Photography Commons^™

This Isn't The Ball Cinderella, Ben Gamble

The Echo

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Questions I Have About Baby Corn (Yes, The Prematurely Plucked Vegetable), Eleanor Hewett

The Echo

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Big Brother, Meg Gillogly

The Echo

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Preface & Table Of Contents

The Echo

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Cover

The Echo

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Echo 2017 - Complete Issue

The Echo

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Alternative Process Photography: Beyond Digital And Film, Laura Michaud

Senior Honors Projects

The first permanent photograph was created in 1826 by Joseph Nicéphore Niépce. To do this, he coated light sensitive chemicals on a metal plate and exposed it in a camera obscura (a box with a small hole; a “pinhole camera”). Once the plate was properly exposed to light, he used more chemicals to stop the plate from being light sensitive and make the image permanent on the plate. Throughout the years, many photographers and chemists used many different chemicals, materials, and procedures to create permanent and beautiful images (i.e. Daguerreotypes, Calotypes, Heliographs, etc). With each new process, the previous processes …

Orpheus, Spring 2017, University Of Dayton

Orpheus: UD's Literary and Artistic Magazine

No abstract provided.

Jon Yamashiro Interview, Ciera Stokes

Asian American Art Oral History Project

BIO: Jon Masuo Yamashiro was born the oldest son and raised as a third-generation Okinawan American in the “cultural pastiche” of Honolulu, HI. He traveled from the islands to study at Washington University in St. Louis and received his BFA in 1985, then went on to earn an MFA in photography from Indiana University in 1991. Since the fall of 1993, he has had the privilege of teaching photography to college students at Miami University. Jon lives in Liberty, Indiana, with his wife Jennifer and their daughter Lydia and son Luke. http://yamashirophoto.com/

Mayumi Lake Interview, Raegen Balton-Watkins

Asian American Art Oral History Project

“Mayumi Lake is a Chicago-based artist. Her photography and video work delve into childhood and pubescent dreams, phobia and desires. She employs herself and others as her models, as well as dolls, toys, weapons, vintage clothes, and altered landscape as her props.” - http://mayumilake.com/about.html-

BFA, 1997, MFA, 2000, School of the Art Institute of Chicago. Exhibitions/screenings: Miyako Yoshinaga Gallery, Asia Society, Art in General, Artists Space, New York; Fotograpie Forum International, Frankfurt; Cornelius Pleser Galerie, Munich; Director's Lounge, Berlin; Bangkok International Art Festival, Bangkok; Galleria PaciArte, Brescia; FOTOAMERICA, Santiago; Ellen Curlee Gallery, St. Louis; O Gallery, Tokyo. Monograph: Poo-Chi, …

Matthew Avignone Interview, Alicia Urquizo

Asian American Art Oral History Project

Bio: Matthew Avignone is a Korean-American photographer born in 1987. In 2011, he obtained his B.A. in photography from Columbia College, Chicago. He has been exhibited at the Aperture Foundation, the Pingyao Photography Festival (China), and the Camden Image Gallery (London), among others. His first artist book, An Unfinished Body (2011), is part of the collections of the George Eastman House International Museum of Photography and Film and the International Center for Photography. In October 2014, after working for five years on documenting his own family, he released his self-published book, Stranger Than Family. The story of this project, …

Renluka Maharaj Interview, Steven Zych

Asian American Art Oral History Project

Bio: Renluka Maharaj grew up in the country of Trinidad and Tobago and moved to New York as a child where spent most of her life. Her Eastern and Western background wrapped with modern sensibilities is evident in her bodies of work. Her interests are centered on gender roles, sexuality, colonialism, mythology, iconography and fetishism. Some of the artists that have influenced her work are Yinka Shonibare and Yasumasa Morimura.

Ms. Maharaj completed her BFA at the University of Colorado Boulder and is currently completing her MFA at the School of the Art Institute of Chicago where she received the …

Jun-Jun Sta.Ana Interview, Jackson Hughlett

Asian American Art Oral History Project

Bio: Jun-Jun Sta.Ana is a self-taught multi-disciplinary artist born on September 19, 1963 to Remigio Benavidez Sta.Ana and Emma Cecilio Catral in Manila, Philippines. He moved to the United States at the age of 24, shortly after finishing a degree in Dentistry. He started his art career late just before he was turning 40- having a solo show of digital works using appropriated images from free porn sites which he deconstructed and embellished with images and symbols culled from Filipino talismans. His practice has become multi-disciplinary, and while still utilizing found images and materials, he also employs the technique of …

Bruce New: The Night Is Only A Dream, Kentucky Folk Art Center, Bruce New

Kentucky Folk Art Center Exhibition Catalogs

2017 Kentucky Folk Art Center exhibition catalog of artist Bruce New.

Rise., Patricia Cazorla, Nancy Saleme, Sherezade Garcia, Jay Lee Hayoon, Mona Saeed Kamal, Käthe Kollwitz, Diana Kurz, Jc Lenochan, Liliya Lifanova, Alen Macweeney, Gregory Sholette, Peter Turnley

Exhibition Catalogs

RISE

Tuesday, September 5th – Friday, September 29th, 2017

Reception: Thursday, September 14th – 5pm to 9pm

Inspired by Kathe Kollwitz′s iconic etching from the Peasant War series, ″Outbreak from Bauernkrieg,″ this exhibition underscores the human condition. Taking queue from Kollwitz′s print, which depicts the effects of poverty, war and hunger on the working class, curators Emily Brostek and Claudia Preza bring together a group show of contemporary art works that dignify their subjects and depict triumph over oppressive socio-political conditions.

