Open Access. Powered by Scholars. Published by Universities.®
- Institution
- Keyword
-
- Animals (1)
- Art markets (1)
- Artistic Patronage (1)
- Ceramic art (1)
- Children (1)
-
- Children's literature (1)
- Classical reception (1)
- Curiosity cabinet (1)
- Dutch (1)
- Early Modern Period (1)
- Early modern england (1)
- Early print culture (1)
- Fashion (1)
- Feather Fans (1)
- Grottoes (1)
- Holland (1)
- Iconography (1)
- Illustration (1)
- Interaction design (1)
- Italian Renaissance (1)
- Magazine (1)
- Material Culture (1)
- Medici Florence (1)
- Medieval manuscripts (1)
- Medieval studies (1)
- Medievalism (1)
- Narrative (1)
- Natural philosophy (1)
- Netherlands (1)
- Painting (1)
Articles 1 - 7 of 7
Full-Text Articles in Renaissance Studies
Visualizing Ancient Empire In Tudor England: Imperial Monarchy, Reformation, And The Antique Soldier In The Title Page To Richard Grafton’S Large Chronicle (1569), Peter Nicholas Otis
Visualizing Ancient Empire In Tudor England: Imperial Monarchy, Reformation, And The Antique Soldier In The Title Page To Richard Grafton’S Large Chronicle (1569), Peter Nicholas Otis
Dissertations, Theses, and Capstone Projects
This thesis analyzes the iconography and visual sources of the title page to the first volume of A chronicle at large and meere history of the affayres of Englande (1569) by the Tudor author Richard Grafton. Representing the visual synthesis of several distinct but interrelated currents that developed in the preceding century, the title page to the Large Chronicle offers a rare glimpse into a transitional moment in the middle Tudor perception and visual representation of the British past. These currents include imperializing royal iconography, with origins in antecedent representations in the late fifteenth century; the entry of the ‘classicizing’ …
A Poor Third? A Reexamination Of Manuscript And Print Markets In Fifteenth And Sixteenth-Century Rouen, Kate Hodgson
A Poor Third? A Reexamination Of Manuscript And Print Markets In Fifteenth And Sixteenth-Century Rouen, Kate Hodgson
School of Art Undergraduate Honors Theses
Manuscript and print scholars of the fifteenth and sixteenth centuries have deemed Rouen a ‘poor third’ to the workshops in Paris and Lyon. Lacking the cultural status and political influence of these two major centers of book production, Rouen’s manuscript tradition has been coined an “eclectic” group of illuminators who were limited to a local, discontinuous demand for books and whose regional role hardly even bears examination. However, Between 1419 and 1449, Rouen was an epicenter of political and economic exchange between Normandy and England. The city’s manuscript ateliers experienced a period of unparalleled patronage from an international, elite clientele, …
Meet Me In The Middle Ages: Engaging With Fantasy, Reality, And Collaborative World-Building, Amanda Greene
Meet Me In The Middle Ages: Engaging With Fantasy, Reality, And Collaborative World-Building, Amanda Greene
MFA in Illustration & Visual Culture
This critical essay accompanies and describes my thesis project, Medievalia Miscellany, a magazine for middle-grade readers which explores the world of medieval fantasy through art, comics, stories, and activities. Throughout the essay, I use my own term “archaeological upcycling” to discuss and explore a variety of relationships between ideas of parts and a whole. I then use it to characterize the way stories are created out of many different parts and how these parts help a reader to relate to both the world of the story and the world in which they live. I describe the genre of medieval fantasy …
Power Dressing: Feather Fans And The Visual Language Of Female Portraiture, Charlotte Svetkey
Power Dressing: Feather Fans And The Visual Language Of Female Portraiture, Charlotte Svetkey
Theses and Dissertations
Feather fans in sixteenth-century portraiture not only allowed the female sitter to express her own claims to wealth, status, and power but also acted as a visual indicator of changes that were occurring on the global stage. Both fans and sitters will be evaluated through ideas of gender and class.
The Medici Example: How Power Creates Art And Art Creates Power, Margaret Hayden
The Medici Example: How Power Creates Art And Art Creates Power, Margaret Hayden
Electronic Theses and Dissertations
This project looks at two members of Florence’s Medici family, Cosimo il Vecchio (1389-1464) and Duke Cosimo I (1519-1574), in an attempt to assess how they used the patronage of art to facilitate their rule. By looking at their individual political representations through art, the specifics of their propagandist works and what form these pieces of art came, it is possible to analyze their respective rules. This analysis allows for a clearer understanding of how these two men, each in very different positions, found art as an ally for their political endeavors. While they were in power only one hundred …
Bernard Palissy: Early Career - Securing Patronage And Mimicking Nature In A Moment Of Crisis, Karissa Bailey
Bernard Palissy: Early Career - Securing Patronage And Mimicking Nature In A Moment Of Crisis, Karissa Bailey
LSU Master's Theses
Early in 1562, France was experiencing a state of high religious tension between Protestants and Catholics that would precipitate the outbreak of the Religious Wars on March 1. A week before, Bernard Palissy, a Huguenot potter, wrote a letter to his Catholic patron from prison inBordeaux where he was being held on charges associated with an iconoclastic incident in his home city of Saintes. This letter would later be published as a dedication letter for the pamphlet Architecture et Ordonnance, which featured the description of a grotto commissioned by Anne de Montmorency, Palissy’s patron, seven years earlier. This thesis analyzes …
Judith Leyster: A Study Of Extraordinary Expression, Nicole J. Cardinale
Judith Leyster: A Study Of Extraordinary Expression, Nicole J. Cardinale
Theses and Dissertations
Judith Leyster’s innovative application of expression in her Self Portrait serves as the focus, whereby she is shown to blend conventional painting categories, preserve a sense of innocence, and confidently flaunt her skills. In turn, Leyster challenged the male-centric art market and stood apart from her artistic predecessors and contemporaries.