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Articles 61 - 90 of 138
Full-Text Articles in Photography
Hadzabe Smoker, Aubrey E. Gedeon
Under The Mangroves, Madeline A. Price
Artistic Fungus, Madeline A. Price
Cape Cod Sunset, Madeline A. Price
Hadzabe Feast, Aubrey E. Gedeon
Gravity, Abigail A. Campbell
A Living Image: Newspaper Sketches In The American Civil War, Bryan G. Caswell
A Living Image: Newspaper Sketches In The American Civil War, Bryan G. Caswell
The Gettysburg Compiler: On the Front Lines of History
Photography: the ability to capture a moment in time exactly as it appeared, to then preserve it for posterity, even mass produce it for a wide viewership. A relatively new concept by the beginning of the American Civil War, photography quickly came into its own in the hands of such legends as Matthew Bray and Alexander Gardner as they sought to document the furious storm which had swept over the land. Photographs of the Civil War are prolific, and for many the memory of the conflict is intertwined with black-and-white photographs of unsmiling men and corpses bloating in the sun. …
Andy Warhol: Polaroids & Portraits, Emily A. Francisco
Andy Warhol: Polaroids & Portraits, Emily A. Francisco
Schmucker Art Catalogs
Enigmatic Andy Warhol claimed he had “no real point to make” in producing art. Yet, his silkscreens, sculptures, paintings, and photographs reveal the artist’s profound interest in the way art intersected with fields like advertising, fashion, film, mass culture, and underground music. In his experimentations with photography and portraiture, Warhol was fascinated with representations of both the individual and the masses and used the Polaroid portrait to illustrate the fine lines between art and popular culture, celebrity and anonymity. [excerpt]
Curiosity, Nathaniel H. Fitch
Tree Of Life, Nathaniel H. Fitch
Tulips, Madeline A. Price
Empty Room, Madeline A. Price
Pollen, Madeline A. Price
Why The "Harvest Of Death" Doesn't Matter (And Why It Does), John M. Rudy
Why The "Harvest Of Death" Doesn't Matter (And Why It Does), John M. Rudy
Interpreting the Civil War: Connecting the Civil War to the American Public
I went on a tour a few Sundays ago. It was very tough to explain exactly what I had done (in sensible terms) with my coworkers when I came into the office the next Monday morning. Not just very tough, but embarrassingly tough.
THEM: "What did you do this weekend, John?"
ME: "Well, Sunday I went on a tour of places on the Gettysburg battlefield where one specific photo wasn't taken-"
THEM: *blank stare* [excerpt]
Practical Necromancy: Raising The Dead For Fun & Profit, John M. Rudy
Practical Necromancy: Raising The Dead For Fun & Profit, John M. Rudy
Interpreting the Civil War: Connecting the Civil War to the American Public
Our profession is a unique and somewhat strange one. We are paid, fundamentally, to give voice to the voiceless. History is taking the people of the past and breathing into their lungs, letting them speak and act again even though they are long dead. [excerpt]
Bee, Madeline A. Price
Heart Rock, Madeline A. Price
A Reverie Reality, Annamarie Houlis
Water, Hannah J. Sawyer
Tombstone, Jessica F. Lee
Looking Through, Sara W. Tower
Bare Worth, Annamarie Houlis
Juliet, Hannah J. Sawyer
Ganga Ma, Sara W. Tower
Different Spokes, Meredith Maclauchlan
Durango-Silverton Railway, Jessica F. Lee
Self-Portrait, Rebecca H. Fisher