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Articles 1 - 30 of 995
Full-Text Articles in Native American Studies
"The Historic Indians Of Alabama And The Muscle Shoals", William Lindsey Mcdonald
"The Historic Indians Of Alabama And The Muscle Shoals", William Lindsey Mcdonald
Research Articles
The article presents a brief overview of the indigenous people who dwelt in Alabama and the Muscle Shoals region of the Tennessee River Valley. The article's content is organized by headings as follows:
- The Early Indians in Alabama, pg. 1
- The Alabamas, pg. 1
- Choctaws, pg. 2
- The Creek Nation, pg. 2
- Cherokees, pg. 3
- Chickasaw, pg. 4
"Chief Tuscumbia", William Lindsey Mcdonald
"Chief Tuscumbia", William Lindsey Mcdonald
Research Articles
Chief Tashka Ambi, or Tashkambia, meaning "the warrior who kills," was a Chickasaw chief in North Alabama. The article offers a brief overview of Chief Tashkambia's life.
The name for the present-day city of Tuscumbia, Alabama is derived from the anglicized version of his name. The city's first name Cold Water was incorporated on December 20, 1820, then six months later it was changed to Big Spring, before retaining its present name on December 31, 1822.
"Early Times Around Muscle Shoals City", William Lindsey Mcdonald
"Early Times Around Muscle Shoals City", William Lindsey Mcdonald
Research Articles
A paper presented to the Muscle Shoals City Kiwanis Club on March 14, 1963, about the establishment of the city of Muscle Shoals. The article includes mention of the indigenous tribes that dwelt in the area as well as the Marion Land Company and associated figures which advertised lots in 1819.
"The Story Of The Shawnees At The Muscle Shoals", William Lindsey Mcdonald
"The Story Of The Shawnees At The Muscle Shoals", William Lindsey Mcdonald
Research Articles
A brief overview of the Shawnees in Northwest Alabama.
"Salt Cave On The Doublehead Reserve", William Lindsey Mcdonald
"Salt Cave On The Doublehead Reserve", William Lindsey Mcdonald
Research Articles
A salt cave located on the previous site of the Chief Doublehead Reserve and current location of Lauderdale County, Alabama is now covered by the backwaters of the Wheeler Dam. The article discusses the oral history and local folklore related to the cave.
"The View From Old Lagrange", William Lindsey Mcdonald
"The View From Old Lagrange", William Lindsey Mcdonald
Research Articles
A brief history of LaGrange Mountain and LaGrange College, the precursor to the University of North Alabama.
"A Profile Of The Indians At Muscle Shoals, Alabama", William Lindsey Mcdonald
"A Profile Of The Indians At Muscle Shoals, Alabama", William Lindsey Mcdonald
Writings
An article that gives a brief overview of the indigenous people living in Muscle Shoals, Alabama, including key figures, such as Chief Doublehead and the Colbert family. The article is organized by indigenous group with subheadings, including the Cherokees, Chickasaws, and Moundbuilders.
"Lecture At Colbert Park," “Colbert Family,” And “The Colberts And Colbert County”, William Lindsey Mcdonald
"Lecture At Colbert Park," “Colbert Family,” And “The Colberts And Colbert County”, William Lindsey Mcdonald
Writings
The digital file is a compilation of a speech outline entitled "Lecture at Colbert Park, June 21, 1991," "Colbert Family," and an article "The Colberts and Colbert County." The nature of the typewriter ink used in the original document causes the file to be somewhat difficult to read.
Volume 9 (2026) Climate And Responsibility
Volume 9 (2026) Climate And Responsibility
International Journal on Responsibility
This issue focuses on the various ways responsibility affects environmental justice. Specifically, this volume urges us to think about how societal and individual (in)action influences ecological crises and what informs this behavior, with a specific focus on religious and Indigenous beliefs and values.
