Renaissance Studies Commons^™

Full Issue

Quidditas

No abstract provided.

Allen D. Breck Award Winner

Quidditas

The Breck Award recognizes the most distinguished paper given by a junior scholar at the annual conference.

Recipient of the Breck Award for 2021

Jessie Bonafede

University of New Mexico

Humorous Spaces And Serious Magic In William Baldwin’S Beware The Cat, Ashley Jeanette Ecklund

Quidditas

When spaces transform in William Baldwin’s Beware the Cat, the transition is marked with humor, consistently signaling magic to follow. As an amalgamation of folklore, including magic that manifests around, for, and through cats, Baldwin’s work offers adventure, laughter, and danger alike. Some cats are diabolical, worshiping or holding the soul of a witch; however, their wit constitutes a jocular contrast to that of our interior narrator, Maister Streamer, whose quotation above demonstrates a serious misunderstanding of St. Augustine’s beliefs. Though Beware The Cat was published at the start of the early modern period, the folklore it contains speaks …

“There’S Rosemary, That’S For Remembrance:” Suicide Ideation And Portraying Ophelia’S Madness, Ian M. Borden, Sarah Imes Borden

Quidditas

Ophelia’s madness in Hamlet is too often portrayed or understood in a generalized fashion. Historical analysis of the play, as well as historical and recent reviews of Ophelia’s performance show how Ophelia has been considered a character controlled by outside forces, and her madness lacking direction or purpose. Applying the concept of suicide ideation to the character’s actions illuminates both our historical understanding of the character, and provides modern day performers a cohesive and focused model from which to draw.

The Fable As A Global Genre: Marie De France, Ulrich Bonerius, Don Juan Manuel, And Kalila And Dimna, Albrecht Classen

Quidditas

As much as recent scholarship has tried to develop a new approach toward world or global literature, the essential problem continues that in those efforts simply writers and poets from the various countries and continents are placed side by side without any consideration of inter- and transdisciplinarity, if not shared meaning and critical exchange. Drawing from the tradition of medieval fable literature, however, we face a truly productive approach in recognizing what global literature could really entail since the various writers across the continents addressed, broadly speaking, the same issues and fundamentally agreed on the critical values in all of …

Reading Plague Images: Visual Literacy In The History Classroom, Katherina Fostano

Developing Pedagogy Graduate Student Showcase

In 2016 Peter Felten, Director of the Center for Advancement of Teaching and Learning at Elon University, wrote, “Our students live in a highly visual world, where images are fundamental in shaping their understandings of history before they ever enter our classrooms.” This observation prompted me to create a series of exercises that introduce students to general visual literacy skills in the History classroom. These exercises aim to help students use visual sources to make evidence-based interpretations of the past with rigor and efficacy. In this presentation, I focused on images of past plagues since the recent proliferation of plague-related …

Teaching The Black Death During Covid-19, Rachel Podd

Developing Pedagogy Graduate Student Showcase

On the 13th of November 2020, the Renaissance Society of America, in conjunction with Fordham University, hosted on a symposium, “Plagues, Pandemics, and Outbreaks of Disease in History”, including a series of presentations focused on pedagogical strategies related to the topic of disease in Early Modern History. As part of this pedagogy roundtable, Rachel Podd developed a variety of materials suitable for educators in secondary or higher education; these materials use the current pandemic, COVID-19, as a teaching tool and analytical lens for the study of historical pandemics and, more specifically, of the Black Death of the fourteenth century. Conceived …

Wherein To Catch The Conscience Of The Queen: Dystopian Politics In Elizabethan Drama, Helen Fielding

Senior Honors Theses

Though established English history portrays Elizabeth I (1533-1603) as uniting England under the new Protestant religion, recent historical evidence reveals that extensive counter-currents still existed. This thesis examines how the politico-religious beliefs of Elizabethan and Jacobean playwrights manifest themselves in their drama, particularly through imagery and allusions. It draws especially from Frances Yates to assert that imagery of white magic, Christian Cabala, and alchemy in these dramatists’ works refers to the pure imperial reform movement of Elizabeth’s reign, and also from Clare Asquith to illuminate a reading of Shakespeare as a playwright who encoded in his plays a Catholic message …

Bernard Palissy: Early Career - Securing Patronage And Mimicking Nature In A Moment Of Crisis, Karissa Bailey

LSU Master's Theses

Early in 1562, France was experiencing a state of high religious tension between Protestants and Catholics that would precipitate the outbreak of the Religious Wars on March 1. A week before, Bernard Palissy, a Huguenot potter, wrote a letter to his Catholic patron from prison inBordeaux where he was being held on charges associated with an iconoclastic incident in his home city of Saintes. This letter would later be published as a dedication letter for the pamphlet Architecture et Ordonnance, which featured the description of a grotto commissioned by Anne de Montmorency, Palissy’s patron, seven years earlier. This thesis analyzes …

Bloodied Hearts And Bawdy Planets: Greco-Roman Astrology And The Regenerative Force Of The Feminine In Shakespeare’S The Winter’S Tale, Christina E. Farella

