Indigenous Studies Commons^™

Apala Best Of The Best Booklist 2022, Asian Pacific American Librarians Association, Family Literacy Focus Committee, Education Subcommittee, Becky Leathersich (Chair), Zoë Bowlus, Nicole Fernandez, Anh Tran Ng, Jessea Young

Librarian Publications & Presentations

The Best of the Best Booklist celebrates stories from across the Asian American, Native Hawaiian, and Pacific Islander (AANHPI) diaspora. All APALA members were invited to nominate picture book titles about AANHPI communities and experiences that were published in the 2022 calendar year. Members of the APALA Family Literacy Focus Committee evaluated the nominations against the APALA Rubric and curated the final list. Eligible titles that earned a 2023 APALA Literature Award or Honoree designation were automatically added to the Best of the Best Booklist.

The titles depict diverse representations of heritages and cultures across the AANHPI diaspora. Some young …

Militarized Foodways: The Connection Between The Militarization Of American SāMoa And Chronic Health Conditions Experienced By Sāmoans In The U.S., Marina Aina

Pomona Senior Theses

American militarism and imperialism in Oceania led to the partitioning of Sāmoa, transforming Eastern Sāmoa into an unincorporated American territory, one that persists to this day. Sāmoans living in the United States continue to face numerous chronic health illnesses to this day. Both of these statements are true, but how are they related to one another? This thesis proposes “militarized foodways” as a way to bridge the gap and understand how those two statements are connected to one another. Militarized foodways refers to how the cultural, social, and economic practices concerning production and consumption of food have taken a military …

The King’S Final Journey: American Press Coverage Of King Kalākaua’S Last Visit To The United States, 1890–1891, Douglas V. Askman

Pacific Studies

King Kalākaua of Hawai‘i undertook several overseas trips during his reign. The last was to California in 1890. It was there that the king died in January 1891. This article explores American press coverage of Kalākaua’s last journey. It examines the enormous amount of attention that California newspapers paid to the king’s travels in the state with much of the reporting being extremely positive. This was similar to coverage of Kalākaua’s previous trips to the United States. Following the monarch’s death, papers across America reflected on his reign. This analysis, although not entirely complimentary, reflects the great success that Kalākaua …

Vol. 45 No. 2 (2022): Pacific Studies Front Matter, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies

Pacific Studies

Front Matter for the Vol. 45, No 2-Dec 2022 edition of the Pacific Studies Journal.

The Book Of Revelation In Nafe (Kwamera): William Watt’S Translations And Loanwords, Lamont Lindstrom

Pacific Studies

William Watt, Presbyterian missionary on Tanna (1869–1910), published a Nafe (Kwamera) language translation of the KJV New Testament in 1890. He had earlier produced Kwamera versions of the Gospels as soon as linguistic skills permitted, but the full New Testament translation was not completed until the late 1880s and printed in Glasgow during a mission leave (1889–1890). Watt worked with island pundits, and he relied on his wife Agnes’s linguistic expertise. Revelation’s allusions and obscurities presented significant difficulties of translation. I offer a close reading of Watt’s translated book of Revelation—Nari Kenamsasani (sasani means “display”)—tracking his grammatical choices, his …

Vol. 45 No. 2 (2022): Pacific Studies Full Issue, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies

Pacific Studies

Pacific Studies is published two times a year by The Jonathan Nāpela Center for Hawaiian and Pacific Studies, Brigham Young University Hawai‘i #1979, 55–220 Kulanui Street, Lāʻie, Hawai‘i 96762, but responsibility for opinions expressed in the articles rests with the authors alone. Subscription rate is US$40.00 yearly, payable to The Jonathan Nāpela Center for Hawaiian and Pacific Studies. The Jonathan Nāpela Center for Hawaiian and Pacific Studies (formerly The Pacific Institute) is an organization funded by Brigham Young University Hawai‘i. The Center assists the University in meeting its cultural and educational goals by undertaking a program of teaching, research, and …

“Chinese Pacificism?” Exploring Chinese News Media Representations Of Pacific Island Countries, Shuo Luan

Pacific Studies

China has ramped up its engagement with Pacific Island countries and established itself as a major cooperative partner and assistance provider. However, the Pacific Islands remain a blind spot for many Chinese people, whose perceptions of island countries are inevitably shaped by dominant discourses at home. Although island countries are aware of China’s growing presence, they are largely uninformed about their images circulated in China. This article seeks to fill this gap by exploring Chinese news media representations of Pacific Island countries. It argues that Chinese news media paint a broad and superficial portrait of island countries because of the …

The Future And Thriving Of Bipoc Communities: A Time To Act Macroconvening, Global Diversity & Inclusion, Portland State University

Global Diversity and Inclusion Publications and Presentations

This is the overview of the "Time to Act Macroconvening," an event bringing together the BIPOC community on November 4, 2022. The macroconvening was shaped by five affinity-based convenings that were held from June to November 2022. Each engagement was unique, but centered around discussions of the future of thriving and joy of BIPOC communities in and around Portland, and what role PSU has in bringing this future to bear.

