Photography Commons^™

Yosuf, Yosuf, Tsos

TSOS Interview Gallery

Yosef and his family of four are from the Herat Province in Afghanistan. The eldest child used to sell potatoes with Ibrahim, the middle child, who was killed by a landmine planted by counter-revolutionaries. As a result, the eldest child, Ismail, developed severe nerve and mental issues, and the wife, who is now pregnant, frequently has seizures. They sold their home to treat Ismail, but doctors say nothing can be done. Ismail’s condition continues to worsen, but he refuses to leave to see a doctor because he is afraid of the police for an unknown reason. Yosef says he is …

3d Data Acquisition, Visualization, And Archiving Of Selected Lithics From The Caldwell Collection Of North African Stone Points, Michael J. Bennett

UConn Library Presentations

Presentation made on June 30, 2021 to UConn Library staff as part of a library strategic framework implementation working group final report. The overall aim of the project was to lead an interdisciplinary, cross-campus working group made up of faculty from the Anthropology Department, and staff from the Connecticut State Museum of Natural History, Office of the State Archaeologist, and the UConn Library. More specifically, the project's goal was to run 10 - 20 stone artifacts from the State Museum's Caldwell Collection through a newly developed, highly refined 3D digitization workflow that would produce 3D assets for eventual online classroom …

Lisa Campbell, Lisa Campbell, Tsos

TSOS Interview Gallery

Lisa Campbell, project manager for the non-profit Do Your Part Refugee Community Center in Greece. Lisa combined efforts with multiple organizations to better the lives of refugees in the Delisi, Greece area. Lisa discusses the evolution of the growing refugee crisis and the millions who flee to Greece and Turkey.

Environmental Cues And The Sociospatial Imaginary: An Examination Of Spatial Perception And Meaning-Making In A Gentrifying Neighborhood, Todd Levon Brown

Dissertations, Theses, and Capstone Projects

What could be more ordinary or pedestrian than two people walking down an urban street and talking about what we see and what we make of it? Yet this simple, quotidian act of walking a street—seeing, perceiving and experiencing physical spaces, places and objects—and making meaning of what is encountered, is the basis of my dissertation. It is also my basis for claiming that I have learned a great deal—and much unexpectedly—about how differently different people see and interpret the urban streetscape. What are the various environmental cues that stand out to different individuals? What are the psychosocial imaginaries that …

Traces Of Absence: How The Trauma Of The Yemenite, Mizrahi And Balkan Kidnapped Children Affair Is Present In Photographs And Home Movies, Natalie Haziza

Dissertations, Theses, and Capstone Projects

Between 1948 and 1956, an estimated thousands of babies and young children were kidnapped through the state medical system, in the newly established State of Israel. They were offered for adoption to barren parents (often Holocaust survivors), sold to international adoptive families (often in the United States), and in the most disturbing cases used in medical experiments. Parents were often told that their children had died during routine medical care, but were provided with neither death certificate nor body. The majority of the victims of these kidnappings were Mizrahi - Jewish immigrant families from Arab and Muslim countries. Most families …

Biographies

CLAMANTIS: The MALS Journal

No abstract provided.

Made Of Water, Covered In Mud, Nicole Norman

Graduate Theses and Dissertations

My fixation on water as metaphor is a product of my cosmic design; Scorpio sun, Pisces moon, Pisces rising. I am made of water, begging to be held. Anything liquid has this same desire. I use my art practice to examine the fluidity of physical and digital spaces; how they transform almost constantly. This is only possible through the use of containers that give form to abstract ideas and make them easier to drink (read: digest). Containers can vary in size and shape, but their purpose remains the same. A drinking glass, a swimming pool, a creek bed. These are …

Shifting Sands., Rachid Tagoulla

Electronic Theses and Dissertations

Shifting Sands is a re-exploration of the presentation of North Africans in colonial postcards, an examination of identity, and a critique of the modern Western museum. Since the inception of photography, colonizers used this medium- especially in the form of postcards- to categorize and exoticize Eastern peoples in order to more easily subjugate them. Shifting Sands is a series of reconstructed colonial postcards which challenges colonial-era stereotypes of North African peoples. The colonial gaze, represented by the camera lens, is subverted through a lensless image-making process in which sand is used to remove the subject from the colonial gaze and …

