New Religious Movements Commons^™

Investigating The Relationship Between Noun Classes And Plant Folk Taxonomy In Chasu Language Of Kilimanjaro Region In Tanzania, Peter Rabson Mziray

Journal of Humanities and Social Sciences

The current study investigates the relationship between noun classes and plant folk taxonomy in Chasu (G 22). The study focuses on two objectives: the first objective is to describe the plant folk taxonomy in Chasu and the second objective is to determine the relationship between noun classes and plant folk taxonomy in Chasu. Data were collected from rural villages in Same and Mwanga districts by using free listing, field interviews (jungle-walk-and-identify), and written texts containing Chasu plant names. The findings reveal that Chasu folk taxonomy reflects different ethnobotanical categories; including a unique beginner which is mmea/mimea ‘plant(s)’, and three life …

Imágenes De Silencio, Compromiso, Persecución Y Tortura: La Teología De La Liberación Y Su Encrucijada Con Las Dictaduras Del Cono Sur Desde Una Representación Cinematográfica, Marcial Martínez

Spanish and Portuguese ETDs

This dissertation examines the interaction between liberation theology and the

dictatorships of the Southern Cone from the 1960s to the 1980s through cinematic

representation. Filmmakers from Argentina, Brazil, Chile, Paraguay, and Uruguay

depict the political upheavals of the time, including the rise of leftist movements,

military regimes, and the influence of liberation theology, a progressive religious

ideology advocating for the oppressed. The study focuses on what is defined here

as the "cinematic canon of liberation theology," a body of films and documentaries

that legitimize, contest, or obscure ideologies tied to this movement vis-à-vis the

dictatorships. These films contest the silence …

The Wicker Man, Laurel Zwissler

Journal of Religion & Film

This is a book review of Steve A. Wiggins, The Wicker Man (Liverpool: Auteur, 2023)

Touch Me, Dereck Daschke

Journal of Religion & Film

This is a film review of Touch Me (2025), directed by Addison Heimann.

Your Higher Self (Le Plein Potentiel), Dereck Daschke

Journal of Religion & Film

This is a film review of Your Higher Self (Le Plein Potentiel) (2025) directed by Annie St-Pierre.

Bedeviled Beauty: My Journey Through White American Theater Institutions, J'Aila C. Price

LSU New Orleans Theses and Dissertations

Game console: Oculus Quest

World: American Theater Institutions

Player: Minority

Place: United States

Level: “Ain’t no way.”

This thesis explores the contrast between the Westernized philosophies ingrained in my education and my identity as a Black female artist. It sheds light on the difficulties of pursuing higher education in the arts and the gaps that arise from limited exposure to culturally diverse Black resources, revealing the systemic issues in Western performance education. The paper also discusses the insights gained from my journey as a Black female artist, focusing on my thesis performance of Blood at the Root, which is …

Aum: The Cult At The End Of The World, Dereck Daschke

Journal of Religion & Film

This is a film review of AUM: The Cult at the End of the World (2023), directed by Ben Braun and Chiaki Yanagimoto.

The Rhetoric Of Spirituality, Gender, And The Environment In The Wicker Man (1973) And Midsommar (2019), Emma Frances Bloomfield

Far West Popular Culture Association Annual Conference

The Wicker Man (1973) and Midsommar (2019) are horror films that address dominant ideologies including the patriarchy, anthropocentrism, and Christianity. Both films have a nature-connected cult that sacrifices for the community and performs rituals informed by pagan eco-spirituality. I perform an ecofeminist rhetorical criticism to analyze how, despite these shared themes, spiritual, gender, and environmental messages differ between the two films. In The Wicker Man, the audience is invited to sympathize with Neil’s character, his Christianity, and his individualistic masculinity as he is sacrificed in the cult’s harvest ritual. Alternatively, the main character in Midsommar, Dani, gets revenge …

Night Of The Witch: Alternative Spirituality, Identity And Media, Andreana Tarleton

LSU Master's Theses

This thesis works to understand the relationships witches and conjurors have with the film and television depictions of them. Employing the method of film critique, I argue that the witch stands as a cultural symbol in the US of women and femmes with power, and that their stories serve as lessons to these populations about what it means to be an acceptable woman or femme, while simultaneously creating and perpetuating stereotypes of magic practitioners. Then, using the combination of hashtag ethnography, in-person and video interviewing and internet surveys, I argue that #witchblr and #witchesofcolor, as well as the space of …

Ask No Questions, William L. Blizek

Journal of Religion & Film

This is a film review of Ask No Questions (2020), directed by Jason Loftus and Eric Pedicelli.