Main downloadable file:
Affinity Convenings Thematic Overview

Additional files:

• Event graphic
• Overview article by Christina Rojas, "PSU Brings Together BIPOC Community Groups to Envision a Thriving Future."
• Pictorial Summary of …

Full Issue

The Forum: Journal of History

No abstract provided.

Lea Tafe/Heke, Tongan Language Drift/Shift: A Tāvāist Philosophical Critique, Tavakefai‘Ana, Sēmisi Fetokai Kulīha‘Apai Moahehengiovava‘Ulahi Potauaine, Pā‘Utu-‘O-Vava‘U-Lahi, Adrian M. Lear, Havelulahi, Ma‘Asi Taukei‘Aho, Hūfanga-He-Ako-Moe-Lotu, ‘Ōkusitino Māhina

Pacific Studies

In this original essay, we tāvāistically critique Tongan language, generally, and Tongan lea tafe/heke language drift/shift, specifically. We examine our subject matter of exploration within and across Tāvāism as a general philosophy of reality, in “time” and “space,” as both ontological and epistemological entities, identities, or tendencies. By actively, yet critically engaging in this exercise, we canvass some key aspects of the problem commonplace in both thinking and feeling. Specifically, this new undertaking will be informed by a key tāvāist tenet: all things in reality, as in nature, mind, and society, stand in fakafetongi ta‘engata eternal relations of exchange, giving …

Sentiment And Solidarities: Rooting Enewetak/Ujelang Identities In Space And Place, Laurence M. Carucci

Pacific Studies

No abstract provided.

Fishing Camps And Topiary Trees: Place, Affect, And Moral Agency In A Papua New Guinea Modernity, David Lipset

Pacific Studies

Despite being regarded as a founding father in sociology and as no less canonical in anthropology (Merton 1934; Horowitz 1982), the overall theoretical framework of Durkheim’s arguments with respect to place, affect, and agency in The Division of Labor in Society (1933) and The Elementary Forms of Religious Life (1995) are too often ignored or unwittingly reinvented (Stewart 2007; Berlant 2008). I therefore want to begin this essay with a brief outline of how I understand his main points in order to lay a theoretical groundwork for my analysis of the shifting relationship of place, affect, and agency among the …

Vol. 45 No. 1 (2022): Pacific Studies Front Matter, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies

Pacific Studies

Front Matter for the Vol. 45, No 1-Aug 2022 edition of the Pacific Studies Journal.

Vol. 45 No. 1 (2022): Pacific Studies Full Issue, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies

Pacific Studies

Pacific Studies is published two times a year by The Jonathan Nāpela Center for Hawaiian and Pacific Studies, Brigham Young University Hawai‘i #1979, 55–220 Kulanui Street, Lāʻie, Hawai‘i 96762, but responsibility for opinions expressed in the articles rests with the authors alone. Subscription rate is US$40.00 yearly, payable to The Jonathan Nāpela Center for Hawaiian and Pacific Studies. The Jonathan Nāpela Center for Hawaiian and Pacific Studies (formerly The Pacific Institute) is an organization funded by Brigham Young University Hawai‘i. The Center assists the University in meeting its cultural and educational goals by undertaking a program of teaching, research, and …

The Role Of Native Hawaiian Spiritual Practices In Social Systems And Environmental Stewardship, Christina A. Hornbaker

Social Sciences

The purpose of this paper is to examine how Native Hawaiian spiritual practices played a role in social systems and stewardship practices. Lightfoot and colleagues (2013) suggest that more archaeological research is needed on traditional resources and environmental management practices. The authors point out that “landscape management practices… are subtle and not prone to leaving smoking guns in the archaeological record” (Lightfoot et al. 2013), which makes such sites difficult to document without ethnographic accounts. Due to this subtlety, I will mainly be pulling information from interviews or oral histories from Hawaiian descendants, early explorers and missionary accounts, ethnographers, and …

