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Articles 151 - 180 of 521
Full-Text Articles in Rhetoric and Composition
10 Theses On Feminist Economics (Or The Antagonism Between The Strike And Finance), Luci Cavallero, Verónica Gago
10 Theses On Feminist Economics (Or The Antagonism Between The Strike And Finance), Luci Cavallero, Verónica Gago
CLCWeb: Comparative Literature and Culture
In their article, “10 Theses on Feminist Economics (or the antagonism between the strike and finance),” Luci Cavallero and Verónica Gago are interested in a feminist economics that is able to redefine, based on the bodies and territories in conflict, labor and exploitation, communal and feminized modes of doing and resisting, and popular innovation in moments of crisis. They write from the position of having formed part of the organizing for the feminist strike that, since 2016, has driven what they characterize as a massive, radical, and transnational movement. They root the theses that they synthesize here in that dynamic …
Readymade Or Made [To Be] Ready, Replicant Or Surplus: Social Reproduction And The Biopolitics Of Abstraction Prefigured In Contemporary Art, Jaleh Mansoor
CLCWeb: Comparative Literature and Culture
The artist may be one of the last subject-positions within capitalism to determine their own labour under the sign of “creativity,” and to be held at an oblique angle to value productive labour; they are dialectically “free” to be creative (Adorno, Vishmidt, Stakemeir, Beech). But since 1973 if not 1915, artists mark this creative capacity as a process whereby reification has migrated from that of the object to that of the subject, to the artist-subject, now heightened in a post-industrial era of “feminized” and immaterial labour where service eclipses production. Artists in the “post medium condition” elaborate practices that track …
Detroit’S Water Wars: Race, Failing Social Reproduction, And Infrastructure, Brian Whitener
Detroit’S Water Wars: Race, Failing Social Reproduction, And Infrastructure, Brian Whitener
CLCWeb: Comparative Literature and Culture
In this essay, I theorize an emergent urban power dynamic of infrastructural resource grabs or the use of state power to transfer infrastructural resources away from marginalized, racialized, and/or precariously documented populations. As a transfer, rather than a set of cuts or privatizations, I argue this dynamic is distinct from those of neoliberal or “shrinking” states and is a direct attack on the social reproduction capacity of communities and individuals. Focusing on the case of Detroit, where predominantly white suburban elites succeeded under the cover of Detroit’s 2013-14 bankruptcy proceedings to pry the possession of the water and sewage infrastructure …
Why I Write In Yiddish, Karen Alkalay-Gut
Why I Write In Yiddish, Karen Alkalay-Gut
CLCWeb: Comparative Literature and Culture
No abstract provided.
“The Poem Is What Lies Between A Between”: Mahmoud Darwish And The Prosody Of Displacement, Ayelet Even-Nur
“The Poem Is What Lies Between A Between”: Mahmoud Darwish And The Prosody Of Displacement, Ayelet Even-Nur
CLCWeb: Comparative Literature and Culture
Palestinian poet Mahmoud Darwish grew up in Israel as an internal refugee living under Israeli military rule, legally classified as a “present-absentee alien.” This article focuses on his 1995 volume of poetry, Limādhā tarakta al-ḥiṣān waḥīdan? (Why Did You Leave the Horse Alone?), to study the manner in which Darwish’s cultivation of the musical and aural aspects of poetry serves as a means of poetically attending to the effects of dispossession and displacement. Through a discussion of the poems in the collection’s fourth section, Ghurfa l’il kalām maʿ al-nafs (A Room to Talk to Oneself …
Poetry In Response To The “Disengagement Plan”: Identity, Poetics And Politics, Tamar Wolf-Monzon
Poetry In Response To The “Disengagement Plan”: Identity, Poetics And Politics, Tamar Wolf-Monzon
CLCWeb: Comparative Literature and Culture
This article will examine the corpus of poems written in the years 2004-2005, in response to the Israeli government’s Disengagement plan that unilaterally evacuated all Israeli communities from Gush Katif in the southern Gaza Strip. These poems are explored as a political speech act, whose purpose is to bring about an extra-linguistic outcome: to impact upon the feelings and thoughts of the addressees, as well as to influence them in relation to issues of identity and social affiliation. Indeed, these poems are part of a long and complex tradition of Hebrew political poetry, characterized not only by a response to …
Sewing Lives: Mary Shelley’S Frankenstein And The Global Garment Industry, Sarah Garland
Sewing Lives: Mary Shelley’S Frankenstein And The Global Garment Industry, Sarah Garland
CLCWeb: Comparative Literature and Culture
This paper takes Mary Shelley’s Frankenstein and uses it as an extended metaphor to investigate the points of destructive alienation and disassociation within the globalized consumption of clothing. The promise of new clothing is a set of garments that function like Victor’s dream of creation; materials are stitched together to give objects that match our closest-held ideals. And yet, because of our quick Victor-Frankenstein-like alienation from these ‘fast fashion’ objects when they no longer please us, clothing becomes, like the monster, an abjected figure for waste and shame, moving around the globe destructively, created from the bodies of the poor …
