Photography Commons^™

Bonding Images: Photography And Film As Acts Of Perpetration, Christophe Busch

Genocide Studies and Prevention: An International Journal

Historical and contemporary cases of collective violence show an incremental use of photography and film to capture and disseminate violent acts. Recording cruelty during conflict seems to be a highly ritualised practice that urges the question what communicative and psychological functions these acts have? Why and how does perpetrator photography shape a binding moral world that divides 'us' versus 'them'? These visualising acts are commonly seen as proof of power that desensitises the perpetrators and dehumanises the victims. This contribution focuses on the imagery of the Holocaust, looks into the functions that capturing and sharing cruelty has on the evolution …

Livelihoods Of The People Of Mazumbai: A Collection Of Stories And Portraits, Tanga Region, Tanzania, Joseph Baldus

Independent Study Project (ISP) Collection

Despite rapid urbanization in Tanzania, agriculture remains central to the nation, the economy, and the livelihoods of a large portion of the population. Smallholder farmers account for the vast majority of agricultural production, yet are an extremely vulnerable population due to poverty, single-sourced income, and climate-dependency for both subsistence and cash-crop agriculture (Rapsomanikis, 2015). This report explores these dynamic rural livelihoods through interviews and portrait photographs in a case study on Mazumbai, Tanga region, Tanzania. Semi-structured interviews explore the people’s modes of economic subsistence, domestic lives, education, challenges, and life stories. Excerpts from these interviews combined with portrait photographs create …

Snc Day: A September Tradition

St. Norbert Times

• News
  • SNC Day: A September Tradition
  • Economic Study’s Promising Results for Allouez
  • The CVC Goes Green
  • Religion Meets Art: The St. John’s Bible
  • SNC Moves Up in National Ranks
• Opinion
  • The Importance of Arguments
  • What the Future Might Hold
  • Living Simply: A Reflection
  • Just Do It
• Features
  • Ruth’s Marketplace Remodeled
  • SNC Annual Involvement Fair
• Entertainment
  • Student Spotlight
  • Sudoku
  • Trivia
  • Where is Hip-Hop Going?
  • Winners and Loser of Summer 2018
  • Music Opinion
  • Junk Drawer: Reboots We Want to See
• Sports
  • Men’s Soccer Defeats Lakeland, 14-0
  • “QB: 1 Beyond the Lights” Review
  • Diving Into New Tradition
  • Friday Wrap Up: Volleyball, XC

Snc Opens Doors To Class Of ’22

St. Norbert Times

• News
  • SNC Opens Doors to Class of ’22
  • Get Involved with Student Orgs
  • The Art of Creation
  • New Freshmen Go Into the Streets
• Opinion
  • Remembering John McCain
  • The Value of Liberal Arts
  • Burnout: A Forgotten Affliction
  • The Morality of Hard Work
• Features
  • Campus Spotlight: What is PAW?
  • Burke: The Singles Life,
• Entertainment
  • Student Spotlight
  • Sudoku
  • Trivia
  • The Big Question: How to Make a Living in Music?
  • Oscars Adds ‘Popular Film’ Category
  • Book Review: Six Moon Summer
  • Junk Drawer: Summer Catch-Up
• Sports
  • SNC Football Preview
  • Cross Country Dominates at Tom Barry
  • New Look Knights Serve for Thirteen Straight
  • Usain Bolt: Trading …

Cada Día Por Dios (Every Day For God): A Look Inside La Luz Del Mundo And The Expansion Of Hispanic Evangelicalism, Jennifer King

Mahurin Honors College Capstone Experience/Thesis Projects

“Cada día por Dios,” which translates to English as “Every Day for God” tells the story of the local congregation of the Hispanic evangelical church Iglesia del Dios Vivo, Columna y Apoyo de la Verdad, La Luz del Mundo. More commonly, the church is referred to as La Luz del Mundo or the Light of the World church. The local congregation of La Luz del Mundo is part of a larger trend of evangelical expansion in the Hispanic population and serves as a microcosm of the international church community.

The doctrine of the Light of the World church hearkens back …

Complete Issue

Landscapes: the Journal of the International Centre for Landscape and Language

The complete issue 1 of volume 8, Landscapes Journal.

