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2002

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Articles 31 - 43 of 43

Full-Text Articles in Rhetoric and Composition

Frank Chin, John Charles Goshert Jan 2002

Frank Chin, John Charles Goshert

Western Writers Series Digital Editions

Born in Berkeley in 1940, Frank Chin lived in the Motherlode country of California’s Sierra foothills during the Second World War before returning to the San Francisco Bay Area. He attended the University of California at Berkeley as an English major, but was drawn away to work for railroad companies throughout the west. Such early experiences of movement and transience would provide the foundations for the shifting settings of much of his drama, fiction, and criticism that would follow; additionally, this transience would also underlie the complex tone, treatment, and perception of Asian American identity that characterizes his work and …


William Kittredge, Ron Mcfarland Jan 2002

William Kittredge, Ron Mcfarland

Western Writers Series Digital Editions

Equally at home whether speaking before the Humanities Colloquium at Cedar City, Utah, the Nature Conservancy at Bend, Oregon, the Regional Newswriting Colloquium at Salt Lake City, or the Wyoming Outdoor Council at Sheridan, William (Bill) Kittredge has emerged over the past thirty years as one of the most prolific and outspoken exponents of the New West. He has edited or co-edited seven anthologies ranging in nature from Great Action Stories (1977) and Stories into Film (1979) to the monumental Montana compilation, The Last Best Place (1988) and The Portable Western Reader (1997). He is the author of two notable …


Figuring Rhetoric: From Antistrophe To Apostrophe Through Catastrophe, Jane Sutton, Mari Lee Mifsud Jan 2002

Figuring Rhetoric: From Antistrophe To Apostrophe Through Catastrophe, Jane Sutton, Mari Lee Mifsud

Rhetoric and Communication Studies Faculty Publications

This essay explores rhetoric tropologically through various strophes: antistrophe, catastrophe, and apostrophe. Our purpose is to delineate problems and possibilities that these tropes pose for rhetoric in an effort to create new rhetorics. We seek to display the antistrophic and catastrophic figurations of rhetoric and then use visual lenses of photography and cinema to disrupt the figurations. Following the disruption, we seek to heighten sensibilities to other figurations, in particular an apostrophic figuration. We cast apostrophe as a figure for change because it marks a deeply felt turn toward difference and otherness. Turned as such, rhetoric becomes erotic.


Reading Louis L'Amour's Hondo, Joseph Mills Jan 2002

Reading Louis L'Amour's Hondo, Joseph Mills

Western Writers Series Digital Editions

I don't give a damn what anyone else thinks, I know it’s literature and I know it will be read 100 years from now.
—Louis L'Amour on his work (Jackson 168)

In 1946, publisher and editor Leo Margulies invited Louis L’Amour to a party in New York. Each of them had a problem. L’Amour, having served in the Army during World War II, had recently returned to the States to discover the pulp fiction markets in which he had established himself as a writer were changing. In the 1930s, he had sold numerous adventure, sports, and detective stories to magazines …


The Banging Of The Shoe: Recontextualizing Krushchev, Anna Andreeva Jan 2002

The Banging Of The Shoe: Recontextualizing Krushchev, Anna Andreeva

The Corinthian

When Nikita Sergeevich Khrushchev set sail for the United States from Kaliningrad on September 9, 1960, along with other representatives of many other European socialist republics, nobody in the Soviet Union could imagine that two weeks later the leader they so much adored would be banging his shoe on the podium. Such conduct gave rise to absolutely controversial reactions around the world ranging from bewildered condemnation to thrilling delight and put the Soviet vozhd, the Russian word for leader or chieftain, in the center of international politics. Needless to say that the first kind of attitude was significantly more …


The Rhetoric Of Legality Vs. The Rhetoric Of Morality : Seeing Justice Through The Eyes Of Dramatic Works, Hannah C. Bate Jan 2002

The Rhetoric Of Legality Vs. The Rhetoric Of Morality : Seeing Justice Through The Eyes Of Dramatic Works, Hannah C. Bate

Honors Theses

Seeing Justice Through the Eyes of Dramatic Works


Nationalism And The Public Sphere : Debating The Limits Of Patriotism In Popular Music Since September 11th, Mark Melvin Jan 2002