Rethinking The Monstrous: Gender, Otherness, And Space In The Cinematic Storytelling Of Arrival And The Shape Of Water, Edward Chamberlain
Rethinking The Monstrous: Gender, Otherness, And Space In The Cinematic Storytelling Of Arrival And The Shape Of Water, Edward Chamberlain
CLCWeb: Comparative Literature and Culture
Through comparing the Hollywood films Arrival and The Shape of Water, this article explicates the films’ similar portrayals of gender, social collaboration, and monstrosity. Although the mainstream media in the United States has linked the idea of the monstrous to larger global forces, the two films suggest that “the monster” exists much closer to home. Hence, this article makes the case that monstrosity occurs in a variety of formulations such as the actions of national authorities like governmental officials that oppress and endanger a myriad of American citizens as well as newcomers. Further, this article makes the case that …
Monstrous Accumulation: Topographies Of Fear In An Era Of Globalization, Robert T. Tally Jr.
Monstrous Accumulation: Topographies Of Fear In An Era Of Globalization, Robert T. Tally Jr.
CLCWeb: Comparative Literature and Culture
The predominance of the horror genre, broadly conceived, in recent years attests to the profound sense of anxiety and dread permeating late capitalist societies. As the processes and effects of globalization become more viscerally experienced, they are also often rendered invisible or unknowable, and individuals and groups find themselves subject to an immense array of forces beyond their control. The contemporary scene is crowded with monsters, from alien invaders to the zombie apocalypse, set against the backdrop of darkly fantastic landscapes and dystopian visions. Drawing upon a variety of Marxist cultural theory, Robert T. Tally Jr. explores the topographies of …
Introduction To The Monstrous Global: The Effects Of Globalization On Cultures, Ju Young Jin, Jae Roe
Introduction To The Monstrous Global: The Effects Of Globalization On Cultures, Ju Young Jin, Jae Roe
CLCWeb: Comparative Literature and Culture
This special issue on “The Monstrous Global: The Effects of Globalization on Cultures” explores representations of the monstrous effects and products of globalization. The monstrous (as in The Monstrous Feminine by Barbara Creed) in this sense alludes to the ways in which local or national displays of fear and anxiety about the Other are embedded in struggles and tensions of global scale; the inability to cognitively map the effect of such global forces on local/national problems produces monstrous representations of the global. Global forces such as neoliberalism and reactionary nationalism, technology, climate change, migration and displacement lead to accelerating instability …
A Deconstructive Reading Of Taoist Influenced Chinese And American Poetry, Hong Zeng
A Deconstructive Reading Of Taoist Influenced Chinese And American Poetry, Hong Zeng
CLCWeb: Comparative Literature and Culture
In her article “A Deconstructive Reading of Taoist Influenced Chinese and American Poetry” Hong Zeng attempts to deconstruct the logos status of "Nature" in Chinese natural philosophy and explore the tragic potentiality of such philosophy and poetry under its influence. It also analyzes its aesthetic strategies used to overcome historical tragedy, and how such tragic potentiality in classical Chinese philosophy and poetry break out into the imagery of death and fragmentation in modern Chinese and American poetry under its influence, including poetry by such poets as Hai Zi, Gu Cheng, Robert Bly and Wallace Stevens, and how it sometimes leads …
The Goddess Of Love In Sadomasochistic Costume: Roman Polanski's Venus In Fur, Alan P. Barr
The Goddess Of Love In Sadomasochistic Costume: Roman Polanski's Venus In Fur, Alan P. Barr
CLCWeb: Comparative Literature and Culture
Throughout his career as a filmmaker, Roman Polanski has circled the subject of sex, its aberrations, its delights, and its risks. His twenty feature films are remarkably varied, yet characteristically probe the compelling, contradictory, and enchanting nature of human sexual behavior. He develops a cluster of images or tropes that appear across his films—from knives to claustrophobic settings—that advance his enquiry. Venus in Fur is Polanski’s most comprehensive portrayal of the intricacies of sexual conduct, employing a theatrical setting (rehearsing an adaptation of a notorious classic novel), amplified with cultural allusions and exploring the limits of role-playing. Normality and contentment, …
Farmer, Priest, And Poet: Knowledge Transmission And Wisdom In Works And Days And Gelimu, Duoduo Xu
Farmer, Priest, And Poet: Knowledge Transmission And Wisdom In Works And Days And Gelimu, Duoduo Xu
CLCWeb: Comparative Literature and Culture
This paper aims at a comparison between a classic poem from ancient Greek literature, the Works and Days by Hesiod, and ancestral records of hemerology from Daba Culture, entitled Gelimu, collected during my fieldwork in South-West China. Both traditions use constellations to mark important dates throughout the year, providing similar instructions on how to deal with daily work in the fields. Moreover, their mnemonic strategies and formulaic verses reflect their origins from oral traditions passed down from generation to generation. Starting from these basic similarities, the author analyzed the roles of Daba priests, the calendars authors, and Hesiod, the …
Bibliography On Suffering, Simon C. Estok
Bibliography On Suffering, Simon C. Estok
CLCWeb: Comparative Literature and Culture
No abstract provided.
