Open Access. Powered by Scholars. Published by Universities.®
Race, Ethnicity and Post-Colonial Studies Commons™
Open Access. Powered by Scholars. Published by Universities.®
- Institution
-
- Cal Poly Humboldt (621)
- Western Kentucky University (274)
- City University of New York (CUNY) (199)
- University of North Florida (169)
- SUNY College Cortland (140)
-
- California Polytechnic State University, San Luis Obispo (119)
- College of Saint Benedict and Saint John's University (57)
- Purdue University (49)
- Wright State University (48)
- San Jose State University (47)
- University of Nebraska - Lincoln (47)
- University of Massachusetts Boston (46)
- Dartmouth College (43)
- Gettysburg College (43)
- Claremont Colleges (41)
- SIT Graduate Institute/SIT Study Abroad (39)
- Antioch University (38)
- Walden University (36)
- Old Dominion University (33)
- College of the Holy Cross (32)
- The University of San Francisco (32)
- University of Denver (31)
- University of South Florida (31)
- Portland State University (27)
- University of Southern Maine (27)
- University of New Mexico (26)
- Brigham Young University - Hawaii (23)
- Chapman University (23)
- Augustana College (22)
- Virginia Commonwealth University (21)
- Keyword
-
- Western Kentucky University (249)
- African American philanthropists -- Florida -- Jacksonville -- History -- 20th century -- Archives (162)
- African American social activists -- Florida -- Jacksonville -- History -- 20th century -- Archives (162)
- African American women -- Florida -- Jacksonville -- Societies and clubs -- History -- 20th century -- Archives (162)
- African Americans -- Florida -- Jacksonville -- Charities -- Archives (162)
-
- Clara White Mission -- Founder -- History -- 20th century -- Archives (162)
- Eartha M. M. White Collection (161)
- White, Eartha Mary Magdalene, 1876-1974 -- Archives (161)
- Old Folks Home (Jacksonville, Fla.) -- Presidents -- History -- 20th century -- Archives (159)
- African American civic leaders -- Florida -- Jacksonville -- History -- 20th century -- Archives (158)
- Feminism (146)
- African Americans (117)
- Women (113)
- Gender (110)
- Blacks (105)
- Athletics (WKU) (103)
- Race (103)
- Intersectionality (75)
- Black women (61)
- Queer (52)
- Fraternities & Sororities (51)
- Identity (50)
- Racism (45)
- White (43)
- Eartha Mary Magdalene (42)
- Fla.) -- Presidents -- History -- 20th century -- Archives (42)
- Old Folks Home (Jacksonville (42)
- Note issuers -- Florida -- Jacksonville -- History -- 20th century (40)
- Sexuality (40)
- """Eartha M. M. White Collection" (39)
- Publication Year
- Publication
-
- CouRaGeouS Cuentos: A Journal of Counternarratives (608)
- WKU Administration Documents (196)
- Eartha M. M. White Textual Material (166)
- Wagadu: A Journal of Transnational Women's & Gender Studies (138)
- sprinkle: an undergraduate journal of feminist and queer studies (84)
-
- Dissertations, Theses, and Capstone Projects (79)
- Publications and Research (62)
- The Journal of Social Encounters (57)
- Theses and Dissertations (46)
- Electronic Theses and Dissertations (44)
- Best Integrated Writing (42)
- I2 (40)
- Antioch University Dissertations & Theses (38)
- Walden Dissertations and Doctoral Studies (36)
- Independent Study Project (ISP) Collection (34)
- NACCS Conference Programs (34)
- Student Organizations (34)
- CLCWeb Library (33)
- Feminist Pedagogy (27)
- Pacific Studies (23)
- WKU Archives Collection Inventories (21)
- Student Publications (20)
- Journal of Religion & Film (17)
- Trotter Review (17)
- Dissertations (15)
- Graduate Theses and Dissertations (15)
- Journal of Global Catholicism (15)
- Master's Theses (15)
- Center for LGBTQ Studies (CLAGS) (14)
- USF Tampa Graduate Theses and Dissertations (14)
- Publication Type
- File Type
Articles 1111 - 1140 of 3094
Full-Text Articles in Race, Ethnicity and Post-Colonial Studies
Comfort Zone, Taylor Christie
Comfort Zone, Taylor Christie
CouRaGeouS Cuentos: A Journal of Counternarratives
No abstract provided.
