Photography Commons^™

Chester Cornett: Beyond The Narrow Sky, Chester Cornett, Kentucky Folk Art Center

Kentucky Folk Art Center Exhibition Catalogs

2014 Kentucky Folk Art Center exhibition catalog of artist Chester Cornett.

Projected Surfaces, Jason Flynn

Electronic Theses and Dissertations

In this paper I will address the philosophies of Susan Sontag, Roland Barthes and Thomas Ruff by considering the object, materials and processes of photography as my primary motivator to create art. I will examine the contrast between photographic imagery, as an illusion of the past, and sculpture, as a physical manifestation of the present, when creating works that ask, "What else can photography be?"

Doubting Thomas: The Testaments, Ivan Riascos

Electronic Theses and Dissertations

This paper will discuss the creation of my artwork, which has been inspired by my experiences and understandings of Catholicism and its icons. I will consider how iconography works in art, its influence, and how and why I have created this artwork dealing with my beliefs. I will also refer to the works of contemporary artists Duane Michals and Michael Wesely to help explain my exhibition, which I have titled "Doubting Thomas: The Testaments."

Commonthought (2014), Commonthought Staff

Commonthought

This issue features works created by Lesley University students and covers a broad range of topics. The work itself crosses many disciplines from creative writing to visual arts.

Burnt Out, Christian Le

Calliope

No abstract provided.

Peekaboo, Christian Le

Calliope

No abstract provided.

Calliope, Armstrong Atlantic State University

Calliope Magazine

Volume 30

Art Or Science?, Allison Marsh

Section 3: Imaging the Fast Moving

No abstract provided.

From Thorns, Tyler Young

Calliope

No abstract provided.

The Effects Of Alternate-Line Shading On Visual Search In Grid-Based Graphic Designs, Michael P. Lee

Theses and Dissertations--Psychology

Objective: The goal of this research was to determine whether alternate-line shading (zebra-striping) of grid-based displays affects the strategy (i.e., “visual flow”) and efficiency of serial search. Background: Grids, matrices, and tables are commonly used to organize information. A number of design techniques and psychological principles are relevant to how viewers’ eyes can be guided through such visual works. One common technique for grids, “zebra-striping,” is intended to guide eyes through the design, or “create visual flow” by alternating shaded and unshaded rows or columns. Method: 13 participants completed a visual serial search task. The target was embedded in a …

Cultures Of Practice Within Design: An Exploration Of The Differences And Similarities Between Photography And Painting As Representational Practices, Alun John Price

Theses: Doctorates and Masters

Contemporary designers and photographers face many challenges as the profession rapidly develops. This is especially the case in in the Western Australian context. A review into the recent history of the Western Australian design profession is evidence that designers and photographers are consistently shifting between commercial and self-expressive practice. However, the urge to keep up with technological advancement has masked conscious development of this shift, which is a key to self-realisation and improvement for a designer and photographer. This lack of conscious questioning limits holistic development in design practice. This research reflects on myself as a designer developing a response …

Pennsylvania Noir, Bridget Reed

Art Journal

Distant vestiges of memory incite my art making. By examining my biographical past through various scopes, I can extract key memory perceptions for further investigation.

In my work, I physically construct models of memories to correlate to the mental process of memory reconstruction. The very nature of memory is devoid of a logical progression or stability. Imagery loses clarity, moving in and out of our consciousness. The memories often become muddled creating passages that can be fleshed out by intuitive impulses. Therefore, the structure is built to contain the fleeting memories so I can extract meaning from them. Individually crafting …

Eye Witness, Elise Costello

Art Journal

Ballet is my passion. Through the movements of dance, my body and mind can become one. In this state, the actions are performed with muscle memory; there is almost a mindlessness that all athletes have to maintain in order to be able to lose themselves to movement.

My project allows me to fully understand what goes on in this semi-mindless state, and allows me to analyze it intellectually outside the arena of performance. I use a high-speed camera to capture and isolate the steps involved in each movement. I can use the images to study the particular muscles and motions …

Fog Emotion, Amanda Dailey

Art Journal

My bodies of work are mental stepping-stones towards an intrapersonal discovery. I am in pursuit of understanding the seemingly endless psychological chaos unraveling inside my mind. These images are highly personal conceptual representations that aim to demonstrate the strains of separation anxiety, and the physical and psychological changes of pregnancy. They are abstract enough to encourage individual interpretation, while still allowing the viewer access to the window of my mind and body. By choosing and combining images that are individually strong, I am able to create pieces that are emotionally complex and powerful.

Avalanche Vocals, Megan Costello

Art Journal

Throughout my studies of photojournalism, I have developed a strong interest in documentary photography. Avalanche Vocals contains street photographs of people I happened upon by chance. These images were created while I was living in Italy and France this past fall. As a foreigner to the lands, I wanted to understand the identity of the native people. I found that much like the United States, France and Italy have a collage of identities and cultures. As a result, I decided to use street photography as a method of understanding the concept of individual identity. I found that the identity of …

Art And Symbolism: The Technique Of Applying Hidden Meaning And Communicating Specific Ideas Through Art, Andrea C. Macbean

Senior Honors Theses

Symbolism is an artistic style frequently used in the arts. Through the course of art history, it was its own artistic movement as well. The incorporation of specific symbols, shapes, colors, or identifiable images communicates to the viewer an intended message or statement. Frequently, symbolism appears to be hidden or initially unperceived by the intended audience. In some works, symbolism is so abstract that it needs explanation or clarification to be understood completely by the viewer. This thesis will analyze a few techniques of symbolism that can be incorporated in a work of art to communicate truth, entice thought, point …

Andy Warhol: Polaroids & Portraits, Emily A. Francisco

Schmucker Art Catalogs

Enigmatic Andy Warhol claimed he had “no real point to make” in producing art. Yet, his silkscreens, sculptures, paintings, and photographs reveal the artist’s profound interest in the way art intersected with fields like advertising, fashion, film, mass culture, and underground music. In his experimentations with photography and portraiture, Warhol was fascinated with representations of both the individual and the masses and used the Polaroid portrait to illustrate the fine lines between art and popular culture, celebrity and anonymity. [excerpt]

Dotphotozine Issue 3, May 2013, Students Of The Csusb Art Department, Thomas Mcgovern

Dotphotozine

No abstract provided.

