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2020

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Articles 121 - 150 of 401

Full-Text Articles in Rhetoric and Composition

Beyond Privilege: Building A Writing Life When You Have No Room Of Your Own, Claire Rudy Foster Oct 2020

Beyond Privilege: Building A Writing Life When You Have No Room Of Your Own, Claire Rudy Foster

The Review Review

What do you need to write? A pen and paper, for some people. Keyboard. You need a table or a lap or a drawing board. If you’re making an outline or storyboard, you need a wall to pin your notes on and watch them as they migrate. These objects and surfaces have to be secure, too. The worst fear is leaving a notebook open and losing pages to the wind. A writer is usually one hard drive crash away from total misery. But, looking more deeply, the writer’s craft requires space. And time. The combination of these, in the act …

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¡Qué Bueno! Literary Magazines For Latino And Bilingual Writers, Lauren Rheaume Oct 2020

¡Qué Bueno! Literary Magazines For Latino And Bilingual Writers, Lauren Rheaume

The Review Review

As The Acentos Review website states, “The debate may rage forever as to who or what constitutes Latin@ art...We are already here, writing the histories of our neighborhoods, following the traditions of our ancestors, as well as the poetic traditions that came before us.” Whereas Latino writers may be among the underrepresented, underappreciated artists of our world, there are certainly many outlets carved out specifically for them to display their talents. There are also many encouraging communities out there, like the Latino Writer’s Collective of Kansas City, and the Facebook community Con Tinta which “believes in affirming a pro-active …

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An Ecclectic Collection; Review Of Colorado Review, Fall/Winter 2007, Ellyn Ruthstrom Oct 2020

An Ecclectic Collection; Review Of Colorado Review, Fall/Winter 2007, Ellyn Ruthstrom

The Review Review

The Center for Literary Publishing is a hub for both new and mature writers provided by Colorado State University. Its flagship journal is the thrice-yearly Colorado Review. Not subscribing to a particular school of literature, the pages of the fall/winter issue have a remarkably eclectic flavor to them. Editor Stephanie G'Schwind packs a lot of work into this 200-page volume.

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Journal Has Heart, But Not Without Faults; Review Of December, Spring/Summer 2018, Craig Ledoux Oct 2020

Journal Has Heart, But Not Without Faults; Review Of December, Spring/Summer 2018, Craig Ledoux

The Review Review

It is a sense of unease, a creeping evil, that december brings front and center to the Spring/Summer issue of 2018. The cover image, stitched woolwork by Lisa Ann Auerbach, depicts a cobwebbed bookcase, half full of books on wealth and deal making, written by and for the current president. On the bottom shelf, a revolver is wedged between Think Big and Kick Ass and The America We Deserve. Above, two books by Adolf Hitler—which the president reportedly owns—are bookended by a handgun. In her artist’s statement, Auerbach says she made the piece “before the election, back when everyone …

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Esteemed Lit Mag Charts Wide Experience Of Human Nature; Review Of Five Points, Winter 2015 - 2016, Tripp Reade Oct 2020

Esteemed Lit Mag Charts Wide Experience Of Human Nature; Review Of Five Points, Winter 2015 - 2016, Tripp Reade

The Review Review

Shall I begin with the Five Points 17.1 contributor’s list? Will you want to know that these pages are spangled with NEA, Guggenheim, and Rockefeller fellowships, Pushcart, Library of Congress, and AWP prizes, magazine editors, professors, and poets-in residence? That the list of their published chapbooks, collections, short stories, and novels would consume the rest of this review if I let it? Or will it be better to turn aside, into a consideration of the issue itself? The latter? By all means, then.

