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Articles 2611 - 2640 of 7815
Full-Text Articles in Photography
Pause In Petra, Noah Zimmermann
Blue Dissolve, Hayden Arrington
Grumpy Deacon, Olivia Kent
Secrets, Bethany Knapp
Rainy Zurich, Abby Cardwell
Tsujiki After Lunch, Amy Poon
Sunday Afternoon, Bethany Knapp
"We'll Be Friends Forever, Won't We…?", Faith Kressner
One Thousand Samurai Procession, Amy Poon
Wasteland, Lauren Zimmerman
Fall, Lauren Zimmerman
Halo, Aaron Templeton
Senior Thesis: The Migratory And Reproductive Patterns Of The North American Waterfowl As Shaped By Rising Global Temperatures, Ben Gamble
The Echo
No abstract provided.
On October 29th, Jared Buchholz
Gold Star, Lizzy Coyle
There Is No Cookie Butter When You Die, Maddie Depree
Fire, Emily Matthews
Fallen Sparrow, Paul Bryant
The Day I Chose Buddhism Over Baseball, Jared Buchholz
Clutch Of The Sea, Reilly Mahan
This Isn't The Ball Cinderella, Ben Gamble
Questions I Have About Baby Corn (Yes, The Prematurely Plucked Vegetable), Eleanor Hewett
Questions I Have About Baby Corn (Yes, The Prematurely Plucked Vegetable), Eleanor Hewett
The Echo
No abstract provided.
Big Brother, Meg Gillogly
Alternative Process Photography: Beyond Digital And Film, Laura Michaud
Alternative Process Photography: Beyond Digital And Film, Laura Michaud
Senior Honors Projects
The first permanent photograph was created in 1826 by Joseph Nicéphore Niépce. To do this, he coated light sensitive chemicals on a metal plate and exposed it in a camera obscura (a box with a small hole; a “pinhole camera”). Once the plate was properly exposed to light, he used more chemicals to stop the plate from being light sensitive and make the image permanent on the plate. Throughout the years, many photographers and chemists used many different chemicals, materials, and procedures to create permanent and beautiful images (i.e. Daguerreotypes, Calotypes, Heliographs, etc). With each new process, the previous processes …
Zephyr: The Eighteenth Issue, Zephyr Faculty Advisor, Melissa Destefano, Alanna Sachse
Zephyr: The Eighteenth Issue, Zephyr Faculty Advisor, Melissa Destefano, Alanna Sachse
Zephyr
This is the eighteenth issue of Zephyr, the University of New England's journal of creative expression. Since 2000, Zephyr has published original drawings, paintings, photography, prose, and verse created by current and former members of the University community. Zephyr's Editorial Board is made up exclusively of matriculating students.
Orpheus, Spring 2017, University Of Dayton
Orpheus, Spring 2017, University Of Dayton
Orpheus: UD's Literary and Artistic Magazine
No abstract provided.
Making Common Causes: Crises, Conflict, Creation, Conversations: Offerings From The Biennial Alecc Conference Queen’S University, Kingston 2016, Jenny Kerber, Astrida Neimanis, Pamela Banting, Tania Aguila-Way, Ron Benner, Mick Smith, Adeline Johns-Putra, Peter C. Van Wyck
Making Common Causes: Crises, Conflict, Creation, Conversations: Offerings From The Biennial Alecc Conference Queen’S University, Kingston 2016, Jenny Kerber, Astrida Neimanis, Pamela Banting, Tania Aguila-Way, Ron Benner, Mick Smith, Adeline Johns-Putra, Peter C. Van Wyck
The Goose
At ALECC’s biennial gathering at Queen’s University in June 2016, participants came together to explore the possibilities of “making common causes” from a host of angles, yet all were anchored in an acknowledgement of the diverse more-than-human relationships that make up our common worlds. The following collection of short essays, authored by some of the gathering’s keynote speakers, explores specific aspects of making common causes. In this special section of The Goose, we deliberately invoke the plural of conversation. We understand the effort to make common causes as a process, rather than a “one and done” act. It is multifaceted …