The Others (2001) By Alejandro Amenábar In The Light Of Valentinian Thought, Fryderyk Kwiatkowski

CLCWeb: Comparative Literature and Culture

The article offers a Valentinian interpretation of the Hollywood film The Others (2001). A particular attention is paid to the ways in which cinematic motifs and narrative elements of the film draw on myths, ideas and symbolic imagery present in Valentinian works, especially in the Gospel of Truth (NHC I, 3) and the Gospel of Philip (NHC II, 3). In the course of the heuristic analysis, the paper argues that although the film employs Valentinian ideas, it depicts different understanding of the world. This issue is addressed in the last part of the article by situating the film within broader …

Neo-Gnosticism At The Movies, Michael Kaler

Journal of Religion & Film

A number of American films released in the mid/late 1990s drew on, or have been discussed in the context of, gnosticism—a loose, imprecise umbrella term usually applied to a number of heterodox early Christian literary traditions. The Matrix is the most famous of this group of films, which also includes such films as Pleasantville, Dark City, The Truman Show, and Thirteenth Floor. This curious trend would not have been possible had it not been for the emergence of gnosticism in mainstream culture generally; as well, gnosticism’s emphasis on the spectacular, constructed and ultimately illusory nature of apparent reality became especially …

"I Do Feel The Fire!": The Transformations Of Prison-Based Black Male Converts To Islam In South Central, Malcolm X, And Oz, Kameron J. Copeland

Journal of Religion & Film

Historically, imprisoned Black male converts to Islam have been known for their narratives of redemption and struggles for religious freedom behind bars. While Islam possesses a strong visible presence throughout predominately Black areas of inner cities, it has become a natural feature of Black popular culture in mediums such as hip-hop, film, and literature. By the 1990s, the portrayal of Islamic conversions yielding Malcolm X-style transformations among young Black men, who formerly embodied self-destructiveness, were visible in films featuring Black male protagonists. The prison-based transformations typically involved highly influential Black Muslim leaders improving the social conditions of the inmate, the …

How To Attain Liberation From A False World? The Gnostic Myth Of Sophia In Dark City (1998), Fryderyk Kwiatkowski

Journal of Religion & Film

In the second half of the 20th century, a fascinating revival of ancient Gnostic ideas in American popular culture could be observed. One of the major streams through which Gnostic ideas are transmitted is Hollywood cinema. Many works that emerged at the end of 1990s can be viewed through the ideas of ancient Gnostic systems: The Truman Show (1998), The Thirteenth Floor (1999), The Others (2001), Vanilla Sky (2001) or The Matrix trilogy (1999-2003).

In this article, the author analyses Dark City (1998) and demonstrates that the story depicted in the film is heavily indebted to the Gnostic myth of …

I Love Dick, William L. Blizek

Journal of Religion & Film

This is a film review of I Love Dick (2017), directed by Jill Soloway.

Climbing A Ladder To Heaven. Gnostic Vision Of The World In Jacob's Ladder (1990), Fryderyk Kwiatkowski

Journal of Religion & Film

Contemporary film-makers quite willingly employ motifs typical of various gnostic trends. The author shows that ancient gnosticism is a treasury of motifs and a source of aesthetical and narrative strategies present in contemporary cinema. The article treats Jacob’s Ladder (1990, dir. Adrian Lyne) which is analyzed through Gnostic beliefs. In the author’s opinion, this film can be treated as a model where the gnostic thought has been presented in a coherent and systematic manner.

Confirmation Of Prophecy By Proxy: Audience Anticipation And Reception Of The 2014 Movie Left Behind And Its Relevance To The Dispensational Premillennialist Worldview, Andrew R. Burns

LSU New Orleans Theses and Dissertations

Media has the potential to legitimize or spread a belief system to the general public. The 2014 movie Left Behind is an example of a deliberate attempt at promoting the belief system referred to as dispensational premillennialism (DPM), or belief in the imminent rapture of Christians. Producers of Left Behind (2014) sought to promote DPM to the general public, hoping for a mass conversion. Online discussion and interviews were gathered and interpreted qualitatively. Content analysis of audience anticipation and reception show believers were as concerned with the conversion of the general public via this movie than the movie itself. Differences …

Green Sisters: Bringing Spirituality And Environmental Awareness Together At Homecoming Farm, Marisa Decandido

Renée Crown University Honors Thesis Projects - All

“Green Sisters: Bringing Spirituality and Environmental Awareness together at Homecoming Farm,” addresses the topic of the “green sisters” movement and its presence at Homecoming Farm, a Community-Supported Agriculture project located in Amityville, New York. The green sisters movement, started in the 1980s in Caldwell, New Jersey, entails groups of Catholic nuns who are beginning to pursue “Earth ministries,” and dedicating their lives to environmental education and practicing sustainability. One example of this is found at Homecoming Farm, where the Sisters of Saint Dominic in Amityville created an organic farm in 1992 to nurture the surrounding community in body and spirit. …