Representing The Ali'i And Monarchy: Dress, Diplomacy, And Featherwork In Hawai'i, Tess Anderson

Scripps Senior Theses

When Native Hawaiians and haole (foreigners) first met, both participants belonged to fashion systems unknown to the other, composed of different materials, styles, tastes, standards, and construction techniques. As the outside world was introduced to the cultural heritage of Hawaiian hulu manu (featherwork), kūkaulani (chiefly fashion), and European skewed conceptions of Hawaiian indigeneity; the ali‘i (chiefs) and kama‘āina (commoners) received and adapted to incoming materials, technologies, and information. When these encounters transitioned into “prolonged contact” and settlement, dress and adornment proliferated in new ways. Analyzing the case studies of historic pā‘ū, holokū, ‘ahu'ula, and military uniforms shows the significance of …

Loto, Tu‘A, Moe Fale: Inside, Outside, And House, Tavakefai‘Ana, Sēmisi Fetokai Potauaine, Bruce Sione To‘A Moa, Sione Lavenita Vaka, Hūfanga-He-Ako-Moe-Lotu, ‘Ōkusitino Māhina

Pacific Studies

We focus in this critical essay on the Tongan fale house in terms of both its loto internality and tu‘a externality, in which the parts and the whole are combined by means of process and outcome, with a multiplicity of faiva performance, tufunga material, and nimamea‘a fine arts. The house and house-building are categorized as a material artwork and material art, respectively, and are associated with the material arts of: tufunga lalava kafa-sennit-lashing which is a form of interior design, tufunga tō‘akau kakala sweet-smelling-flower-planting, tufunga tō‘akaufaito‘o medicinal-plant-planting, and tufunga tō‘akaukai eating-plant-planting as types of tu‘a exterior design. Although these fine …

Lofia, Koe Kumi Tu‘I: The Search For A King – A Sung And Danced Poetry Of Tragedy, Pā‘Utu-‘O-Vava‘U-Lahi, Adriana M. Lear, Sione L. Vaka, Maui-Tāvā-He-Akó, Tēvita O. Ka‘Ili, Hūfanga-He-Ako-Moe-Lotu, ‘Ōkusitino Māhina

Pacific Studies

We examine in this critical essay a sung and danced poetry of tragedy by Kaliopasi Fe‘iloakitau Kaho about the people of Ha‘apai leaving for Tongatapu in search for their king Tāufa‘āhau. By making good use of the three types of heliaki, “metaphorically saying one thing but historically meaning another,” he talks about the deep sadness of the people of Ha‘apai, in thinking and feeling they have been deserted, promoting them to leave in search of their most beloved. Out of both frustration and desperation, they were determined and committed to embark on their mission, using whatever means and irrespective of …

Vol. 44 No. 1/2 (2021): Pacific Studies Full Issue, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies

Pacific Studies

Pacific Studies is published two times a year by The Jonathan Nāpela Center for Hawaiian and Pacific Studies, Brigham Young University Hawai‘i #1979, 55–220 Kulanui Street, Lāʻie, Hawai‘i 96762, but responsibility for opinions expressed in the articles rests with the authors alone. Subscription rate is US$40.00 yearly, payable to The Jonathan Nāpela Center for Hawaiian and Pacific Studies. The Jonathan Nāpela Center for Hawaiian and Pacific Studies (formerly The Pacific Institute) is an organization funded by Brigham Young University Hawai‘i. The Center assists the University in meeting its cultural and educational goals by undertaking a program of teaching, research, and …

Sio Fakatonga ‘Ae ‘Aati Fakatonga: Tongan Views Of Tongan Arts, Pā‘Utu-‘O-Vava‘U-Lahi, Adriana M. Lear, Manuesina ‘Ofakihautolo Māhina, Kolokesa Uafā Māhina-Tuai, Hūfanga-He-Ako-Moe-Lotu, ‘Ōkusitino Māhina

Pacific Studies

As inherent in the title of this essay, we present a critical exercise in viewing Tongan arts from a Tongan lens by combining ontology and epistemology in both process and outcome. By ontology and epistemology, reference is made to ways of being as subject matters of creation and ways of knowing (or seeing and doing) as works of art and literature. The latter engages in the abstraction of the single level of reality with respect to the subject matters in both the creative and the consumptive processes, whether they be faiva performance, tufunga material, or nimamea‘a fine arts. Herein, we …

