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Articles 571 - 600 of 705
Full-Text Articles in Photography
Interrupted, Caroline Bass
Containment, Brandon Barney
Watching Through The Kaleidoscope, Ciaran Francis
傘をさす: Umbrella Opened, Michael Tangeman
自転車で: On A Bike, Michael Tangeman
遠い山: Distant Mountain, Michael Tangeman
夏祭り: Summer Festival, Michael Tangeman
French Calligrams, Curtis Plowgian
等: Waiting, Jason Varden
Photograph, Alexander Green
Formas Violentas, J. Eduardo Jaramillo-Zuluaga
Photograph, Gabriele Dillmann
Fünf Für Ashley: Five For Ashley, Michael Goldsberry
Für Jared: For Jared, Megan Garlson
Painting, Chris Faur
Stuhl: The Chair, Lindsey Eshelman
French Calligraphs, Halle Thompson, Gwenn Dobos
Lächeln: A Smile, Jill Boo
Photograph, Alexander Green
Expressions Françaises: French Figures, Julia Grawmeyer
Pour Me Rappeler: So That I’D Remember, Julia Grawmeyer
Villanelle, Julia Grawmeyer
Photographs, Michael Cliquet
Photographs, Charles O'Keefe
Searching For Sapphistries: An Archive Of Felt Photographs, Lauren Fisher
Searching For Sapphistries: An Archive Of Felt Photographs, Lauren Fisher
Theses and Dissertations
Using the holdings of the Peter J. Cohen Collection in New York City as a platform from which to engage the queer impulse of feeling backward, this thesis posits that vernacular photographs can be included in sapphistry through the creation of a counterarchive of “felt photographs,” where a reading of photographs is animated by a queer positionality and knowing.
Cultural Heritage Of Northern New Mexico, Maria Varela
Cultural Heritage Of Northern New Mexico, Maria Varela
Chamisa: A Journal of Literary, Performance, and Visual Arts of New Mexico and the Greater Southwest
No abstract for a photo portfolio
Abuelita's Hands = Justice, Jaelyn Demaria
Abuelita's Hands = Justice, Jaelyn Demaria
Chamisa: A Journal of Literary, Performance, and Visual Arts of New Mexico and the Greater Southwest
Justice occupies space, mentally and physically and is the result of multiple, constantly evolving struggles for balance in Xicanx communities. It is not a one-dimensional conceptual theory of law, but, rather, it is visible, tangible, and experiential movement. To me justice resides is my grandmother’s hands. The seeds that were given to us by our ancestors, who developed a relationship with them over time, allows us to put those seeds in the ground and watch them grow. However, the muddy handprints on the walls of the abandoned adobe in the Sangre de Cristo Land Grant in New Mexico clearly communicate …