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Articles 1 - 30 of 344
Full-Text Articles in Christianity
Sing Lustily And With Good Courage: Reinventing Methodist Hymns In The Context Of The Indonesian Methodist Church, Budi Taniwan
Sing Lustily And With Good Courage: Reinventing Methodist Hymns In The Context Of The Indonesian Methodist Church, Budi Taniwan
Doctor of Pastoral Music Projects and Theses
The majority of Methodist churches continue to uphold the legacy of hymn singing, a practice highly esteemed by early Methodists. John and Charles Wesley employed hymns alongside sermons as a means of teaching Methodist theology, shaping Christian discipleship, and forming Methodist identity. However, in contemporary times, Indonesian Methodist churches recite fewer doctrinal hymns. Inadequate early translations, the absence of authentically Indonesian Methodist hymns, and the emergence of contemporary Christian music have contributed to this decline. Changes in liturgy, worship culture, and technology have also transformed the way congregations learn and sing their faith. This study explores the historical and theological …
Contesting The Sacred: Ideology And Church Music Reform In Spain, 1850–1900, Francisco J. Legasa
Contesting The Sacred: Ideology And Church Music Reform In Spain, 1850–1900, Francisco J. Legasa
Dissertations, Theses, and Capstone Projects
This dissertation argues that sacred-music reform in Spain between 1850 and 1900 was not a unified movement culminating in the 1903 Motu proprio, but a contest between two distinct and contemporaneous programs. The first, associated with Hilarión Eslava, affirmed musical expression and artistic progress, embraced stylistic eclecticism, and sought to rebuild musical institutions, modernize pedagogy, and forge alliances with civic life. It drew on Romantic thought that attributed to music a distinctive capacity to mediate religious experience. The second, aligned with Roman ultramontanism, held that Gregorian chant and Renaissance polyphony were the only legitimate models for sacred music and that …
Love In Passing Time, Elysa T. Adams
Love In Passing Time, Elysa T. Adams
Masters Theses
Elysa Adams, 2026
Love in Passing Time reflects on how the Black church has molded my understanding of faith, family, and community. Working across relief, screenprint, sculpture, and sound, my practice explores how knowledge is shared across generations through music, tradition, and adornment.
The exhibition draws on my upbringing as a pastor’s child, in which the church serves as both a spiritual and communal home. These experiences appear through sculptural paper garments based on childhood memories, tambourines featuring the faces of people who have impacted my life, carved portraits of my grandparents, and sculptural pews that reference the architecture of …
The Changed Woman: Analyzing Narrative Parallels In The Stories Of Biblical Women And Musical Theatre Heroines, Finleigh Klein
The Changed Woman: Analyzing Narrative Parallels In The Stories Of Biblical Women And Musical Theatre Heroines, Finleigh Klein
Honors Projects
Musical theatre has become popular with audiences around the world. Many musicals contain stories of hope and overcoming obstacles, especially in narratives concerning young women. Since the Bible also contains a wealth of stories that focus on strong women, it is interesting to consider what connections may be found between the women represented in this ancient text and the female characters in various musical theatre productions.
