Renaissance Studies Commons^™

Iconoclasm And Iconophilia In Othello, Catherine E. Winiarski

Quidditas

In his book War Against the Idols, Carlos Eire argues that iconoclastic resistance to the Medieval Catholic Church began with the gentle scolding of Erasmus and ended as the "shibboleth" of radical Calvinism. The use of images in religious instruction and practice was one of the major points of dispute between Protestant reformers and Catholic counter-reformers. Iconoclasm was certainly not confined to radical Calvinism; Anglican reformers, especially those who had spent time in continental Europe as exiles (like John Jewel, Bishop of Salisbury), quickly raised the issue in their country, which had its own unique history of religious reform. …

Helena, Heraclius, And The True Cross, Hans A. Pohlsander

Quidditas

More than three hundred years stand between the empress Helena, or St. Helena, and the Byzantine emperor Heraclius. This chronological distance has not been a hindrance to a very close association of the two personalities with each other. The link is not dynastic but thematic; it is provided by the Holy Cross, or the True Cross, i. e. the very cross of Christ's passion. It is the purpose of this article to show the manifestation of this link in the religious literature and ecclesiastical art of the Middle Ages and in the liturgy to this day.

Allen D. Breck Award Winner (2003)

Quidditas

Catherine E. Winiarski

The Breck Award recognizes the most distinguished paper given by a junior scholar at the annual conference.

Front Matter

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No abstract provided.

Fama And Fortuna: Giorgio Vasari’S Michelangelo, Peter Kanelos

Quidditas

The life of Michelangelo is set indisputably as the capstone to Giorgio Vasari’s monumental, Le vite de’ più eccellenti pittori scultori e architettori (1568). Cathedral-like in its detail and expanse, Vasari’s collection of biographies is itself a carefully designed and constructed work of art. Its separate parts are crafted with concern for the whole; from its series of individual narratives, a single grand narrative emerges. Buonarroti’s position in this is conspicuous, and purposefully so. In the first edition of the Vite (1550)—his biography, the only one granted a living artist—concludes the work decisively. It is the final entry and the …

Allen D. Breck Award Winner: The Presence Of The Past: Shakespeare In South Africa, Natasha Distiller

Quidditas

In what ways has Shakespeare—as a collection of texts, as cultural capital, as a tool of a colonial education system as powerful as the bible and the gun—manifest in South African culture? Today I will sketch the presence of the past in a way which aims to draw out the South African in Shakespeare as much as the Shakespearean in South Africa. I do this following the post-colonial call to redress the imbalance of knowledges between the West and the Rest, and in order to break a simplistic cultural binary which posits “African,” colonized culture on one side and “European,” …

Review Essay: Alan Bray. The Friend, Garrett P.J. Epp

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Alan Bray. The Friend. Chicago and London: University of Chicago Press, 2003. 380pp. Ill.

Front Matter

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No abstract provided.

Pain For Pen: Gaspara Stampa's Stile Novo, Amy R. Insalaco

Quidditas

The Italian critic and scholar, Benedetto Croce (1866–1952) dismisses Gaspara Stampa's Rime (1553) thus:

She was a woman; And usually a woman, when she is not given to ape men, uses poetry and submits it to her affections because she loves her lover or her own children more than poetry. The lazy practice of women is revealed in their scanty theoretical and contemplative power.

For him, Stampa’s poetry is somehow inferior to her male counterpart’s poetry because it lacks “theoretical and contemplative power.” This essay will analyze aspects of Stampa’s poetry which disprove this claim.

Delno C. West Award Winner: Using And Abusing Delegated Power In Elizabethan England, James H. Forse

Quidditas

Queen Elizabeth's government, like most early modern European governments, was one that sought to extend its influence and power throughout the realm. But at the same time it possessed minimal financial resources and coercive machinery of power, and therefore, while it issued mandates, it had to depend upon local officials and individuals to whom it delegated power. Nor did Elizabeth’s government have any machinery of oversight to “watch-dog” those delegated powers. Only when issues came to the attention of the Privy Council after-the-fact did the government, occasionally, intervene to redress abuses of those delegated powers. Two areas in which these …

Review Essay: Valeria Finucci. The Manly Masquerade: Masculinity, Paternity, And Castration In The Italian Renaissance, Liz Horodowich

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Valeria Finucci. The Manly Masquerade: Masculinity, Paternity, and Castration in the Italian Renaissance. Durham and London: Duke University Press, 2003. ISBN 0-8223-3065-2. $24.95 paper.