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Esteemed Australian Lit Mag Brims With Dynamic Culture; Review Of Meanjin, Winter 2014, Amy Clarke Oct 2020

Esteemed Australian Lit Mag Brims With Dynamic Culture; Review Of Meanjin, Winter 2014, Amy Clarke

The Review Review

As the opening editorial points out, Meanjin began as a poetry magazine nearly 75 years ago, and it continues to count the verse-driven art as its lifeblood. The poems in this edition are scattered throughout, running like veins through the entire edition, keeping the pulse and purpose of the magazine always at the forefront of the reader’s mind. Varying in style and composition, full of free verse and experimental forms, these poems are written by seasoned professionals and burgeoning artists alike. Meanjin Volume 73 begins with several brief articles under the heading, Perspectives, which explore the topics of modern day …

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A Place For The Offbeat; Review Of Jokes Review, Summer 2018, Kim Jacobs-Beck Oct 2020

A Place For The Offbeat; Review Of Jokes Review, Summer 2018, Kim Jacobs-Beck

The Review Review

Some writers specialize in humor or in the offbeat. Even those who do not sometimes play with the form. Jokes Review wants to see your funny poem or offbeat piece of fiction. This is a new journal, started in summer 2016, published biannually online and in print. Editors Peter Clarke, Matt Kramer, Mark Dwyer and Erica Stumpe say that their vision is to “promote writers and artists whose work just took a wrong turn and went ever-so-gracefully off the deep end.” They accept all literary genres and visual art, and encourage experimental, hybrid, humorous, and “scraps” of writing, as well …

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On Editing Prose, The Gender Gap In Publishing, And Eating Alligator!: A Chat With Cara Blue Adams, Editor Of Southern Review, Cara Blue Adams, Katie Hunt Oct 2020

On Editing Prose, The Gender Gap In Publishing, And Eating Alligator!: A Chat With Cara Blue Adams, Editor Of Southern Review, Cara Blue Adams, Katie Hunt

The Review Review

Cara Blue Adams's fiction has appeared in Narrative, The Kenyon Review, and The Sun, among other journals. She won the Kenyon Review Short Fiction Prize. She lives in Baton Rouge, where she is the fiction and nonfiction editor of The Southern Review.

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Freedom Of Expression: A Chat With David Haglund, Editor Of Pen America, David Haglund, Becky Tuch Oct 2020

Freedom Of Expression: A Chat With David Haglund, Editor Of Pen America, David Haglund, Becky Tuch

The Review Review

David Haglund is the Managing Editor of PEN America, the literary magazine published by PEN American Center. He has written articles and reviews for Slate, The London Review of Books, The New York Times Book Review, Bookforum, and other publications, and serves on the board of the National Book Critics Circle and as the poetry editor of Dialogue. He studied English and American literature at the University of Chicago and Oxford and he has taught literature and writing at Harvard, Oxford, and Hunter College.

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Where Are The Female Lit Mag Editors? Here., Danielle Lazarin Oct 2020

Where Are The Female Lit Mag Editors? Here., Danielle Lazarin

The Review Review

What has always stuck with me about the VIDA count isn’t the statistics themselves—horrid but not, if you’re from any underrepresented group, shocking—but the discussion, mostly anecdotal, of how women are not repeat submitters to literary magazines; men are more likely to send out again once they’ve been rejected. This was me: I have many kind rejections, years old, that say “please send again,” or “we’d like to see more work,” and yet, I didn’t.

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Improving The State Of Society And Making Men Happy: Rhetorical Citizenship In Historical And Contemporary Vegetarian/Vegan Discourses, Kristin E. Kondrlik Oct 2020

Improving The State Of Society And Making Men Happy: Rhetorical Citizenship In Historical And Contemporary Vegetarian/Vegan Discourses, Kristin E. Kondrlik

Sustainability Research & Practice Seminar Presentations

No abstract provided.

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Black Lives Matter, Armando Delgado Oct 2020

Black Lives Matter, Armando Delgado

English Department: Research for Change - Wicked Problems in Our World

The Black Lives Matter movement first started in 2013 by three strong African Americans women: Alicia Garza, Patrisse Cullors and Opal Tometi. The movement was created after black lives were being taken by police officers in shootings that could have been deescalated. The research project introduces on how the movement was started and the goal is for the readers to understand why the people are so angry, the reasons they are protesting and to fight for equality around the United States. Since this is still an accruing issue, I tried to get all the info I could get in as …

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Wicked Problem In The Middle-Class, Rebecca C. Boyer Oct 2020

Wicked Problem In The Middle-Class, Rebecca C. Boyer

English Department: Research for Change - Wicked Problems in Our World

The middle-class has been decreasing in size for years, no one factor can cause this to happen. The economy won't be able to grow without Americans putting money into business, with high bills and debt Americans struggle financially. There are possible solutions to aid this wicked problem to assist Americans with proper financial funding and government oversight. Too many Americans struggle to make ends meet, this has been a continuing trend in America that has only gotten worse over recent years.

