Photography Commons^™

'Is This All You See?' & 'The Deception Of Elegance', Luiza Rufeisen, Maya Benham

.RAW Journal of Art and Design

No abstract provided.

'Pink Party', Kelli Ayon

.RAW Journal of Art and Design

No abstract provided.

'Shooting Expired Konica Sxg 100' & 'Abjection', Anushe Irani, Isabela Cordovez

.RAW Journal of Art and Design

No abstract provided.

'Chromatic', Sedona Elliott

.RAW Journal of Art and Design

No abstract provided.

'Culture In Couture' & 'The Elements Of Style', Cooper Mortensen, Riley Williamson

.RAW Journal of Art and Design

No abstract provided.

'The Power Of The Sun', Asher Dolinger

.RAW Journal of Art and Design

No abstract provided.

'Midsummer's Dream' & 'A Portrait Of Blossoming', Brooke De La Torre, Chloe Krome

.RAW Journal of Art and Design

No abstract provided.

'Tzatziki Sauce Recipe' & 'Madonna Inn', Teia Kornienko, Miranda Kowalski

.RAW Journal of Art and Design

No abstract provided.

'Young Cowboy', Claire Hughes

.RAW Journal of Art and Design

No abstract provided.

'Herd' & 'Divine', Zoé Shaikh, Margaret Mallow

.RAW Journal of Art and Design

No abstract provided.

'And Many More, To Be Like You' & 'Donut Still Life', Hayley Armstrong, Jolina Chen

.RAW Journal of Art and Design

No abstract provided.

'Submarine Cinema', Lucas Vergara

.RAW Journal of Art and Design

No abstract provided.

'All Bottled Up' & 'Sunce Na Plaži', Amanda Keith, Natalia Celebrini

.RAW Journal of Art and Design

No abstract provided.

Table Of Contents, Itzel Camarillo-Gonzalez

.RAW Journal of Art and Design

No abstract provided.

Opening, Kennedy Ray

.RAW Journal of Art and Design

No abstract provided.

Cover, Lucas Vergara

.RAW Journal of Art and Design

No abstract provided.

Full Issue, Erin Robinson, Michaela Velleno

.RAW Journal of Art and Design

No abstract provided.

(When The Dust Settles), Dominique F. Ellis

School of Art, Art History, and Design: Theses and Student Creative Work

I use photography to explore absence, where sediment in melting ice helps create a visual record of the ice’s existence. I begin by harvesting ice from nearby Antelope Creek, transporting it to the studio, and placing it on photo-sensitive paper or film. The natural traces of dust frozen in the water remain visible on the surfaces after the ice melts. Ice thus becomes an entropic medium to index, translate, and record what is left behind when the ice melts, water evaporates, and floods subside in the midst of drought conditions.

I have developed two techniques, cryogrammetry and cryography, to visualize …

How To Industry Plant Yourself, Ted Childish

Digital Laboratory: Publisher of Internet Journal

Ted Childish is an artist, creative mind, and cultural organizer working at the intersection of digital culture and contemporary creative economies. His practice spans from conceptual ideation to visual production and designed objects, all approached with a distinct material sensibility. How to Industry Plant Yourself is an analysis of the contemporary creative landscape, delivered in the format of a 'how-to' presentation — a familiar trope of the social media era. This work employs graphic design strategies akin to a pitch deck, symbolizing the increasingly transactional and performative environments in which creatives navigate their careers today.

What’S Behind A Number? An Analysis Of Maternal Healthcare In Cuba And The Impact Of Policy On Women’S Autonomy, Brynn Urban '25

Honor Scholar Theses

The primary aim of this research is to contrast personal testimonies from birthing women in Cuba with the frequently boasted Cuban health statistics in order to illuminate important discrepancies existing between what is reported by the state versus the reality of individual experiences. Investigation into women’s personal testimonies of mistreatment within maternity homes and hospitals in Cuba will reveal significant disparities that exist within the socialist healthcare system that have otherwise gone unconsidered. In order to contextualize these lived experiences as products of problematic post-revolutionary ideologies, the political, economic, and social stakeholders in the Cuban healthcare system will be outlined. …

