African American Studies Commons^™

"Hey Young World”: Hip-Hop As A Tool For Educational And Rehabilitative Work With Youth, Heather Day

American Studies Honors Papers

No abstract provided.

Aa Ms 04 Eastern Real Estate Archives Finding Aid, Patrick J. Mooney

Search the Manuscript Collection (Finding Aids)

Description:

The Eastern Real Estate Company was an association of African-Americans who bought and sold real estate in the Portland area from 1912-2001. The records in the Archives include articles of association, minutes, financial records, stock records, listings of stockholders, tax records, bank books and legal documents.

Date Range:

1912-2001

Size of Collection:

1 ft.

Reclamation: The Value Of Black Gay Writing Lgbtq Studies Panel, Lisa C. Moore

Center for LGBTQ Studies (CLAGS)

How gratifying to see a packed house on October 14, 2008 for a discussion of Reclamation: The Value of Black Gay Writing! Co-sponsored by CLAGS and Freedom Train Productions (www.freedomtrainproductions.org), the panel of scholars—Terry Rowden, Professor of African-American Literature, College of Staten Island (CUNY), Jafari Sinclaire Allen, Assistant Professor of Anthropology and African-American Studies/American Studies, Yale University, La Marr Jurelle Bruce, Ph.D. student, African-American/American Studies, Yale University—and me, publisher Lisa C. Moore (Redbone Press) came to discuss the impact of black gay writers on the community and academia... and to bear witness, reclaim and critique the work within the first …

Aa Ms 03 Harold E. Richardson Papers Finding Aid, Susie R. Bock

Search the Manuscript Collection (Finding Aids)

Description:

Harold E. Richardson (1922-1993) was born in Portland and attended West School and Portland High School. Richardson was elected to the Portland Water District Board in 1963. He served on the Board until at least 1987, including a stint as president in the late 60s. He was very active in the Portland community: his contributions include service on the Maine State Law Enforcement Planning and Assistance Agency and membership in the Mt. Lebanon Masonic Lodge and Deering Lions Club, among many others. The Papers contain his scrapbook, documenting his many contributions to the Portland community, including serving on the …

Saxton, Lashanda (Fa 359), Manuscripts & Folklife Archives

Folklife Archives Finding Aids

Finding aid and full-text scan of paper (Click on “Additional Files” below) for Folklife Archives Project 359. Paper: "Home vs. College" written by LaShanda Saxton for a Western Kentucky University folk studies class.

Fashion Statement Or Political Statement: The Use Of Fashion To Express Black Pride During The Civil Rights And Black Power Movements Of The 1960’S, Mary Vargas

Undergraduate Review

The Civil Rights Movement brought the plight of African Americans to the forefront of American political and intellectual thought. The ideological foundation of this movement was a feeling of black pride coupled with a strong sense of urgency for equality. Black activists and supporters, to express their solidarity and support of this movement, adorned symbolic clothing, accessories and hairstyles. Politics and fashion were fused during this time and the use of these symbolic fashion statements sent a clear message to America and the rest of the world that African Americans were proud of their heritage, that Black was indeed beautiful …

"Ain't You Heard"?: The Jazz Poetry Of Langston Hughes, Kristin Taylor

Theses and Dissertations

It all began with a piano bench. At the age of four, I sat next to my first piano teacher, as she told me the names of the keys. 'This is C, D, E . . . ," she said, her finger touching each key. moving through the entirety of a C-major scale. Afterward she asked, "Now. which one is F?" Though I touched the incorrect key, A instead of F, I remember being fascinated by the realization that I could create music by depressing those keys, making little wooden hammers strike strings in the piano's hidden belly. That fascination …

Transcultural Transformation: African American And Native American Relations, Barbara S. Tracy

Department of English: Dissertations, Theses, and Student Research

The intersected lives of African Americans and Native Americans result not only in Black Indians, but also in a shared culture that is evidenced by music, call and response, and story. These intersected lives create a dynamic of shared and diverging pathways that speak to each other. It is a crossroads of both anguish and joy that comes together and apart again like the tradition of call and response. There is a syncopation of two cultures becoming greater than their parts, a representation of losses that are reclaimed by a greater degree. In the tradition of call and response, by …

Brown, James, Monica Berger

Publications and Research

Encyclopedia article on James Brown focusing on his impact on African American history and the Civil Rights movement as well as, to a lesser degree, his impact on the history of music.