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Is Feedback On Grammar Harmful Or Helpful? Questionable Answers And Unanswered Questions, Kristen Di Gennaro, Monika Ekiert Oct 2020

Is Feedback On Grammar Harmful Or Helpful? Questionable Answers And Unanswered Questions, Kristen Di Gennaro, Monika Ekiert

Publications and Research

Current composition practice relies on a decades-old summary of research concluding that a focus on grammar in students’ writing is useless, or even harmful. Conversely, hundreds of recent studies from the fields of second-language writing and applied linguistics claim to provide evidence of the benefits to providing feedback on grammar in students’ writing. This article summarizes the arguments for and against such feedback and problematizes the results of previous research by describing a quasi-experimental study measuring the effects, both positive and negative, of providing students with grammar feedback on their writing. Results show that, while feedback on specific grammatical forms …

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Our Greatest Weapon: The Rhetoric Of Invasion In Arrival And Independence Day, Emma G. Schilling Oct 2020

Our Greatest Weapon: The Rhetoric Of Invasion In Arrival And Independence Day, Emma G. Schilling

Student Publications

Inside of every alien invasion story is a central ‘us vs. them’ mentality that carries the thematic and moral weight of the story. Because of this, alien invasion films can be viewed through a postcolonial lens that reveals the destructive implications of colonialism, including a fear of the foreign and the figure of the white savior. Roland Emmerich’s Independence Day (1996) and Denis Villeneuve’s Arrival (2016) are no exception to this. Although both films are about aliens coming to Earth, the perspectives they follow in telling the story, their depictions of the military and scientists, their commentary on the role …

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“It Doesn’T Feel Like A Conversation”: Digital Field Experiences And Preservice Teachers’ Conceptions Of Writing Response, Alison Heron-Hruby, James S. Chisholm, Andrea R. Olinger Oct 2020

“It Doesn’T Feel Like A Conversation”: Digital Field Experiences And Preservice Teachers’ Conceptions Of Writing Response, Alison Heron-Hruby, James S. Chisholm, Andrea R. Olinger

Faculty and Staff Scholarship

Research shows that preservice English teachers (PSETs) lack opportunities to respond to student writing and that they may view student writing through a deficit lens. To address this need, the authors developed the Writing Mentors (WM) program, a digital field placement that gave PSETs experience providing feedback to high school writers. In this analysis, we examine how PSETs’ views of response were shaped by their digital interactions with high school writers. The challenges of interacting asynchronously created opportunities for PSETs to identify limitations in the mode of communication, propose approaches to providing feedback, and reflect on how teacher feedback can …

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50 Anos De Evolução Nos Estudos Linguísticos Transculturais: Da Retórica Contrastiva À Retórica Intercultural, David Sánchez-Jiménez Sep 2020

50 Anos De Evolução Nos Estudos Linguísticos Transculturais: Da Retórica Contrastiva À Retórica Intercultural, David Sánchez-Jiménez

Publications and Research

Este trabalho apresenta um panorama histórico dos estudos linguísticos transculturais, discorrendo sobre o surgimento da retórica contrastiva por meio do trabalho seminal de Robert Kaplan em 1966 e as contribuições de Ulla Connor ao rebatizar tais estudos como retórica intercultural. Explana-se também sobre as críticas endereçadas à retórica contrastiva feitas durante os anos 1980, 1990 e 2000 e de que maneira tais críticas redefiniram o quadro teórico-metodológico e o objeto de estudo da disciplina. Conclui-se com exposição de uma crítica à homogeneização das distintas culturas retóricas causada pela globalização e internacionalização do inglês no âmbito acadêmico e nas atividades profissionais.