With these potential connections in mind, I ask the question: how is the Biblical trope of the uplifting of women represented in songs sung by female characters in musical theatre? Furthermore, how can the …
Developing Christian Artists: The Live Music Sphere, Camille Crites
Developing Christian Artists: The Live Music Sphere, Camille Crites
Student Scholar Symposium
Christian/Gospel music was the fourth-fastest growing music genre in 2024, and many artists are seeking to enter the Christian music industry. This research seeks to examine the exploration of live music opportunities for Christian music artists in the developing stages of their careers. Every musical artist’s career consists of about five sectors: Songwriting/Publishing, Recording/Releasing Music, Live Music, Merch, and Sync (Film/TV). While parts like Songwriting and Recording are very accessible for new Christian artists, it can be challenging to know how to best approach the Live Music sector, one of the major sources of income for any performing artist. There …
Byzantine Theories Of Scale And Arab-Byzantine Chant Practices: A Comparative Analysis Proposing A New Resolution To The Theoretical System Of Chrysanthos Of Madytos, Rosy Azar
Yale Journal of Music & Religion
In 2015, Amine Beyhom published a book on Byzantine chant, in which he summarised all the existing theories, paying particular attention to the problematic reform of the Byzantine chant theory in 1881, and guiding the reader through the steps that led to that reform. Driven by the first ever comparison between Byzantine and Arabic modes that he had found in Mīkhāʾīl Mashāqa’s epistle, Beyhom first studied Chrysanthos of Madytos’ insight. He documented this research in detail and followed it with a practical comparison to demonstrate if theory is indeed applied or it acts only as prescriptive guide. He recorded and …
Between Sound And Theology: Timbral Performativity In Brazilian Religious Musicking, Marcell Silva Steuernagel
Between Sound And Theology: Timbral Performativity In Brazilian Religious Musicking, Marcell Silva Steuernagel
Yale Journal of Music & Religion
This article explores the performativity of timbre, summarizing key perspectives from the English-language scholarship on the topic and setting them in conversation with Latin American perspectives on timbre. In addition, it examines a performance of “500 Graus” (500 degrees), a song performed by Brazilian Pentecostal artists Cassiane and Shirley Carvalhaes, to demonstrate how the performativity of timbre unfolds within a particular expression of Latin American religious musicking. In doing so, it investigates the phenomenon of timbre between music and sound studies, and theology and church music studies, providing insights relevant to the study of timbre and the study of religious …
Performing "Manly" Worship Music: Gender And Timbre At Mars Hill Church, Maren Haynes Marchesini
Performing "Manly" Worship Music: Gender And Timbre At Mars Hill Church, Maren Haynes Marchesini
Yale Journal of Music & Religion
Ten years ago, Mars Hill boasted fifteen campuses and 15,000 members. Amid mounting allegations of abuse and mismanagement leveled against founding pastor Mark Driscoll, the church famously collapsed, closing its doors at the end of 2014. Driscoll had built Mars Hill’s core brand around his opposition to the perceived feminization of the Christian mainstream, and appointing himself the “leader of a heterosexual male backlash” in the church and broader culture. While Driscoll’s muscular Christianity stands in a wide historical stream, Mars Hill long led the charge in establishing a youth-oriented, hipster brand of hypermasculine Calvinism. And while rhetoric and theology …
From The Heaviest, Dirtiest Depths To The Washy Ambient Clouds: Guitar Timbre In/As Schismogenesis In North American Christianity, Joshua K. Busman, Nathan Myrick
From The Heaviest, Dirtiest Depths To The Washy Ambient Clouds: Guitar Timbre In/As Schismogenesis In North American Christianity, Joshua K. Busman, Nathan Myrick
Yale Journal of Music & Religion
This essay argues that within the socio-cultural context of North American Christianity, the timbral qualities of electric guitar, with its long lineage as a site of cultural values conflict and identity negotiation, serves a theological function in the emerging and cohering sonority of digital worship. Using as comparative case studies the timbral qualities of delay and ambience as promoted and sold by Worship Tutorials as representing normative sonic values for these Christians, on the one hand, and the dialectic and schismatic deployment of distortion by the band My Epic on the other, we suggest that these timbral qualities become important …
Spiritual Music As A Factor Of Religious Identity In Ukrainian Orthodoxy, Oleh Sokolovskyi, Maksym Melnychuk, Sviatoslav Melnychuk
Spiritual Music As A Factor Of Religious Identity In Ukrainian Orthodoxy, Oleh Sokolovskyi, Maksym Melnychuk, Sviatoslav Melnychuk
Occasional Papers on Religion in Eastern Europe