How To Build A World Art: The Strategic Universalism Of Colour Reproductions And The Unesco Prize (1953-1968), Chiara Vitali

Artl@s Bulletin

What role did UNESCO play in the art world of the post-war era? This article makes use of published and archival sources in order to clarify the utopia of a “World Art” that shaped UNESCO and led to the “Archives of Colour Reproductions of Works of Art”, a project of worldwide collect and diffusion of images of “masterworks” inspired by Malraux’s “Museum without walls”. This case study focuses on one particular aspect of the project, the “UNESCO Prize”, conceived by the Brazilian art critic and Marxist intellectual Mario Pedrosa for the 1953 São Paulo Biennial.

Le Langage Et La Mémoire Photogaphiques Dans Le Souss, Farida Bouâchraoui

Dirassat

Creativity and artistic production is liable to introduce any culture into a modern and universal context. Photography is visual language that captures events which tell stories. It is said that a picture is worth a thousand words. The initiative to set up a database of photographs on the Souss region constitutes a documentary photographic work which aims to celebrate and promote the Moroccan cultural heritage by building a photographic memory of the Souss Massa region.

Sugimoto’S Middle Brow And The Collective Horizon, Aaron Francis Ward

Japanese Society and Culture

Is art for everyone? Although attendance at art galleries has risen rapidly at the start of the 21st century, so too has the price of art, and the perception that art is an object of conspicuous consumption. The current paper presents a discussion of the possibilities that the photography of Hiroshi Sugimoto offers an artistic oeuvre that countenances the current state of the art market and is open to the aesthetic appreciation of a broader audience. As middlebrow mode of cultural production (Bourdieu 1996), photography is an artistic form that most people are familiar with, rendering it a medium that …

"Doing It For The 'Gram?" The Representational Politics Of Popular Humanitarianism, Orlando Woods, Siew Ying Shee

Research Collection School of Social Sciences

This paper explores how digital photography – the practice of taking pictures and sharing them via social media – can give rise to representational politics. These politics are pronounced when disadvantaged people and places are the objects of digital representation, as they become (dis)empowered by being implicated in the affective economy of difference. Empirically, we examine the representational practices that Singaporean voluntourists, and companies that organise overseas humanitarian projects, engage in. We highlight how their motivations for engaging with these projects can be obfuscated by the opportunity to generate influence on Instagram, which can then shape the practice of popular …

Pod + College Crusade Photo Journaling 2021, Project Open Door

Project Open Door + Onward We Learn

Participating artists: Ashley, Claudia, Daniel, Izenia, Jennifer, Keyleth, Musta'an, and Perla.

Photography is a tool that can help us to “SEE.” What does this mean? If we are not visually impaired, we can, of course, physically see. But how much do we miss seeing? How much do we take for granted unless we take the time to look? With assignments that hope to inspire careful observation, we can use the camera to observe things in our familiar surroundings in quite extraordinary ways. Photography can help us become more observant and help us have a fulfilling visual life. During this time …

Pod + Onward We Learn (College Crusade) Photo Journaling 2021, Project Open Door

Publications + Documents + Videos

Participating artists: Ashley, Claudia, Daniel, Izenia, Jennifer, Keyleth, Musta'an, and Perla.

POD partnered with Onward We Learn (formerly known as College Crusade) to provide unique and engaging virtual summer workshop experiences during the COVID-19 pandemic. In this online workshop, students were given daily photo challenges to create portraits and still life photographs. They found textures, shapes, colors, numbers, and letters through photographic explorations of their familiar surroundings. In doing so, students created an individual photo journal over the week.

Photography is a tool that can help us to “SEE.” What does this mean? If we are not visually impaired, we …

Auto®Ficción Latinx De Nueva York (1999–2020), Jacqueline Herranz Brooks

Dissertations, Theses, and Capstone Projects

This research on the intersection of Literary Criticism, Latino Studies, Persona Studies, and Performance Studies has led me to question the accepted definitions of autoficción (Doubrovsky, Gasparini, Alberca, Casas, Schlikers) and expand that definition into a more multifaceted and operational term. Hence, I created auto®ficción, a new term describing the hybrid creations of a group of underrepresented contemporary Latinx authors living/producing/circulating their work in New York City, during the first two decades of the 21^st Century. For these authors, their life experiences and quotidian uses of this city’s spaces are the subjects of their work. Auto®ficción draws attention …

Eggs, Hair, Seeds, Milk, Patrick West

Landscapes: the Journal of the International Centre for Landscape and Language

Short story

Looking For Marianne North, John Charles Ryan

Landscapes: the Journal of the International Centre for Landscape and Language

This poem reflects on the life of peripatetic botanical illustrator Marianne North (1830-1890) who travelled to Southwest Australia in 1880.

