Biblical Studies Commons^™

Mary Magdalene On Film In Twenty-First Century: A Feminist Theological Critique, Mary Ann Beavis

Journal of Religion & Film

Since the turn of the millennium, several films (and one popular TV series) featuring Mary Magdalene as a significant character, or even as the central character, have been produced. A few, specifically Son of God (2104), The Chosen (2017-), and Mary Magdalene (2019), gained a wide audience through some combination of theatrical release, television, and streaming services. Unlike earlier productions that unfailingly portrayed her conventionally as a penitent prostitute, these and other, less well-known films of recent decades have departed from this traditional Magdalene. This is no doubt due, among other things, to the influence of feminist theology and biblical …

The Yellow Qipao, Feibi Wang

Honors Projects

This is a creative project centered around the pre-production of a short film about queer Asian American Christianity and the research that went into it. The synopsis of the script written for the short film is a life in the day of Aspen. Aspen prepares for church and is indecisive of the clothes they want to wear, because they are gender non-conforming. They come out to their mom and there is conflict. My research going into this project consists of researching media representation of queerness, Asian American identity, and Christianity, and how the three identities intersect in Aspen’s life and …

Finding Christ In Cinema: Examining Secular Film Theologically, Evan Wheatley

Honors Theses

For me as a teenager, secular films were merely a form of entertainment. A trip to the movies meant the chance to escape to a “galaxy far, far away,” to stand alongside Harry Potter in his latest confrontation with Lord Voldemort. I did not realize at the time the parallels between the Force in Star Wars, and the Christian God, or how Harry and Voldemort’s cinematic struggle can be seen as an allegory for the fight between good and evil.

At the 2016 Sundance Film Festival, I was introduced to how God can use secular film to challenge our …

The Virgin Mary On Screen: Mater Dei Or Just A Mother In Guido Chiesa’S Io Sono Con Te (I Am With You), Timothy J. Johnson, Barbara Ottaviani-Jones

Journal of Religion & Film

Guido Chiesa’s Io Sono con Te (I Am with You) offers a unique, albeit controversial take on Mary, the mother of Jesus. Filmed in Tunisia, and subject to criticism by Italian Catholic authorities and film critics alike, Io Sono con Te presents a rich anthropological-theological reflection on religion, culture, gender, and sacrifice. Not surprisingly, Chiesa draws on René Girard’s scapegoat theory throughout his film as he fashions Mary as the forceful protagonist in a familiar yet controversial story.