Full Issue

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No abstract provided.

The Unfortunate Traveller And The Ramist Controversy: A Narrative Dilemma, Kurtis B. Haas

Quidditas

The narrative and rhetorical structure of Thomas Nashe's The Unfortunate Traveller has vexed its critics almost since its initial appearance in 1593. Most modern critics have followed a line something akin to that of G.R. Hibbard, who sees Nashe as a writer unable at times to distinguish his own voice from that of the narrator, Jack Wilton. Stephen Hilliard’s study of Nashe notes the critical tendency to see The Unfortunate Traveller as “a formless work, spun out by a careless author with no fixed purpose” and, though he chides such critics for ignoring its many virtues, grants that they likely …

Review Essay: Michelle P. Brown. The Lindisfarne Gospels: Society, Spirituality And The Scribe, Thomas Klein

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Michelle P. Brown. The Lindisfarne Gospels: Society, Spirituality and the Scribe. Toronto: University of Toronto Press, 2003. xvi, 479 pp.

God As Androgyne: Jane Lead’S Rewriting Of The Destiny Of Nature, Sylvia Bowerbank

Quidditas

Jane Lead [or Leade] (1624–1704) was one of the few seventeenth-century Englishwomen bold and radical enough to engage in "God-talk"—to used Rosemary Ruether's term. When the power of the English king and church was restored in 1660, radical millenarians were repressed and had to face that the English revolution—“God’s cause”— had failed politically, at least temporarily. In her recuperation of God’s cause, Lead argued that the revolution, properly understood, would be “intrinsical.” In her prophecies, Lead unites a radical hermeneutics of Scripture with Jacob Boehme’s concept of God as androgyne in order to reconfigure both God and divine history. According …

Wîse Maget, Jolyon Timothy Hughes

Quidditas

In Medieval German Literature, the figure of the wise man occurs repeatedly. This can be evidenced in several primary works of literature from the period. In Wolframs von Eschenbach's Parzival Trevrizent is shown to be a very wizened and understanding member of Parzival’s own family. In Gottfried von Straßburg’s Tristan, the title figure is known to be wise before he is physically mature. However, in the critical literature on the period, there is no mention of older female characters exhibiting similar attributes as those qualities exemplified by the male figure of young Tristan, let alone younger women or girls.

Interpreting Early Modern Woman Abuse: The Case Of Anne Dormer, Mary O'Connor

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[T]hese hard laws I live under must keepe us from seeing one another.

Anne Dormer

When Anne Dormer, of Rousham, Oxfordshire, wrote to her sister, Elizabeth Trumbull, in August 1686, she complained that she would not be able to greet her on her return from a tumultuous year in France. Elizabeth (sometimes called Katherine) was married to the special envoy William Trumbull and had just endured the events of the revocation of the Edict of Nantes. Anne’s husband, Robert Dormer, had certain “laws” under which his wife had to live, one of which prohibited her from going to London to …

The Fall Of Troy And The Rise Of Elizabethan Drama: Empowering The Audience, Charles Whitney

Quidditas

The English Reformation, along with urbanization, commercial development, and other major social and cultural changes, both reflect and affect a multifaceted contestation of authority among genres and modes of discourse in the sixteenth century. Robert Weimann finds the Elizabethan period marked by clashes “between diverse authorities engaging in rivalry for the more persuasive image, logic, truth, and form of saying things,” as “the claims on God-given legitimacy of secular and ecclesiastical institutions...were irretrievably undermined.” Rather than accept the authority of a document, according to its type and status, before it was actually read, audiences tended to approach representations as sites …

Allen D. Breck Award Winner

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Marie Kelleher

This article does not appear in the current volume of Quidditas

Review Essay: Lucrezia Tornabuoni De’ Medici. Sacred Narratives, Deanna Shemek

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Lucrezia Tornabuoni de’ Medici. Sacred Narratives. Ed. and trans. Jane Tylus. Chicago: University of Chicago Press, 2001. 286 pages plus notes and index.

