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Articles 91 - 120 of 137
Full-Text Articles in Photography
Untitled, Lindsay Dreyer
Untitled, Lindsay Dreyer
Hieroglyphics: the NSU University School Literary Magazine
No abstract provided.
Untitled, Joanne Kantor
Untitled, Joanne Kantor
Hieroglyphics: the NSU University School Literary Magazine
No abstract provided.
Untitled, Joanne Kantor
Untitled, Joanne Kantor
Hieroglyphics: the NSU University School Literary Magazine
No abstract provided.
Untitled, Lindsay Dreyer
Untitled, Lindsay Dreyer
Hieroglyphics: the NSU University School Literary Magazine
No abstract provided.
Footprints, Nsu University School
Footprints, Nsu University School
Hieroglyphics: the NSU University School Literary Magazine
No abstract provided.
Untitled, Stefani Altman
Untitled, Stefani Altman
Hieroglyphics: the NSU University School Literary Magazine
No abstract provided.
Untitled, Joanne Kantor
Untitled, Joanne Kantor
Hieroglyphics: the NSU University School Literary Magazine
No abstract provided.
Untitled, Lindsay Dreyer
Untitled, Lindsay Dreyer
Hieroglyphics: the NSU University School Literary Magazine
No abstract provided.
Untitled, Lindsay Dreyer
Untitled, Lindsay Dreyer
Hieroglyphics: the NSU University School Literary Magazine
No abstract provided.
Untitled, Jesse Cordice
Untitled, Jesse Cordice
Hieroglyphics: the NSU University School Literary Magazine
No abstract provided.
2001 Forces, Scott Yarbrough
Untitled, Elisa Barety
Untitled, Elisa Barety
A Midwestern Review: A Magazine of the Arts and Issues at DePauw University
Elisa is a fifth-year intern in DePauw's anthro-pology museum. One of her photographs appeared in last semester's issue of MWR. We wish that her models didn't always have so much clothing on.
Shubba Shatel, Sunniva Rodgers
Shubba Shatel, Sunniva Rodgers
A Midwestern Review: A Magazine of the Arts and Issues at DePauw University
The cover of this magazine features the first black and white photograph ever taken by Sunni. She will soon dream of toilets and electricity as she dances around the middle of Sub-Saharan Africa.
Untitled (Back Cover Photo), Kara Smith
Untitled (Back Cover Photo), Kara Smith
A Midwestern Review: A Magazine of the Arts and Issues at DePauw University
This sophomore is from Avon, IN. Her photograph is good.
Dublin Gyro, Eileen Emison
Dublin Gyro, Eileen Emison
A Midwestern Review: A Magazine of the Arts and Issues at DePauw University
A senior art major from Redding, CT, Eileen would like to move to New York City after grad-uation to ""unravel the mysteries of the world"" and become a dinosaur.
Mizan (Cover Photo), Sunniva Rodgers
Mizan (Cover Photo), Sunniva Rodgers
A Midwestern Review: A Magazine of the Arts and Issues at DePauw University
The cover of this magazine features the first black and white photograph ever taken by Sunni. She will soon dream of toilets and elec-tricity as she dances around the middle of Sub-Saharan Africa.
Untitled, Abby Pinkele
Untitled, Abby Pinkele
A Midwestern Review: A Magazine of the Arts and Issues at DePauw University
"This is really boring," the sophomore Political Science Major said of her bio. "Right now all of my creative energy is going to a paper that is due tomorrow morning and I am only check-ing my e-mail to procrastinate some more."
Untitled, Amy Miller
Untitled, Amy Miller
A Midwestern Review: A Magazine of the Arts and Issues at DePauw University
AEMILLER is our fabulous art editor. She has got it going on. Aim and shoot.
Greek Truth, Eileen Emison
Greek Truth, Eileen Emison
A Midwestern Review: A Magazine of the Arts and Issues at DePauw University
A senior art major from Redding, CT, Eileen would like to move to New York City after graduation to "unravel the mysteries of the world" and become a dinosaur.
Untitled, Ken Ballantine
Untitled, Ken Ballantine
A Midwestern Review: A Magazine of the Arts and Issues at DePauw University
Class of 2001. "I enjoy my photography, I hope you do too."