This scholarly article explores current challenges and spiritual-cultural trends arising in the context of historical events and civilizational transformations experienced by modern Ukraine. The study focuses on the revival of authentic traditions of sacred musical art within Ukrainian Orthodoxy, regarded as one of the fundamental factors in the formation of national identity. Within an interdisciplinary approach that combines religious studies, philosophy, art history, and cultural studies, the research analyzes the musical sacredness as a phenomenon of numinous experience imbued with transcendental meaning and cathartic energy. It is established that the spiritual music of the Orthodox tradition functions as a form …
The Black Side Of The Jesus Movement: Contemporary Gospel Music, Edward Daryl Duff
The Black Side Of The Jesus Movement: Contemporary Gospel Music, Edward Daryl Duff
Doctoral Dissertations and Projects
This study investigates the impact of James Cleveland, Andraé Crouch, Edwin Hawkins, and Walter Hawkins on contemporary gospel music following the Jesus Movement revival. Their music emerged concurrently with the birth of contemporary Christian music; however, their significant musical innovations have not been widely recognized as part of the Jesus Movement revival. Figuratively speaking, contemporary gospel music and contemporary Christian music are like “fraternal twins,” yet there has been insufficient research linking them together. The rationale for this study is to uncover the potential social and cultural barriers that contributed to their exclusion and disconnect. This research identifies these barriers …
Unknown, Unnoticed, Unheard İlahiler: Turkish-Christian Hymnody As Liturgical Theology, Jeremy Perigo
Unknown, Unnoticed, Unheard İlahiler: Turkish-Christian Hymnody As Liturgical Theology, Jeremy Perigo
Faculty Work Comprehensive List
For the estimated 5–8,000 Turkish Evangelical Christians, challenges surrounding religious identity in this Muslim-majority context are particularly evident in corporate Christian worship, where indigenous local expressions of worship and matters of faith formation can, at times, create a sense of divided dual belonging. Questions of corporate identity go beyond the simple binary comparisons of Christian versus Muslim, Western versus indigenous, or local versus global, and include layers of influences and meanings. Using data collected during Spring 2019 of the congregational song repertoires of five diverse Turkish Protestant communities, we shall seek to examine the public meaning of liturgical texts (i.e., …
An Analysis Of The Adequacy Of Preparation For The Totality Of Worship Leadership, Michael Kenneth Geake
An Analysis Of The Adequacy Of Preparation For The Totality Of Worship Leadership, Michael Kenneth Geake
Doctoral Dissertations and Projects
Despite the gradual transition of “music minister” into “worship leader,” preparation and training for the expanded roles may be considered slow in terms of total responsibilities. While degree programs have incorporated in-depth coursework in essential ministry topics – such as theology, discipleship, and evangelism – there has been little recognition of their roles as managers and counselors. Many of these programs prepare students for jobs that no longer exist. This study focuses on the worship leader, both as a student and as one who has already started their career, with responsibilities in the church and to their family. Through qualitative …
Creed And Variations: Tracing The Divergence Of Christian Traditions In Select Piano Works Of Arvo Pärt, Olivier Messiaen, And J. S. Bach, Rebekah E. Stiles
Creed And Variations: Tracing The Divergence Of Christian Traditions In Select Piano Works Of Arvo Pärt, Olivier Messiaen, And J. S. Bach, Rebekah E. Stiles
Dissertations and Doctoral Documents, University of Nebraska-Lincoln, 2023–
Within the classical music universe, the works of J. S. Bach, Olivier Messiaen, and Arvo Pärt stand apart as particularly evocative of the divine. Much has been written on these three men’s integration of faith with musical practice, exploring how their music is not only spiritual in nature but distinctly Christian. But in comparing the three, one encounters deeply rooted distinctions between their religious worldviews, a distinction not only found in their personal testimonies but actually heard in their music. Their compositional languages reflect three traditions: Protestantism (specifically Lutheranism), represented by Bach; Roman Catholicism, represented by Messiaen; and Eastern Orthodoxy, …
Mass Of Perpetual Indulgence, Michael Joseph Willette
Mass Of Perpetual Indulgence, Michael Joseph Willette
Dissertations and Doctoral Documents, University of Nebraska-Lincoln, 2023–