The Art Of Travel, Colleen Bergmann, Joshua Fackler, Natalie Heiland, Sarah Louise Huebschen, Charlotte Ji, Grace Jurchak, Lizzy Kramer, Mathea Linden, Jake Neff, West Rathbun, Daniela Rodriguez, Alice L. Van Etten, Dalila E. Weismantle, Annie Witham, Yan Sun

Schmucker Art Catalogs

Under the direction of Professor Yan Sun, student curators examine the theme of travel in both Eastern and Western works of art. Exploring topics such as artists’ trips, the imagined landscape, pilgrimages, tourism, and modes of travel, the exhibition features prints, paintings, carvings, photography and material culture.

Illuminations, Volume 7, Spring 2025, Visio Roughton, Ed., Abbie Bitomske, Jude Ehmka, Austen Follansbee, Sam Hammer, Soren Hatfield, Jacob Piechowski, Sonny Shouse, Annabelle Taff, Catherine White

Honors Journal

On the Spring 2025 Issue

In this edition of Illuminations, students were asked to submit work that they associated with the feeling of nostalgia. This is an emotion that manifests in different ways for every person, and the submissions showcased in this year’s issue reflect that.

This year, the submission guidelines were relaxed and opened to allow students a chance to submit any kind of work they are proud of, beyond the realm of nostalgia.

Through prose, poetry and art, this year’s contributors have done an amazing job at representing the passion, dedication and wide range of skill that the …

Orpheus, Spring 2025: Porchswing, University Of Dayton

Orpheus: UD's Literary and Artistic Magazine

From Melina Blank, literary editor: Porchswing: According to Google, it’s “a swing on a porch usually made of wood leaving space for two people to sit and swing.” To Orpheus, it is the warm breath of familiarity that hums in one’s soul. The soul knows just about everything that inspires it, transfixes it, guides it. Home, a word we make sense of in terms of physical place, is not so definitively tangible. Instead, what inspires and transfixes and guides us could very well be a person, a song, a belief, a feeling.

If I didn’t know any better, I would …

Con Fe Te Vere Otra Vez, Edwin Perez-Hernandez

Student Projects

"Con Fe the vere otra vez" is a photographic series that documents the struggles associated with immigration. How it causes a divide in the familial construct as one member separates themself to build a better opportunity while sacrificing the opportunity to live a life with the family they were raised with. This work focuses on showing how though separated they still find ways to connect with each other. This series also serves as a way to connect and comfort immigrants and individuals whose family immigrated and remind them they are not alone. In a political climate where Mexican and Mexican-Americans …

Deconstructing Ancient Allegories: Eleanor Antin’S 'Historical Takes' On Subverting Classical Motifs And Typologies, Lainey Tomasoski

Undergraduate Theses in Art History

The New York-born artist Eleanor Antin erupted into the male-dominated American conceptual photography art scene in the 1960s and 70s with feminist works that reimagined the female body in terms of representation and history. In congruence with the feminist and civil rights movements, conceptual photography represented a shift in how art was utilized to criticize the social and political institutions in which it is rooted. Antin and other feminist artists engaging in conceptual photography and video played with the embodiment of characters, performance of the body, and an intrinsic “self-reflexivity” of subject, viewer, and artist. However, Antin pivoted her work …

Bird Trail, Miah Walker

The Messenger

No abstract provided.

Møns-Klint, Adele Kelley

The Messenger

No abstract provided.

Tidal, Helen Mei

The Messenger

No abstract provided.

The Messenger - 2025

The Messenger

The objective of The Messenger is to encourage the appreciation and exploration of the creative arts on the University of Richmond campus. Since 1876, The Messenger has celebrated student work by publishing submissions in a literary and visual arts magazine. More information on the magazine, as well as past publications since 1987, can be found on messengerur.wordpress.com.

Acknowledgements

The Messenger staff would like to thank Dr. David Stevens for his continued support and guidance as our faculty sponsor. We are also grateful for the University of Richmond’s English and Visual and Media Arts Practice departments, who continually encourage students to …

Lover, Helen Mei

The Messenger

No abstract provided.