‘Atamai-Loto, Moe Faka‘Ofo‘Ofa-‘Aonga: Tongan Tā-Vā Time-Space Philosophy Of Mind–Heart And Beauty–Utility, Pā‘Utu-‘O-Vava‘U-Lahi, Adriana M. Lear, Kolokesa U. Māhina-Tuai, Sione L. Vaka, Maui-Tāvā-He-Akó, Tēvita O. KaʻIli

Pacific Studies

This collection of critical essays seeks to explore as a text some key aspects of Tongan concepts and practices of the sino body, ‘atamai mind, and loto heart, on the one hand, and faiva performance, tufunga material, and nimamea‘a fine arts, on the other hand, in the broader context of Indigenous Tongan Tā-Vā Time-Space Philosophy of Reality. These physical–bodily, psychological–emotional, and social–cultural, and artistic and literary aspects will be reflected upon at the fakafelavai intersection, or fakahoko connection and fakamāvae separation, of ontology (i.e., ways of being) and epistemology (i.e., ways of knowing) and of beauty/quality (i.e., what is of …

Tongan Hoa: Inseparable Yet Indispensable Pairs/ Binaries, Pā‘Utu-‘O-Vava‘U-Lahi, Adriana M. Lear, Kolokesa U. Māhina-Tuai, Sione L. Vaka, Maui-Tāvā-He-Akó, Tēvita O. KaʻIli, Hūfanga-He-Ako-Moe-Lotu, ‘Ōkusitino Māhina

Pacific Studies

We dissect hoaism as a fundamental in Tongan philosophical thinking and feeling that is based in the concept and practice of hoa as inseparable yet indispensable pairs/binaries, with examples taken from across nature, mind, and society. From a tāvāist philosophical perspective, everywhere in reality, as in nature, mind, and society, is intersection, and there is nothing above and beyond connection and separation. This is derived from the general tāvāist fact that all things in reality stand in eternal relations of exchange, giving rise to order and conflict, both having the same logical status, when equal and opposite identities, entities, or …

Sino, ‘Ilo, Moe Ongo: Body, Knowing, And Feeling, Pā‘Utu-‘O-Vava‘U-Lahi, Adriana M. Lear, Kolokesa U. Māhina-Tuai, Sione L. Vaka, Maui-Tāvā-He-Akó, Tēvita O. KaʻIli, Hūfanga-He-Ako-Moe-Lotu, ‘Ōkusitino Māhina

Pacific Studies

This essay critically examines the intersection of sino body, ‘ilo knowing, and ongo feeling. The latter two are considered indivisible tendencies situated in the former, which is, in turn, taken merely as a vaka/hala medium/vessel/vehicle. The authors address examples from Tongan faiva performance arts of ta‘anga poetry, hiva/fasi music, and lea oratory, in which this topic is highly developed and refined, in contrast to academia, where it is largely, if not, entirely unexplored. By drawing on the Indigenous Tongan Tā-Vā Time-Space Philosophy of Reality, the critique is placed in the Indigenous Tongan thinking and practice of ‘atamai mind and mafu/fatu …

Siueli ‘Oe Pasifiki: Jewel Of The Pacific – A Sung Poetry Of Praise And Rivalry, Pā‘Utu-‘O-Vava‘U-Lahi, Adriana Māhanga Lear, Sione Lavenita Vaka, Maui-Tāvā-He-Akó, Tēvita O. KaʻIli, Hūfanga-He-Ako-Moe-Lotu, ‘Ōkusitino Māhina

Pacific Studies

We examine “Siueli ‘oe Pasifiki” “Jewel of the Pacific,” as a great work of art and literature in poetry of viki/sani praise and fetau rivalry, by Queen Sālote, concerning the mediation of human meanings in language through sustained symmetry and harmony in the production of beauty, which, in turn, results in warmth and fieriness in the creation of climatic elation. The mediation of human meanings is achieved by the artistic and literary device heliaki, defined as “metaphorically saying one thing but historically meaning another,” as in her treatment of siueli jewel, as a heliaki metaphor, for Tonga. Queen Sālote’s affective …

Tuaikaepau: “Slow-But-Sure” – A Sung And Danced Poetry Of Tragedy, Pā‘Utu-‘O-Vava‘U-Lahi, Adriana Māhanga Lear, Sione Lavenita Vaka, Maui-Tāvā-He-Akó, Tēvita O. KaʻIli, Hūfanga-He-Ako-Moe-Lotu, ‘Ōkusitino Māhina

