew
Graduate Research Theses & Dissertations
This dissertation traces formulations of modernity, national and regional identity, and economy in the literature and film of Russia and the U.S. South from serfdom to the Second World War. Studying serf and slave narratives, Russian Realist and Southern Renaissance novels such as The Brothers Karamazov (1879), Demons (1872), The Sound and the Fury (1929), Tobacco Road (1932), and Wise Blood (1952), and American and Soviet films such as Volga, Volga (1938) and Cabin in the Sky (1943), this examination locates within Russo-Southern discourses a shared interest in striking out against Western or Northern epistemologies to assert a “peripheral” modernity …
Coming To Terms With Gonzo Journalism : An Analysis In Russian Formalism., Beau Kilpatrick
Coming To Terms With Gonzo Journalism : An Analysis In Russian Formalism., Beau Kilpatrick
Electronic Theses and Dissertations
Gonzo journalism is notoriously difficult to define because of its ambiguous nature. To date, scholarly definitions focus on historical interpretations of Gonzo’s content, its connection to social and political contexts, or the biography of Hunter S. Thompson. These definitional attempts neglect the formal devices of the composition. This thesis aims to redefine Gonzo as its own genre by using the nearly forgotten methods of Russian formalism—specifically the works of Victor Shklovsky, Vladimir Propp, and Boris Tomashevsky—to analyze the formal devices and components of its form. The results are twofold; first, it acts to rejuvenate an unpopular literary theory by illustrating …
‘The Shadow And The Law’: Stevenson, Nabokov And Dostoevsky, Rose France
‘The Shadow And The Law’: Stevenson, Nabokov And Dostoevsky, Rose France
Studies in Scottish Literature
Discusses Vladimir Nabokov's comments in lectures at Cornell praising Robert Louis Stevenson's The Strange Case of Dr Jekyll and Mr Hyde while condemning Fyodor Dostoevsky's Crime and Punishment, and compares the two novels' treatment of the double in their central character with Nabokov's Humbert Humbert in Lolita.
Adapting Skazki: How American Authors Reinvent Russian Fairy Tales, Sarah Krasner
Adapting Skazki: How American Authors Reinvent Russian Fairy Tales, Sarah Krasner
Scripps Senior Theses
Adaptations of works have the potential to bring their subject matter to a new audience. This thesis explores the adaptation of Russian fairy tales into novels by authors Orson Scott Card and Joy Preble by looking at how they present Russian fairy tales, folkloric figures, and fairy tale structure to an American audience.
A Theory Of Genre Formation In The Twentieth Century, Michael Rodgers
A Theory Of Genre Formation In The Twentieth Century, Michael Rodgers
CLCWeb: Comparative Literature and Culture
In his article "A Theory of Genre Formation in the Twentieth Century" Michael Rodgers explores the relationship between Vladimir Nabokov's Invitation to a Beheading and magical realism in order to theorize about genre formation in the twentieth century. Rodgers argues not only that specific twentieth-century narrative forms are bound intrinsically with literary realism and socio-political conditions, but also that these factors can produce formal commonalities.
An Anti-Locust Campaign In Nabokov (And Pushkin), Victor Fet
An Anti-Locust Campaign In Nabokov (And Pushkin), Victor Fet
Biological Sciences Faculty Research
Pushkin’s non-apocryphal anti-locust campaign is reflected in Nabokov’s unpublished sequel to The Gift.
Notes On Eryx, Omega, And Ata, Victor Fet
Notes On Eryx, Omega, And Ata, Victor Fet
Biological Sciences Faculty Research
Observations on several Nabokov’s works (Pale Fire, Lolita) where geographic or zoological names provide sources for puns and hidden parallels.