Open Access. Powered by Scholars. Published by Universities.^®

Rhetoric and Composition Commons^™

Open Access. Powered by Scholars. Published by Universities.^®

Film and Media Studies

Articles 61 - 90 of 648

Full-Text Articles in Rhetoric and Composition

Star Wars: Andor – An Abolitionist Study Guide, Marcelo Garzo Montalvo, Isaac Ginsberg Miller Dec 2025

Derrida In Mesopotamia: On The Import Of The Cuneiform Inscriptions In Of Grammatology, Will Greenshields Jul 2025

Derrida In Mesopotamia: On The Import Of The Cuneiform Inscriptions In Of Grammatology, Will Greenshields

CLCWeb: Comparative Literature and Culture

Cuneiform writing has a small but privileged position in Derrida’s Of Grammatology – providing the text with its first two epigraphs. By elucidating the source and import of these inscriptions and evaluating Derrida’s understanding of the cuneiform writing system in reference to more recent grammatological studies, this paper explains the significance of these references to the ancient Near East for Derrida’s arguments regarding the origins of Western metaphysics and logocentrism. In the first part, I analyze Derrida’s brief paragraph on cuneiform writing in Of Grammatology as evincing a “fundamental synaesthesia” of phonetic and non-phonetic elements that problematizes the phonocentric definition …

Go to article

Haunting Pasts, Cancelled Futures: Polish And Argentinian Experiences Of Postdependency, Ewa Kobyłecka-Piwońska Jul 2025

Haunting Pasts, Cancelled Futures: Polish And Argentinian Experiences Of Postdependency, Ewa Kobyłecka-Piwońska

CLCWeb: Comparative Literature and Culture

The aim of this article is to compare Polish and Argentinian experience of democratic transitions of the 1980s and 1990s. Establishing new political and economic orders in both countries did not entail a change in their citizens’ post-dependent mentality. In the first part of the paper, a connection is drawn between Polish and Argentinian collective memories in line with the methodology of transcultural memory studies (Erll, Rothberg). The post-dependent condition is articulated twofold: through the remembrance of the disappearance (of the Jews, the victims of the Argentina’s state terrorism, the indigenous peoples), and through the confusion in grasping the sense …

Go to article

Dark Echoes Of The Repressed In Texas Chainsaw Massacre Part 2, Itzel G. Corona May 2025

Dark Echoes Of The Repressed In Texas Chainsaw Massacre Part 2, Itzel G. Corona

Student Scholar Symposium Abstracts and Posters

Horror films fulfill a unique psychological need in contemporary society, allowing viewers to confront and release repressed impulses. Tobe Hooper's The Texas Chainsaw Massacre, Part Two (1986) exemplifies how the genre explores deeper themes, particularly through phallic symbolism and the unconscious mind. Using the chainsaw as a phallic symbol, the film delves into power dynamics, sexuality, and societal norms, reflecting Freud’s theory of the return of the repressed. This paper applies Freudian psychoanalysis, drawing on works by Murray Leader and Linda Williams, to explore how repressed desires manifest in the film. The chainsaw represents twisted masculinity, with Leatherface embodying repressed …

Go to article

Promising Young Woman And The Structural Failure To Protect Women, Josephine Ebersole Apr 2025

Promising Young Woman And The Structural Failure To Protect Women, Josephine Ebersole

KUCC -- Kutztown University Composition Conference

This paper explores Emerald Fennel's film Promising Young Woman and the relationship between women and male violence and how male violence is protected by misogynistic structures, specifically in the case of sexual assault. The paper argues that institutions and structures that are rooted in patriarchy and misogyny are fundamentally unable to protect women from the actions of violent men, both in the film and in reality.