Critically Imagining A Decolonised Vision In Australian Poetry, Cassandra Julie O'Loughlin

Landscapes: the Journal of the International Centre for Landscape and Language

Postmodern ecocriticism, given its broad range of perspectives, offers an agreeable platform for articulating a new, advanced and inclusive framework for a decolonising theorisation of literature and the environment. This article seeks to identify Australian Western decolonising poetry that sits in harmony with Indigenous aural and literary versions of communicative engagement with Country. The concept of human embeddedness in ecological relationships and biological processes as part of a complex matrix of interdependent things is embraced. In particular this article focuses on inclusivity and interconnectedness of all life forms to illustrate aesthetic and conceptual interfaces between Aboriginal Australia and Western poetics. …

Issue Introduction Volume 10, David Gray

Landscapes: the Journal of the International Centre for Landscape and Language

Issue Introduction and Editorial for Volume 10, Issue 1.

Complete Issue 1, Volume 10, David Gray

Landscapes: the Journal of the International Centre for Landscape and Language

Complete Issue 1, Volume 10

Shurooq, Shurooq, Brandi Kilmer, Sherianne Schow, Nicole Taylor, Sasha Sloan

TSOS Interview Gallery

Shurooq fled Iraq and came to the United States when she was 12. Iraq was a beautiful place full of family and celebration. Her brother passed away from leukemia 1 1/2 years prior to coming to the States. Prior to his death, their father took him to Syria to for treatment. He passed in Syria. Although the family had applied for a medical visa to the United States, upon Shurooq’s brother’s passing, they received threats and knew they could not stay. The call came for the visa and all but her mother were able to come. Thankfully her mother arrived …

Ua1c11/106 Jerry Passafiume Photo Collection, Wku Archives

WKU Archives Collection Inventories

Digital images of Jerry Passafiume and 1950s football games and players.

Ua1c11/116 Shirley Risher Photo Collection, Wku Archives

WKU Archives Collection Inventories

Photographs donated by Shirley Risher.

Ua1c11/110 Frank Pittman Photo Collection, Wku Archives

WKU Archives Collection Inventories

Photographs of guitar building workshop.

Ua1c11/117 Charley Farley Photo Collection, Wku Archives

WKU Archives Collection Inventories

Photographs donated by Charley Farley.

Ua1c11/115 J. Lewie Harman Photo Collection, Wku Archives

WKU Archives Collection Inventories

Artificial collection of photographs related to J. Lewie Harman, president of the Bowling Green Business University. Images removed from various scrapbooks he created.

The Boy In The Mirror: A Tale Of Radical Queer Muslim Liberation, Shariq I. Farooqi, Khansa Noor

sprinkle: an undergraduate journal of feminist and queer studies

This photo-series & its connected narrative captures the ornate reality of identifying as a Queer Muslim of color. The photos were beautifully curated by a photographer and dear friend of mine, Khansa Noor. The images are meant to visually conceptualize how queerness can manifest outwardly in one's bodily expressions and demeanor. The guilt, shame, and relief that I described in the narrative translates intimately in my brown skin and my movements. Both pieces merge to illustrate the layers of queer Muslim survival in concealing one's queerness while simultaneously remaining unequivocally bold in queer spaces.

Ua1c11/111 Field Mcchesney Photo Collection, Wku Archives

WKU Archives Collection Inventories

Photographs created by Field McChesney.

Ua1c11/104 Lowell Harrison Photo Collection, Wku Archives

WKU Archives Collection Inventories

Photographs removed from Lowell Harrison's Faculty/Staff Papers.

Ua1c11/114 Carol Braddy Photo Collection, Wku Archives

WKU Archives Collection Inventories

Photos of Hilltoppers Quartet exhibit.