Photography Commons^™

Dotophotozine Issue 9, 2020, Students Of The Csusb Art Department, Thomas Mcgovern

Dotphotozine

No abstract provided.

I Hear You Now, I See You Then, Quinn Hunter

Art + Design Masters Theses

In the research driven project I Hear You Now, I See You Then, I refer to the contemporary and historical erasure of the labor of African American women using research gathered from the southern plantation economy to create an art installation. The objects in this installation are primarily made with artificial hair integrations and utilizing labor intensive methods that are similar to those used to install the hair on the Black body. The objects I make reference the luxury items in the domestic spaces of historic plantation sites that have been re-branded to be used in the wedding /tourism industry. …

Baby Loved, Gilbert Hu

Forces

No abstract provided.

2020 Forces, Scott Yarbrough

Forces

No abstract provided.

Me And Shadow, Gilbert Hu

Forces

No abstract provided.

Baby Loved, Gilbert Hu

Forces

No abstract provided.

Not All Dreams Are Nightmares, Not All Nightmares Are Dreams, Neal G. Polallis

Graduate Theses/Dissertations

My art deals with mental illness, particularly schizophrenia, PTSD (Post-Traumatic Stress Disorder), and addiction.

It is how I work out the problems in my relationships and within my head. My art is where I explore

ideas, alternate possibilities, my dreams, and my fears. Drawing inspiration from photographers such as

Jerry Uelsmann, Richard Avedon, and Irving Penn; painters like Caravaggio, Picasso, and Bacon, as well as,

concepts from the Surrealists and the Futurists, the art I produce is dream-like: familiar objects in unrelated

places. The work that I create stems from years of working with patients in their most acute states. …

The Boricua Dialogues: Puerto Rican Identity In Conversation & Photography, Jonathan Borton

Honors Theses

[Thesis has no abstract.]

Intimate Nevada: Artists Respond, Lauren Paljusaj, Anne Savage

Calvert Undergraduate Research Awards

Creative Works Winner

Most of us know Nevada beyond the Strip. It’s a place of houses, of shopping plazas, of movie theaters, and grocery stores. A place of hotels that are also places of work. A place of basins, ranges, vistas, and nature. A place of personal history. For Intimate Nevada: Artists Respond, curators Lauren Paljusaj (ENG BA ‘20) and Anne Savage (CFA BA ‘22), draw on photographs found in UNLV Special Collections to uncover the intimate visuality of a Nevada of past centuries. The exhibition focuses on how the imaged built landscape of early 20th century Southern Nevada …

Remixing The Archives: Indigenous Interpretations Of History And The Future, Marcella Alexis Ernest

American Studies ETDs

This dissertation examines how Native art makes critical interventions that are aesthetically and intellectually arranged with the intention of displacing the master narratives. The project tracks how film and photography—historically used by non-Native people as a tool of colonialism—are being reclaimed by the visual and sonic scholarship of contemporary Native artists. The project shows how multidisciplinary artists use technology to remix audiovisual archives from a specific time in American history: portrait photography and ethnographic filmmaking at the turn of the twentieth century, Hollywood’s frontier representations of Indianness in twentieth-century motion pictures, social guidance classroom films from the 1950s, and digital …

Alternative Processes In Photography, Maria Politarhos

Open Educational Resources

Course Description:

This class introduces students to unconventional photographic processes. Students will explore historic methods and materials that allow the extension of photographic imagery beyond the standard black and white or color print. The class will experiment with handmade emulsions and papers, incorporating photographic imagery into new and varied contexts such as drawings, paintings, and made books.

Ridged Pots: A Studio Investigation, R. Preston Saunders

Bridgewater Review

No abstract provided.

Zephyr: The Twentieth Issue, Zephyr Faculty Advisor, Luke E. Colomey, Megan Spina, Sinead Scott, Eve Belmer, Brett Schrankel, Stephanie Ruff

Zephyr

This is the twentieth issue of Zephyr, the University of New England's journal of creative expression. Since 2000, Zephyr has published original drawings, paintings, photography, prose, and verse created by current and former members of the University community. Zephyr's Editorial Board is made up exclusively of matriculating students.

Visions Instantanées De L’Anthropocène : La Photographie Contemporaine À L’Épreuve De L’Environnement, Alexandre Melay

The Goose

À grand renfort de photographies, les médias occidentaux se sont emparés ces dernières années de la question environnementale, à travers de nombreuses images censées restituer la crise environnementale en cours. Car le médium photographique permet de témoigner, mais aussi de fixer les conséquences de la crise environnementale, que ce soit par une approche documentaire, objective ou conceptuelle. Alors que le discours écologique s’essouffle et que les discours politiques du climat restent sans effets, la photographie contemporaine relance le débat en nous touchant au cœur, faisant réveiller nos énergies intérieures, et ainsi nous convaincre de notre capacité à changer le monde.

Untitled, Unknown

Morehead State University Art Collection

An untitled, undated sculpture of the Moon upon a metal post. The artist is unknown. The photo was taken facing east.

Untitled, Unknown

Morehead State University Art Collection

A large steel structure that sits outside of the Lloyd Cassity Building.

Untitled, Christine Barker

Morehead State University Art Collection

An untitled, undated painting of Daniel Boone leading his crew to an overlook with an impressive view. This was painted by Christine Barker.

Freedom, Laran Ghiglieri

Morehead State University Art Collection

A bronze sculpture of an eagle with its wings outstretched perched upon a rock that is draped in an United States flag. This was created by renowned artist Laran Ghiglieri.

Tansley-Morinson Home, Unknown

Morehead State University Art Collection

An undated print of a large house by an unknown artist.

Tannington, Unknown

Morehead State University Art Collection

An undated print of a path that leads to a large brown house.

Untitled, Unknown

Morehead State University Art Collection

An untitled, undated print of two ducks near leaves by an unknown artist.

Untitled, Robie Scucchi

Morehead State University Art Collection

An undated oil painting of a city and its reflection in a body of water by artist Robie Scucchi.

Untitled, Unknown

Morehead State University Art Collection

An untitled, undated landscape painting of a colorful forest by an unknown artist.

Untitled, Unknown

Morehead State University Art Collection

An untitled, undated, large, red, geometric painting by an unknown artist.

Untitled, E Shouse

Morehead State University Art Collection

An untitled, undated oil painting of a stream knocking against a cliff side with rocks in the river.

Untitled, Unknown

Morehead State University Art Collection

An untitled, undated abstract painting on canvas created by an unknown artist.

Untitled, Unknown

Morehead State University Art Collection

An undated, untitled abstract portrait of a horse by an unknown artist.

Untitled, W Howard

Morehead State University Art Collection

An undated, untitled painting of a fair scene by artist W Howard.

Untitled, Unknown

Morehead State University Art Collection

An untitled, undated inkblot painting by an unknown artist.

Untitled, Unknown

Morehead State University Art Collection

An untitled, undated pair of sculptures with no artist.