Go to article

Teaching Video Composition And Digital Rhetoric In The Youtube Era: Analysis And Research Of Academic Video Essays In The College Composition Classroom, Carmen Ollila Apr 2025

Teaching Video Composition And Digital Rhetoric In The Youtube Era: Analysis And Research Of Academic Video Essays In The College Composition Classroom, Carmen Ollila

All NMU Master's Theses

As video-based communication has gained popularity across sites like YouTube, it is essential to represent this type of rhetorical communication within the college composition classroom. Using video and filmmaking to communicate information in the classroom is not new, as academics have explored such media as aids to writing since the 1970s, following the popularity of news broadcasting in the 1950s. In the 21st Century, teaching students video composition and digital rhetoric in an era where a platform such as YouTube has made it easier to share information to a large audience. The freshman college composition classroom should provide the tools …

Go to article

Prison Sentences: Spaces Of Liberation In Arab Prison Writing, Joseph Farag Jan 2025

Prison Sentences: Spaces Of Liberation In Arab Prison Writing, Joseph Farag

CLCWeb: Comparative Literature and Culture

Spatial and temporal motifs predominate throughout the extensive corpus of Arabic prison writing. However, far from establishing the prison as an exceptional space, and periods of imprisonment as “time outside time,” this paper argues that modern Arabic prison literature tends instead to blur the distinction between “inside” and “outside” prison space and time. In place of a rigid spatial demarcation, dramatically exemplified by images of towering, razor wire-tipped walls, Arabic prison writing consistently seeks to create continuity between the punishment meted out to those within the prison’s walls and the repression endured by those beyond it. Consequently, these texts figuratively …

Go to article

Punish Yet Cannot Discipline: Two Iraqi Prison Novels, Hanan Jasim Khammas Jan 2025

Punish Yet Cannot Discipline: Two Iraqi Prison Novels, Hanan Jasim Khammas

CLCWeb: Comparative Literature and Culture

Al-Munāḍil (The Militant) (1972) by ʿAzīz al-Sayyid Jāsim, and Iʿjām (Iʿjaam) (2004) by Sinan Antoon are two prison novels about the historical turning points which mark the rise and fall of the Baʿth regime in Iraq. While the first employs imprisonment as a lens through to expose the corruption and injustice exercised by the monarchy against the emergent revolutionary power, the second shows the Baʿthist government applying similar methods of surveillance, and of physical and psychological torture. Reading these texts by al-Sayyid Jāsim, who died in the Baʿth prisons, and by Antoon who wrote Iʿjaam …

Go to article

Hold Fast The Rope Of God: Space, Authority, And Speech In Muslim Prison Narratives, Basit Kareem Iqbal, Walaa Quisay Jan 2025

Hold Fast The Rope Of God: Space, Authority, And Speech In Muslim Prison Narratives, Basit Kareem Iqbal, Walaa Quisay

CLCWeb: Comparative Literature and Culture

Scholarship about Muslims in prison has been overwhelmingly dominated by security studies’ radicalization thesis and by a superficial reading of incarcerated Muslims’ “religious resilience.” Such approaches caricature the force of Islam in prison and indeed in Muslim prison narratives. This essay draws on interviews with survivors of prisons in Egypt, the United Arab Emirates, and Syria in order to develop other terms for analysis. Across our textual and ethnographic engagements, we read for varied permutations of carceral space, formations of religious authority, and an intimate (witnessing) relation between speech and violence. Muslim prison narratives see a broad emphasis on the …

Go to article

The Networks Of Prison Narrative: Imagining Sociality And Making Narrative In Assad’S Syria, Anne-Marie Mcmanus Jan 2025

The Networks Of Prison Narrative: Imagining Sociality And Making Narrative In Assad’S Syria, Anne-Marie Mcmanus

CLCWeb: Comparative Literature and Culture

This article argues for a new reading of collectivity – in both narrative voice and scenes of shared experience – in works of Syrian prison literature. Although these texts were published and are interpreted as the products of single author figures, the wider narrative field from which they emerge is shaped by numerous collective practices, from the oral and written to the digital. Breaking disciplinary boundaries around prison literature, this article introduces the term “prison narrative” and foregrounds diverse efforts by Syrian writers and former prisoners to imagine alternative formations of national experience and community under the Assad regime (1970-2024). …