Mass of Perpetual Indulgence for chamber orchestra, electronics, soprano solo, and drag performer was written to bridge the gap between queerness and spirituality, to sanctify queer people and celebrate queer lives and communities. Amalgamating musical styles ranging from disco to opera, art song to EDM, this appropriation of the traditional Mass blurs the lines between the sacred and the profane. This work features original text by librettist Caroliena Cabada that responds to the narrative of the Mass Ordinary from a distinctly queer perspective. Ultimately, this work celebrates the queer body as a holy body, queer community as a sacred communion, …
A Survey Of And Performance Guide To Representative Flute Music By Two Twentieth-Century Serbian Composers: Ljubica Marić And Enriko Josif, Sanda Mašić
Dissertations and Doctoral Documents, University of Nebraska-Lincoln, 2023–
Flute pieces by twentieth-century Serbian composers Ljubica Marić and Enriko Josif are little-known gems of modern repertoire that are almost completely unknown outside Serbia. Unique in their styles, these works illustrate the composers’ close relationship to the Serbian culture in which they lived and the religions they practiced. In addition, these works reflect the time they were created in, and are, therefore, modern with a distinctive sound. This document presents a study of seven selected flute works by these two important Serbian composers, places them in historical context, and reveals influences from both Serbian religious music (Orthodox and Jewish) and …
The Both/And Church: A Qualitative Study On The Motives, Processes, And Impacts Of Instrumental Music In Churches Of Christ In The Bible Belt, Samuel Scott Souder
The Both/And Church: A Qualitative Study On The Motives, Processes, And Impacts Of Instrumental Music In Churches Of Christ In The Bible Belt, Samuel Scott Souder
Doctoral Dissertations and Projects
Despite the information available on worship styles of churches in America, perspectives of Churches of Christ who have started using instruments have yet to be explored. Since 1906, Churches of Christ have been one of many distinct religious sects in America. Expressions of this denomination are most often found in the Deep South of the United States — what many religious persons refer to as the “Bible Belt.” Known for their emphasis on weekly communion, baptism as a sacramental part of discipleship, and their embrace of extra-biblical additions to ministry like missionary societies, one spiritual practice sets them apart most …
Analyzing The Methods And Effects Of Implementing Multiple Service Styles In The Church, Chloe E. Dillman
Analyzing The Methods And Effects Of Implementing Multiple Service Styles In The Church, Chloe E. Dillman
Selected Honors Theses
This thesis explores the motivations and methodologies behind offering different styles of worship services in churches in Lakeland, Florida. The study is inspired by the ongoing debate over modern worship, which has intensified over the past fifty years. As contemporary worship grew in popularity, many churches adapted by incorporating various worship styles into their services. In response to the controversy surrounding these changes, some churches implemented multiple service options—one reflecting a contemporary/modern style and another adhering to a more traditional approach. As this practice became more widespread, it sparked further discussion among church leaders regarding its impact on congregational unity, …
Music In The Catholic Church: An Analysis Of Hymns And Congregational Singing In Roman Catholic Churches In The United States, Andrew T. Medrick
Music In The Catholic Church: An Analysis Of Hymns And Congregational Singing In Roman Catholic Churches In The United States, Andrew T. Medrick
Senior Theses
This thesis examines the musical dilemma in the American Catholic Church, highlighting issues such as inappropriate musical selections for the Mass and a profound lack of congregational singing. Through a literature review of Vatican documents, expert opinions, and hymns, I analyze the criteria for music used in the Mass, identify common failures of musical selections presented in many Catholic churches, and offer practical guidance to improve sacred music in parishes and dioceses. I conclude that music used in the Mass must be sourced primarily from Sacred Scripture, in full conformity to the doctrines of the Roman Catholic Church, and easy …
Who Is Allowed To Compose Catholic Church Music? Ferdinand Hiller's Insightful Report On The Sacred-Music Competition In Louvain (1866), Jürgen Thym, Ralph P. Locke
Who Is Allowed To Compose Catholic Church Music? Ferdinand Hiller's Insightful Report On The Sacred-Music Competition In Louvain (1866), Jürgen Thym, Ralph P. Locke
Yale Journal of Music & Religion
In 1866, a competition was held in Louvain (Belgium) for a new setting of the Latin Mass text; the aim was that the winning piece be accessible in style and require only choir and organ. The jury included, among others, the composers Berlioz, Saint-Saëns, and Ferdinand Hiller; the lexicographer Fétis; and Joseph d’Ortigue, music critic for the Journal des débats, editor of Le Ménestrel, and a prominent advocate for the regeneration of Catholic church music.
