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Articles 61 - 90 of 374
Full-Text Articles in Photography
Glut And Guzzle, Ashley Kay Gardner
Glut And Guzzle, Ashley Kay Gardner
Graduate Theses and Dissertations
In Glut and Guzzle I explore my relationship with my partner, our sexualities and how to navigate these outside of the LDS faith of my childhood, and their struggles with gender, sexual expression and mental illness. This exploration landed on seductive and repulsive imagery of food and body. I use color, texture and size as a tool similar to visual tools of advertising to seduce my viewer. This is an exploration of how gender norms and the visual language of advertising that infiltrates daily lives and through media and religion can shape identity and gender roles. I utilize advanced 3D …
Pod + Onward We Learn (College Crusade) Photo Journaling 2020, Project Open Door
Pod + Onward We Learn (College Crusade) Photo Journaling 2020, Project Open Door
Publications + Documents + Videos
Participating artists: Jaylyn B., Jeremy R., Karlim T., Kelssy B., Kenneth B., Maria L., Maria-Camila M., Maria R., Sanilda V., Andrea G., Astrid C., Christiana V., Edgar N., Fredy G., Genesis M., Ilanis R., Jeffri P., Larissa P., and Toluwani A.
POD partnered with Onward We Learn (formerly known as College Crusade) to provide unique and engaging virtual summer workshop experiences during the COVID-19 pandemic. In this online workshop, students were given daily photo challenges to create portraits and still life photographs. They found textures, shapes, colors, numbers, and letters through photographic explorations of their familiar surroundings. In doing so, …
The “Olympiad Of Photography”: Fiap And The Global Photo-Club Culture, 1950–1965, Alise Tifentale
The “Olympiad Of Photography”: Fiap And The Global Photo-Club Culture, 1950–1965, Alise Tifentale
Dissertations, Theses, and Capstone Projects
This dissertation examines the global photo-club culture of the 1950s through the work of the International Federation of Photographic Art (Fédération internationale de l'art photographique, FIAP), founded in 1950. By 1965 FIAP united national associations of photo clubs in fifty-five countries across Western and Eastern Europe, Asia, Latin America, and Africa. The regular exhibitions and publications of FIAP provided a unique platform where photographers living in the “second” and “third worlds” were welcome to present their work on equal grounds with their peers from the “first world.” FIAP, I posit, created a nonprofit, egalitarian, and open system of image production …
Mara Dzolan, Marija Maracic, Josipa Karaca
Marta Sarcevic & Mara Burecic, Maracic Marija, Josipa Karaca
Marta Sarcevic & Mara Burecic, Maracic Marija, Josipa Karaca
SICANJE
No abstract provided.
Luca Markesic, Marija Maracic, Josipa Karaca
Ruza Ilicic, Marija Maracic, Josipa Karaca
Ua1c11/107 Roger Loewen Negative Collection, Wku Archives
Ua1c11/107 Roger Loewen Negative Collection, Wku Archives
WKU Archives Collection Inventories
Negatives and transparencies taken by Roger Loewen photojournalism professor and Talisman advisor from 1970-1977.
Mara Pavlovic, Marija Maracic, Josipa Karaca
Affect And Manhattan’S West Side Piers, Ricardo J. Millhouse
Affect And Manhattan’S West Side Piers, Ricardo J. Millhouse
disClosure: A Journal of Social Theory
Derek P. McCormack (2010) argues, "Affect, is like an atmosphere: it might not be visible, but at any given point it might be sensed ... Emotion, in turn, can be understood as the sociocultural expression of this felt intensity" (643). This paper puts McCormack (2010) and Ben Anderson (2009) into conversation to think through the ways in which atmosphere in relation to affective and emotive life has been conceptualized. I center the affective atmospheres that happen with queer bodies that make New York's west side piers queerly affective. I use "queer bodies" to signal the dis-identification with heteronormativity or binaristic …
Its Skin Is My Skin, Bryan Page
Its Skin Is My Skin, Bryan Page
Graduate School of Art Theses
This text examines the complexity of attempting to empathize with bodies that are vastly othered from my own. This broad yet nuanced subject crosses epistemological boundaries and complicates the dualities between both the mind and body, and between the corporeal and the virtual. My desire to better understand the conditions of another’s experience originates from a painful traumatic loss which caused me to feel isolated and incomplete. In response to this suffering, I long to emotionally connect with other beings and create artwork that attempts to bridge the qualia of individual experience.
I am interested in the capacity (or lack …
Queerness, Witchcraft, And Embodied Presence: Aesthetic Knowings Of What A Body Can Do, Megan Bigelow
Queerness, Witchcraft, And Embodied Presence: Aesthetic Knowings Of What A Body Can Do, Megan Bigelow
Dissertations, Theses, and Capstone Projects
Taking as a point of entry the critique of representation and affirming the limitations of the cuts that language makes, this capstone project explores the imbrications and assemblages between Foucault’s concept of subjugated knowledges, witchcraft and other body-based ways of knowing and being, and the consciousness of non-human forms such as plants and through the framework of non-representational theory, process philosophies, aesthetics, queerness, and the concept of difference itself.