Go to article

Prison As A Living Being: ‘Assad’S Syria’ As A Model For The Imprisonment State, Jaber Baker Jan 2025

Prison As A Living Being: ‘Assad’S Syria’ As A Model For The Imprisonment State, Jaber Baker

CLCWeb: Comparative Literature and Culture

The Syrian Assad regime used prisons as tools of domination. As such, prisons had the power not only of active repression but also as places of detention and disappearance for Syrians. The expansion of political detention in Syria over fifty years transformed prison into a living being in the sense that prison became a part not just of Syrians' political life, but also of their social identity. One can recognize it in voices, attitudes, lifestyles, and even written and oral culture. Syrian cities are full of weapons since a large area of the urban space is inhabited by the buildings …

Go to article

From Prison To The World: A Comparative Reading Of Naji’S Hirz Mikamkim (Rotten Evidence, 2020) And Abd El-Fattah’S You Have Not Yet Been Defeated (2021), Teresa Pepe Jan 2025

From Prison To The World: A Comparative Reading Of Naji’S Hirz Mikamkim (Rotten Evidence, 2020) And Abd El-Fattah’S You Have Not Yet Been Defeated (2021), Teresa Pepe

CLCWeb: Comparative Literature and Culture

This article analyses Ahmed Naji’s Hirz Mikamkim (Rotten Evidence) and Alaa Abd el-Fattah’s You Have Not Yet Been Defeated through the lens of ‘prison literature’, that is “literary works produced in, about, or through the experience of political detention” (Taleghani 13). Comparing them to previous forms of prison literature from Egypt, it shows that both books depart from the social-realistic mode that has prevailed throughout the 20^th century. Rather they renovate the genre with aesthetic traits drawn from postmodern and digital literature, exemplified by autofictional or anonymous modes of authorship and co-authorship, narrative fragmentation, and bodily exposures. These aesthetic …

Go to article

Khairy Shalaby’S Novel The City Of The Enslaved: Egyptian Prison Literature With A Russian Twist, Sarali Gintsburg Jan 2025

Khairy Shalaby’S Novel The City Of The Enslaved: Egyptian Prison Literature With A Russian Twist, Sarali Gintsburg

CLCWeb: Comparative Literature and Culture

Although the interconnectedness of Russian and Arabic literatures has been demonstrated by Soviet/Russian and, to a limited extent, Western Arabists, this research remains limited to a few names. However, the role that the Russian/Soviet literary tradition had in shaping contemporary genres of Arabic literature is complex and diverse. This is, for instance, the case with prison literature—Russian/Soviet literature has a long tradition of turning to the topic of imprisonment. It was Dostoyevsky, who turned to the genre of katorzhnaya proza (prison literature) and popularized it. Later, Tolstoy, Chekhov, and Gorky dedicated a number of their influential literary works to further …

Go to article

Terrorists, Spies, And Diplomatic Crises: The Birth Of Morocco’S Multimedia Prison Literature, Brahim El Guabli Jan 2025

Terrorists, Spies, And Diplomatic Crises: The Birth Of Morocco’S Multimedia Prison Literature, Brahim El Guabli

CLCWeb: Comparative Literature and Culture

This article captures the literary shift that accompanied the transformation of the nature of political imprisonment in Morocco in the last twenty years. Focusing on the new victims of state violence, who fall within two categories: prisoners accused of terrorism and those accused of heinous sexual crimes, this article argues that the emergence of these new criminal profiles has led to the establishment of a transnational “Multimedia Prison Literature” (MPL). Drawing on the cases of Ali Arras, a Belgian-Moroccan whom Spain delivered to Morocco for terrorist charges, and Mohamed Hajib, a German-Moroccan citizen whom Germany extradited to his country of …

Go to article

The Absurdity Of Liberation In Moroccan Prison Narratives, Hakima Choukri Jan 2025