Nationalism And The Public Sphere : Debating The Limits Of Patriotism In Popular Music Since September 11th, Mark Melvin

Honors Theses

At various historical moments, music has been a part of change and movement within social dynamics. From minstrels entertaining the courts of kings to plantation slaves singing spirituals of emancipation, the localities of music are diverse and ever shifting. Music is, and always has been, forming and reforming dynamic relationships with culture, art, and politics. With the emergence of mass media and mass distribution in the 20th century, music has become more than an art form that can only be experienced by a live audience; consequently, music has formed even more unique relationships within the cultural, artistic and political spheres. …


When Artists Fail: A Reply To Trivedi, Sheila Lintott Jan 2002

When Artists Fail: A Reply To Trivedi, Sheila Lintott

Faculty Journal Articles

In a recent article, ‘An Epistemic Dilemma for Actual Intentionalism’, Saam Trivedi argues that the way we ought to interpret artworks is best understood using the model proposed by hypothetical intentionalism. Trivedi alleges that actual intentionalism faces a serious dilemma, the upshot of which is that actual intentionalists must choose between redundancy and indeterminacy. Largely on the basis of this dilemma, he concludes that even if actual intentionalism is descriptively accurate, it is prescriptively untenable. In this essay, I focus on this alleged dilemma and argue that, contra Trivedi, it fails to undermine the prescriptive legitimacy of moderate actual intentionalism. …


Institutional Invention: (How) Is It Possible?, Louise Wetherbee Phelps Jan 2002

Institutional Invention: (How) Is It Possible?, Louise Wetherbee Phelps

English Faculty Publications

(First paragraph) In this chapter I want to explore several broad questions with respect to higher education: Is institutional invention possible? What are the conditions that enable it, and how can they be created and sustained? What are the obstacles to institutional invention? How can academic leadership foster institutional invention?


Analisis Strategi Retorik Sultan Omar Ali Saifuddien Iii Tentang Isu-Isu Perlembagaan Negeri Brunei Dan Rancangan Malaysia, 1959-1963, Kee Foong Choong Jan 2002

Analisis Strategi Retorik Sultan Omar Ali Saifuddien Iii Tentang Isu-Isu Perlembagaan Negeri Brunei Dan Rancangan Malaysia, 1959-1963, Kee Foong Choong

Student Works (2000-2009)

Kajian retorik ini merupakan satu kajian ke atas teks titah Sultan Omar. Kajian ni meneliti strategi-strategi retorik yang digunakan oleh Sultan Omar ke atas isu Perlembagaan Negeri Brunei dan isu Rancangan Malaysia. Dalam setiap isu itu, aspek-aspek lnvensi, Disposisi dan Gaya Bahasa dikenal pasti dan dihuraikan. Untuk korpus kajian ini, 36 buah titah terpilih Sultan Omar telah digunakan untuk analisis. Satu perbandingan perbezaan kekerapan penggunaan strategi retorik falam ketiga-tiga aspek itu dilakukan bagi setiap isu tersebut. Di samping itu, seni pertitahan Sultan Omar turut dipaparkan. Kaedah analisisnya adalah berdasarkan Hukum Retorik Klasik Aristotle. Dapatan kajian ini menunjukkan :iahawa terdapat 35 …


The Undergraduate 2002, Saint Mary's College Of California Jan 2002

The Undergraduate 2002, Saint Mary's College Of California

The Undergraduate Spectrum

No abstract provided.


Spectrum 2002, Saint Mary's College Of California Jan 2002

Spectrum 2002, Saint Mary's College Of California

The Undergraduate Spectrum

No abstract provided.


The Oxford Guide To Style, Priscilla Finley Jan 2002

The Oxford Guide To Style, Priscilla Finley

Library Faculty Research

Oxford's style manual will be essential to users previously dependent on Hart's Rules for Compositors and Readers (39th ed., 1986)--those preparing manuscripts for Oxford University Press and other British publishers--which Ritter revises and enlarges. Chapters cover general publication topics such as front matter and preparation of copy and proofs; editorial issues like punctuation, numbers, and capitalization; special conventions regarding science and mathematics; and "specialist subjects" including British and EU law, music, poetry, drama, and sacred works.