Bronx Soundscape: Reflections On The Multicultural Roots Of Hip Hop In Bronx Neighborhoods, Mark Naison

Occasional Essays

No abstract provided.

Volume 1 - Issue 1: La Créole - A Journal Of Creole History & Genealogy, Lolita Villavasso Cherrie, Ingrid R. Stanley, Jari Christopher Louis Honora, Sheila Prevost, Pat Marant Schexnayder, Mary Gehman, Mark Charles Roundané, Angel Adams Parham, Bliss Broyard, Hippolyte Castra, Inez Prudeaux Chauvin, Belvia Chauvin Isabelle

La Créole - A Journal of Creole History & Genealogy

The Louisiana Creole Research Association, Inc., known as LA Creole, was founded on August 21, 2004 as a New Orleans-based, non-profit family research and educational organization. Its purpose is to assist Creoles of Color in researching their ancestry, to educate the general public about Creole history and culture, and to celebrate the contributions and legacy of a unique, sometimes forgotten people. La Créole, the Association’s journal is published annually.

Street-Ball: The Myth Of The Ghetto Basketball Star, Vincent F. Mcsweeney

Honors Scholar Theses

In recent decades, countless scholars have examined the developing trend of African American dominance in United States’ professional sports. Many have hypothesized that this over-representation is caused by the presumed reliance on sports as an avenue out of poverty for the African American youths. This trend, it is believed, has a highly detrimental effect the African American community. In actuality, this argument is flawed because it works under the stereotypical assumption that the overwhelming majority of African Americans come from abject poverty. To dispel this fallacy, the author has analyzed the upbringings of each All-National Basketball League First Team player …

Writing The Wrongs : A Comparison Of Two Female Slave Narratives, Miya Hunter-Willis

Theses, Dissertations and Capstones

This thesis compares slave narratives written by Mattie J. Jackson and Kate Drumgoold. Both narrators recalled incidents that showed how slavery and the environment during the Reconstruction period created physical and psychological obstacles for women. Each narrator challenged the Cult of True Womanhood by showing that despite the stereotypes created to keep them subordinate there were African American women who successfully used their knowledge of white society to circumvent a system that tried to keep their race enslaved. Despite the 30 years that separate the publication of these two narratives, the legacy of education attainment emerges as a key part …

Diversity At The Ballot Box: Electoral Politics And Maine's Minority Communities, Post-Wwii To The Present, University Of Southern Maine, Selma Botman, Howard M. Solomon, Abraham J. Peck, Bob Greene

Publications (Annual Event Catalog)

As this year’s Sampson Center exhibition makes clear the powerful desire to find historical inevitability in the advance toward equal opportunity for all Americans has become far more nuanced by the sometimes discomforting reminders that advances at the ballot box are neither as clear-cut nor as unconditional as we once hoped. The ancient antipathies of racism, anti-Semitism, and homophobia are not so easily elided by political campaigns and elections. The pace of social consensus requires a degree of patience and continuing attention that tries the very fabric of American life while we attempt to comprehend the consequences of change wrought …

Tragic No More?: The Reappearance Of The Racially Mixed Character, Suzanne W. Jones

English Faculty Publications

During the nineteenth century and early in the twentieth, the tragic mulatto/a figured prominently in American fiction, only to recede after the Harlem Renaissance when African-American writers called for "race pride" and racial solidarity and to disappear entirely in the late 1960s after the Black Power movement ushered in racially conscious concepts such as "Black Is Beautiful." Since 1990, however, the mixed black-white character has made a significant comeback in American fiction. Contemporary representations suggest that choosing one's racial identity is only slightly less difficult than it used to be because of American society's conflation of skin color and identity. …

Following Tradition: Young Adult Literature As Neo-Slave Narrative, Kaavonia Hinton

Teaching & Learning Faculty Publications

No abstract provided.