The Absurdity Of Liberation In Moroccan Prison Narratives, Hakima Choukri

CLCWeb: Comparative Literature and Culture

Moroccan prison narratives have been credited with major political and social changes, yet their existential value is equally worth acknowledging. The prison narratives of Aziz Binebine, Mohamed Raiss, Malika Oufkir, and Fatna El Bouih, to mention but a few, are fraught with existentialist patterns that are uncovered upon reading them comparatively. One pattern that persists through these narratives is the absurdity of liberation. Borrowing Camus’ concept of the absurd, this article highlights the absurdity of the post-prison chapter for being nothing more than an extension of the prison episode that makes the impossibility of freedom acutely felt. The absurdity of …

Go to article

Captivity, Resistance And Political Consciousness In Walid Daqqa’S Prison Literature, Ashjan Ajour Jan 2025

Captivity, Resistance And Political Consciousness In Walid Daqqa’S Prison Literature, Ashjan Ajour

CLCWeb: Comparative Literature and Culture

This article examines the prison literature of the Palestinian intellectual Walid Daqqa who has been serving a life sentence for resistance since 1986 in Israeli prisons. From the depth of his experience he writes about his conceptualization of captivity, colonial violence, the resistance of the Palestinian political prisoners in the Israeli prison system and the construction of Palestinian national imagination in his book Consciousness Molded: or The Re-Identification of Palestinian Torture (2010) Published in Arabic and his first young adults novel The Story of the Oil’s Secret (Ḥikayat Sir al-Zeit) published in 2018 in Arabic. Daqqa has become …

Go to article

Palestinian Prisoners: Smuggling Freedom, Writing From Captivity, Basil Farraj Jan 2025

Palestinian Prisoners: Smuggling Freedom, Writing From Captivity, Basil Farraj

CLCWeb: Comparative Literature and Culture

This article discusses writings by Palestinian political prisoners and the broader body of prison literature situating them as practices of ‘smuggling freedom’ from Israel’s carceral regime, shedding light onto their political and social meaning. Through discussing writings by prisoners, the article points to a long history through which Palestinian prisoners confronted the Israeli regime’s torture and violent practices, and its broader project of eliminating the political nature of captivity. The article argues that prisoners’ writings reveal much about the dynamics of carceral power and violence, and the logic behind the confrontation practices used by prisoners in Palestine and beyond. These …

Go to article

New Approaches To Mena Prison Literatures After 2011, Anne-Marie Mcmanus Jan 2025

New Approaches To Mena Prison Literatures After 2011, Anne-Marie Mcmanus

CLCWeb: Comparative Literature and Culture

No abstract provided.

Go to article

Reject Modernity, Embrace Tradition: Unpacking Gender Roles In Social Media Performances Of "The Good Life", Lauren Mar Jan 2025

Reject Modernity, Embrace Tradition: Unpacking Gender Roles In Social Media Performances Of "The Good Life", Lauren Mar

Scripps Senior Theses

What do JD Vance, tradwife influencers, and the “sprinkle sprinkle” movement have in common? They all have something to do with the increasing popularity of an apparent return to traditional gender roles. This thesis is an intersectional investigation of women’s gender roles in relation to class and race as they appear in different performances of “the good life” on social media. Through a series of personal essays, this thesis explores how these media examples represent a deeper political unhappiness with present conditions. This thesis takes the time to unpack the different sides of discourse surrounding each subject, and counters the …

Go to article

The Rhetorical Interlude In Alfonso Cuarón’S Gravity: Suggesting A Model For Examining Rhetorical Discourse In Film, Brent Yergensen, Scott Church Nov 2024

The Rhetorical Interlude In Alfonso Cuarón’S Gravity: Suggesting A Model For Examining Rhetorical Discourse In Film, Brent Yergensen, Scott Church

Dialogue: The Interdisciplinary Journal of Popular Culture and Pedagogy

This essay advances the concept of the “rhetorical interlude,” a means by which scholars and teachers may examine how rhetorical messages are embedded in films. To illustrate, this study includes an examination of the rhetorical interlude in the film Gravity (Cuarón, 2013) as the film’s protagonist, Ryan Stone, is visited by the apparition of her dead colleague, Matt Kowalski, who instructs her on survival in space and on the significance of moving on from personal tragedy. In a pattern of ghostly apparitions appearing in perplexing outer space situations, Gravity situates scientific complexity as capable of being transcended with the help …

Go to article

Review Of Emily Sun’S On The Horizon Of World Literature, Jing Yang Aug 2024

Review Of Emily Sun’S On The Horizon Of World Literature, Jing Yang

CLCWeb: Comparative Literature and Culture

No abstract provided.