Pacific Studies

We critically examine Tuaikaepau “Slow-but-sure” as a sung and danced poetry of tragedy by Queen Sālote, in which she deals with her subject matter of artistic and literary creativity as a text in the broader context of history. Poetry and tragedy are respectively concerned with the mediation of ‘uhinga human meanings, and anga‘i-tangata sociality and anga‘i-manu animality, resulting in fakamā shame. Both poetry and tragedy are conducted in history, treated in Tonga (and Moana Oceania) in plural, temporal–spatial, collectivistic, holistic, and circular ways, as opposed to their treatment in singular, techno–teleological, individualistic, atomistic, and linear modes in the West. History …

Vaka, Fale, Moe Kava: Boat, House, And Kava – Mana Structures, Mana Spaces, Tavakefai‘Ana, Sēmisi Fetokai Potauaine, Bruce Sione To‘A Moa, Sione Lavenita Vaka, Hūfanga-He-Ako-Moe-Lotu, ‘Ōkusitino Māhina

Pacific Studies

Our collective aim in this essay is to critically examine the fakafelavai intersection, or fakahoko connection and fakamāvae separation, of the vaka boat, fale house, and kava in terms of both art work and art use. The vaka boat and fale house are associated with tufunga the material arts of tufunga fo‘uvaka boat-building and tufunga langafale house-building, and kava with faiva the performance art of faiva inukava kava-drinking; all bearing immense material–physical, psychological–emotional, and social–cultural significance. All three are variously associated with the ceremonial as tapu structures and places possessing mana power and ivi energy of great potupotutatau harmony and …

Faiva Lova‘A‘Alo: Performance Art Of Rowing, Pā‘Utu-‘O-Vava‘U-Lahi, Adriana Māhanga Lear, Maui-Tāvā-He-Akó, Tēvita O. Ka‘Ili, Hūfanga-He-Ako-Moe-Lotu, ‘Ōkusitino Māhina

Pacific Studies

As authors, we critique the performance art of faiva lova‘a‘alo rowing, which lies in proximity to the performance arts of faiva lovavaka boat-racing, faiva kakau swimming, faiva uku diving, and faiva fānifo surfing, specifically, and faiva faifolau voyaging, faiva toutaivaka navigation, and faiva toutaiika deep-sea fishing and shallow-sea fishing, generally. The latter two, viz., deep-sea fishing and shallow-sea fishing, are known as faiva toutailoloto and faiva toutaimamaha, respectively. All the faiva faifolau, faiva toutaiika, faiva toutailoloto, and faiva toutaimamaha belong in the ha‘a toutai professional class of long-distance navigators and both deep-sea and shallow-sea fishermen. The performance art of rowing, …

Vol. 44 No. 1/2 (2021): Pacific Studies Front Matter, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies

Pacific Studies

Front Matter for the Vol. 44, No 1/2-Oct 2021 edition of the Pacific Studies Journal.

Puhi In The Tree And Other Stories: Unlocking The Metaphor In Native And Indigenous Hawaiian Storytelling, Renuka M. De Silva, Joshua E. Hunter

The Qualitative Report

Human beings live and tell stories for many reasons, and it is a way to not only understand one another but to give a time and place to events and experiences. Therefore, a narrational approach within the context of this research offers a frame of reference and a way to reflect during the entire process of gathering data and writing. This study examines the importance of storytelling among Native (Kānaka ‘Ōiwi) and Indigenous (Kānaka Maoli) women of Hawai ̒ i and their interconnectedness to land and spirituality through accessing [k]new knowledge. The main focus of this article is to illustrate …

Sovereignty, Statehood, And Subjugation: Native Hawaiian And Japanese American Discourse Over Hawaiian Statehood, Nicole Saito

Student Scholar Symposium Abstracts and Posters

Although discourse over Hawaiian statehood has increasingly been described by scholars as a racial conflict between Japanese Americans and Native Hawaiians, there existed a broad spectrum of interactions between the two groups. Both communities were forced to confront the prejudices they had against each other while recognizing their shared experiences with discrimination, creating a paradoxical political culture of competition and solidarity up until the conclusion of World War Two. From 1946 to 1950, however, the country’s collective understanding of Japanese American citizenship began to shift with recognition of the community’s military service record and an increased proportion of veterans elected …