Concepts For Supporting Indigenous And Tribal Information And Research Needs, Sharon Hausam
Concepts For Supporting Indigenous And Tribal Information And Research Needs, Sharon Hausam
Faculty Publications
This is a working paper produced as part of National Science Foundation project #2115169, “Transforming Rural-Urban Systems: Trajectories for Sustainability in the Intermountain West,” known as the “Intermountain West Transformation Network” (TN), led by the University of New Mexico with institutional partners at three additional universities in New Mexico, two in Arizona, and one each in Utah, Colorado, and Washington. The TN’s Indigenous and Tribal engagement was supported through a contract with Dr. Sharon Hausam, additional work by Aaron M. Canter, coordination with Dr. Lani Tsinnajinnie, and an Advisory Committee on Indigenous Information Needs primarily comprised of Indigenous representatives in …
Tradition And Representation In The Work Of Contemporary Native American Art, Florence Romero
Tradition And Representation In The Work Of Contemporary Native American Art, Florence Romero
Summer Research Showcase
This presentation investigates the origins of contemporary Native American art in the mid-to late twentieth century to gain a deeper understanding of the broader contours of the field of contemporary art by Native Americans, to understand some of the key issues that these artists are interested in, and research the work of select contemporary Indigenous artists. Using comparative analysis of six case studies of contemporary Indigenous artists, this presentation will examine how these artists deal with themes of tradition and modernity and respond to how Native Americans have been misrepresented in the past and how these representations have impacted them …
Indigenous Community Research Opportunities, Sharon Hausam, Aaron M. Canter
Indigenous Community Research Opportunities, Sharon Hausam, Aaron M. Canter
Faculty Publications
This is a working paper produced as part of National Science Foundation project #2115169, “Transforming Rural-Urban Systems: Trajectories for Sustainability in the Intermountain West,” known as the “Intermountain West Transformation Network” (TN), led by the University of New Mexico with institutional partners at three additional universities in New Mexico, two in Arizona, and one each in Utah, Colorado, and Washington. The TN’s Indigenous and Tribal engagement was supported through a contract with Dr. Sharon Hausam, additional work by Aaron M. Canter, coordination with Dr. Lani Tsinnajinnie, and an Advisory Committee on Indigenous Information Needs primarily comprised of Indigenous representatives in …
Opportunities For Leadership In Indigenous And Tribally Engaged Research At The University Of New Mexico, Sharon Hausam
Opportunities For Leadership In Indigenous And Tribally Engaged Research At The University Of New Mexico, Sharon Hausam
Faculty Publications
This is a working paper produced as part of National Science Foundation project #2115169, “Transforming Rural-Urban Systems: Trajectories for Sustainability in the Intermountain West,” known as the “Intermountain West Transformation Network” (TN), led by the University of New Mexico with institutional partners at three additional universities in New Mexico, two in Arizona, and one each in Utah, Colorado, and Washington. The TN’s Indigenous and Tribal engagement was supported through a contract with Dr. Sharon Hausam, additional work by Aaron M. Canter, coordination with Dr. Lani Tsinnajinnie, and an Advisory Committee on Indigenous Information Needs primarily comprised of Indigenous representatives in …
Precious Pattern: The Dotted-Diamond Motif In Indigenous American Textiles, Explorations In Mesoamerica, The American Southwest, And The Andes, Billie J. A. Follensbee, Lois Martin
Precious Pattern: The Dotted-Diamond Motif In Indigenous American Textiles, Explorations In Mesoamerica, The American Southwest, And The Andes, Billie J. A. Follensbee, Lois Martin
Zea E-Books Collection
No abstract provided.
Indian Independence, Unknown
Indian Independence, Unknown
Usher Burdick Papers
This editorial, titled “Indian Independence,” reflects on the historical and ongoing challenges faced by Native Americans due to colonization and federal policy and discusses the Bureau of Indian Affairs’ policy that allows tribes to govern themselves and gain independence from federal supervision, though it notes that full independence remains a distant goal. It addresses concerns about overprotection, undereducation, and the lack of viable opportunities for tribes to thrive economically, particularly in agriculture and ranching.