Since such theories themselves are living, breathing entities, this capstone project explores the ideological split that has occurred between sacred and secular beliefs, moving through different figures such as nuns and …
In The Name Of Profit: Canada’S Mount Arrowsmith Biosphere Reserve As Economic Development And Colonial Placemaking, Richard M. Hutchings, Marina La Salle
In The Name Of Profit: Canada’S Mount Arrowsmith Biosphere Reserve As Economic Development And Colonial Placemaking, Richard M. Hutchings, Marina La Salle
Landscapes: the Journal of the International Centre for Landscape and Language
Taking a critical heritage approach to late modern naming and placemaking, we discuss how the power to name reflects the power to control people, their land, their past, and ultimately their future. Our case study is the Mount Arrowsmith Biosphere Reserve (MABR), a recently invented place on Vancouver Island, located in southwestern British Columbia, Canada. Through analysis of representations and landscape, we explore MABR as state-sanctioned branding, where a dehumanized nature is packaged for and marketed to wealthy ecotourists. Greenwashed by a feel-good “sustainability” discourse, MABR constitutes colonial placemaking and economic development, representing no break with past practices.
The House Of The Fish: Collaborative Coral Reef Awareness Project On Nosy Be, Meghan Hurley
The House Of The Fish: Collaborative Coral Reef Awareness Project On Nosy Be, Meghan Hurley
Independent Study Project (ISP) Collection
The purpose of this project was to initiate a place-based coral reef education project, with the ultimate goal of improved localized conservation efforts in the face of growing global threats. Three principal groups that interact with coral reefs on Nosy Be were interviewed: fishers, tourist guides, and conservationists. Research was conducted on the biology of coral reefs, and on the most prominent threats facing coral reefs in the Indian Ocean and around Nosy Be. Information and direct quotes from interviews, and the results of research, were incorporated into a photographic journal entitled "In the House of the Fish" or "An-tragno …
Seeing Every Corner Of Tangier: A Photographic Collection Going Beyond The Media Sphere, Cynthia J. Coleman
Seeing Every Corner Of Tangier: A Photographic Collection Going Beyond The Media Sphere, Cynthia J. Coleman
Independent Study Project (ISP) Collection
Tangier is an iconic city, with an image recognized internationally. Its image is created, not only by the city itself, but by its representation in the media. That said, it is worth considering, how true to Tangier is its image? This study considers this issue by addressing the following question: how does the image of Tangier, as represented in photographs, compare with that portrayed in the media? To accomplish this, a collection of 18 photographs over the area of Tangier, an area of 44 square miles, was taken. The photos were taken to as objectively as possible represent the city …
Recipe For Disaster, Zac Travis
Recipe For Disaster, Zac Travis
MFA Thesis Exhibit Catalogs
Today’s rapid advances in algorithmic processes are creating and generating predictions through common applications, including speech recognition, natural language (text) generation, search engine prediction, social media personalization, and product recommendations. These algorithmic processes rapidly sort through streams of computational calculations and personal digital footprints to predict, make decisions, translate, and attempt to mimic human cognitive function as closely as possible. This is known as machine learning.
The project Recipe for Disaster was developed by exploring automation in technology, specifically through the use of machine learning and recurrent neural networks. These algorithmic models feed on large amounts of data as a …
Finding Place In Eureka, Ryan A. Sendejas
Kata Ostojic, Marija Maracic, Josipa Karaca
Janja Majstorovic, Marija Maracic, Josipa Karaca
Ua1c4/3 Alumni Photos, Wku Archives
Ua1c4/3 Alumni Photos, Wku Archives
WKU Archives Collection Inventories
Images of Alumni Association groups of Western Kentucky University.
Ua1c4/6 Fraternities Photos, Wku Archives
Ua1c4/6 Fraternities Photos, Wku Archives
WKU Archives Collection Inventories
Images of fraternity groups.
Ua1c2/40 Home Management House Photos, Wku Archives
Ua1c2/40 Home Management House Photos, Wku Archives
WKU Archives Collection Inventories
Images of the Home Management House.
Ua1c3/2 Faculty/Staff Photos, Wku Archives
Ua1c3/2 Faculty/Staff Photos, Wku Archives
WKU Archives Collection Inventories
Images of faculty and staff of Western Kentucky University and its founding institutions.
Ua1c3/5 Faculty/Staff Small Group Photos, Wku Archives
Ua1c3/5 Faculty/Staff Small Group Photos, Wku Archives
WKU Archives Collection Inventories
Images of small groups of identified faculty and staff.
Ua1c2/18 Felts Log House Photos, Wku Archives
Ua1c2/18 Felts Log House Photos, Wku Archives
WKU Archives Collection Inventories
Images of Felts Log House, includes images of the move to WKU campus.
Ua1c4/7 Student Groups & Association Photos, Wku Archives
Ua1c4/7 Student Groups & Association Photos, Wku Archives
WKU Archives Collection Inventories
Images of student groups and associations not otherwise listed.
Ua1c3/4 Dignitaries/Visitors Photos, Wku Archives
Ua1c3/4 Dignitaries/Visitors Photos, Wku Archives
WKU Archives Collection Inventories
Images of dignitaries, visitors and entertainers who have visited Western Kentucky University.
Ua1c5/2 Basketball - Men Photos, Wku Archives
Ua1c5/2 Basketball - Men Photos, Wku Archives
WKU Archives Collection Inventories
Images of men's basketball teams and games, including College High and Ogden College teams.
Ua1c2/15 Cherryton Photos, Wku Archives
Ua1c2/15 Cherryton Photos, Wku Archives
WKU Archives Collection Inventories
Images of the homes in Cherryton.
Ua1c3/6 Student/Alumni Small Group Photos, Wku Archives
Ua1c3/6 Student/Alumni Small Group Photos, Wku Archives
WKU Archives Collection Inventories
Images of small groups of identified students.