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Articles 91 - 98 of 98
Full-Text Articles in Photography
Photographing The "Uncelebrated" Truth: The Newspaper Pm, New York 1940-1942, Nancy Wechter
Photographing The "Uncelebrated" Truth: The Newspaper Pm, New York 1940-1942, Nancy Wechter
Theses and Dissertations
The left-liberal NYC newspaper, PM, used photography with unprecedented transparency as a crucial element in its mission to inform ordinary working people, teach them to be literate about the photographic message, and encourage them to be a participating audience during the tense period just before World War II.
The New Reflexivity: Puzzle Films, Found Footage, And Cinematic Narration In The Digital Age, Jordan Lavender-Smith
The New Reflexivity: Puzzle Films, Found Footage, And Cinematic Narration In The Digital Age, Jordan Lavender-Smith
Dissertations, Theses, and Capstone Projects
“The New Reflexivity” tracks two narrative styles of contemporary Hollywood production that have yet to be studied in tandem: the puzzle film and the found footage horror film. In early August 1999, near the end of what D.N. Rodowick refers to as “the summer of digital paranoia,” two films entered the wide-release U.S. theatrical marketplace and enjoyed surprisingly massive financial success, just as news of the “death of film” circulated widely. Though each might typically be classified as belonging to the horror genre, both the unreliable “puzzle film” The Sixth Sense and the fake-documentary “found footage film” The Blair Witch …
The Steven Rappaport Collection, Brooklyn College
The Steven Rappaport Collection, Brooklyn College
Finding Aids
Steven Rappaport lived right next to Brooklyn College on Bedford Avenue. His family moved to 2981 Bedford Avenue in 1944 when Steven was three years old and the family lived there until 1970. An avid photographer, Mr. Rappaport took photographs of the Brooklyn College campus from the windows of his family’s home.
This small collection contains material related to Brooklyn College and the development of the surrounding neighborhood. This includes negatives of campus buildings including Ingersoll, Roosevelt, and Boylan Halls. These photographs were taken by Mr. Rappaport from 1969 to 1970, mostly from his home at 2981 Bedford Ave. There …
Technology No Substitute For Video Shooting Skill, Aldemaro Romero Jr.
Technology No Substitute For Video Shooting Skill, Aldemaro Romero Jr.
Publications and Research
No abstract provided.
Bridging Modernities In Brazil: Progress And Violence In The Work Of Rosangela Renno, Francine Kath
Bridging Modernities In Brazil: Progress And Violence In The Work Of Rosangela Renno, Francine Kath
Dissertations and Theses
No abstract provided.
The Robert Giard Fellowship, Sarah Chinn
The Robert Giard Fellowship, Sarah Chinn
Center for LGBTQ Studies (CLAGS)
For several years we at CLAGS had wanted to work with the Robert Giard Foundation on a project for LGBT artists, but couldn't come up with the right vehicle. Eventually we hit on a perfect project: a fellowship for photographers and video artists working on queer and trans themes that would honor Robert Giard's legacy while directly supporting emerging and mid-career artists.
Giard Fellowship Evokes Enthusiastic Response, Shawn(Ta) Smith-Cruz
Giard Fellowship Evokes Enthusiastic Response, Shawn(Ta) Smith-Cruz
Center for LGBTQ Studies (CLAGS)
In his 1997 book, Particular Voices: Portraits of Gay and Lesbian Writers, Robert Giard captures nearly 200 photographs of his contemporaries. Giard's compilation of these portraits of lesbian and gay writers, carefully accompanied with textual excerpts, led this coffee-table monograph to stand as a supreme example of what Giard himself describes as "the autobiography of one gay reader."
James Abbott Mcneill Whistler: Photographs Of His Paintings And The Art Of Photography, Hiroko Suda
James Abbott Mcneill Whistler: Photographs Of His Paintings And The Art Of Photography, Hiroko Suda
Dissertations and Theses
James Abbott McNeill Whistler (1834-1903) is an important figure in the development of art photography. His lyrical and atmospheric images were not only admired by modernist painters, but also influenced many photographers who aspired to be artists. His treatment of the subject matter, careful selection of paper, and arduous printing process gave profound inspiration to many of the early twentieth century photographers.
Nonetheless, Whistler's own attitude towards the medium of photography was quite elusive. He never took the camera seriously as a tool of his artistic expression and photography was never included in his oeuvre. The artist never explained his …