Go to article

All Men Are Brothers: Pearl S. Buck’S Translation Of Shui Hu Zhuan And Its Effects On Her Writing Career, Zhihui Sophia Geng Aug 2024

All Men Are Brothers: Pearl S. Buck’S Translation Of Shui Hu Zhuan And Its Effects On Her Writing Career, Zhihui Sophia Geng

CLCWeb: Comparative Literature and Culture

In her article “All Men Are Brothers: Pearl S. Buck’s Translation of Shui Hu Zhuan and its Effects on Her Writing Career,” Zhihui Sophia Geng focuses on Pulitzer Prize winner and Noble Laureate Pearl Sydenstricker Buck’s All Men Are Brothers, her translation of the classical Chinese novel Shui Hu Zhuan. She examines the reception of her translation and analyzes the significance of All Men Are Brothers to Buck’s literary career. By providing the first complete translation of Shui Hu Zhuan to an English-speaking audience, Buck made a significant cultural contribution to the United States and English-speaking cultural spheres. The …

Go to article

Engaging China: Beckett’S Debt To Pound, Giles, And Laloy, Lidan Lin Aug 2024

Engaging China: Beckett’S Debt To Pound, Giles, And Laloy, Lidan Lin

CLCWeb: Comparative Literature and Culture

In her article "Engaging China: Beckett’s Debt to Pound, Giles, and Laloy," Lidan Lin examines Ezra Pound’s influence on Samuel Beckett. In their dealings with China, Pound and Beckett are both indebted to such sinologists and cultural transmitters as Ernest Fenollosa, H. A. Giles, Louis Laloy, and Laurence Binyon who introduced Chinese culture, literature, and arts to the Western world through translation and their writings about China. Lin situates the Pound-Beckett connection in the broad cultural context of the early 20^th century. She argues that while modernism’s turn to China as a cultural paradigm was collectively brought about by …

Go to article

Translation As Creative Writing: Rewriting The Chinese Maze Murders In Contemporary China, Xiaoquan Raphael Zhang Aug 2024

Translation As Creative Writing: Rewriting The Chinese Maze Murders In Contemporary China, Xiaoquan Raphael Zhang

CLCWeb: Comparative Literature and Culture

In his article “Translation as Creative Writing: Rewriting The Chinese Maze Murders in Contemporary China,” Xiaoquan Raphael Zhang examines four groups of selected writings centered on one of Robert van Gulik’s more well-known Judge Dee novels, The Chinese Maze Murders (written first in English but not published until 1956). Different from most publications on van Gulik and his novels, Zhang examines the impact of censorship and self-censorship on the writing, rewriting, and (re)adapting, “literal” and “liberal/free” translation of the Judge Dee stories traveling between Chinese and English, between China and the West, for Chinese and non-Chinese audiences. Focus is given …

Go to article

Exotic Construction Of An Ancient Oriental Sappho: On Rexroth’S Creative Translation Of Li Ch’Ing-Chao’S Ci-Poems And Its Influences, Yuqun Fu Aug 2024

Exotic Construction Of An Ancient Oriental Sappho: On Rexroth’S Creative Translation Of Li Ch’Ing-Chao’S Ci-Poems And Its Influences, Yuqun Fu

CLCWeb: Comparative Literature and Culture

In her article “Exotic Construction of an Ancient Oriental Sappho: On Rexroth’s Creative Translation of Li Ch’ing-Chao’s Ci-Poems and its Influences,” Yuqun Fu discusses Li Ch’ing-Chao’s Ci-poems and her identity as a woman intellect in the patriarchal and feudal Song Dynasty of China. Due to Kenneth Rexroth’s feminist perspective and Sappho complex as well as his own pursuit to excel in the hipster stylistics of the newly prospering Beat writers, Rexroth turns to the Eastern women poets to fuel his own cause, especially in his idiosyncratic way of interpreting and translating Li Ch’ing-Chao. His translation focuses on gender identity and …