Review Essay: Melitta Weiss Adamson, Ed. Regional Cuisines Of Medieval Europe: A Book Of Essays, Debby Banham

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Melitta Weiss Adamson, ed. Regional Cuisines of Medieval Europe: a Book of Essays. London and New York: Routledge, 2002.

Review Essay: Linda Woodbridge. Vagrancy, Homelessness, And English Renaissance Literature, Ken Jackson

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Linda Woodbridge. Vagrancy, Homelessness, and English Renaissance Literature. Urbana and Chicago: University of Illinois Press, 2001.

Review Essay: J. A. Burrow. Gestures And Looks In Medieval Narrative, E. Ann Matter

Quidditas

J. A. Burrow. Gestures and Looks in Medieval Narrative. Cambridge: Cambridge University Press, 2002. xi + 200 pp.

Full Issue

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No abstract provided.

Glimpsing Medusa: Astoned In The Troilus, Timothy D. O'Brien

Quidditas

In these pages I would like to consider the role of Medusa in Chaucer's Troilus—a modest enough enterprise except for the fact that there is not a single reference to this puzzling figure in the entire work, or in any of Chaucer’s other works for that matter. Such an absence does not of course mean absence of influence. After all, Chaucer does not mention Boccaccio, even though his Il Filostrato supplies the narrative material for and fundamental shape of the Troilus. Obscuring authorial indebtedness because of some “anxiety of influence” is one thing; alluding to a figure from …

Front Matter

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No abstract provided.

“Women Of The Wild Geese”: Irish Women, Exile, And Identity In Spain, 1596–1670, Andrea Knox

Quidditas

Ireland in the sixteenth and seventeenth centuries was subject to major invasion and settlement. Tudor foreign policy towards Ireland attempted to introduce an English model of government and, during the reign of Elizabeth I, attempts were made to introduce the Protestant religion. During the sixteenth century both England and Ireland were the regular focus of European Catholic plots. This led the Tudor monarchs to invade Ireland with a double agenda: to prevent European invasion, and to subdue a country over which it had always been difficult to exercise any influence. Henry VIII invaded Scotland and France in the 1540s, and …

Review Essay: Richard Utz. Chaucer And The Discourse Of German Philology: A History Of Reception And An Annotated Bibliography Of Studies, Anita Obermeier

Quidditas

Richard Utz. Chaucer and the Discourse of German Philology: A History of Reception and an Annotated Bibliography of Studies, 1793–1948. Making the Middle Ages 3. Turnhout: Brepols, 2002. xxi + 446 pp.

Delno C. West Award Winner: Tradition And Originality In El Greco’S Work: His Synthesis Of Byzantine And Renaissance Conceptions Of Art, Richard G. Mann

Quidditas

Domenicos Theotokopoulos (1541–1614), usually called El Greco, had one of the most unusual "career paths" of any artist of his era. In less than a decade, he transformed himself from a Byzantine icon painter into one of the most innovative artists of the western European Renaissance. His Spanish contemporaries had no difficulty in acknowledging the significance of his origins. Thus, the court poet Paravicino declared “Creta le dió la vida y los pinceles” (Crete gave him life and the painter’s craft). Nevertheless, most North American and western European scholars of the modern era have maintained that his initial experiences as …

The Demonization Of Sidney’S Cecropia: Erasing A Legal Identity, Stephanie Chamberlain

Quidditas

In October fo 1533, fourteen-year-old Catherine de' Medici married Henri, duc d'Orléans in a union meant to secure a favorable political alliance between Francis I, the King of France and Pope Clement VII, her uncle and legal guardian. When, however, the Pope unexpectedly died less than a year later, Catherine’s symbolic worth virtually died as well: leaving a less than enamored France to bear the burden of one whose status, as R. J. Knecht has noted, “was immediately reduced to that of a foreigner of relatively modest origins.”1 When Henri unexpectedly died following a ceremonial jousting match in 1559, Catherine …