When Do I Matter, Romell E. Mccalpin-Carter
When Do I Matter, Romell E. Mccalpin-Carter
CouRaGeouS Cuentos: A Journal of Counternarratives
No abstract provided.
Never One Place, Julian L. Contreras
Never One Place, Julian L. Contreras
CouRaGeouS Cuentos: A Journal of Counternarratives
No abstract provided.
Encuentro De Latifundios, Georgina C. Salvarrey
Encuentro De Latifundios, Georgina C. Salvarrey
CouRaGeouS Cuentos: A Journal of Counternarratives
No abstract provided.
Enrique, Nicholas Mavrolas
Enrique, Nicholas Mavrolas
CouRaGeouS Cuentos: A Journal of Counternarratives
No abstract provided.
“To Whom Do I Owe The Symbols Of My Survival?” To Childhood, I Thank You, Audriana Peñaloza
“To Whom Do I Owe The Symbols Of My Survival?” To Childhood, I Thank You, Audriana Peñaloza
CouRaGeouS Cuentos: A Journal of Counternarratives
No abstract provided.
Cruzando Para Respirar Otro Día, Josue Alva Morales
Cruzando Para Respirar Otro Día, Josue Alva Morales
CouRaGeouS Cuentos: A Journal of Counternarratives
No abstract provided.
Preliminary Pages
CouRaGeouS Cuentos: A Journal of Counternarratives
No abstract provided.
Courageous Cuentos: A Journal Of Counternarratives
Courageous Cuentos: A Journal Of Counternarratives
CouRaGeouS Cuentos: A Journal of Counternarratives
No abstract provided.
"Dear Stanford: You Must Reckon With Your History Of Sexual Violence" By Seo-Young Chu, Seo-Young J. Chu
"Dear Stanford: You Must Reckon With Your History Of Sexual Violence" By Seo-Young Chu, Seo-Young J. Chu
Publications and Research
In 2000 a Stanford professor raped me. My rape is now older than I was. (I’m still not as old as he was.) The more time passes the more I’m struck by Stanford’s apathy and fecklessness about sexual violence. I wrote a letter asking Stanford to stop compounding the abuse and to reckon with its rape culture. This letter—including the “Incomplete Compilation of Links to Sources Documenting Stanford’s History of Sexual Violence, in Chronological Order”—should be mandatory reading for administrators, faculty, students, alumni, and stakeholders at both Stanford and CUNY. #MeToo #MeTooAcademia
Panic At The Picture Show: Southern Movie Theatre Culture And The Struggle To Desegregate, Susannah L. Broun
Panic At The Picture Show: Southern Movie Theatre Culture And The Struggle To Desegregate, Susannah L. Broun
Swarthmore Undergraduate History Journal
This paper explores the complex desegregation process of movie theatres in the southern United States. Building off of historiography that investigates regulations of postwar teenage sexuality and recent scholarly work that acknowledges the link between sexuality and civil rights, I argue that movie theatres had a uniquely delayed desegregation process due to perceived sexual intrigue of the dark, private theatre space. Through analysis of drive-in and hardtop theatres, censorship of on-screen content, and youth involvement in desegregation, I contend that anxieties of interracial intimacy and unsupervised teenage sexuality produced this especially prolonged integration process.
[Cldv 100] Diversity And Multicultural Studies, Oluremi "Remi" Alapo
[Cldv 100] Diversity And Multicultural Studies, Oluremi "Remi" Alapo
Open Educational Resources
CLDV100 (Liberal Arts) Introduction to Multicultural Studies in the 21st Century: 3 hrs. 3 crs.