Black Girl In Paris: Shay Youngblood's Escape From "The Last Plantation", Suzanne W. Jones

English Faculty Publications

Twentieth-century African-American writers have shared with their white American counterparts the expectation that in Paris they would find an community of writers and artists. And to varying degrees each did. Much like Edith Wharton, African-American writers viewed the French as a people who value art and creativity, the aesthete and the intellectual. And much like American writers from Hawthorne to Henry Miller, African-American expatriates viewed Paris as an "outlet for repressed sexuality," an unpuritanical place, which would allow, even encourage, people to live and love and create as the pleased. In Black Girl in Paris (2000) these are certainly the …

Introduction: The Sexual Body, Shelly J. Eversley, Jennifer L. Morgan

Publications and Research

Introduction to the special issue, "The Sexual Body," edited by Shelly Eversley and Jennifer L. Morgan.

Jazz On The River By William Howland Kenney (Book Review), Gene H. Anderson

Music Faculty Publications

Jazz has not always been "America's classical music." In the first decades of the twentieth century it was regarded by much of the black and white Establishment as unsettling, provocative, even dangerous - attitudes exacerbated by the social upheaval of the Great Migration around the time of World War I. Enter black riverboat jazz bands to negotiate the color line: to help "white Americans approach in an oblique manner underlying social and cultural changes that were too deep and too heavily laden with pain, guilt, and fear for most citizens to discuss openly" (5). Such is the thesis of Jazz …

Lynching The White Imagination: Changing The Dynamics Of Lynching And Rewriting The Cult Of True Womanhood In Grimke, Johnson, And Terrell, Melissa L. Antonucci

English Theses & Dissertations

Despite critics'ack and forth argument over the merits, or lack thereof, of a uniquely black theatre experience, black women playwrights, much like their male counterparts, were once wholly invisible to the white community. But what makes their invisibility unique is their absence in the black world and in literary scholarship. Unfortunately, modern scholarship has oftentimes dismissed these exceptionally powerful plays, cataloging them as poorly written and lacking stylistic and formal elements. It was only recently that they were included in a highly male-dominated history of African American theatre and art. The question of their use of sentimentality, however, remains unanswered. …

'Remember Me?' The Life And Legacy Of Jean Byers Sampson, University Of Southern Maine, Joseph S. Wood, Abraham J. Peck, Mark Lapping, Margaret Ann Brown

Publications (Annual Event Catalog)

In April 1961, Jean Byers Sampson wrote to the director of branches of the NAACP notifying him that she was involved with establishing a branch in Lewiston-Auburn. Because Jean had worked for the national branch of the NAACP in the late 1940s, she began her letter with a friendly “Remember me?” It is a short, intimate phrase that characterized how Jean worked throughout her life. “‘Remember Me?’ The Life and Legacy of Jean Byers Sampson,” the third annual event of the Sampson Center, is a tribute to how one person’s life changed Maine.

Table of Contents:

The Mosaic of Maine …

"I Put The Tale Back Where I Found It": Feeling The Past Through "The Warmth Of The Human Voice", Daryl Cumber Dance

English Faculty Publications

In this article, I examine my revelations and growth related to folk culture and literature connected to the African American community. I borrow from and play on the Sudanese formulaic ending for the folktale; it seemed to me appropriate - even obligatory- that "I put the tale back where I found it." This maxim is symbolic, reflecting what I find one of the most characteristic elements of Black folklore - that is, the focus on the group, the community, in terms of the source of the historical situation of the tale; the moral lesson; the content, style, and delivery; and …

'The Senator And The Socialite: The True Story Of America's First Black Dynasty,' By Lawrence Otis Graham, Eric S. Yellin

History Faculty Publications

Lawrence Otis Graham attempts to tell the important story of the Bruces and their legacy in The Senator and the Socialite: The True Story of America’s First Black Dynasty. Starting his story before the Civil War, Graham follows the “First Black Dynasty” through its ultimate fall from grace in mid-twentieth-century New York City. As with his previous bestseller, Our Kind of People: Inside America’s Black Upper Class (1999), Graham takes on the ambitious task of capturing the meaning and importance of an underappreciated group of American’s.