Interrogating Settler Narratives Of Erasure In The Schatz Tree Farm Archives, Sangeeta Sarkar
Interrogating Settler Narratives Of Erasure In The Schatz Tree Farm Archives, Sangeeta Sarkar
IdeaFest: Interdisciplinary Journal of Creative Works and Research from Cal Poly Humboldt
In 1987, L. W. Schatz donated a 385-acre parcel of land to Cal Poly Humboldt to be used as an experimental station, outdoor classroom, and demonstration area for forestry educators and students. Previous student research and other institutional narratives have extensively documented the history of this land from a settler perspective. However, this documentation contains few mentions of the Indigenous history of the landscape. Through literature review and archival research, this paper critically analyzes settler colonial narratives around the Schatz Tree Farm and the ways in which they contribute to Indigenous erasure. The predominant forms of narrative erasure in settler …
Reseeding Relations: Comparing Museum And Indigenous Seed Sharing & Rematriation Protocols In The Midwestern United States, Madeline G. Anderson
Reseeding Relations: Comparing Museum And Indigenous Seed Sharing & Rematriation Protocols In The Midwestern United States, Madeline G. Anderson
Electronic Theses and Dissertations
While the Native American Graves Protection and Repatriation Act (NAGPRA) paved the way for the repatriation of ancestors and certain cultural objects to Indigenous communities, museums still struggle to address other forms of cultural returns. Heritage seeds, those which hold cultural significance to Indigenous peoples, held within museum collections perpetuates the colonization of Indigenous lifeways. This research examines rematriation as an Indigenous form of cultural return better suited to address these needs than limited repatriation models. I analyze how museums are working to create rematriation processes for their collections which reflect diverse Indigenous epistemologies and ontologies through a three-tiered approach: …
From Peril To Perseverance: Dr. Arthur C. Parker And The Seneca Arts Project, Brennan Ciccolone
From Peril To Perseverance: Dr. Arthur C. Parker And The Seneca Arts Project, Brennan Ciccolone
Binghamton University Undergraduate Journal
Like many Native people, the Haudenosaunee were subjected to culturcide and assimilation using residential schools like the Thomas Indian School in the late 19th and early 20th century. During this time, in 1925, the Seneca archaeologist Dr. Arthur C. Parker was hired as the director of the Rochester Museum and Science Center. Parker used his museum position to uplift and preserve Haudenosaunee arts and culture. This paper focuses on his Seneca Arts Project (1935-1941), which gathered art and artifacts from both ancient and contemporary Haudenosaunee members. This project explores how Parker’s work was used to help revitalize and honor Native …
[2026 Honorable Mention] Chumash Heritage National Marine Sanctuary, Daylyn R. Reese
[2026 Honorable Mention] Chumash Heritage National Marine Sanctuary, Daylyn R. Reese
Ethnic Studies Research Paper Award
This research offers unique insights into the creation and development of the Chumash Heritage National Marine Sanctuary (N.M.S.) with a focus on indigenous populations’ roles (primarily Chumash and Costanoan). In this episode, I analyze what makes this NMS different from every NMS precluding it, how it recognizes a new goal in conservation (thrivability), and the areas in which improvements still must be made to authentically include and honor indigenous voices.
