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Articles 61 - 90 of 671
Full-Text Articles in Rhetoric and Composition
Embodied Memory: Somatic Expressions Of Trauma In The Gathering, Caroline Kramer
Embodied Memory: Somatic Expressions Of Trauma In The Gathering, Caroline Kramer
The Criterion
No abstract provided.
Coleridge’S Living Power: “The Eolian Harp”, Thomas Formichelli
Coleridge’S Living Power: “The Eolian Harp”, Thomas Formichelli
The Criterion
No abstract provided.
Truth In Fragments: Narrative Multiplicity In Gloria Naylor’S Mama Day, Lilly Patton
Truth In Fragments: Narrative Multiplicity In Gloria Naylor’S Mama Day, Lilly Patton
The Criterion
No abstract provided.
Looking Towards The Past And Future With Waiata: Māori Historical Traditions In Ka Eke Ki Wairaka, Nuala Reynolds
Looking Towards The Past And Future With Waiata: Māori Historical Traditions In Ka Eke Ki Wairaka, Nuala Reynolds
The Criterion
No abstract provided.
Dryden: Master Of Rhetoric, Bradley Rose
The Ruination Of A Creator By His Own Hand: Doctor Faustus’ Self-Distance From Godliness And Unimaginative Sloth, Amanda Sopchockchai
The Ruination Of A Creator By His Own Hand: Doctor Faustus’ Self-Distance From Godliness And Unimaginative Sloth, Amanda Sopchockchai
The Criterion
No abstract provided.
Finding “Humberland”: The French Language As A Privatized Signal In Lolita, Mae Legare
Finding “Humberland”: The French Language As A Privatized Signal In Lolita, Mae Legare
The Criterion
No abstract provided.
Flickers Of Desire: Shared Consciousness And Queer Ethics In Mrs. Dalloway, Maeve Doherty
Flickers Of Desire: Shared Consciousness And Queer Ethics In Mrs. Dalloway, Maeve Doherty
The Criterion
No abstract provided.
Models Of Emulation: Representations Of Foreign, Indigenous, And Accented Speech In Early American Literature, Elaina A. Frulla
Models Of Emulation: Representations Of Foreign, Indigenous, And Accented Speech In Early American Literature, Elaina A. Frulla
Electronic Theses & Dissertations (2024 - present)
“Models of Emulation: Representations of Foreign, Indigenous, and Accented Speech in Early American Literature” explores how American writers used depictions of “nonstandard” English and accented English language speech, traditionally described as “literary dialect,” as a way to negotiate identity, power, and political belonging in the formative years of nation building after the American Revolution. Beginning with Noah Webster’s mission to establish a standardized pronunciation of the English language that would simplify and purify spoken American-English and definitively differentiate it from what he saw as the corrupted, cosmopolitan British-English model, each of the three chapters examines literary representations of nonstandard emulated …
Derrida In Mesopotamia: On The Import Of The Cuneiform Inscriptions In Of Grammatology, Will Greenshields
Derrida In Mesopotamia: On The Import Of The Cuneiform Inscriptions In Of Grammatology, Will Greenshields
CLCWeb: Comparative Literature and Culture
Cuneiform writing has a small but privileged position in Derrida’s Of Grammatology – providing the text with its first two epigraphs. By elucidating the source and import of these inscriptions and evaluating Derrida’s understanding of the cuneiform writing system in reference to more recent grammatological studies, this paper explains the significance of these references to the ancient Near East for Derrida’s arguments regarding the origins of Western metaphysics and logocentrism. In the first part, I analyze Derrida’s brief paragraph on cuneiform writing in Of Grammatology as evincing a “fundamental synaesthesia” of phonetic and non-phonetic elements that problematizes the phonocentric definition …
Haunting Pasts, Cancelled Futures: Polish And Argentinian Experiences Of Postdependency, Ewa Kobyłecka-Piwońska
Haunting Pasts, Cancelled Futures: Polish And Argentinian Experiences Of Postdependency, Ewa Kobyłecka-Piwońska
CLCWeb: Comparative Literature and Culture
The aim of this article is to compare Polish and Argentinian experience of democratic transitions of the 1980s and 1990s. Establishing new political and economic orders in both countries did not entail a change in their citizens’ post-dependent mentality. In the first part of the paper, a connection is drawn between Polish and Argentinian collective memories in line with the methodology of transcultural memory studies (Erll, Rothberg). The post-dependent condition is articulated twofold: through the remembrance of the disappearance (of the Jews, the victims of the Argentina’s state terrorism, the indigenous peoples), and through the confusion in grasping the sense …
Shakespeare’S Murderous World: Not A Doomed Reality, Afton Fay
Shakespeare’S Murderous World: Not A Doomed Reality, Afton Fay
The Criterion
No abstract provided.
Dangerous Possession, Perilous Gaze, And Violent Control In "You Belong To Me," "My Last Duchess," And "Mont Blanc", Mackenzie Hughes
Dangerous Possession, Perilous Gaze, And Violent Control In "You Belong To Me," "My Last Duchess," And "Mont Blanc", Mackenzie Hughes
The Criterion
No abstract provided.
Unmasking The Monkey Myth: The Coexistence Of Sage And Trickster, Marisa O'Malley
Unmasking The Monkey Myth: The Coexistence Of Sage And Trickster, Marisa O'Malley
The Criterion
No abstract provided.
What Is Lyric Anyway?: Attempting To Define Lyric Using Elizabeth Barrett Browning’S “Sonnet 6” And Fiona Apple’S “I Want You To Love Me”, Fiona Smith
The Criterion
No abstract provided.
