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Articles 901 - 930 of 1994
Full-Text Articles in Photography
Morning Sunlight, Sophia Schaffer
Creature Of The Season, Lara Rudman
Aunt Janet's Wind Chimes, Brandon Barney
Lost Memories, Alexis Burson
Perito Moreno, Annie Schulz
Mundane Liturgy, Mary Shelley Reid
Along The Canal, Caroline Bass
On Again Off Again, Carly Marlys
Interrupted, Caroline Bass
Containment, Brandon Barney
Watching Through The Kaleidoscope, Ciaran Francis
Missing, Murdered, Indigenous, Matthew Bollinger
Missing, Murdered, Indigenous, Matthew Bollinger
Chamisa: A Journal of Literary, Performance, and Visual Arts of New Mexico and the Greater Southwest
The missing and murdered Indigenous women epidemic is an issue currently affecting Indigenous people in North America. To articulate my concept visually, old photographs that showcase American culture (predominantly white) are drawn on, cut-up, and recomposed into portraits of missing Navajo women.
Surplus City, Claudio Nolasco
Surplus City, Claudio Nolasco
Chamisa: A Journal of Literary, Performance, and Visual Arts of New Mexico and the Greater Southwest
No abstract provided.
Structures Of Time: Expressions Of Subjectivity And Social Politics In Works By Silvia Gruner, 1986–2014, Silvia Sampaio De Alencar
Structures Of Time: Expressions Of Subjectivity And Social Politics In Works By Silvia Gruner, 1986–2014, Silvia Sampaio De Alencar
Theses and Dissertations
The works of Silvia Gruner (born 1959) illustrate the use of time registers as strategies to express contemporary subjectivity’s experiences with globalized environments between 1986-2014. Through this approach, the artist connects her production to the social politics of Mexico to critique the effects of globalization on Mexican society and culture.
Do You Want To Be Tender?, Leah Grant
Do You Want To Be Tender?, Leah Grant
Graduate Theses and Dissertations
In this thesis, you will find a body of writings and artworks that reflect Leah Grant’s art practice and research. Throughout the paper, you will see Leah alternate back and forth between her artwork and writings. Leah Grant addresses her personal experience as a Black woman and what it means it explore vulnerability through understanding how the relationships around her affects the relationship she has with herself. Leah has created a collection of poems, prints, and video and audio collages that assist her with revealing and concealing.
Made Of Water, Covered In Mud, Nicole Norman
Made Of Water, Covered In Mud, Nicole Norman
Graduate Theses and Dissertations
My fixation on water as metaphor is a product of my cosmic design; Scorpio sun, Pisces moon, Pisces rising. I am made of water, begging to be held. Anything liquid has this same desire. I use my art practice to examine the fluidity of physical and digital spaces; how they transform almost constantly. This is only possible through the use of containers that give form to abstract ideas and make them easier to drink (read: digest). Containers can vary in size and shape, but their purpose remains the same. A drinking glass, a swimming pool, a creek bed. These are …
Shifting Sands., Rachid Tagoulla
Shifting Sands., Rachid Tagoulla
Electronic Theses and Dissertations
Shifting Sands is a re-exploration of the presentation of North Africans in colonial postcards, an examination of identity, and a critique of the modern Western museum. Since the inception of photography, colonizers used this medium- especially in the form of postcards- to categorize and exoticize Eastern peoples in order to more easily subjugate them. Shifting Sands is a series of reconstructed colonial postcards which challenges colonial-era stereotypes of North African peoples. The colonial gaze, represented by the camera lens, is subverted through a lensless image-making process in which sand is used to remove the subject from the colonial gaze and …
With Kindest Regards To You And Miss Sparks, Claire E. Kelly
With Kindest Regards To You And Miss Sparks, Claire E. Kelly
Honors Scholars Collaborative Projects
This work explores the life of a woman, Katherine Josephine Sparks, who lived in Nashville from 1910 to 1993. Vignettes of her life are revealed through the Katherine Sparks Collection at the Nashville Archives, in which over 18,000 items including letters, photographs, memorabilia, and legal documents house parts of her family’s story. Katherine lived an unassuming life, she never married, and she had no children. There is very little documentation of her life left other than what is held in this archival collection. Without the archive, this record would be lost—a small part of history that would go undiscovered and …
How To Build A World Art: The Strategic Universalism Of Colour Reproductions And The Unesco Prize (1953-1968), Chiara Vitali
How To Build A World Art: The Strategic Universalism Of Colour Reproductions And The Unesco Prize (1953-1968), Chiara Vitali
Artl@s Bulletin
What role did UNESCO play in the art world of the post-war era? This article makes use of published and archival sources in order to clarify the utopia of a “World Art” that shaped UNESCO and led to the “Archives of Colour Reproductions of Works of Art”, a project of worldwide collect and diffusion of images of “masterworks” inspired by Malraux’s “Museum without walls”. This case study focuses on one particular aspect of the project, the “UNESCO Prize”, conceived by the Brazilian art critic and Marxist intellectual Mario Pedrosa for the 1953 São Paulo Biennial.