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Teaching Humanities Research In Under-Resourced Carceral Environments, Kevin J. Windhauser Sep 2020

Teaching Humanities Research In Under-Resourced Carceral Environments, Kevin J. Windhauser

Journal of Prison Education and Reentry (2014-2023)

Humanities courses make up a large portion of higher education courses offered in United States carceral facilities. However, many of these facilities lack the academic resources necessary to support the research assignments traditionally assigned in a humanities course, from research papers common in introductory courses to the undergraduate theses completed by many humanities majors. This paper outlines a case study in adapting a humanities research assignment to function in a prison lacking digital and physical research resources, with particular attention to the assignment’s potential to promote student confidence, independent learning, and autonomy. The author surveys the instructor’s role in promoting …

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"Making Every Word Count": A Chat With David Galef, Author Of Brevity: A Flash Fiction Handbook, David Galef, Chuck Augello Sep 2020

"Making Every Word Count": A Chat With David Galef, Author Of Brevity: A Flash Fiction Handbook, David Galef, Chuck Augello

The Review Review

The first draft of this Introduction had reached 300 words when I remembered I was writing about a book titled Brevity, proof enough that shorter forms can be just as challenging as longer works. An entertaining mix of instruction, exercises, and fiction from a diverse slate of writers, Brevity: A Flash Fiction Handbook is a much-needed guide to writing flash fiction. David Galef, who directs the Creative Writing Program at Montclair State University, has written an insightful and useful new book for teachers and writers of flash. Galef shared his thoughts in a recent interview.

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From Pen To Print: 8 Tips For Getting Published In Literary Magazines, Becky Tuch Sep 2020

From Pen To Print: 8 Tips For Getting Published In Literary Magazines, Becky Tuch

The Review Review

1. Be professional. You have done the first part of your homework by visiting this site. Next, take the time to visit the individual sites of lit mags that you are interested in. Read their guidelines. For some reason, people often consider themselves exempt from rules. You're not. You must play by the rules like everyone else. It doesn't make you boring. It makes your writing accessible.

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"Where Emerging Talent Knows They Can Find A Home": A Chat With Briony Bax, Editor Of Ambit, Briony Bax, Euan Monaghan Sep 2020

"Where Emerging Talent Knows They Can Find A Home": A Chat With Briony Bax, Editor Of Ambit, Briony Bax, Euan Monaghan

The Review Review

Ambit is a quarterly literary and arts magazine created in London, published in the UK, and read internationally. It’s available by subscription, and in bookstores and libraries worldwide. Despite having published such luminaries as J.G. Ballard, Carol-Ann Duffy, Fleur Adcock and David Hockney since it was founded in 1959, the magazine’s website states, “We look at everything that is sent to us, and give no preference to well-known writers over the newest artistic talents."

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"Nigerian Literature Is A Very Important Part Of World Literature": A Chat With Wale Owoade, Editor Of Expound, Wale Osoade, Sanjeev Sethi Sep 2020

"Nigerian Literature Is A Very Important Part Of World Literature": A Chat With Wale Owoade, Editor Of Expound, Wale Osoade, Sanjeev Sethi

The Review Review

Wale Owoade’s energy and enthusiasm percolates to every segment of EXPOUND Magazine. He has a gifted team that sharpens his vision and helps him curate a first-rate literary journal. In its short run, the journal has caught the attention of poets, writers and serious contributors the world over who look forward to its juried issues.

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The New Yorker Rejects Itself: A Quasi-Scientific Analysis Of Slush Piles, David Cameron Sep 2020

The New Yorker Rejects Itself: A Quasi-Scientific Analysis Of Slush Piles, David Cameron

The Review Review

It began as the kind of logical argument that seems airtight to anyone who has never studied logic. If the New Yorker is the most desirable literary magazine in the world, and if the New Yorker can have any short story the New Yorker wants, then whatever story the New Yorker gets would—logically—be so intrinsically desirable that all lesser literary pubs (e.g., everyone) would pine for it. Just like the prettiest girl at the dance: the guy she picks is the guy chicks dig. Basic deduction 101.