In 1880, Hiller—longtime director of the Cologne Conservatory—published an essay describing the competition in detail. His essay, never before translated or discussed, forms …
Discovering Their Purpose For Praise: Revitalizing Corporate Worship In An Ethnic Japanese Church In Hawaii, Marc Chikara Imamura
Discovering Their Purpose For Praise: Revitalizing Corporate Worship In An Ethnic Japanese Church In Hawaii, Marc Chikara Imamura
Doctoral Dissertations and Projects
The problem at Honolulu Christian Church Japanese Department is that ontologies skewed by traditionalism and Japanese culture prevented full participation in congregational worship, resulting in unawareness and deprived spiritual growth. The purpose of this project was to revitalize HCCJD’s corporate worship through research and pedagogy that empowered congregants with a purpose for their praise. It was hypothesized that if HCCJD discovered the purpose for their praise, then they would be more inclined to participate in corporate worship, increasing the likelihood of spiritual growth. Recruiting efforts yielded thirteen consenting adult HCCJD members, ten of whom were able to contribute to the …
Hymns Of Babel: A Song Cycle Fmus Composition Project, Reed Spencer, Steven Day
Hymns Of Babel: A Song Cycle Fmus Composition Project, Reed Spencer, Steven Day
Lux et Fides: A Journal for Undergraduate Christian Scholars
Hymns of Babel Research Brief
Over the course of the eight-week faculty mentorship undergraduate scholarship period, Dr. Reed Spencer and senior Steven Day composed a twelve-song cycle on the theme of Generation Z’s interaction with social media. This piece sought to articulate the thoughts, emotions, responses, and impulses that accompany the virtual world. Many of the songs explored where we find God in our social media age, as well as how we create gods, try to act as a god, and pretend there is no God. The collaborative process began by creating a rough lyrical structure and purpose, followed by …
Frozen Ii And Girls’ Spiritual Formation: How The Music Of An Animated Musical Resonates With Girls And Women, Cristen Mitchell
Frozen Ii And Girls’ Spiritual Formation: How The Music Of An Animated Musical Resonates With Girls And Women, Cristen Mitchell
Doctor of Pastoral Music Projects and Theses
Frozen II (2019) is a popular Disney animated movie for children and depicts striking spiritual elements while weaving in feminist practices such as justice and equity, and feminist theology through representations of female spirits and connection to the earth. Through this movie, its themes, and the historical exclusion of women in the church, this thesis seeks to show that representation of women in the divine is an important, and necessary part of the spiritual and psychological development of girls and women. The methods of this thesis include exploring the following synchronicities:
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Parallels between feminist issues in the church and Walt …
Bedeviled Beauty: My Journey Through White American Theater Institutions, J'Aila C. Price
Bedeviled Beauty: My Journey Through White American Theater Institutions, J'Aila C. Price
LSU New Orleans Theses and Dissertations
Game console: Oculus Quest
World: American Theater Institutions
Player: Minority
Place: United States
Level: “Ain’t no way.”
