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Articles 751 - 780 of 6195

Full-Text Articles in Photography

My Rat King, Clara Dulay Jan 2024

My Rat King, Clara Dulay

Intertidal

No abstract provided.


The Unraveling, Arabella Staufenberg Jan 2024

The Unraveling, Arabella Staufenberg

Intertidal

No abstract provided.


Untitled, Neil Hudson Jan 2024

Untitled, Neil Hudson

Intertidal

No abstract provided.


Scout Chair, Tony Gudkov Jan 2024

Scout Chair, Tony Gudkov

Intertidal

No abstract provided.


Venn, Joie Rahn Jan 2024

Venn, Joie Rahn

Intertidal

No abstract provided.


Arms Race, Julia Neils Jan 2024

Arms Race, Julia Neils

Intertidal

No abstract provided.


Parnassus 2024: Thresholds Jan 2024

Parnassus 2024: Thresholds

Parnassus

No abstract provided.


Behind The Lens, Jolie M. Adams Miss Jan 2024

Behind The Lens, Jolie M. Adams Miss

[Archive] Belmont University Research Symposium (BURS)

What Fuels Me as a Photographer?

Many photographers don’t realize their ability and opportunity to give back and make a difference. I believe photography extends beyond taking a series of photographs. For me, it is my way of serving others, connecting with people, and sharing their stories. I believe photography is a powerful tool to inspire change in communities—especially in those that are underserved. Photos are visual statements of humanity: an abstract of our failures, ignorance, arrogance, compassion, resilience, progress, and so much more. I want my photography to go beyond a small circle of influence. All of us have …


Melissa Brown Collection Of "A Loud Absence" Project Materials, Zach S. Henderson Library, Special Collections Jan 2024

Melissa Brown Collection Of "A Loud Absence" Project Materials, Zach S. Henderson Library, Special Collections

Finding Aids

This collection consists of photographs and digital files created by artist Melissa Brown as part of her project, titled "A Loud Absence." According to the artist, the project sought to discover what happens to a space after great injustice has been committed in it. The project examines whether a community's choice of what to do with such an area reflects healing or reveals that they have not moved forward from their past.


Encapsulating Scars, Ashley Smith Jan 2024

Encapsulating Scars, Ashley Smith

College of Graduate Studies: Theses & Dissertations

My work explores scars through encapsulation, a desire to enclose and express the emotional scars of memories or physical scars of the body. Life’s experiences impact the living, leaving behind scars that we feel the need to understand. Through the mediums of metal and mixed-media photography, I utilize found and created imagery, as well as a triality of text in order to preserve and remember these scars.


The Development And Impact Of Jingdezhen’S Ceramic Live Streaming, Yiyi Wang Jan 2024

The Development And Impact Of Jingdezhen’S Ceramic Live Streaming, Yiyi Wang

MA Theses

Jingdezhen is a renowned ceramic capital in China and abroad. Its porcelain
production dates back to the Tang Dynasty, reached its peak in the Song Dynasty, and continued to thrive during the Ming and Qing Dynasties, solidifying its status as one of the primary production areas for Chinese porcelain. Over time, Jingdezhen underwent social upheavals during the Republic of China period. After the founding of the People's Republic of China, the porcelain industry underwent nationalization and modernization reforms, ensuring its sustained maintenance and development. Since the reform and opening-up, the porcelain industry in Jingdezhen has progressively embraced market mechanisms, incorporating …


Describing Dictee, Seo-Young J. Chu Jan 2024

Describing Dictee, Seo-Young J. Chu

Publications and Research

The visual images in Dictee are famously captionless. They resist straightforward explanation. In writing image descriptions of the images in Dictee, I have tried to preserve the "captionlessness" of the original. The point here is not to explain the pictures—an image description is not identical to a caption—but to make Dictee more accessible to readers who are blind and visually impaired. I realize, of course, that in trying to make Dictee's captionless images more "legible," I have inevitably "mistranslated" Dictee as it was originally designed to be experienced. Its captionlessness is lost in translation despite my efforts to preserve it. …


Calliope, Georgia Southern University Jan 2024

Calliope, Georgia Southern University

Calliope Magazine

Volume 42


Retrospective Exhibition Additional Initiatives Section, Sally Brown, Lemley Mullett, Michael Sherwin Jan 2024

Retrospective Exhibition Additional Initiatives Section, Sally Brown, Lemley Mullett, Michael Sherwin

Art in the Libraries Retrospective: 2015-2024

The section of the WVU Art in the Libraries Retrospective (2015-2024) includes a summary of the program's special initiatives.


We Are Dust, Emily Niebuhr Jan 2024

We Are Dust, Emily Niebuhr

Intertidal

No abstract provided.


Multitudes, Madison Otter Jan 2024

Multitudes, Madison Otter

Master's Theses or Doctor of Nursing Practice

Identity is a fluid and layered experience enriched by contradictions, the power of interpersonal relationships, and continuous growth. Recognizing oneself as a blend of opposing traits—strong and tender, contemplative and restless—reveals that humanity is anything but black and white. With each passing day, we evolve, bringing new perspectives and insights with us. As Walt Whitman wrote, "[we] contain multitudes.''

Although no single artistic medium can fully capture this for me, using multiple modes of expression allows me to explore and approximate it. This realization was the origin of my thesis.

The process of creation itself, whether quick or deliberate, is …


How To Forget, Jesse D. Hoyle Jan 2024

How To Forget, Jesse D. Hoyle

Theses and Dissertations

How To Forget was born from a need to give tangible form to the psychic residue left behind by a life lived. Through the use of silk-screening of red clay mud onto ink-jet photographs, archival textiles, and site-specific installations, I attempt to tie and/or divorce myself from my own and my family's extended history and examine the function of memory within the dynamics of the archive. How To Forget takes a non-linear, non-chronological approach to this examination, compressing decades of time and space through the manipulation of the archive and my own self-portraiture, designed specifically to deny myself from its …


Binder 1, Caleb Brooks Jan 2024

Binder 1, Caleb Brooks

Intertidal

No abstract provided.


Girls Who Dance In The Weeds, Bailee Isackson Jan 2024

Girls Who Dance In The Weeds, Bailee Isackson

Intertidal

No abstract provided.


The Mulberry Tree, Aydin Gulle Jan 2024

The Mulberry Tree, Aydin Gulle

Intertidal

No abstract provided.


One Shared Meal, Amy G. Dala Jan 2024

One Shared Meal, Amy G. Dala

Intertidal

No abstract provided.


Untitled, Blake Maxon Jan 2024

Untitled, Blake Maxon

Intertidal

No abstract provided.


Birdhouse, Vaishali Nair Jan 2024

Birdhouse, Vaishali Nair

Intertidal

No abstract provided.


Untitled 2.2, Arabella Staufenberg Jan 2024

Untitled 2.2, Arabella Staufenberg

Intertidal

No abstract provided.


Star Girls, Kylynn Mireles Jan 2024

Star Girls, Kylynn Mireles

Intertidal

No abstract provided.


Stag, Johnny Elder Jan 2024

Stag, Johnny Elder

Intertidal

No abstract provided.


Lizzy In Spring, Julia White Jan 2024

Lizzy In Spring, Julia White

Intertidal

No abstract provided.


Untitled, Beverly Chang Jan 2024

Untitled, Beverly Chang

Intertidal

No abstract provided.


Mama, Maya Seagraves Jan 2024

Mama, Maya Seagraves

Intertidal

No abstract provided.


Untitled, Blake Maxon Jan 2024

Untitled, Blake Maxon

Intertidal

No abstract provided.