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"We’Ll Always Publish A Good Story": A Chat With Grant Faulkner, Editor Of 100 Word Story, Grant Faulkner, Leslie Cauldwell Sep 2020

"We’Ll Always Publish A Good Story": A Chat With Grant Faulkner, Editor Of 100 Word Story, Grant Faulkner, Leslie Cauldwell

The Review Review

For writers who need a warm-up exercise, Grant Faulkner’s got a challenge for you: In 100 words, try to capture a “frisson, a shard, and a tiny moment.” Officially, Grant Faulkner is a recent runner-up for The Southwest Review's 2010 David Nathan Meyerson Fiction Prize. His stories have appeared in The Southwest Review, The Rumpus, Gargoyle, The Berkeley Fiction Review, Word Riot, The Big Ugly Review, Used Furniture Review, Ink, and Transfer. He's currently the managing editor at the National Writing Project and founding editor of 100 Word Story. He's …

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The Submitter's Dilemma: Choosing The Right Literary Magazine For Your Work, Becky Tuch Sep 2020

The Submitter's Dilemma: Choosing The Right Literary Magazine For Your Work, Becky Tuch

The Review Review

There are over 600 print and online literary magazines today, not to mention dozens of new journals starting up all the time. If you are new to submitting your work, the sheer quantity of literary magazines can be quite terrifying. How do you even begin to sort through the wealth of offerings? How do you know a prestigious journal from a less established one? How do you find the journals that feature the sort of work you like to write? What are your odds of being accepted in one journal over another? Do literary agents read literary magazines, and if …

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"Stories Can Offer A Reader A Very Good Time": A Chat With April Gray Wilder, Editor Of Flock, April Gray Wilder, Noah Friedman Sep 2020

"Stories Can Offer A Reader A Very Good Time": A Chat With April Gray Wilder, Editor Of Flock, April Gray Wilder, Noah Friedman

The Review Review

Flock was founded by author, musician, artist, and UNF faculty member Mark Ari, and UNF students in 2002. The journal seeks to publish all varieties of fiction (traditional, experimental, and everything in between) and is based on the premise of literature as an addictive experience. Since its inception, the journal has been a part of a growing literary community in North East Florida and has attracted authors from across the United States and world. Flock is used in UNF literature courses, has showcased author readings, and has hosted its own workshops. Current editor April Gray Wilder was kind enough to …

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The Seven Habits Of Successful Writers, Leslie Greffenius Sep 2020

The Seven Habits Of Successful Writers, Leslie Greffenius

The Review Review

One of the thrilling but daunting tasks of becoming a better writer is that you have to design your own curriculum. Sure, you can participate in helpful writing workshops taught by admired authors or read various experts' books on craft, but you still have to choose for yourself which courses to take and what books to read. Even if you attend an MFA program, you have to decide what to write and how, whether or not to outline, how to undertake revisions, when and where to submit your work and so on. In many ways, writers are their own teachers, …

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Working With An Editor… And Learning How To Learn, James Scott Sep 2020

Working With An Editor… And Learning How To Learn, James Scott

The Review Review

Question: I had a story accepted and the editor wants me to make changes. This is my story. I’m torn… What should I do? —Brian First of all, congratulations, Brian. Take some time to enjoy your success. I’ve been thinking about this question a lot lately. Or, rather, I’ve been thinking about editors a lot lately with the tragic passing of Jeanne Leiby on April 19. Jeanne was the editor of the Southern Review, the Florida Review before that, the fiction editor at Black Warrior Review before that, and a crossbow aficionado always. (What does that have to do …

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Hidden Gems: Publishing Novel Excerpts, Dell Smith Sep 2020

Hidden Gems: Publishing Novel Excerpts, Dell Smith

The Review Review

Are you too busy working on a novel (or blog post) to devote time to revising and sending out that stack of unfinished short stories? Fear not: You may already have a few almost-ready-for-publication stories sitting idle on your hard drive and not even know it.

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“A Good Editor Is Such A Fantastic Learning Experience”: A Chat With Memoirist Jean Harper, Jean Harper, Tanya Perkins Sep 2020

“A Good Editor Is Such A Fantastic Learning Experience”: A Chat With Memoirist Jean Harper, Jean Harper, Tanya Perkins

The Review Review

Jean Harper is the author of, most recently, Still Life with Horses, a memoir (Howling Bird Press, 2017). Her other writings have appeared in The Iowa Review, North American Review, Florida Review, and elsewhere. She is a recipient of a National Endowment of the Arts Fellowship in Prose, and has been in residence at Yaddo, MacDowell, and the Virginia Center for the Creative Arts. She teaches writing at Indiana University East. More at www.jeanharper.org.

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