This thesis explores the contrast between the Westernized philosophies ingrained in my education and my identity as a Black female artist. It sheds light on the difficulties of pursuing higher education in the arts and the gaps that arise from limited exposure to culturally diverse Black resources, revealing the systemic issues in Western performance education. The paper also discusses the insights gained from my journey as a Black female artist, focusing on my thesis performance of Blood at the Root, which is …
Orpheus And The Harrowing Of Hell In The Tale Of Beren And Lúthien, Giovanni Carmine Costabile
Orpheus And The Harrowing Of Hell In The Tale Of Beren And Lúthien, Giovanni Carmine Costabile
Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature
Critics have observed that Beren and Lúthien’s tale is a Christian retelling of the myth of Orpheus and Eurydice. The “Harrowing of Hell” tradition is widespread in Italy as attested by the mosaic of San Marco among others, but it is in France that the Ovid Moralized reconnects it to Orpheus who descended into the Underworld to save Eurydice (an already late antique parallel) and therefore attests a happy ending version of the story that can be found in medieval England and also in various classical sources, perhaps even in the original legend of Orpheus. The apocryphal Harrowing is also …
A Third Way: Christian Philosophy Of Music, Eric S. Gardner
A Third Way: Christian Philosophy Of Music, Eric S. Gardner
Senior Theses
Philosophers have posed many difficult-to-answer questions regarding music. For example, what counts as beautiful music? Can beauty be objectified, or is beauty in the eye of the beholder? What counts as a performance of a piece of music? Besides, what counts as music anyways? Where does the noise stop, and where does the music begin? In this thesis, I want to show that the Christian worldview offers the philosophical building blocks to answer these questions. By working with biblical truths and Christian presuppositions, I hope to show that the Christian worldview can offer satisfying answers to these philosophical questions.
Ccli Vetting Project: A Reformed Voice, Katie Ritsema-Roelofs, Laura Dejong, Heather Kaemingk, Erin Hollaar Pacheco, Adam Perez, Jeremy Perigo, Paul Ryan, Ben Snoek
Ccli Vetting Project: A Reformed Voice, Katie Ritsema-Roelofs, Laura Dejong, Heather Kaemingk, Erin Hollaar Pacheco, Adam Perez, Jeremy Perigo, Paul Ryan, Ben Snoek
Faculty Work Comprehensive List
No abstract provided.
“Jesus Freaks” Youth-Group Bands And The Power Of Christian Rock (1992–2000), Leah Payne
“Jesus Freaks” Youth-Group Bands And The Power Of Christian Rock (1992–2000), Leah Payne
Faculty Publications - Portland Seminary
“What will people think,” Toby McKeehan, Michael Tait, and Kevin Smith asked thousands of young evangelical fans in 1996, “when they hear that I’m a Jesus Freak?” This trio of young men “on fire for God,” who performed as DC Talk, were the biggest thing in CCM in the 1990s. Their 1995 album Jesus Freak portrayed conservative evangelical youths as rock-and- roll rebels. “Welcome to the Freak Show,” the Jesus Freak tour, filled stadiums, and their high-energy, slickly produced concerts were teaming with screaming devotees. Fans pointed up to the sky as the band sang, “Jesus is the way,” in …
Religious Musical Art Of Ukraine In The Conditions Of Cultural Transformations, Maksym Melnychuk, Oleh Sokolovskyi
Religious Musical Art Of Ukraine In The Conditions Of Cultural Transformations, Maksym Melnychuk, Oleh Sokolovskyi
Occasional Papers on Religion in Eastern Europe
The article explores Ukrainian religious musical art and highlights the transformative aspects of the development of Ukraine's spiritual music against the backdrop of cultural and historical changes. This phenomenon is analyzed as both a manifestation of the religiosity of the Ukrainian nation and its spiritual essence, as well as the result of the creative pursuits of composers--their doubts and efforts to infuse musical harmony with religious meaning and envelop their works with profound Christian significance. Spiritual music manifests and functions in various spheres of social existence but most naturally, fully, and effectively demonstrates its “life parameters” within temple and church …
Traditional Vietnamese Music And Its Incorporation Into Christian Worship, Elijah Khang Chau
Traditional Vietnamese Music And Its Incorporation Into Christian Worship, Elijah Khang Chau
Masters Theses
The thesis addresses the concern of incorporating traditional Vietnamese instruments into Christian worship. Most worship done in Vietnamese churches in the US is primarily westernized, and it lacks cultural elements to reflect the Vietnamese culture. Another concern is that the younger generation does not know much about Vietnamese culture; this is an issue because many Vietnamese descents do not know which culture they belong to. The idea behind traditional Vietnamese instruments incorporated into Christian worship will encourage Vietnamese churches to use Vietnamese traditions to further God’s Kingdom so that the Vietnamese congregation can worship and glorify God in their native …