Dissertations, Theses, and Capstone Projects

This thesis offers a new reading of William Shakespeare’s late play The Winter’s Tale (1623), positing that in order to understand this complex and eccentric work, we must read it with a complex and eccentric eye. In The Winter’s Tale, planets strike without warning, pulling at hearts, wombs, and blood, impacting the health and emotional experience of characters in the play. This work is renowned for its inconsistent formal structure; the first half is a tragedy set in winter, but abruptly shifts to a comedy set in spring/summer in its latter half. What’s more, is that planets, luminaries, and …

Judith Leyster: A Study Of Extraordinary Expression, Nicole J. Cardinale

Theses and Dissertations

Judith Leyster’s innovative application of expression in her Self Portrait serves as the focus, whereby she is shown to blend conventional painting categories, preserve a sense of innocence, and confidently flaunt her skills. In turn, Leyster challenged the male-centric art market and stood apart from her artistic predecessors and contemporaries.

The Spiritual Nature Of The Italian Renaissance, Kaitlyn Kenney

Senior Honors Theses

This study seeks to investigate the influence of faith in the emergence and development of the Italian Renaissance, in both the artwork and writing of the major artists and thinkers of the day, and the impact that new expressions of faith had on the viewing public. While the Renaissance is often labeled as a secular movement by modern scholars, this interpretation is largely due to the political motives of the Medici family who dominated Florence as the center of this artistic rebirth, on and off again throughout the period. On close examination, the philosophical and creative undercurrents of the movement …

The Sparrow Hawk Castle - A Mostly Ignored Literary Motif Across The Cultures And The Centuries, Albrecht Classen

Quidditas

Johann Schiltberger included a curious episode about the ‘Sparrow Hawk Mountain’ in his famous travelogue Reisebericht from 1427. This episode can be traced back to John Mandeville’s Travels in the German translation by Michel Velser. This study examines the similarities between Mandeville’s text and Schiltberger’s account, but then also the use of this motif in the tradition of the Melusine novel (Jean d’Arras and Thüring von Ringoltingen). Further attempts are made to identify sources for this episode Mandeville might have drawn from, including an Armenian chronicle and even the love treatise De amore by Andreas Capellanus.

Explanations And Justifications Of War In The British Kingdoms In The Seventeenth Century, Roger B. Manning

Quidditas

The influence of Machiavelli on English and Scottish political discourse can be detected not just on politicians and military men, but also among clerics and the well educated elite– even when they do not cite him directly. In England and Scotland, as in mainland European countries, Machiavellian discourse placed war at the center of discussion. Some justified their bellicosity in the secularized language of Roman historians and Italian humanists and thought that since war was the main theme of history and could be regarded as an inevitable phenomenon, England might as well profit by it. This necessarily brought England into …

The Saint And The Swan: Animal Interactions In The Hagiography Of Hugh Of Avalon, Emma Grover

Quidditas

Animals in medieval hagiography typically appear in conjunction with saints who practice withdrawal from normal human society or are otherwise socially marginalized, such as hermits, outcasts, or mendicant friars. The association of these figures with animals emphasizes the saints’ status on the social margins; for these saints, interaction with animals is a substitute for participation in human society. An exception to this pattern is Hugh of Avalon, bishop of Lincoln in the late twelfth century. An animal companion, the swan of Stow, appears prominently in all three hagiographical accounts of Hugh’s life and is the most recognizable characteristic of his …

Front Matter

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No abstract provided.

Music And Communal Division During The French Wars Of Religion, Cameron G. Wade

Honors Theses

This Senior Honors Thesis explores the social and cultural impact of confessional musical composition and performance on the French Wars of Religion (1562-1598). Because Huguenots and Catholics identified with and were widely identifiable by their respective musical styles, cultural divisions between each confession were emphasized by differences in music. This capacity of sacred and confessionally-influenced secular music to highlight and reinforce societal divides is evidenced by the interconfessional violence that accompanied the public performance of sacred music in cities as well as the pressures imposed on composers to create music which clearly aligned with their respective confessions. As the wars …

St. Roch Military Marches In Wallonia: Memory, Commemoration, And Identity, 1866-1940, Erik Hadley

Quidditas

Ritualized public processionals known as military saint marches thrive in popular memory and define local identity in Francophone Belgium (Wallonia). The annual processionals involve thousands of marchers dressed in Napoleonic-era military uniforms, carrying authentic muskets and escorting a statue of St. Roch, the patron saint of disease protection. Many of these marchers trace family participation through multiple generations and two St. Roch marches received UNESCO recognition as examples of “Intangible Cultural Heritage of Humanity” in 2012. While participants claim there is no historical rupture between the modern marches and the processionals celebrated prior to the French Revolution, there is a …

Full Issue

Quidditas

No abstract provided.