Hands In David Copperfield As A Marker Of Character, Niall Mckenna
Hands In David Copperfield As A Marker Of Character, Niall Mckenna
The Criterion
No abstract provided.
From Object To Architect: How Molly Bloom Designs Her Own Gaze In Joyce’S Ulysses, Mackenzie Hughes
From Object To Architect: How Molly Bloom Designs Her Own Gaze In Joyce’S Ulysses, Mackenzie Hughes
The Criterion
No abstract provided.
Home, Exile, And Displacement In The Lord Of The Rings And The Hobbit, Sarah Park
Home, Exile, And Displacement In The Lord Of The Rings And The Hobbit, Sarah Park
The Criterion
No abstract provided.
The Criterion (2025), Mackenzie Hughes, Emily Carbone, Marisa O'Malley, Gericho Louis Conge, Afton Fay, Fiona Smith, Gwyneth Morrissey, Niall Mckenna, Roan Brimacomb, Sarah Park, Madeline T. Zafon-Whalen
The Criterion (2025), Mackenzie Hughes, Emily Carbone, Marisa O'Malley, Gericho Louis Conge, Afton Fay, Fiona Smith, Gwyneth Morrissey, Niall Mckenna, Roan Brimacomb, Sarah Park, Madeline T. Zafon-Whalen
The Criterion
No abstract provided.
The Oppression Of Embrace, Gericho Louis Conge
Where Angels Fear To Tread And Heart Of Darkness: Imperialism’S Civil Dehumanization, Roan Brimacomb
Where Angels Fear To Tread And Heart Of Darkness: Imperialism’S Civil Dehumanization, Roan Brimacomb
The Criterion
No abstract provided.
Stories Of Chiaroscuro Control, Gwyneth Morrissey
A Trek Into New Territories: Sound In Rachel Hadas’ “The Red Hat”, Emily Carbone
A Trek Into New Territories: Sound In Rachel Hadas’ “The Red Hat”, Emily Carbone
The Criterion
No abstract provided.
Frank O'Hara: The Figure That Remains, Madeline T. Zafon-Whalen
Frank O'Hara: The Figure That Remains, Madeline T. Zafon-Whalen
The Criterion
No abstract provided.
“Re-Storying” Anne Shirley And The Adhd Child: A Crip Genealogy Of Anne Of Green Gables, Darian Aleyna Wilson
“Re-Storying” Anne Shirley And The Adhd Child: A Crip Genealogy Of Anne Of Green Gables, Darian Aleyna Wilson
Department of English: Dissertations, Theses, and Student Research
This thesis explores the contested nature of Attention Deficit Hyperactivity Disorder (ADHD), focusing on its cultural and historical constructions. While ADHD has been included in the Diagnostic and Statistical Manual of Mental Disorders since 1980, its legitimacy remains a subject of debate across medical, disability studies, and historical scholarship. Using Eli Clare’s critique of diagnosis as a tool rather than a fact, this project examines how ADHD is both pathologized and re-storied within societal and medical discourses. It highlights the tension between medical classifications and lived experiences of those diagnosed with ADHD, particularly in the context of girlhood.
The central …
What's Their Story? To Help Save The Humanities, Let's Listen To English Majors, Kevin T. Caffrey
What's Their Story? To Help Save The Humanities, Let's Listen To English Majors, Kevin T. Caffrey
Journal of Educational Research and Practice
Amid declining enrollment in humanities programs throughout the United States, the English major has been hit the hardest. This article gives voice to current English majors about why they choose to enroll in a program that often receives criticism pertaining to its value and worth. This study provides a literature review of the history of higher education in the United States, an examination of the humanities backlash that has evolved over the past half-century, and an exploration of the value of a degree in English. In addition, it provides survey results from a small group of English majors currently enrolled …
Prison Sentences: Spaces Of Liberation In Arab Prison Writing, Joseph Farag
Prison Sentences: Spaces Of Liberation In Arab Prison Writing, Joseph Farag
CLCWeb: Comparative Literature and Culture
Spatial and temporal motifs predominate throughout the extensive corpus of Arabic prison writing. However, far from establishing the prison as an exceptional space, and periods of imprisonment as “time outside time,” this paper argues that modern Arabic prison literature tends instead to blur the distinction between “inside” and “outside” prison space and time. In place of a rigid spatial demarcation, dramatically exemplified by images of towering, razor wire-tipped walls, Arabic prison writing consistently seeks to create continuity between the punishment meted out to those within the prison’s walls and the repression endured by those beyond it. Consequently, these texts figuratively …
Punish Yet Cannot Discipline: Two Iraqi Prison Novels, Hanan Jasim Khammas
Punish Yet Cannot Discipline: Two Iraqi Prison Novels, Hanan Jasim Khammas
CLCWeb: Comparative Literature and Culture
Al-Munāḍil (The Militant) (1972) by ʿAzīz al-Sayyid Jāsim, and Iʿjām (Iʿjaam) (2004) by Sinan Antoon are two prison novels about the historical turning points which mark the rise and fall of the Baʿth regime in Iraq. While the first employs imprisonment as a lens through to expose the corruption and injustice exercised by the monarchy against the emergent revolutionary power, the second shows the Baʿthist government applying similar methods of surveillance, and of physical and psychological torture. Reading these texts by al-Sayyid Jāsim, who died in the Baʿth prisons, and by Antoon who wrote Iʿjaam …