Stranded At Sea: Photographic Representations Of The Rohingya In The 2015 Bay Of Bengal Crisis, Jenny Yeung, Caroline Lenette

The Qualitative Report

Visual representations can contribute to shaping how the general public perceives and engages with issues of forced migration. In 2015, thousands of Rohingya became stranded in the Bay of Bengal when smugglers abandoned them on unseaworthy boats and regional governments refused their disembarkation. Their ordeal made headlines across the globe and photographs documenting the crisis were widely disseminated. This paper applies visual-social semiotics to four of these photographs from an Agence France-Presse public exhibition. Our analysis suggests that the features in the photographs transcend the conventional “threat versus victim” dualism that typically characterizes such representations, to capture both the suffering …

Shoes @ The Krasl: Photographs, Michael R. Hill

Department of Sociology: Faculty Publications

The Krasl Art Center, in Saint Joseph, Michigan, is not only an energetic organization but also an ever evolving physical space replete with exciting sculptural experiments. My longtime Krasl favorite, Michael Dunbar’s dramatic Allegheny Drift, was the setting for the initial photograph (inset) in what became my visual explorations with the Blue Shoes (documented in The Year- Long Adventures of the Blue Shoes and Their Friends (Lincoln: Zea Books, 2016); available gratis as a PDF download from the University of Nebraska-Lincoln Digital Commons: https://digitalcommons.unl.edu/zeabook/49/). Inspired by the recent transformations of the Krasl’s grounds, the eight plates in this portfolio …

“After-Ozymandias”: The Colonization Of Symbols And The American Monument, H. R. Membreno-Canales

Theses and Dissertations

After-Ozymandias examines the visual rhetoric of American patriotism through its many symbols, including flags and monuments. My thesis project consists of photographs of empty plinths, objects, products and archival materials. Countless relics remain today memorializing leaders and empires that inevitably declined, from antiquity to modern times. Looking back at distant history feels like a luxury, though: the question for our time in America is whether we have the strength of mind as a society to scrutinize our history, warts and all.

Mind In Hand, Anna Olson

Bachelor of Fine Arts Senior Papers

This thesis explores the intersection of art and psychology as it manifests in my art practice, particularly in the medium of weaving. The contemporary frameworks of memory and archive provide the basis of this discussion, as well as findings from the field of Art Therapy. Difficult emotions like loss and grief often show up in my work, and I will discuss how artists like Felix Gonzalez-Torres and Sophie Calle also utilize these concepts. In weaving, I capture my internal mental states, memories, and perceptions of the future in a variety of found and gifted objects. Guided by the precedents set …

Representations Of Mainstream And Marginalized Subjects In The Work Of Diane Arbus, Grace Short

School of Art, Art History, and Design: Theses and Student Creative Work

This thesis considers the photographs of the twentieth-century photographer, Diane Arbus. In America during the 1950s and 60s, Arbus photographed both marginalized and mainstream subjects including dwarfs, giants, transvestites, nudists, debutants, socialites, and celebrities. At one point in her career, she expressed an interest in family portraiture and, indeed, a number of her images depict families.

Scholars who have written about Arbus, such as Susan Sontag, Carol Armstrong, Anthony W. Lee, and John Pultz, have formulated theories about Arbus’s motivations, although their findings focus on individual features of her work. Sontag argued that Arbus exploited her unorthodox sitters whereas Armstrong …

Picturing Buffalo: The Howard D. Beach Photography Studio Collection, A Master’S Project To Prepare And Exhibit Images And Artifacts From The Howard D. Beach Photography Studio Collection, Kimberly A. Bruckman

Museum Studies Projects

The purpose of this Master’s Thesis Project is to implement essential practices in the museum profession in relation to the stabilization, digitization, and exhibition of the Howard D. Beach Photography Studio Collection. Through skills learned in the Museum Studies MA program, negatives from the Beach Collection were systematically chosen, digitized, and researched. This process resulted in an exhibition titled Picturing Buffalo: The Howard D. Beach Photography Studio Collection, which was on display from February 4-27, 2018 at the Karpeles Manuscript Library Museum, in Buffalo, New York.

Dolls Who Speak: Sex Robots, Cyborgs And The Image Of Woman, Victoria E. Pihl Sorensen

Dissertations, Theses, and Capstone Projects

This thesis examines the emerging phenomenon of sex robots from a feminist materialist perspective. I explore the current scholarly and popular debates on sex robots, and suggest a reading of sex robots in their machinic, literary and cinematic expressions to move beyond the moral-ethical impasse that seems to dominate sex robot discussions. Employing Donna Haraway’s “Cyborg Myth” on a methodological and theoretical level, I argue for an interdisciplinary approach to studying sex robots, which proceeds carefully so as to avoid contributing to sex panic, and which thinks critically about what it might mean to assess sex robots from a feminist …

Lumumba’S Iconography As Interstice Between Art And History, Matthias De Groof

Artl@s Bulletin

How does Congolese art and artistic representations of Lumumba “mediate past, present and future”? How do they relate to historical narratives and to the dialogues within the Global South? This contribution proposes Lumumba’s iconography as a case in point of the interstice between art and history. It positions the image of Lumumba as mediating between past, present and future for both the Congo and the Global South more broadly.

