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Articles 121 - 146 of 146
Full-Text Articles in Photography
Ronald G. Eaglin, Yang Neng Chiang
Ronald G. Eaglin, Yang Neng Chiang
Morehead State University Art Collection
An oil painting of Ronald G. Eaglin created in 2004 by artist Yang Neng Chiang.
A Painful Labor: Responsibility And Photography, Sharon Sliwinski
A Painful Labor: Responsibility And Photography, Sharon Sliwinski
Data and Test Instruments
Despite the avalanche of objections regarding documentary's false promise to awaken social conscience, this paper considers the tension between photography and responsibility. By examining the encounter with images of suffering through a psychoanalytic register, the paper tries to articulate what Barthes describes as the ‘painful labour’ of responding to the photographic other – an encounter that illuminates the limit of the spectator's ability to respond. Photographs provide an occasion to register this limit, which, I argue, opens up the spectator's traditional notions of responsibility from a set of moral duties towards a questioning of the ethical relation.
Ua60/5 Wku Dental Hygiene Class Of 2004, Wku Dental Hygiene
Ua60/5 Wku Dental Hygiene Class Of 2004, Wku Dental Hygiene
WKU Administration Documents
Members of the 2004 dental hygiene class: Heather Stone, fundraising chairman; Leslie Johnson, treasurer, Sarah Canty, secretary; Miki Hopkins, president; Stephanie Riehn, vice president; Penny Small, class representative; Lori Doss, class representative; Tyra Lindsey, historian, Erin Taylor, SADHA representative, Joanna Davis, SADHA representative, Stacey Chappius, historian; Cassie Alfrejd, Jamie Brawner, Lindsay Christy, Karen Dodson, Kristie Duncan, Jamie Green, Karrie McGrath, Jennifer Pace, Amy Pardue, Melanie Gutierrez, Cyndi Walker and Desirae Wilson.
Untitled, Helen Wills
Aspire Au Ciel, Mai-Anh Tran
Columns, Andrew Wasuwongse
Quiscence, Chris Creel
Timeless, Andrew Wasuwongse
Holy Chimayo, Shauna Havercamp
Sortir A La Llum, Mai-Anh Tran
Self Portrait, Michael Opalenski
Hyperbolic Parabloid, Brad Pinkos
Untitled, Michael Opalenski
Charleston Sunset, Chris Creel
Determination, Mai-Anh Tran
Picturing Syracuse, Kate Gaetano
Untitled, Kristen Callicchio
Untitled, Kristen Callicchio
Digressions: Literary & Art Journal
No abstract provided.
Magic Potions, Ken Kronstadt
Magic Potions, Ken Kronstadt
Digressions: Literary & Art Journal
No abstract provided.
Picturing A Postcolonial Australia : Breaking The 'White' Norm In Contemporary Creative Practice, Rebekah Rousi
Picturing A Postcolonial Australia : Breaking The 'White' Norm In Contemporary Creative Practice, Rebekah Rousi
Theses : Honours
This dissertation is about addressing social issues relating to colonial encounters from the perspective of a 'White' colonial Australian artist. The discussion seeks to address representational imbalances which occur within image construction as the result of a history of Imperial investment in defining the 'civilised Self against the non-European 'primitive Other' (Said, 1978). The label 'White' is analysed in terms of its contradictions and generalisations, where it is linked to a culturally assumed 'Self' positioning of human centrality and neutrality. This centrality (humanity) was used by Imperialists to justify reasoning behind colonial expansion. The thriving mechanisms of Euro-centric perception are …
History Devouring The Past - The Image Says It All Right?, Justin Obbagy
History Devouring The Past - The Image Says It All Right?, Justin Obbagy
The Messenger
No abstract provided.
Untitled, Carmen Hermo
Untitled, Michael Opalenski
Spectral Reflections, Chris Creel
The Abject In The Technological Other, Alex Bradley
The Abject In The Technological Other, Alex Bradley
Theses : Honours
A photographic project and exegesis demonstrating artificial intelligence and artificial life as occurrences of the abject. In the photographic project '0=2', the technologies of artificial intelligence and artificial life are examined in relation to identity, via an elaboration of the psychoanalytic concert of the 'abject'. An exegesis of the creative project contains an investigation of computer technologies in regard to identity, an analysis of the basic concepts and paradigms of the sciences of artificial intelligence and artificial life, and an elaboration of the psychoanalytic concept of the abject - demonstrating A.l. and a-life as cultural instantiations of abjection. In addition, …
Calliope, Armstrong Atlantic State University