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Articles 391 - 410 of 410
Full-Text Articles in Photography
'An Inner Child’S Garden Of Growth' & 'Structures (Labor)', Maria Belén Luzuriaga Abad, Itzel Camarillo-Gonzalez
'An Inner Child’S Garden Of Growth' & 'Structures (Labor)', Maria Belén Luzuriaga Abad, Itzel Camarillo-Gonzalez
.RAW Journal of Art and Design
No abstract provided.
'West Coast Orpheus', Maneli Mianji
'West Coast Orpheus', Maneli Mianji
.RAW Journal of Art and Design
No abstract provided.
'Rhythm Of A Champion', Nick Degeorge
'Rhythm Of A Champion', Nick Degeorge
.RAW Journal of Art and Design
No abstract provided.
'An Ode To The Pacific', Owen Beim
'An Ode To The Pacific', Owen Beim
.RAW Journal of Art and Design
No abstract provided.
Preface, Owen Isachsen
Table Of Contents, Lucas Vergara
Opening, Michaela Velleno, Erin Robinson
Opening, Michaela Velleno, Erin Robinson
.RAW Journal of Art and Design
No abstract provided.
Cover, Owen Isachsen
Full Issue, Michaela Velleno, Erin Robinson
Full Issue, Michaela Velleno, Erin Robinson
.RAW Journal of Art and Design
No abstract provided.
The Double Gaze: Weaving Historical, Decolonial, And Indigenous Perspectives Through Maruch Sántiz Gómez’S Creencias., Elisa Gutiérrez Eriksen
The Double Gaze: Weaving Historical, Decolonial, And Indigenous Perspectives Through Maruch Sántiz Gómez’S Creencias., Elisa Gutiérrez Eriksen
Theses and Dissertations
The Double Gaze examines Maruch Sántiz Gómez’s series Creencias (1994-2000) at the intersection of sociopolitical changes in southeastern Mexico and the 1995 Johannesburg Biennial. Drawing on Rita Segato’s “capillary disobedience” and the Mayan philosophy of kab’awil, the research considers Creencias as a theoretical proposal for reading Indigenous art practices.
"Catching Up": Christian Walker's Critical Lens, Noam Parness
"Catching Up": Christian Walker's Critical Lens, Noam Parness
Theses and Dissertations
“Catching Up” examines three bodies of photographic work that artist, critic, and curator Christian Walker (1953-2003) generated between 1984-1991. By reading each series against a corresponding text, “Catching Up” furthers an understanding of how Walker’s works reconstruct experiences and histories of race and sexuality in the United States.
A Photographic Exploration Of Humboldt's Coastal Lagoons, Aldaron Laird
A Photographic Exploration Of Humboldt's Coastal Lagoons, Aldaron Laird
Trade & Scholarly Monographs
This visually stunning book shows the same meticulous artistry that Aldaron displayed when depicting Wigi, but it shows places so different from Humboldt Bay that they seem to be of a different world. And in a sense they are, for the imprints of modern Humboldt County are here much less frequent and far, far gentler. Instead, we see the land of the Coastal Yuroks, which in many places is little changed from what it was like before the arrival of the Whites a hundred and seventy-five years ago. The only buildings we see are those of the traditional Yurok style, …
The Lost Art Of Club Photography: Capturing Nyc’S Nightlife And Cultural Legacy From The 1980s To The 1990s, Madeleine M. Canfield
The Lost Art Of Club Photography: Capturing Nyc’S Nightlife And Cultural Legacy From The 1980s To The 1990s, Madeleine M. Canfield
MA Theses
This thesis examines how club photography in New York City’s nightlife of the 1980s and 1990s both shaped and reflected cultural identity, and investigates why this visual practice has largely disappeared in the age of social media. By focusing on photographer Steve Eichner and his documentation of iconic moments from one of Peter Gatien’s four mega-clubs, this thesis analyzes published photographs and articles to examine how visual representation shaped the culture it portrayed. The research demonstrates that club photography was instrumental in shaping public perception of nightlife, capturing the spontaneity, creativity, and energy of the era. It also highlights how …
Clifton Photo Service Photographic Negatives, Zach S. Henderson Library Special Collections
Clifton Photo Service Photographic Negatives, Zach S. Henderson Library Special Collections
Finding Aids
This collection consists of 106 photographic negatives created by the Clifton Photo Service of Statesboro, Georgia. The images primarily depict local school life at Statesboro High School, Georgia Teachers College and Southeast Bulloch. Subjects include campus buildings and classrooms as well as student life, athletics, school events and student portraiture.