Looking In All Directions, Abby Sunde
Looking In All Directions, Abby Sunde
Masters Theses
“Looking in All Directions” mobilizes attention towards the concepts of ‘desettling’ through art and ‘desettling’ as a way of being. Desettling constitutes resistance, resilience, survivance, and refusal of current Western modalities within our society. This body of work is a material exploration of these worldviews to find potential ways to embody a practice that aligns ourselves outside of a colonial settler mindset while living within its societal condition. Using glass, sound, and installation work, the artist un-centers expected encounters with an inherited dominant worldview and instead offers an actualized shift in awareness. Concepts of interconnectedness, interwoven time, and embodied memories …
Assessing Legacy Collections: Analyzing The Preservation, Recovery, And Interpretive Value Of Archaeobotanical Remains From Site 15le70 (Pine Crest Rockshelter), Lee County, Kentucky, Jennifer Carroll
Graduate Final Projects
This paper uses the archaeobotanical assemblage from Site 15Le70, a multi-excavated and extensively looted rockshelter in eastern Kentucky, while opening new lines of inquiry into gendered labor and practice during the Archaic-Woodland transition. Because legacy collections are often dispersed across institutions and/or research projects, the materials from any single site may be fragmented, as was the case for 15Le70. Such collections can be overlooked, yet this investigation into 15Le70’s archaeobotanical assemblage demonstrates that partial or scattered datasets can yield meaningful results and hold the potential to fill gaps in the archaeological record left by looting.
In this study, a small …
Haapxtàm Ka'Ál Yimisapʰíkʰ We Dream For Our Children Indigenous Pedagogies In Early Childhood Education: Survivance, Truth Telling, And Healing On Native Land, Sara Anne Koyano
Haapxtàm Ka'Ál Yimisapʰíkʰ We Dream For Our Children Indigenous Pedagogies In Early Childhood Education: Survivance, Truth Telling, And Healing On Native Land, Sara Anne Koyano
Dissertations and Theses
Since Time Immemorial, Indigenous Peoples have lived, learned, and thrived on this continent, exercising their inherent sovereignty as Original Peoples and passing down Indigenous ways of knowing, being, and learning across generations. US settler colonial violence and assimilation policies have had historical and contemporary detrimental impacts on Native children, families, and communities by attempting to disrupt the intergenerational transmission of Indigenous knowledges. Consequently, many young Native children in Oregon do not have access to educational opportunities that value, honor, and affirm their Indigenous identities and cultures, nor do they see themselves reflected in their classrooms and curricula. Furthermore, in 2019, …
Haunting As Heritage: Mapping The Interior And Indigenous Ghosts, Koda L. Animkii
Haunting As Heritage: Mapping The Interior And Indigenous Ghosts, Koda L. Animkii
Electronic Theses, Projects, and Dissertations
Within Stephen Graham Jones’ novella Mapping the Interior, the connections between history and identity are analyzed and emphasized through the exploration of identity formation and the impacts of settler colonialism on the self. These connections are heightened through the novella’s use of horror, as the rhetoric of the normative and monstrous within the genre holds the potential for both resistance and oppression. Looking at the genre of horror as a whole, and at the subgenres of ghost stories and hauntings more specifically, the shifting structures of the Self and the Other as established by Robin Wood’s “An Introduction to …
Girlhood, Interrupted: An Intersectional Feminist History Of Decolonizing And Reclaiming Womanhood, Ayden Kelly
Girlhood, Interrupted: An Intersectional Feminist History Of Decolonizing And Reclaiming Womanhood, Ayden Kelly
Electronic Theses, Projects, and Dissertations
In the past few decades, social and political discourse surrounding womanhood and who is considered a "real" woman has led to the execration of transgender women. This work will explore how recent discourse and rhetoric surrounding who is and who is not a “real woman” can be traced to nineteenth century notions of “true womanhood” that excluded women of color. In the late 19th and early 20th centuries, with westward expansion, settler colonialism, residential schools, slavery, and post-emancipation serving as backdrops, this work will also analyze how ideologies of womanhood have interrupted and suppressed women of color throughout Western American …
Home: Transforming A Public Arts Grant Into A Community Project, Scarlett G. Baily
Home: Transforming A Public Arts Grant Into A Community Project, Scarlett G. Baily
The Transdisciplinary STEAM+ Journal
Home is a 2,535 ft² site-specific mural in San Diego’s Liberty Station that reconnects the site’s military history with Kumeyaay Indigenous heritage and maritime culture. Through depictions of native flora and fauna, the work foregrounds overlooked origin stories and ecological knowledge of Point Loma. Developed through deep community collaboration, including Kumeyaay advisors and over 100 local participants, the mural fosters shared authorship and cultural continuity. It invites viewers to engage with alternative histories while supporting language revitalization and environmental awareness.