A study of what culture is; how it influences the choices we make; how to deal positively with conflicts that inevitably arise in working/living situations with people of diverse cultures. It is a course structured to raise multicultural awareness and fortify students' social skills in dealing with cultural differences. It includes an ethnographic study of cultural groups in the U.S.A. Through the study of cultural concepts, this course develops skills in critical thinking, writing, and scholarly documentation. Not open to students with credit in CLDV …
Herstory& Female Identity: Postmodern Feminist Revision Of Female Characters In Islamic Narrative In Mohja Kahf’S Hagar Poems, Aya Elbably
Dentistry
Contending with the re-reading and re-writing of history that has always excluded women from its grand narratives, postmodern feminist writers have always sought to revise canonical texts from a gynocentric perspective. Through their revisionary fiction, they aimed at challenging the subordinate, marginal and invisible position of the women characters in these texts. In place of the alleged objectivity of these accounts, postmodern feminist revisionist writers transform these ancient tales while employing female insight to re-narrate the story of humanity, yet through women’s perspective. Thus, they create new texts to challenge the fundamental gender stereotypes, namely the binary images generated by …
The Malleability Of Home: A Genealogy Of Clark University's English House, Christina Rose Walcott, Justin Shaw
The Malleability Of Home: A Genealogy Of Clark University's English House, Christina Rose Walcott, Justin Shaw
English
This essay details the history of the land and structures that occupy the property currently located at the corner of Hawthorne and Woodland Streets in Worcester, Mass. Covering over 300 years, it begins with the legacies of the Nipmuc and the early English colonialist settlers before moving into a discussion of Worcester's 19th Century industrialists and 20th Century acquisition by the University. The essay builds on extensive archival research using materials from both physical and digital collections such as atlases, censuses, biographies, directories, criticism, and more. To further develop the story of the English Department and its home, the essay …
The Flow Of (Re)Memory In African American And Nubian Egyptian Literature: Morrison, Oddoul, And Mukhtar, Bushra Hashem
The Flow Of (Re)Memory In African American And Nubian Egyptian Literature: Morrison, Oddoul, And Mukhtar, Bushra Hashem
Theses and Dissertations
The purpose of this thesis is to define the term rememory, which Toni Morrison coins in her novel Beloved, and explore its interplay with water imagery in the novel and in two Nubian short stories, namely Haggag Oddoul’s “The River People” and Yahya Mukhtar’s “The Nile Bride.” The three narratives have core common features: they centralize water bodies as key sites of events, they depend heavily on the retelling of history and mythology, and they are told predominantly from the perspective of women. How do the writers weave rememory, history, and mythology to produce these narratives? Are they attempting to …
Dignity, Respect, And Freedom, Lindsey Abercrombie
Dignity, Respect, And Freedom, Lindsey Abercrombie
Anthós
This paper looks at Irene Redfield, a character from Nella Larsen's Passing, analyzing how dignity is prioritized above all else in her life. Viewing Irene through the lenses of race, sexuality, and class, this paper delves into the intricacies of Irene's mind, attempting to contextualize her by her overt and repressed desires. Passing is a nuanced novel with complicated characters. Many scholars have attempted to understand the symbolism Larsen has imbued the novel with, producing insightful works to challenge the reader's initial perceptions of the novel and the characters. Through taking a deep-dive into Irene's mind, readers can become …
Ephemeral Elsewheres: Locating Narratives Of Resignation, Resistance, And Refusal In The Poetry Of Black Cuban And Black Brazilian Women, Aidan Keys
Comparative Literature M.A. Essays
This essay dissects the language of Latin American revolution and nationalism to locate the body of the black woman and the appropriation of her image. In two seemingly incommensurable radical movements—the Cuban Revolution (1952-1959) and the Brazilian Unified Black Movement (1978-)—the contributions of Black women are unevenly recognized. Reading the poetry of cubanas Nancy Morejón and Georgina Herrera and brasileiras Sônia Fátima and Esmeralda Ribeiro, this essay claims that in both contexts, the Black woman is marginalized to a geographic “elsewhere.” Expanding on this term, coined by scholar Carol Boyce Davies, this essay further identifies temporal and ephemeral “elsewheres.” The …
Cora Ann Westmoreland, Kelli Johnson
Cora Ann Westmoreland, Kelli Johnson
Oral Histories – NPS AACR Civil Rights In Appalachia Grant
Kelli Johnson conducting an oral history interview with Cora Westmoreland.
This oral history is part of the National Park Service African Americans Civil Rights History and Appalachia Grant Program.