Go to article

Lifelong Movie Goers, Hardworking Filmmakers, And Oscars Discourse, Haley Kamola May 2024

Lifelong Movie Goers, Hardworking Filmmakers, And Oscars Discourse, Haley Kamola

Student Scholar Symposium Abstracts and Posters

This paper focuses on the discourse surrounding the Academy Awards, often referred to as the Oscars. The differences in discourse between people working in the film industry and those who watch movies are analyzed, as they represent the supplier and recipient of films and filmmaking. These two groups offer varied perspectives on the topic. The discourse of another group, a group in-between–student filmmakers–is also analyzed. To many people, what makes a film “good” is quite subjective, so the Academy Awards are often a subject of discourse. One particular focus of discourse will be the 2024 Academy Awards. There were a …

Go to article

The Lack Of Representation Of Mexican Women In Films, Lizbeth Garcia Gonzalez May 2024

The Lack Of Representation Of Mexican Women In Films, Lizbeth Garcia Gonzalez

Open Access Theses & Dissertations

Representation in film lacks the meaningful exposure of Mexican women, the lack of roles available tend to rely on the stereotypes of Mexicans therefore excluding room for Mexican women to be represented authentically. In this paper I discuss the lack of representation that Mexican women have in films, identifying that in roles of superheroes, especially women of color do not compare to the many white superhero films. To discuss representation of Mexicans in film, I used The Perfect Game (2009) and McFarland, USA (2015), films that share meaningful representation of Mexicans. While also using examples of representation in superhero films …

Go to article

"We Are Bad Feminists!": Understanding Genre And Rhetoric In (Post)Feminist Dramedy Television, Cailin Rolph Mar 2024

"We Are Bad Feminists!": Understanding Genre And Rhetoric In (Post)Feminist Dramedy Television, Cailin Rolph

All HCAS Student Capstones, Theses, and Dissertations

Centered on Lena Dunham’s Girls (2012) and Phoebe Waller-Bridge’s Fleabag (2016) this thesis examines the use of genre conventions in dramedy to facilitate feminist critiques of postfeminist ideals. In conducting a case study of feminist rhetoric present in the shows Girls and Fleabag, this thesis addresses a gap in genre studies concerning the social and political potency of the dramedy genre. The thesis utilizes rhetorical critique, through generic methods, to identify the specific techniques used by Dunham and Waller-Bridge. Through its analyses, this thesis argues that dramedy can uniquely operate as a work of social action and critique, using …

Go to article

#Hotgirlsemestersyllabus, Katrina Marie Overby, Gheni Platenburg, Niya Pickett Miller Feb 2024

#Hotgirlsemestersyllabus, Katrina Marie Overby, Gheni Platenburg, Niya Pickett Miller

Feminist Pedagogy

No abstract provided.

Go to article

Developing And Sustaining A Graphic Scholarship Collection For Academic Libraries, Stewart Brower, Toni Hoberecht, Zane Ratcliffe, Bethie Seay Jan 2024

Developing And Sustaining A Graphic Scholarship Collection For Academic Libraries, Stewart Brower, Toni Hoberecht, Zane Ratcliffe, Bethie Seay

SANE journal: Sequential Art Narrative in Education

In early 2021, the Schusterman Library at the University of Oklahoma-Tulsa satellite campus took a new step towards building a culture of interest by creating the Graphic Scholarship Collection. This new endeavor is a curated collection of graphic novels, primarily non-fiction, aligned with the academic programs on campus, as well as promoting University initiatives in diversity, equity, and inclusion. A new organizational structure for the collection materials and their circulation metrics will be examined in detail. There will also be consideration of the challenges of selection and acquisition by a mixed team of selectors, some of whom have no experience …

Go to article

First Prev Next Last