The Copy & The Real Thing: Changing Perceptions Between The Rubens Centennials In 1877 And 1977, Griet Bonne
The Copy & The Real Thing: Changing Perceptions Between The Rubens Centennials In 1877 And 1977, Griet Bonne
Artl@s Bulletin
In this paper I examine the changing relationship between mechanical reproductions and the original artwork in the context of the Rubens centennials in 1877 and 1977. Drawing on theorists such as Walter Benjamin, Dean MacCannell, Hans Belting and Boris Groys, I argue that the mechanism of copying generates a double logic of image perception: a simultaneous centrifugal and centripetal circulation of images that affects how people perceive art in modern society. I explore this perception dynamic by looking at two photo-exhibitions during the Rubens centennials.
Orpheus, Spring 2021: Propagation, University Of Dayton
Orpheus, Spring 2021: Propagation, University Of Dayton
Orpheus: UD's Literary and Artistic Magazine
No abstract provided.
Sugimoto’S Middle Brow And The Collective Horizon, Aaron Francis Ward
Sugimoto’S Middle Brow And The Collective Horizon, Aaron Francis Ward
Japanese Society and Culture
Is art for everyone? Although attendance at art galleries has risen rapidly at the start of the 21st century, so too has the price of art, and the perception that art is an object of conspicuous consumption. The current paper presents a discussion of the possibilities that the photography of Hiroshi Sugimoto offers an artistic oeuvre that countenances the current state of the art market and is open to the aesthetic appreciation of a broader audience. As middlebrow mode of cultural production (Bourdieu 1996), photography is an artistic form that most people are familiar with, rendering it a medium that …
Eggs, Hair, Seeds, Milk, Patrick West
Eggs, Hair, Seeds, Milk, Patrick West
Landscapes: the Journal of the International Centre for Landscape and Language
Short story
Looking For Marianne North, John Charles Ryan
Looking For Marianne North, John Charles Ryan
Landscapes: the Journal of the International Centre for Landscape and Language
This poem reflects on the life of peripatetic botanical illustrator Marianne North (1830-1890) who travelled to Southwest Australia in 1880.
Critically Imagining A Decolonised Vision In Australian Poetry, Cassandra Julie O'Loughlin
Critically Imagining A Decolonised Vision In Australian Poetry, Cassandra Julie O'Loughlin
Landscapes: the Journal of the International Centre for Landscape and Language
Postmodern ecocriticism, given its broad range of perspectives, offers an agreeable platform for articulating a new, advanced and inclusive framework for a decolonising theorisation of literature and the environment. This article seeks to identify Australian Western decolonising poetry that sits in harmony with Indigenous aural and literary versions of communicative engagement with Country. The concept of human embeddedness in ecological relationships and biological processes as part of a complex matrix of interdependent things is embraced. In particular this article focuses on inclusivity and interconnectedness of all life forms to illustrate aesthetic and conceptual interfaces between Aboriginal Australia and Western poetics. …
Issue Introduction Volume 10, David Gray
Issue Introduction Volume 10, David Gray
Landscapes: the Journal of the International Centre for Landscape and Language
Issue Introduction and Editorial for Volume 10, Issue 1.
Complete Issue 1, Volume 10, David Gray
Complete Issue 1, Volume 10, David Gray
Landscapes: the Journal of the International Centre for Landscape and Language
Complete Issue 1, Volume 10