Sandra Clements, Kelli Johnson
Sandra Clements, Kelli Johnson
Oral Histories – NPS AACR Civil Rights In Appalachia Grant
Kelli Johnson conducting an oral history interview with Sandra Clements.
This oral history is part of the National Park Service African American Civil Rights History and Appalachia Grant Program.
Identity In The 21st Century Nigerian Fiction: A Case Study Of Blackass By Igoni A. Barrett., Ogochukwu B. Ossai
Identity In The 21st Century Nigerian Fiction: A Case Study Of Blackass By Igoni A. Barrett., Ogochukwu B. Ossai
Beyond the Margins: A Journal of Graduate Literary Scholarship
This paper attempts to examine the allegorical narrative strategies and politics of identity—race, and gender, using postcolonial and racial frameworks. The novel, Blackass written by a Nigerian writer is a 21st century fierce comic satirical adaptation of Metamorphosis, a novella by Franz Kafka. The intricacies and culture within a society and ethnicity in a nation such as patriarchy are explored through the language, characters, and development of the plot in Nigerian literature. For this essay, I enter into the discourse of race by analyzing the social and cultural phenomena that occur throughout the structure of the fictional work.
A New Politics Of Black Regality: Zora Neale Hurston And Alice Walker’S Monarchical Method, William Martin
A New Politics Of Black Regality: Zora Neale Hurston And Alice Walker’S Monarchical Method, William Martin
Beyond the Margins: A Journal of Graduate Literary Scholarship
Literary critics conducting a comparative study of Zora Neale Hurston’s Their Eyes Were Watching God and Alice Walker’s The Color Purple diligently tend to the relationship between the two women, particularly at an intertextual level. This paper sheds light on an important third member of this relationship: Black women readers. An articulation of Black regality, which involves the incorporation of monarchical symbols and titles in characterizations of Black people, provides these readers with political tools poised to liberate Black women from hegemonic male authority and control. Examining the significance of adornment for the self exclusively to combat invisibility, the power …
The Souls Of Black Women: Reimagining Futurities Beyond The Veil, Kevin A. Blanks
The Souls Of Black Women: Reimagining Futurities Beyond The Veil, Kevin A. Blanks
Beyond the Margins: A Journal of Graduate Literary Scholarship
Now more than ever, communities of color are rendered more vulnerable to state violence and unjust policing; and a global pandemic has exacerbated the ways that the marginalized, the poor, and the disabled are devastated more disproportionately into precarious spaces. Thus, this anti-black world isn’t sustainable for us, and futurity has always felt elusive and just out of reach for marginalized bodies. This world-making project seeks to reimagine an alternative world, an otherwise, an elsewhere where life can be breathed back into our bodies, where we can be whole and free. Through an examination of DuBois’ Souls of Black Folk …
Homage To Eleanora: A Musical Journey Through The Billie Holiday Songbook, Keith A. Dames
Homage To Eleanora: A Musical Journey Through The Billie Holiday Songbook, Keith A. Dames
Dissertations, Theses, and Capstone Projects
Billie Holiday was a singer, songwriter, vocalist, bandleader and composer in the fields of music, black culture and more specifically the genre of jazz. The primary focus of this study is Billie Holiday’s discography, music, and compositions as treated in relation to the black culture of production. This study will explore a secondary content analysis of Billie Holiday’s music, musicianship, musicality and compositional skills within the American jazz mainstream, broader jazz audience and world at large. This project will take an analytical look at the structure and form of the compositions of Billie Holiday. Billie Holiday is credited with composing …
How Marlon T. Riggs Queered The Documentary Form, Anthony M. Sweeney
How Marlon T. Riggs Queered The Documentary Form, Anthony M. Sweeney
Dissertations, Theses, and Capstone Projects
Marlon T. Riggs’s documentary films and their paratextual elements are rooted in his intersectional identities as a Black and gay man. His activist goal of Black gay liberation was based on what he saw as deeply engrained internal and external racist and homophobic societal structures that subjugated Black queers. In this thesis, I place research from Black cultural studies, gender and sexuality studies, and film studies in conversation with one another to show how Riggs’s filmography is an example of queer form. In doing so, I attempt to redefine the focus of the scholarship on Riggs from an avant-garde filmmaker …
