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Full-Text Articles in Renaissance Studies
Visualizing Ancient Empire In Tudor England: Imperial Monarchy, Reformation, And The Antique Soldier In The Title Page To Richard Grafton’S Large Chronicle (1569), Peter Nicholas Otis
Visualizing Ancient Empire In Tudor England: Imperial Monarchy, Reformation, And The Antique Soldier In The Title Page To Richard Grafton’S Large Chronicle (1569), Peter Nicholas Otis
Dissertations, Theses, and Capstone Projects
This thesis analyzes the iconography and visual sources of the title page to the first volume of A chronicle at large and meere history of the affayres of Englande (1569) by the Tudor author Richard Grafton. Representing the visual synthesis of several distinct but interrelated currents that developed in the preceding century, the title page to the Large Chronicle offers a rare glimpse into a transitional moment in the middle Tudor perception and visual representation of the British past. These currents include imperializing royal iconography, with origins in antecedent representations in the late fifteenth century; the entry of the ‘classicizing’ …
Power Dressing: Feather Fans And The Visual Language Of Female Portraiture, Charlotte Svetkey
Power Dressing: Feather Fans And The Visual Language Of Female Portraiture, Charlotte Svetkey
Theses and Dissertations
Feather fans in sixteenth-century portraiture not only allowed the female sitter to express her own claims to wealth, status, and power but also acted as a visual indicator of changes that were occurring on the global stage. Both fans and sitters will be evaluated through ideas of gender and class.
Judith Leyster: A Study Of Extraordinary Expression, Nicole J. Cardinale
Judith Leyster: A Study Of Extraordinary Expression, Nicole J. Cardinale
Theses and Dissertations
Judith Leyster’s innovative application of expression in her Self Portrait serves as the focus, whereby she is shown to blend conventional painting categories, preserve a sense of innocence, and confidently flaunt her skills. In turn, Leyster challenged the male-centric art market and stood apart from her artistic predecessors and contemporaries.