Film For Jeanette, Brice Goldberg
Film For Jeanette, Brice Goldberg
Theses and Dissertations
Film for Jeanette is an experimental documentary concerning grief, memory, and what remains of those who have left this physical plane. The film paints the portrait of my late sister, Jeanette Lee Goldberg, who died in a car accident when she was 19. What begins as a memorial becomes a celebration of her life and an exploration into the complexities of her character that led to her death. Jeanette’s story is told through interviews with family members, while the visuals, created with various alternative 16mm film techniques, depict my own journey through the filmmaking process. I was only 3 when …
In-Between Echoes, Jiayi Liang
In-Between Echoes, Jiayi Liang
Theses and Dissertations
In this dissertation, I explore memory, diaspora, labor, and intergenerational trauma through constructed photography and experimental film. Informed by Homi K. Bhabha’s concept of the Third Space, I examine how identity is shaped through displacement, cultural negotiation, and inherited memory. Drawing from my relationship with my grandmother and my experience as a Chinese woman living in diaspora, I consider labor as both survival and care, tracing how domestic gestures and emotional structures continue across generations. Through collage, reconstruction, and animation, I rework fragments of family archives, colonial landscape imagery, and personal photographs to address grief, racialized perception, belonging, and the …
“What Is In Vogue?” A Critical Study Of Photography, Psychology, And Power In Vogue Magazine, Hannah Eve Osinoff
“What Is In Vogue?” A Critical Study Of Photography, Psychology, And Power In Vogue Magazine, Hannah Eve Osinoff
MA Theses
Capitalizing on our obsession with beauty and power, this thesis examines, through psychological and art-historical lenses, how Vogue’s use of photography increased the public’s fascination with elitist culture. Using archives and secondary sources, this thesis aims to prove that photography was so powerful that it compelled readers to covet what they did not have. Accordingly, Vogue serves as a key example of how photography informed cultural perceptions of beauty and class. Ultimately, photography has and continues to impact fashion and media, as exemplified by Vogue’s early dominance of this medium and the resulting change in culture.
A Matter Of Lighting: An Exploration Of Erotic, Fashion & Glamour Photography In The Auction Market Through Icons Of Glamour And Style: The Constantiner Collection, Basha Yonit Shapiro
A Matter Of Lighting: An Exploration Of Erotic, Fashion & Glamour Photography In The Auction Market Through Icons Of Glamour And Style: The Constantiner Collection, Basha Yonit Shapiro
MA in Art Business Dissertations
This dissertation explores the evolving position of fashion, glamour and erotic-fashion photography within the contemporary auction market. This aim is met through a case study of the landmark Icons of Glamour and Style: The Constantiner Collection sales, which took place at Christie's New York and Christie's Paris in 2008, 2009 and 2019. Photography entered the auction market as a dedicated genre in the early 1970s, by the early 2000s prints of editorial photography from the pages of Vogue, Vanity Fair and Harper’s Bazaar began to circulate regularly on the market. In 2008, at the precipice of the financial crisis and …
Ideology And Iconography In Gustav Machatý’S Ecstasy (1933), Karl E. Toepfer
Ideology And Iconography In Gustav Machatý’S Ecstasy (1933), Karl E. Toepfer
Open Educational Resources
This essay discusses the cinematic construction of sexual ecstatic experience in Gustav Machaty's 1933 film Ecstasy. Sergei Eisenstein's theory of cinematic montage governs the shapes the way the filmmakers organize the representation of erotic desire and rapture. But the film also shows affinity with the Czech "Poetist" movement of the 1920s in constructing a guiding view of ecstatic experience. The essay analyzes many images in the film, and concludes with an application of montage theory of ecstatic cinema to the consumption of erotic videos and internet imagery.