Works by: Patricia Cazorla & Nancy Saleme, Scherezade Garcia, Mona Saeed Kamal, Käthe Kollwitz, Diana Kurz, Hayoon Jay Lee, …

Sands Of Desire:The Creative Restlessness Of Lee Miller's Egyptian Period, Peter Schulman

World Languages and Cultures Faculty Publications

"As a spectator, I wanted to explore photography not as a question (a theme) but as a wound,"Roland Barthes writes in Camera Lucida. Similarly, in the famous first lines of his surrealist book Nadja, Andre Breton concluded that the question he should ask himself should be "not who I am, but whom I haunt." Could either of these quotes apply to Lee Miller's aesthetic as well ? While her photographs during her period of "apprenticeship" with Man Ray focused on the female body, and the ones in her studio in New York on elegant portraiture, it is during her period …

Photograph Of Mikhail Baryshnikov Dancing "A Cloud In Trousers", White Oak Dance Project, 1996, Steven Caras

be Still

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Healing The Soul With Yoga, Bhavik Upadhyay

be Still

Second year osteopathic medical student Gavin Yseth conducting yoga session for fellow classmates.

Joe Sartor: Morehead Mind Games, Kentucky Folk Art Center, Joe Sartor

Kentucky Folk Art Center Exhibition Catalogs

2017 Kentucky Folk Art Center exhibition catalog of artist Joe Sartor.

Radical Dissonance And Haunted Gestures: Rupture And Reverence In The Artwork Of Aja Mujinga Sherrard, Aja M. Sherrard

Graduate Student Theses, Dissertations, & Professional Papers

This paper serves to establish the studio practice of Aja Mujinga Sherrard within the framework of conceptual art, touching on the flexible use of media, the subversive or political nature of the work, and its relationship to movements and disciplines such as Feminism and Poststructuralism.

The section entitled “Race and Incoherence” addresses the practice of Radical Dissonance—or the creation of ruptures within commonly accepted concepts and social constructions—through the Costuming Kinship Series, 13≠12≠12.2 (Genetics Project), and Body Double. The section entitled ”Art, Loss, and the Unspeakable” traces an emotional shift in her work and speaks directly to the pieces …

Prime, Perform, Recover, Patrick Harkin

Theses and Dissertations

This thesis examines the formal and conceptual framework of my artistic practice as it culminated in the installation of my thesis exhibition, Prime, Perform, Recover. My exhibition seeks to operate as an analysis and critique of the separation inherent in media presentation and rhetoric surrounding natural disasters.

I utilize the aesthetics and vocabulary of disaster capitalism and prepping culture in order to pose direct questions about ecological and social change. I examine the role of images within mass media image production as an all encompassing Now-Time. In this paper I describe frameworks that my practice proposes as potential solutions to …

The Laureate, 16th Edition (2017)

The Laureate

Table of Contents

Dangle, Megan Murphy

Redamancy , Danielle Favorite

A Lesson, Mark Majcher

Sink in the Morning, Andrew Heuermann

Lie, Kaylie Hanson

Suffragette Colors, Tenley Sablatzkey

The Big Community, Jackson Freeman

Small Thing, Jared Sebastian

Untitled, Casey Grooten

The Diary of a Young Girl and Jeff Mangum, Andrew Heuermann

Prescribed Meaning, Ali Orlandi

An Open Letter to the Father Who was There, Amber Slack

Genesis and Chance, Austin Wines

The Morning Pachamama was Born, Megan Murphy

Her Black Braids Broke Down, Casey Grooten

Toes and Paint, Nick Alti

Rest, Maura Sands

Money is a Crime; Rape is a Personal …

Taking In: A Juried Selection Of Undergraduate Photography 2017, Lucad Students

Taking In

Taking In is a juried annual student-run publication that showcases the best of LUCAD undergraduate photography and video. The project focuses on the business of promoting art and culminates each year with a juried exhibition, publication, and website all designed to promote selected works of AIB artists. The selected pieces were chosen anonymously by a jury of distinguished members of the Boston art community. The book in your hand is the end result of a collective effort by those in the class.

Volume 2, Issue 1

be Still

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Musings From The Dean, Elaine Wallace

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Guest Editor's Introduction, Steven Caras

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Editor's Introduction, Janet Lynn Roseman-Halsband

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Photograph Of Mikhail Baryshnikov, 1996, Steven Caras

be Still

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Photograph Of Mikhail Baryshnikov Dancing Apollo, 1978, Steven Caras

be Still

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Photograph Of Tom Conboy, West Palm Beach, 1994, Steven Caras

be Still

No abstract provided.