Zephyr: The Second Issue, Zephyr Faculty Advisor, Matthew Bibeau, Danielle Chabot, Tiffany Cherry, Ernie Cote, Lisa Curtiss, Ryan Eling, Richard Goddeau, Judith Haug, Andrew Shuttleworth
Zephyr: The Second Issue, Zephyr Faculty Advisor, Matthew Bibeau, Danielle Chabot, Tiffany Cherry, Ernie Cote, Lisa Curtiss, Ryan Eling, Richard Goddeau, Judith Haug, Andrew Shuttleworth
Zephyr
This is the second issue of Zephyr, the University of New England's journal of creative expression. Since 2000, Zephyr has published original drawings, paintings, photography, prose, and verse created by current and former members of the University community. Zephyr's Editorial Board is made up exclusively of matriculating students.
2000-2001 Yearbook, Morehead State University
2000-2001 Yearbook, Morehead State University
Morehead State Yearbooks
2000-2001 yearbook of Morehead State University.
Commonthought Vol.Iii (2001), Commonthought Staff
Commonthought Vol.Iii (2001), Commonthought Staff
Commonthought
This issue features works created by Lesley University students and covers a broad range of topics. The work itself crosses many disciplines from creative writing to visual arts
The Legacy Of The "Glacier Priest": Bernard R. Hubbard, S.J., Caprice Murray Scarborough, Deanna M. Kingston
The Legacy Of The "Glacier Priest": Bernard R. Hubbard, S.J., Caprice Murray Scarborough, Deanna M. Kingston
Research Manuscript Series
One of the most colorful and controversial individuals to bring notoriety to Santa Clara University in the past 150 years was Father Bernard R. Hubbard, S.J.(1888-1962). Known as the "Glacier Priest," for his mountaineering prowess , Father Hubbard gained public prominence in the 1930s for his highly publicized and photographed expeditions to the then little known territory of Alaska. In an era without television and the internet, the public's imagination was captured through public lectures and newsreels. In spite of his larger than life public persona Father Hubbard's relationship with his professional colleagues and the Society of Jesus was sometimes …
Parnassus 2001
Parnassus
The 2001 edition of the student literary journal, Parnassus, published by Taylor University in Upland, Indiana.
Gen Ms 10 Harriet Sweetser Letters, John D. Knowlton
Gen Ms 10 Harriet Sweetser Letters, John D. Knowlton
Search the General Manuscript Collection Finding Aids
Provenance: Donated by Elizabeth Sweetser Baxter in 1999. Ownership & Literary Rights: The Harriet Sweetser Letters are the physical property of the University of Southern Maine Library. Literary rights, including copyright, belong to the creator or his legal heirs and assigns. For further information, consult the Head of Special Collections. Cite as: Harriet Sweetser Letters, Special Collections, University of Southern Maine Libraries. Restrictions on access: This collection is open for research.
Ua61/1 Wku Nursing Class 2001, Wku Nursing
Ua61/1 Wku Nursing Class 2001, Wku Nursing
WKU Administration Documents
Members of the 2001 nursing class: Nieka Amburgey, Melissa Atwell, Stephanie Ballard, Mary Baxter, Mitzi Boggus-Gardner, Pamela Cardwell, Terri Carrico, Nicole Cheatham, Michelle Clark, Alysia Cross, Jeffrey DeLong, Jennifer Deaton, Erin Dobbs, Wendy Edwards, Amy Fortner, Sherri Goldsmith, Brandon Hardison, Kelly Harville, Megan Harwood, Janna Herald, Sally Holman, Tonja Jennings, Heather Kellogg, Melanie Bell, Susan Lawrence, Nicole Lindsey, Karen Milby-Romines, Monica Moore, Hoka Nyanda, Michelle Rodgers, Saaly Rone, Sherry Rudnick, Amy Sewell, Karen Shindhelm, Jennifer Shoemake, Mandy Sizemore, Stephanie Tucker-Ford, Kelli Vance and Grecia Wilson.
Zephyrus, Western Kentucky University
Horizons, Volume 18, 2001, Sacred Heart University
Horizons, Volume 18, 2001, Sacred Heart University
Vistas (Horizons)
An interdisciplinary, multi-cultural journal celebrating the creativity of SHU students during the academic year 2000-2001.
Madonna De La Mer: Reflections Of Light And Memory, Amjad S. Faur
Madonna De La Mer: Reflections Of Light And Memory, Amjad S. Faur
Inquiry: The University of Arkansas Undergraduate Research Journal
The Pioneers of photography sought to document their lives with a new sense of reality and permanence. The results have persevered throughout photography's brief history as sparse, elegant, honest and strikingly beautiful images. My research uses late nineteenth century and early twentieth century equipment and techniques to document the timeless beauty, which connects us to those old photographs by creating portraits of people, which will deceive and nurture memory. Without our memories, we respond to the present with only survival instincts. Memory is our pool of reference for all experience. Only two basic elements, light and memory, are used as …