Domestic Trauma And Imperial Pessimism: The Crisis At Home In Charles Dickens’S Dombey And Son, Katherine E. Ostdiek
Domestic Trauma And Imperial Pessimism: The Crisis At Home In Charles Dickens’S Dombey And Son, Katherine E. Ostdiek
CLCWeb: Comparative Literature and Culture
In “Domestic Trauma and Imperial Pessimism: The Crisis At Home in Charles Dickens’s Dombey and Son,” Katherine Ostdiek discusses Dickens’s representation of violence, grief, and recovery within the Victorian home as a pre-Freudian example of trauma. This comparison not only demonstrates the importance of trauma studies in the nineteenth-century, but more importantly, it thematically focuses empathy for the traumatized on the home. In this novel, Dickens dismisses topics related to the financial and social crises of mid-century Britain in favor of domestic themes that emphasize an idealized structure of the Victorian family. Through her use of trauma theory and …
Suffering And Climate Change Narratives, Simon C. Estok
Suffering And Climate Change Narratives, Simon C. Estok
CLCWeb: Comparative Literature and Culture
In his article "Suffering and Climate Change Narratives" Simon C. Estok begins with a brief survey of definitional issues involved with the term “suffering” and argues that there has been a relative lack of theoretical attention to suffering in climate change narratives, whether literary or within mainstream media. Estok shows that suffering, far from being singular, is a multivalent concept that is gendered, classed, raced, and, perhaps above all, pliable. It has social functions. One of the primary reasons for the failure of climate change narratives to effect real changes, Estok argues, is that they often carry the functions of …
The Punctum In History: Representing The M(Other)’S Death In Peter Handke’S A Sorrow Beyond Dreams, Hivren Demir Atay
The Punctum In History: Representing The M(Other)’S Death In Peter Handke’S A Sorrow Beyond Dreams, Hivren Demir Atay
CLCWeb: Comparative Literature and Culture
This article aims to discuss how Handke’s autobiographical narrative, A Sorrow Beyond Dreams (1972), stages the writer’s literary project through a neutral account of his mother’s suicide. Telling the story of his mother, who witnessed the Second World War and the nazi regime, Handke narrates the traumatic history of an Austrian town along with his own suffering. Concentrating on his attempt at a distanced language and his questioning of history as an objective fact, the article suggests that Handke’s perception of death and mourning parallels his understanding of the acts of writing and reading. Drawing particularly on Barthes’s concept …
The Different Representation Of Suffering In The Two Versions Of The Vegetarian, Young-Hyun Lee
The Different Representation Of Suffering In The Two Versions Of The Vegetarian, Young-Hyun Lee
CLCWeb: Comparative Literature and Culture
In her article “The Different Representation of Suffering in the two versions of The Vegetarian” the author examines how different the representation of suffering in the original and translated versions of The Vegetarian and explores the reasons for this difference. The author in particular refers to representative episodes which the translator’s strategy distorts even the central concepts of suffering in the original work. Her translated version results in critical misrepresentation of suffering and violence in the original version.
