American Sign Language Commons^™

Silent And Accessible Theatre, Nicole Line

Honors Projects

Silent and Deaf accessible theatre challenges the stereotypes many people have of theatre and introduces audiences to new perceptions of the artform. When it comes to theatre, one often thinks of long, multi-act plays with lots of spoken dialogue. While this is the most common style of theatrical performance, there is more to theatre than staged language. When deciding my project’s concept this past year, I brainstormed many different ways to include all areas of my studies here at BGSU including theatre, dance, and American Sign Language (ASL). I am very passionate about these aspects and wanted my project to …

Deaf Inclusion And Accessibility In The Dance Field, Samantha M. Doyle, Caroline S. Clark

Symposium of Student Scholars

Over the past ten years, the dance field in the United States has shifted towards practicing diversity and inclusion. However, there are still underrepresented groups in dance, such as the Deaf community. There is a current lack of pedagogical content to help dance teachers and choreographers be inclusive to Deaf dancers. This research addresses the gap by discussing issues and access for Deaf and hard-of-hearing (HOH) dancers in the dance classroom and on stage. To do so, I present a literature review and analysis of current scholarship with a goal of bringing awareness to the current lack of accessibility to …

Captions For Covid? Hearing Accessibility In Virtual "Zoom" Theatre, Gianna Schuetz

Honors Theses

The COVID-19 pandemic shut the doors of theatres across the United States and the rest of the world. Live theatre came to a sudden halt as gatherings of people served as significant health risks. As live theatre performances became nearly obsolete, many theatre organizations were forced to creatively adapt to move their programming to a virtual format. Presenting theatre in a virtual format brings many challenges; however, it also brings opportunities for increased accessibility and access, particularly for individuals who are hard of hearing.

The following thesis explores hearing accessibility measures taken by theatre companies as they ventured into virtual …

Baggage: An Original Script And Production Furthering The Evolution Of Deaf Theatre, Nikolya Sereda

Undergraduate University Honors Capstones

As an homage to the musical RENT, I wrote and directed an original play entitled Baggage, a semi-autobiographical coming-of-age story, that was produced for the Gallaudet University Theatre Department’s spring 2019 production. Baggage follows three Deaf teenagers, Michaela, Gage, and Isabel, who connect through the music of RENT, as they find themselves entangled which ultimately ends in a falling out. The play also shows the experience of growing up in a hearing family as Michaela, Gage, and Isabel face frustration, underestimation, and neglect in their families. To spotlight the multifaceted ways of experiencing deafness, three songs from RENT were incorporated …

Staging Medea For D/Deaf Audiences In The 21st Century: Strategic Adaptation, Translation, And Production Approaches To Greek Theatre, Casey Johnson-Pasqua

Undergraduate University Honors Capstones

Greek theatre and Deaf theatre are two forms of theatre that are on the opposite ends of a sensory spectrum. Greek theatre is auditory-based with an acoustically designed stage, seating twenty-five thousand. With two to three actors on the stage, movements are minimal, and masks are used to portray numerous characters. Visually based Deaf theatre uses movement through facial expression, body language, and American Sign Language. Because of this sharp contrast, there has been hesitancy in taking on a Greek play in Deaf theatre. Gallaudet University’s Theatre and Dance program has not produced an ancient Greek tragedy since Ethan Sinnott’s …