Childhood Trauma And Its Reverberations In Bebe Moore Campbell's Your Blues Ain't Like Mine, Suzanne W. Jones

English Faculty Publications

Novelist Bebe Moore Campbell was only five when Emmett Till was murdered on August 28, 1955. But in Your Blues Ain't Like Mine (1992) she seeks to answer the question that black teenagers in Mississippi, and indeed many people from all over the United States, asked after seeing the photograph of Till's mutilated and bloated body: "How could they do that to him? He's only a boy" (Dittmer 58). Campbell embraces the view that Lillian Smith expressed in Killers of the Dream (1949): "The warped, distorted frame we have put around every Negro child from birth is around every white …

Constructing Black Selves: Caribbean American Narratives And The Second Generation By Lisa D. Mcgill (Book Review), Daryl Cumber Dance

English Faculty Publications

Using second generation Americans Harry Belafonte, Paule Marshall, Audre Lorde, Piri Thomas, and the meringue hip hop group Proyecto Uno, Lisa D. McGill considers in Constructing Black Selves: Caribbean American Narratives and the Second Generation the issues of identity formation of those whose heritage ultimately includes Africa, the Caribbean, and the United States, most often New York City. Though her subjects come from different national, racial, and language backgrounds; though they have made their names in different media; and though they have different views of race, identity, and culture, she convincingly makes the argument that "African America becomes powerful site …

"Don't Believe The Hype": The Construction And Export Of African American Images In Hip-Hop Culture., John Ike Sewell Jr.

Electronic Theses and Dissertations

This study examines recurring motifs and personas in hip-hop.

Interviews with influential hip-hop scholars, writers and music industry personnel were conducted and analyzed using qualitative methods. Interview subjects were selected based on their insider knowledge as music critics, hip-hop scholars, ethnomusicologists, publicists, and music industry positions.

The vast majority of constructed imagery in hip-hop is based on a single persona, the gangsta. This qualitative analysis reveals why gangsta personas and motifs have become the de facto imagery of hip-hop. Gangsta imagery is repeatedly presented because it sells, it is the most readily-available role, and because of music industry pressures.

This …

African American Literature: Books To Stoke Dreams, Jane M. Gangi, Aimee Ferguson

Education Faculty Publications

In addition to market forces, unconsciously damaging trends in many textbooks for teacher education have resulted in classroom trade book collections that represent children who are primarily white and middle class. While all children—whether from Argentina, Afghanistan, or Algeria—deserve to see themselves and their families in books, the focus of this article is on new publications that depict African Americans.

Teachers who are committed to learning all they can about multicultural literature and culturally and gender relevant pedagogy become agents of change.

Includes significant bibliography of Resources and list of Children’s Literature That Picture Children of African Descent.

A Joint Rolled In Toilet Paper: Funkadelic’S Funky Soul, Joseph T. Thomas Jr.

Reconstruction: Studies in Contemporary Culture

Through an examination of Parliament-Funkadelic’s lyrics and music, this paper explores shit, dirt, and the funk, investigating their relationship to George Clinton and his band’s desire to darken the Humanistic project of Enlightenment, their desire to soil language, and thereby question conventional, bourgeois values. The author argues that Funkadelic participate in what Mikhail Bakhtin calls the “peculiar logic” of the carnivalesque, detourning status quo notions of culture and society, creating complex contortions through the blurring of the good and the bad, the cerebral and the carnal, the sublime and the mundane. In essence, Funkadelic are a musical carnival that exists …

Interview With Clem Haskins (Fa 202), Manuscripts & Folklife Archives

Folklife Archives Oral Histories

Transcription of an interview with Clem Smith Haskins conducted by Lynne Ferguson for an oral history project titled "Campbellsville-Taylor County Oral History Project." Haskins discusses his family, education, farming, and information about growing up in Taylor County, Kentucky.

Liberating Visions: Religion And The Challenge Of Change In Maine,1820 To The Present, University Of Southern Maine, Susie Boch, Joseph S. Wood, Maureen Elgersman Lee, Howard M. Solomon, Abraham J. Peck

Publications (Annual Event Catalog)

Liberating Visions: Religion and the Challenge of Change in Maine, 1820 to the Present. Each of the Sampson Center’s three scholars has crafted an original essay related to one of the Sampson Center collections—African-American, Judaic, and Lesbian, Gay, Bisexual, and Transgender—thereby reflecting on how religious institutions have fostered minority identity and have framed social and cultural transformation.

Table of Contents:

Religion and Transformation (Joseph S. Wood, Provost and Vice President for Academic Affairs)

Jean Byers Sampson Center for Diversity in Maine Programming (Susie Bock, Director, Sampson Center for Diversity in Maine and Head, USM Special Collections)

The African American …