Metaphysics Commons^™

Domestic Travelers: Transparent Machines, Hollow Bodies, Hanyi Wang

Masters Theses

Digitization is not a modern invention. Derived from the concept of fingers, this mindset of packing information into quantifiable, interchangeable units sounds mechanical, yet eerily physical. Try to imagine: a ghostly hand with millions of fingers with the same length, likeness, and function. Under the worldview of Digital Narrative, we live in a digital simulation: everything is representable with quantifiable units, fluid across media. Yet under this spectacle of convenient abundance, something is missing. The Unknowables are replaced with arbitrary symbols, while the Uncategorizables are omitted. This is a framework that cannot accommodate human subtleties and complexities. One needs to …

Wind In A Dry Glass, Khia Hong

Theses and Dissertations

Khia Hong’s paper unfolds in five sections, tracing the ontological and epistemological inquiries behind her sculptures. When the sculptures stepped down from the pedestal and entered the plane of lived reality, the question “What is sculpture?” expanded into “What is sculpture, the self, and the world?” Through reflections on the self, Hong details how these questions emerge and are addressed in her material encounters.

Speech Acts As Contingent Encounters: Realizing Agency In Contaminated Worlds, Zachary Cross

Honors Theses

Agency is realized in the act of speaking, an act which is always contingent on a collaborative process that transforms all parties involved. We think and act with one another and our concepts, there is no act of speech prior to encounter. In this paper I explore different ways which language shapes our thinking and play with those structures to use them as models for realizing agency. This exploration became personal insofar as exploring ways of thinking transformed my own sense of agency in the speech act. The completion of this paper is thus essential to its conclusion.

Disorienting Object Oriented Ontology: Queer Landscapes And Ecological Bodies In Richard Siken And Harryette Mullen., Andrew N. Hutto

Electronic Theses and Dissertations

This thesis focuses on a recent development within the study of metaphysics, known as object oriented ontology (OOO), and works out questions of being alongside contemporary poetry. Recognizing the post anthropocentric purchase afforded by OOO’s claim that everything is an object and that these objects are impossible to correlate with, this thesis will look at the use of objects in Richard Siken’s War of the Foxes and Harryette Mullen’s Recyclopedia. Drawing heavily from Sara Ahmed’s queer theory of disoriented objects and Timothy Morton’s ecological insights, this thesis will argue that despite OOO’s advancement, there are critical gaps to fill in …

Actualization Through Constraint: An Analysis Of Hegelian Self- Consciousness In Fascism- Exclusionary Expression And In Modular Orchestral Composition, Marisa Kaye Janke

2022 Symposium

How does a conscious entity become aware of itself and its place in the world? According to German Idealist Philosopher G.F.W. Hegel, there are required conditions that facilitate this movement of awareness. Recognition serves as a central requirement, for a consciousness cannot progress in an isolated space. Coexistence allows for referential points, and is often necessary for the actualization of concepts by providing social interactions wherein recognition both of and by others can occur.

This paper illustrates the progression of two such concepts, discourse and musical composition as forms of freedom “in-itself”. They are both imperfect for the promotion of …

Thinking Reasonably About Indeterministic Choice Beliefs, Andrew Kissel

Philosophy Faculty Publications

Recent research suggests that, regardless of the truth of libertarianism about free will, there appears to be a widespread belief among nonphilosopher laypersons that the choices of free agents are not causally necessitated by prior states of affairs. In this paper, I propose a new class of debunking explanation for this belief which I call ‘reasons-based accounts’ (RBAs). I start the paper by briefly recounting the failures of extant approaches to debunking explanations, and then use this as a jumping off point to articulate several alternatives, highlighting the strengths and weaknesses of each.

Being In The Place Of Possibility, Laura Domencic

MFA in Visual Arts Theses

This paper explores my art practice as a phenomenological search for understanding how to be in the world. It begins with a description of my practice as a way to access the place of possibility that exists between faith and doubt. I examine materiality in art making to encourage consideration of both the physical and temporal nature of experience and to find balance with the increasingly incorporeal experience of the digital world. I discuss the materials and processes of drawing, sewing, and printmaking within their historical contexts. This paper connects my practice with artists who consider the act of perception …

The Sun Cuts In, Madison Manns

Honors Scholars Collaborative Projects

My work seeks to tear down the privileging of the objective at the expense of the subjective—the universal truth at the expense of the knowledge in the body, in the being—in order to restore the fruitful dialogue between the subjective observer as the object of perceived stimuli that become the mover. As a high-achieving individual encouraged in academic endeavors—one intimately acquainted with the language of prestige and intellect—I am seeking a new way to address theory through a return to material language; language connected to, informed by, and describing the world in the way that we know, rather than what …

On Affect: Function And Phenomenology, Andreas Elpidorou

Faculty and Staff Scholarship

This paper explores the nature of emotions by considering what appear to be two differing, perhaps even conflicting, approaches to affectivity—an evolutionary functional account, on the one hand, and a phenomenological view, on the other. The paper argues for the centrality of the notion of function in both approaches, articulates key differences between them, and attempts to understand how such differences can be overcome.