Quantifying And Navigating The Potential Impacts Of The Mvp Southgate Extension On North Carolina’S Mmiw Crisis, Ryan Collins
Quantifying And Navigating The Potential Impacts Of The Mvp Southgate Extension On North Carolina’S Mmiw Crisis, Ryan Collins
ATU Scholars Symposium
Across the United States and Canada, there is an ongoing crisis of Missing and Murdered Indigenous Women (MMIW). While there are multiple intersecting factors that create these statistics, a considerable factor found across both nations is pipeline construction projects. The establishment of temporary worker camps for these projects has been shown to coincide with an increase in violent crime including human trafficking, sexual assault, and harassment against local women. In North Carolina, the proposed Southgate extension of the Mountain Valley Pipeline has been met with tremendous pushback from Indigenous North Carolinians, who remain concerned about the potential establishment of these …
Discussion From Andrea Smith's Book, Conquest: Sexual Violence And American Indian Genocide, Alexis M. Auman
Discussion From Andrea Smith's Book, Conquest: Sexual Violence And American Indian Genocide, Alexis M. Auman
Student Publications
Discussion from Andrea Smith's book, Conquest: Sexual Violence and American Indian Genocide
Aanikoobijigan [Ancestor/Great-Grandparent/Great-Grandchild], Sheila Nayar
Aanikoobijigan [Ancestor/Great-Grandparent/Great-Grandchild], Sheila Nayar
Journal of Religion & Film
This is a film review of Aanikoobijigan [ancestor/great-grandparent/great-grandchild] (2026), directed by Adam Khalil and Zack Khalil.
Introducción, Victòria Solanilla, Anabel Villalonga Gordaliza
Introducción, Victòria Solanilla, Anabel Villalonga Gordaliza
Actas seleccionadas del SIMPOSIO ARTE 4.2: Migraciones en la imagen prehispánica: transitando territorios del pasado al presente. 58º Congreso Internacional de Americanistas, Novi Sad, Serbia, 2025.
El presente volumen reúne una selección de contribuciones derivadas del simposio «Migraciones en la imagen prehispánica: transitando territorios», coordinado en el marco del 58º Congreso Internacional de Americanistas (ICA58). Este congreso, celebrado en distintas sedes en Novi Sad, Serbia, del 30 de junio al 4 de julio de 2025, conmemoró los 150 años del ICA y reunió a investigadores de todo el mundo bajo el lema «Nuevos desafíos, Nuevos espacios», incorporando además una valiosa «mirada balcánica» al estudio de las Américas. En ese escenario — un cruce de lenguas, trayectorias y tradiciones académicas — nuestro simposio propuso detenerse ante un …
Imagining The Inuit: Myth, Market, And The Making Of The Contemporary Inuit Sculpture Canon, Kristen Sara Davidson-Schwartz
Imagining The Inuit: Myth, Market, And The Making Of The Contemporary Inuit Sculpture Canon, Kristen Sara Davidson-Schwartz
MA Theses
This thesis explores how qallunaat institutions used sculpture to shape and define Inuit life. I argue that contemporary Inuit sculpture, as conceived of by outsiders to support Inuit economic enfranchisement and modernization, became a vessel through which qallunaat institutions circulated ideas about Inuit culture and Arctic lands. Although purported to reflect the voice of Inuit, the meanings attached to Inuit sculpture rarely reflected Inuit intention and consistently aligned to qallunaat priorities: a performance of primitive, ancient, and authentic Inuit life; a gesture of indigenous gratitude and cheerful participation in state-designed development programs; or a masterful expression of the formal concerns …