Reimagining The Silver Screen: Contemporary Film Stills, Kyle Demartino

Senior Honors Projects

During the late 19^th century longer rolls of celluloid photographic film, and motion picture cameras were first introduced, which allowed for the capture of rapid sequences of still images at a relatively high speeds. The first films shown to audiences on a larger screen, although rudimentary, caused people to gasp or run from the cinema, as they believed the images on screen were real. As technology increased feature films progressed from only showing a simple static event to creating full stories spanning over various sets and containing multiple characters. With the advent of sound, filmmakers were given another tool …

Imagining The Unknown, Angelina Kidd

MFA in Photography and Integrated Media Theses

It is true that there is no scientific proof of life after life or of the human soul. However, I believe there is a soul and that it is energy manifested as light. Our lifetime is a mere pulse when measured against the evolution of earth. We are connected to the cosmos through the very calcium in our bones and the iron in our blood, which originated from stars that died billions of years ago. My belief is that the earthly body is separate from the soul and that our light energy returns to the cosmos. Energy will not cease …

2013 Forces, Scott Yarbrough

Forces

No abstract provided.

Zephyr: The Thirteenth Issue, Zephyr Faculty Advisor, Constance Glynn, Jocelyn Koller, Kayla Carr, Trisha Clegg, Hillary Cusack, Danielle Cropley, James Muller, Jessica Perkins, Erin Ward

Zephyr

This is the thirteenth issue of Zephyr, the University of New England's journal of creative expression. Since 2000, Zephyr has published original drawings, paintings, photography, prose, and verse created by current and former members of the University community. Zephyr's Editorial Board is made up exclusively of matriculating students.

Taking In: A Selection Of Undergraduate Photography 2013, Aib Students

Taking In

Taking In is a student run project featuring a selection of work created by students attending the Art Institute of Boston. The project focuses on the business of promoting art and culminates each year with a juried exhibition, publication, and a website all designed to promote selected works of AIB artists. The selected pieces were chosen anonymously by a jury of distinguished members of the Boston art community to represent the best of AIB Photography in 2013. The book in your hands is the end result of a collective effort by those in the class.

Zephyr: The Fourteenth Issue, Zephyr Faculty Advisor, Constance Glynn, Jocelyn Koller, Katie Labbe, Shannon Cardinal, Hillary Cusack, Sarah Fleischmann, Holly Huntress, James Muller, Jessica Perkins, Megan Totten

Zephyr

This is the fourteenth issue of Zephyr, the University of New England's journal of creative expression. Since 2000, Zephyr has published original drawings, paintings, photography, prose, and verse created by current and former members of the University community. Zephyr's Editorial Board is made up exclusively of matriculating students.

Fabricated Perceptions, Monique E. Perry

All Student Theses and Dissertations

This thesis is a personal exploration through playful and childlike imagery. I draw on historical and contemporary artistic influences to the creation of my concepts. Themes of visual metaphor, trompe l’oeil, diorama, and contrasting spatial relationships of objects are explored. Each piece carries its own interpretation that is kept open ended for the viewer. My goal for this art series is to amuse, provoke imagination, and encourage individual interpretation.

Home // A Site Of Exploration, Delaney Vartanian

Art Honors Papers

From the interior architecture to the furnishings and objects that inhabit it, a lived space plays an intimate role in the unfolding of daily life. Without pause or question, consistent interaction between body and space lends itself to pattern and routine. Domesticity hovers as a romantic ideal rooted in history, disparate from the present situation. When nostalgia for a domestic ideal abates, one may interact with and acknowledge a lived space anew. This body of work explores and questions normative ideas of the home and their translation into the material environment. A lived environment as a site of investigation can …

We Shall: Photographs By Paul D'Amato, Gregory J. Harris, Paul D'Amato, Cleophus J. Lee, Louise Lincoln

DePaul Art Museum Publications

No abstract provided.

David Lucas, David Lucas, Kentucky Folk Art Center

Kentucky Folk Art Center Exhibition Catalogs

2013 Kentucky Folk Art Center exhibition catalog for artist David Lucas.

Maine Women Pioneers Iii: Vanguard, Homage, Worldview, Dirigo, University Of New England Art Gallery, Center For Ethics In Action

Exhibition Catalogues

Maine Women Pioneers III is the catalogue from the University of New England Art Gallery’s October 12, 2012—July 21, 2013 four-part exhibition.

Vanguard (Oct. 12 - Dec. 16, 2012) featured avant-garde, experimental and innovative works by nine Maine artists who offer insights into the future using mixed media, conceptual installation, performance and video elements. Featured artists: Susan Bickford, Diana Cherbuliez, Amy Stacey Curtis, Alicia Eggert, Lauren Fensterstock, Lihua Lei, Julie Poitras Santos, Carrie Scanga, and Ling-Wen Tsai.

Homage (Jan. 2 - March 3, 2013) highlighted veteran artists who are powerful examples of career and lifelong original creative accomplishment, ahead of …

Parnassus 2013

Parnassus

The 2013 edition of the student literary journal, Parnassus, published by Taylor University in Upland, Indiana.