Miami: Then & Now, Dana Mcgeehan

Library Research Scholars Program 2017-2018

This project consists of an ArcGIS Story Map of Miami-Dade County. Each “then” and “now” photo set will be marked with an icon on the map. The side-bar will show viewers two photos of the same physical space. These photos can be placed side-by-side. These spaces will mostly be buildings, but may also focus on the landscape through maps and how this has changed over time. The “then” photos come primarily from the UM Library’s Special Collections and the Florida State Archives website, floridamemory.com. The “now” photos are ones that I’ve taken myself. A paragraph or two of contextual/background information …

How To Be The Perfect Asian Wife!, Sophia Hill

Art and Art History Honors Projects

“How to be the Perfect Asian Wife” critiques exploitative power systems that assault female bodies of color in intersectional ways. This work explores strategies of healing and resistance through inserting one’s own narrative of flourishing rather than surviving, while reflecting violent realities. Three large drawings mimic pervasive advertisement language and presentation reflecting the oppressive strategies used to contain women of color. Created with charcoal, watercolor, and ink, these 'advertisements' contrast with an interactive rice bag filled with comics of my everyday experiences. These documentations compel viewers to reflect on their own participation in systems of power.

Nexus, Spring 2018, Wright State University Community

Nexus Literary Journal

Nexus is a magazine that began as an insert in the Wright State Guardian student newspaper in 1965 and has since been published semi-regularly. It began only accepting creative writing, but has since expanded to include illustrations, photography and other non-written art forms. Today, it is published in a digital format and accepts submissions from around the country, though it maintains its commitment to the Wright State Community.

Volume 10, Taylor Hogg, Tiffany Carter, Brandyn Johnson, Haleigh James, Josh Baker, Tyler Cernak, Kirsten Bauer, Allie Snavely, Mary Zell Galen, Eric Powell, Thomas Wise, Katie Kinsey, Beth Barbolla, Maeleigh Ferlet, Rebecca Morra, Michala Day, Alexandra Evangelista, Max Flores, Harley Hodges, Clardene Jones, Harrison Samaniego, Jamesha Watson, Abby Gargiulo, Heather Green, Haley Klepatzki, Juan Guevara, Dani Bondurant, Michael Joseph Link Jr., Pamela Dahl, Maeve Losen, Charlotte Murphey

Incite: The Journal of Undergraduate Scholarship

Introduction Dr. Roger A. Byrne

An Analysis of Media Framing in Cases of Violence Against Women by Taylor Hogg

Writing in the Discipline of Nursing by Tiffany Carter

Photography by Brandyn Johnson

The Hidden Life of Beef Cattle: A Study of Cattle Welfare on Traditional Ranches and Industrial Farms by Haleigh James

Bloodworth's by Josh Baker and Tyler Cernak

Prosimians: Little Bodies, Big Significance by Kirsten Bauer

Skinformed by Allie Snavely

Coopertition and Gracious Professionalism: The Effects of First Robotics Folklore and Culture on the Stem Community by Mary Zell Galen

Tilt by Eric Powell And Thomas Wise

The Millennial …

Emily, Jamie Holcombe 986459

Landscapes: the Journal of the International Centre for Landscape and Language

Landscape and Trauma; Public Memorials and Conflict Histories, Dwelling, Belonging, Nostalgia, Solastalgia, Sense of Place

This image depicts an elaborate and clearly heartfelt roadside memorial to “Emily”, which is an extraverted display of sadness and loss that is an increasingly familiar contemporary lament. We know not who Emily was, nor what happened to her. The story is unclear if the tragedy unfolded on the road outside the house, or inside the house itself, thus the house could have been either witness or host to her demise. The composition directs, but most certainly does not invite us via the gate to …

The Beholder, Allan Lake

Landscapes: the Journal of the International Centre for Landscape and Language

A poem on the effect of landscape on the emotions.