Introduction To Suffering, Endurance, Understanding: New Discourses Within Philosophy And Literature, Douglas S. Berman
Introduction To Suffering, Endurance, Understanding: New Discourses Within Philosophy And Literature, Douglas S. Berman
CLCWeb: Comparative Literature and Culture
Literature is generally seen as depicting the lives of human subjects through their unique narratives. And that, while its endpoint may be universal, it is typically grounded in the specificity of a human being (or, occasionally, an animal). Philosophy is tasked with providing the foundational cognitive tools to grasp the meaning of experience for the whole. In Hegelian terms, it unfolds the history of the concept. Yet, as George Steiner, Jacques Derrida, and other recent authors have shown, both philosophy – along with its agonistic cousin, religion -- evoke literary themes, rhetorics, and struggles. Over the past fifty years, Continental …
Overlapping Scriptworlds: Chinese Literature As A Global Assemblage, Wai-Chew Sim
Overlapping Scriptworlds: Chinese Literature As A Global Assemblage, Wai-Chew Sim
CLCWeb: Comparative Literature and Culture
In his article “Overlappinig Scriptworlds: Chinese Literature as a Global Assemblage,” Wai-Chew Sim offers a globalist vision or understanding of Chinese literary studies/Sinophone studies. Deploying the notion of scriptworld (Damrosch), he examines how the Chinese, English, and Malay-language scriptworlds interact in the Southeast Asian context. He traces the rhizomatic connections between Joo Ming Chia’s Exile or Pursuit, a Singapore Sinophone text that explores multiple belongings, and two novels: M. L. Mohamed’s Confrontation (originally published as Batas Langit), and T.H. Kwee’s The Rose of Cikembang (originally published as Bunga Roos dari Cikembang). Tracing the sinophonicity of the latter …
Urban Landscape In Mcewan's Narrative Representation Of Berlin, Barbara J. Puschmann-Nalenz
Urban Landscape In Mcewan's Narrative Representation Of Berlin, Barbara J. Puschmann-Nalenz
CLCWeb: Comparative Literature and Culture
In her article "Urban Landscape in McEwan's Narrative Representation of Berlin," Barbara J. Puschmann-Nalenz discusses the image of Berlin created in Ian McEwanﹸs novel The Innocent (1990) and the chapter titled "Berlin" in Black Dogs (1992). It starts from the hypothetical statement that while British literary fiction set in Berlin is rare after 1970 the genres of spy and detective novel, where crime and violence take center stage, shape the image of the city in highbrow narratives as well. The perspectivization of the cityscape, including its monuments, through the protagonists fundamentally influences its image. In The Innocent the limited view …
Okonkwo’S Reincarnation: A Comparison Of Achebe’S Things Fall Apart And No Longer At Ease, Mary J. N. Okolie, Ginikachi C. Uzoma
Okonkwo’S Reincarnation: A Comparison Of Achebe’S Things Fall Apart And No Longer At Ease, Mary J. N. Okolie, Ginikachi C. Uzoma
CLCWeb: Comparative Literature and Culture
Abstract: The reincarnation myth is a global concept, founded basically in religion and tradition. It was especially vibrant in the ancient times in places like Egypt, Greece, and in continents like Asia and Africa, which possess varying understandings of the myth. In Igbo tradition, for example, it is believed that reincarnation occurs within a family. And that some of the marks of reincarnation are usually the possession of the birthmark or certain other physical features and the exhibition of character and behavioral traits of a deceased person by a living member of his/her immediate or extended family. Thus, reincarnation entails …
"Il Y A De La Plèbe": Figurations Of The Minor Between Complicity And Dissent, Maria Muhle
"Il Y A De La Plèbe": Figurations Of The Minor Between Complicity And Dissent, Maria Muhle
CLCWeb: Comparative Literature and Culture
In this article I discuss the logic of “complicity” and “dissent” that, under current forms of ultra-neoliberal capitalism, is no longer (if it has ever been) one of opposition but rather corresponds to a logic of unrealized potentials, or “as ifs” that “manage” dissent and complicity in conjunction, and erase the dividing line between them, or their value as separate concepts. I examine the genealogy of this opposition and its dilution as a symptom of our contemporary political reality. Michel Foucault presented a paradigmatic view of this genealogy in his analysis of power and the taxonomic separation of three regimes …
Political Violence And Race: A Critique Of Hannah Arendt, Chad Kautzer
Political Violence And Race: A Critique Of Hannah Arendt, Chad Kautzer
CLCWeb: Comparative Literature and Culture
Hannah Arendt’s On Violence (1970) is a seminal work in the study of political violence. It famously draws a distinction between power and violence and argues that the latter must be excluded from the political sphere. Although this may make Arendt’s text an appealing resource for critiques of rising political violence today, I argue that we should resist this temptation. In this article, I identify how the divisions and exclusions within her theory enable her to explicitly disavow violence on one level, while implicitly relying on a constitutive and racialized form of violence on another. In particular, Arendt leaves legal …