“That Kingdom Is Mine”: On Spain’S Early Modern Polemics Of Possession Over Jerusalem, Circa 1605, Chad Leahy

Quidditas

Spanish claims to the throne of Jerusalem in the early modern period have often been viewed in light either of royal mythologies connecting the Habsburgh monarchy to the biblical kings David and Solomon or to prophetic discourses of imperial Messianism relating to universal monarchy. This paper broadens our understanding of Spanish claims to Jerusalem through close reading of two archival documents produced in 1605. In defending Spanish preeminence and sovereignty in Jerusalem, I argue that these documents participate in a “polemics of possession” that crucially informed cultural production related to the Holy City in the period more broadly. These documents …

Allusive Fontaines, Sicamors, And Pins: Figurative Prophecies Of Grail Piety In The Prose Lancelot, David S. King

Quidditas

At the conclusion of Chrétien de Troyes’s twelfth-century verse Chevalier de la charrete, a spring and sycamore allude to concupiscence and betrayal in Scripture, evoking the hero’s and the queen’s adulterous liaison. The author of the thirteenth-century French Prose Lancelot translates this allusion from a moment of joy for the queen to one of terror, foreshadowing a change in fortune for the hero and his prowess. Every subsequent adventure where the hero encounters a spring and sycamore points to his love for the queen as a source of corruption. Springs shaded by a pine tree hint at the sanctity of …

The Vanishing Lady: Mélusine, Emblems, And Jacques Yver’S Le Printemps D’Yver (1572), Joshua M. Blaylock

Quidditas

In the opening pages of Le Printemps d’Yver (1572), the narrator evokes Mélusine, the cursed half-snake fairy queen, as the architect of the idyllic castle that serves as the locus amoenus of the novella collection. And yet, as suddenly as she appears, Mélusine vanishes from the text with only one other explicit reference to her at the transition point between the third and fourth novellas. While literary scholars have analyzed the two explicit references to Mélusine in Le Printemps as well as Yver’s emblematic prose, none has systematically explored the possibility that her presence pervades the novella collection in ways …

In Memoriam: Richard L. Harp

Quidditas

This volume is dedicated to Professor Richard L. Harp who died at the age of 73 on 7 March 2019. Richard and his spouse Margaret Harp, Professor of French at UNLV have been active members of the Rocky Mountain Medieval and Renaissance Association. Richard served on the Association’s Executive Board, presented papers and chaired sessions at several conferences, and Margaret served as Treasurer, and organized RMMRA’s 2018 Las Vegas conference.

Full Issue

Quidditas

No abstract provided.

Allen D. Breck Award

Quidditas

The Breck Award recognizes the most distinguished paper given by a junior scholar at the annual conference.

Recipient of the Allen D. Breck Award for 2019

BRETTON RODRIGUEZ

Eroticism As A Metaphor For The Human-Divine Relationhip In Attar’S Conference Of The Birds, Or Mantiqu’T-Tair, Marisa Sikes

Quidditas

Farídu’d-Dín Ἁṭṭār’s The Speech of the Birds employs transgressive erotic imagery in multiple sub-tales in ways that both enhance the frame tale’s significance and suggest that persistent, discrete categories of love poetry and religious poetry are untenable as far as Ἁṭṭār’s works are concerned. Eroticism in Ἁṭṭār’s work paradoxically elicits shock and supports orthodoxy, sometimes simultaneously. In the narrative of Shaikh-i Sam’ān religious taboos are broken by a Muslim shaikh devoted to a Christian beloved who spurns him continuously. In “The Princess and the Beautiful Slave-Boy” eroticism is overtly presented as a metaphor for temporary, ecstatic union with the divine. …

Embellishing The Past: Fernando Del Pulgar And History At The Court Of The Catholic Monarchs, Bretton Rodriguez

Quidditas

Composed in the late fifteenth century, Fernando del Pulgar’s Crónica de los Reyes Católicos was the official account of – and therefore one of the best sources for – some of the most significant events in late medieval Spanish history. Within his narrative, Pulgar described the marriage of Isabel and Fernando (better known today as the Catholic Monarchs), the establishment of the Spanish Inquisition, and the buildup to the conquest of Granada. Despite the importance of the events that he described, as well as his own role as official historian, Pulgar revealed a radical understanding of history and history writing …

The World Of Miracles: Science, And Healing In Caesarius Of Heisterbach’S Dialogus Miraculorum (Ca.1240) In Competition With Magic, Albrecht Classen

Quidditas

This paper offers a close reading of some of the miracle tales dedicated to the Virgin Mary as contained in Caesarius of Heisterbach’s Dialogus miraculorum (ca. 1240) in order to shed light on the fundamental narrative structures of this genre, the association between the narratives and their material background, and to build a case to argue that medieval miracle narratives actually shared much in common with the discourse on magic. After a critical examination of magic itself and its properties as imagined or realized in the Middle Ages, the analysis highlights the ‘miraculous’ or maybe even ‘magical’ features of Caesarius’s …

Delno C. West Award

Quidditas

The West Award recognizes the most distinguished paper given by a senior scholar at the annual conference.

Recipient of the Delno C. West Award for 2019

Corinne Wieben

Front Matter

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No abstract provided.