Shifting Rurality American Gothic, Iowa Nice, Biotech And Political Expectations In Rural America, William D. Nichols 890252

Landscapes: the Journal of the International Centre for Landscape and Language

This paper traces the linkage between heritage landscape within the context of the election of Donal Trump. Trump's invocations of heritage riled certain regions of the US which had a distinct connection to Regionalism, both as a political idea and as an aesthetic practice. Focusing on Iowa, home to the quintessential American painting, American Gothic, the paper looks at modernity and agriculture, and how the two categories seem to rely on (but also negate) heritage. By examining what a genetically modified landscape might mean in relation to the historical image of the pastoral/provincial farmer, a network of frictions and …

Two Tides, Jamie Holcombe

Landscapes: the Journal of the International Centre for Landscape and Language

Landscapes of/in Memory: Frontiers, Promised Lands, Lost Edens

This interior landscape finds its only cheer in the idyllic brackish waters depicted in a picturesque painting reproduction. The ideal coastal estuary adorning this space serves to highlight that our interior-orientated habitats often rest uncomfortably at odds with the natural landscape. There was a time when people who lived by the sea measured their lives by the tides, not clocks. Now ruled by the clock however, our working lives are often tied to a different tide, occasionally only punctuated by melancholic reminders, in this case provided by a painting on the gritty …

Poetry Of Roe 8, Nandi Chinna

Landscapes: the Journal of the International Centre for Landscape and Language

Poetry of Roe 8

The occasion for the writing of these poems was activism surrounding the controversial highway known as the Roe 8 extension in the areas of Cockburn and Fremantle in Western Australia. Planned in the 1950s, Roe 8 is contentious for a number of reasons, including extraordinary political deals over funding, undue process regarding environmental reporting, lack of a business case, inadequate noise and traffic modelling, erasure of Indigenous heritage sites, and clearing of the sensitive Beeliar wetlands and Coolbellup banksia woodlands which were designated a Threatened Ecological Community in 2016. During the summer of 2016/2017 contractors started …

Coffin Bay, Jamie Holcombe 986459

Landscapes: the Journal of the International Centre for Landscape and Language

Dwelling, Belonging, Nostalgia, Solastalgia, Sense of Place

This landscape, photographed at Coffin Bay, contributes towards a solution to Glenn Albrecht’s solastalgia, which he terms soliphilia. It expresses my concern that we live too much in the shadow of fear and helplessness, needing to reclaim our relinquished responsibility for our own condition. To do this, we must first realise that we are heading towards a demise of our own making. This image metaphorically depicts exactly that, by suggesting that the highway of denial of our ancient rhythms, which carves its way through nature’s own warnings, careers relentlessly towards the …

Still Life: Growing Up With Death - A Visual Memoir, Lindsey Roth-Rosen

Dissertations, Theses, and Capstone Projects

This capstone is a multidimensional visual narrative project that incorporates heuristic methodology to illustrate complicated grief that emerged from early childhood loss. The memoir’s intention is to exemplify grief as a complex and mutable composite response to the death of my mother. One objective of this capstone is to understand melancholy, commonly associated with mental illness or symptomatic of depression, as an aesthetic emotion as well as a conduit for philosophical reflection. I use non-verbal approaches to the genre of a memoir by incorporating my photography to epitomize art as a powerful means to comprehend the totality of loss: as …

Rita, Rita, Tsos

TSOS Interview Gallery

Rita Alkhaledy grew up in Sadr City, a poor suburb of Baghdad. Her father is an Iraqi Arab and her mother was Kurdish Iranian. Her mother lived in fear that she would be cast out of Baghdad as being an outsider in Iraq was frowned upon. Her father served in the Iraqi army in the 80s and was gone a great deal, leading to a strained relationship. Their relationship was mended when her mother died from cancer.

After the Iraq war, Rita and her brothers realized that their lives were in danger. They had to move from house to house …

Ua1c6/4 Banquets/Dinners Photos, Wku Archives

WKU Archives Collection Inventories

Images of banquets and dinners.

Ua1c11/98 Nina Hammer Photo Collection, Wku Archives

WKU Archives Collection Inventories

Photographs of and by Nina Hammer.

Ua1c2/1 Academic Athletic Performance Center Photos, Wku Archives

WKU Archives Collection Inventories

Images of the Academic Athletic Performance Center also called Diddle Arena.

Ua1c6/6 Dedications Photos, Wku Archives

WKU Archives Collection Inventories

Images of dedications and groundbreakings.