21st Century Identity Politics And Social Protest: How The Dynamics Of Race And Gender Influence Black Women's Decision To Run For Congress, An Exploratory Study, Susan J. Telingator
21st Century Identity Politics And Social Protest: How The Dynamics Of Race And Gender Influence Black Women's Decision To Run For Congress, An Exploratory Study, Susan J. Telingator
Graduate Doctoral Dissertations
While women represent half the world’s population, they are underrepresented globally in government (UN Women, accessed February 27, 2022). In the United States, women’s representation is particularly low and women of color face greater levels of exclusion than white women (Reflective Democracy Campaign, 2018). During the 2018 mid-term elections there was a significant increase in the number of women running for office of all races, particularly Black women (CAWP, 2019). Black women have historically held less than 5% of elected executive offices, including Congress and state legislatures (CAWP, 2018d), even though they comprise 13.1% of the total U.S. population (CAWP, …
Anna Belle King, Kelli Johnson
Anna Belle King, Kelli Johnson
Oral Histories – NPS AACR Civil Rights In Appalachia Grant
Kelli Johnson conducting an oral history interview with Anna Belle King.
This oral history is part of the National Park Service African American Civil Rights History and Appalachia Grant Program.
Ambiguity Of Vision: Reimagining The Hypervisible Void, Kiwha Lee Blocman
Ambiguity Of Vision: Reimagining The Hypervisible Void, Kiwha Lee Blocman
Theses and Dissertations
Asking questions about what Painting is in the 21st century and the dominant narratives it can challenge, my paintings complicate the viewer’s reading of pictorial hierarchy and the projection of human relations in the world. I de-hierarchize and decentralize the compositional components that make up a painting by using patterns to create spatial depth, not European perspectival conventions. In dialogue with modernists such as Matisse who drew from the visual vocabulary of “The Orient”, my central forms derived from architecture and ornamental fragments possess a body-like presence. Further, I reinvent ancient Asian printmaking processes with oil paint. Observing the tenets …
Spirituality & Wellness In The Black Lgbtqia+ Experience: A Literature Review, Black Pruitt
Spirituality & Wellness In The Black Lgbtqia+ Experience: A Literature Review, Black Pruitt
Expressive Therapies Capstone Theses
This literature review explores the intersections of race, sexuality, spirituality, and wellness. The findings highlight the complex trauma caused by both racialized and religious violence and how they have historically impacted the lives of Black LGBTQIA+ people today. The research offers evidence for the benefit and efficacy of implementing traditional Afrodiasporic spirituality into expressive arts therapeutic treatment, particularly for Black LGBTQIA+ people and communities. This research also suggests the necessity for actively and effectively dismantling Western psychological frameworks and approaches that have been historically harmful towards Black and LGBTQIA+ people in order to pave pathways towards collective healing and liberation.
Freestyle's Forsaken, Sage D. Rivera
Freestyle's Forsaken, Sage D. Rivera
Theses and Dissertations
Freestyle is a genre of music born in the mid-1980s from Latino and Black communities in the urban epicenters of the United States. This project spotlights a freestyle music artist “Corina," and how she suffered a patriarchal construct but finally got the moment of significance she deserved.
In Search Of Systemic Liberation: Black Feminist Activism Amongst French Women Of African Descent In Contemporary France, Jordan Thomas
In Search Of Systemic Liberation: Black Feminist Activism Amongst French Women Of African Descent In Contemporary France, Jordan Thomas
Theses - ALL
"In Search of Systemic Liberation: Black Feminist Activism amongst French Women ofAfrican Descent in Contemporary France" examines the activisms of Isabelle Boni-Claverie, Assa Traoré, and the anti-racist and feminist collective, Lallab. In so doing, this thesis examines how the collective of each challenges France's narrative around race, belonging, and national identity. Through the analysis of the works by Boni-Claverie, Traoré, and Lallab, as well as the analysis of the responses from French media and French politicians, this thesis examines the ways in which these activists' political ideology and organizing pushes against France's national narrative of color-blind universalism in the present-day. …