The Ambivalence Of Black Rage, Vincent Lloyd
The Ambivalence Of Black Rage, Vincent Lloyd
CLCWeb: Comparative Literature and Culture
Activists associated with the Black Lives Matter movement embrace anger. Owning their rage sets these activists in opposition to an older generation of black leaders, invested in respectability, who narrate anger as an emotion to be overcome. Younger activists worry about complicity with the status quo – with white supremacy – of these older activists, yet embracing anger is no surefire way of avoiding complicity with the status quo. This essay investigates the ambivalence of black anger, drawing on philosophy and feminist theory while also locating the current eruption of black anger in an ambivalent history of black political affect. …
Complicity, Dissent, And The Palestinian Intellectual, Sa'ed Atshan
Complicity, Dissent, And The Palestinian Intellectual, Sa'ed Atshan
CLCWeb: Comparative Literature and Culture
In this article, I draw on the major works of two Palestinian intellectuals—Edward Said and Hanan Ashrawi—and I compare the experiences of Palestinian intellectuals living in the United States with those living under Israeli military occupation in the West Bank. The writings of these two exemplary figures shape the conceptual underpinnings of my exploration of the way Palestinian academics navigate questions of complicity with the different hegemonic political systems that govern their lives. I argue that Said and Ashrawi model a steadfast refusal to be complicit in the state-led repression around them at the same time as they engage in …
Subject, Subjugation, And Subjectivity, Raef Zreik
Subject, Subjugation, And Subjectivity, Raef Zreik
CLCWeb: Comparative Literature and Culture
This paper analyzes the ways in which complicity and dissent feed and subvert one another, or the ways in which the subjugated self becomes a political subject. The formative event of Palestinian collective identity is the loss of home and homeland in the aftermath of the Nakba of 1948. “The Catastrophe” divided the Palestinian community to two: Those who remained within the borders of the Israeli state and became Israeli citizens, and the Palestinian refugees, who came to establish the Palestinian Liberation Organization (PLO) and led an armed struggle. While examining the two narratives, I also explore two communal modes …
Family Affairs: Complicity, Betrayal, And The Family In Hisham Matar's In The Country Of Men And Nadine Gordimer's My Son's Story, Lital Levy
CLCWeb: Comparative Literature and Culture
This essay undertakes a comparative reading of the dynamics of complicity and resistance in two contemporary Anglophone novels, Nadine Gordimer’s My Son’s Story (1990) and Hisham Matar’s In the Country of Men (2006). My analysis pursues three main lines of inquiry: the ostensible public/ private and political/ personal divides; loyalty and betrayal in the family; and the ambiguous status of the child as a witness and a political subject. I argue that in their respective portrayals of the protagonists’ struggles against South African apartheid and authoritarian rule in Libya, both authors use the device of the child narrator to expose …
Facing The Ruler, Facing The Village: On The Roads To Complicity Following Mengzi And Benda, Zvi Ben-Dor Benite
Facing The Ruler, Facing The Village: On The Roads To Complicity Following Mengzi And Benda, Zvi Ben-Dor Benite
CLCWeb: Comparative Literature and Culture
In his article, “Facing the Ruler, Facing the Village,” Zvi Ben-Dor Benite seeks to broaden the boundaries of the discussion about complicity by taking it away from late 20th-century and contemporary debates about it. At the same time, he wishes to highlight the many faces that the problem of complicity could have in different historical moments. Following Czesław Miłosz, this article understands that there are many roads to complicity that have been articulated in different ways across time and space. This article is, therefore, an integrated meditation on complicity bringing together two radically distant approaches to the question. Reading the …
Remnants Of Dissent, Thomas Docherty
Remnants Of Dissent, Thomas Docherty
CLCWeb: Comparative Literature and Culture
In his article, “Remnants of Dissent,” Thomas Docherty explores the relation of dissent to guilty complicity in post-war Europe. The article opens with a consideration of the position of Karl Jaspers in 1945 and examines how Jaspers worked through the various modes of guilt that flowed from diverse modes of living under Nazism. Of particular interest is the status of silence in the face of tyrannical Nazi oppression and murders. The essay explores how the workings of language, and its manipulations by the Nazis, helps to normalize such tyranny and to make resistance to it both dangerous and difficult. The …