Returning The Radiant Gaze: Visual Art And Embodiment In A World Of Subjects, Beth Carruthers

The Goose

Drawing on the latter thinking of Maurice Merleau-Ponty, as well as on the ideas of other contemporary philosophers and theorists, this essay considers the denigration of vision from Plato to twentieth-century anti-ocularism, and argues for the reclamation of vision and visual perception as sensuous, embodied interplay between humans and world, self and other—an opening to wonder and more sensitive human-world relations. It does so through a phenomenological exploration of the process of art-making, and consideration of the role and value of artworks and images in the world. This essay is first and foremost an enquiry. As such it promises no …

Thinking Between Deleuze And Merleau-Ponty, Judith Wambacq

Ohio University Press Open Access Books

Thinking between Deleuze and Merleau-Ponty is the first book-length examination of the relation between these two major thinkers of the twentieth century. Questioning the dominant view that the two have little of substance in common, Judith Wambacq brings them into a compelling dialogue to reveal a shared, historically grounded concern with the transcendental conditions of thought. Both Merleau-Ponty and Deleuze propose an immanent ontology, differing more in style than in substance. Wambacq’s synthetic treatment is nevertheless critical; she identifies the limitations of each thinker’s approach to immanent transcendental philosophy and traces its implications—through their respective relationships with Bergson, Proust, Cézanne, …

Laminated Paint, Travis R. Austin

Theses and Dissertations

Though we may not perceive it, we are surrounded by material-in-flux. Inert materials degrade and the events that comprise our natural and social environments causally thread into a duration that unifies us in our incomprehension. Sounds reveal ever-present vibrations of the landscape: expressions of the flexuous ground on which we stand.

Espaces Topologique Et Phénoménologique Dans Le Mal De Peau Et Le Retour Au Village, Mahamadou Lamine Ouédraogo

Présence Francophone: Revue internationale de langue et de littérature

Le mal de peau by Monique Ilboudo and Le retour au village by Kollin Noaga are two Burkinabè novels featuring Sibila and Catherine (for the first) and Tinga (for the second). The study questions the part of spatiality in the semantics of indexed texts: how does space mean in these novels? This problem is attacked from two angles. First, it is a matter of identifying the modes of meaning of the topos. Secondly, it is about seeing how the body, as a phenomenological space, can articulate meaning.

Beginner's Mind, Martin L. Benson

LSU New Orleans Theses and Dissertations

My art distills my relationship to spirituality, digital culture, and the practices and side-effects therein, into a simplified visual language. The work manifests in the form of paintings, drawings, and light sculptures. Meditation and mindfulness training are a large part of my influence and interests. I often wonder how mindfulness practice can be mirrored in my artwork, not only in my process for creating the work, but also with what the resulting imagery does for the viewer. My intention is to provide an art form that invites one to look and experience one’s own capacity to observe, without the need …

On Craft, William Lentjes

Bachelor of Architecture Theses - 5th Year

Craft is a relationship - a dialogue - between craftsman, tool, and material. Craft begins with the intent of all of these loci, and all of these loci are rooted in Being.

Being is known through the consciousness, awareness, and perception of a subject. Being is the inherent existence and totality of "what is."

Being crafts us; Craft imbues Being.

This thesis re-examines the pedagogical approach of an architectural education. The focus is placed on craft through presuppositionless phenomenology.

In an age of endless mechanized production and spiritless materialism, the practice of craft can teach us to return to the …

On Craft, William Lentjes

KSU Journey Honors College Capstones and Theses

Craft is a relationship - a dialogue - between craftsman, tool, and material. Craft begins with the intent of all of these loci, and all of these loci are rooted in Being.

Being is known through the consciousness, awareness, and perception of a subject. Being is the inherent existence and totality of "what is."

Being crafts us; Craft imbues Being.

This thesis re-examines the pedagogical approach of an architectural education. The focus is placed on craft through presuppositionless phenomenology.

In an age of endless mechanized production and spiritless materialism, the practice of craft can teach us to return to the …

Phenomenology And Blindness: Merleau-Ponty, Levinas, And An Alternative Metaphysical Vision, Jesse Younger Workman

Electronic Theses and Dissertations

This project addresses the problem of an "ocularcentric" bias in philosophy, with a focus on phenomenological and continental thought. Being a blind phenomenologist, I noticed an ocularcentric tendency dominating philosophers' perspectives, including their arguments, use of metaphors, and choices of examples. As a blind reader I found that such ocularcentrism prevented me from understanding their claims. This made me wonder whether ocularcentric biases might be leading them to unbalanced or invalid arguments and world-views. The questions raised are: Can there be philosophy that is not reliant on vision above all other senses? Is it possible for philosophy to not be …

Missed Appropriations: Uncovering Heidegger's Debt To Kierkegaard In Being And Time, Kenneth David Geter

Electronic Theses and Dissertations

It is widely held that Martin Heidegger appropriated several existential concepts from Søren Kierkegaard in his 1927 work, Being and Time. Most scholars agree that Heidegger did not sufficiently credit Kierkegaard. What was the extent of the appropriation, and why did Heidegger not duly cite Kierkegaard? This work will focus on the concept of anxiety which appears throughout Being and Time and which was influenced by the concept of the same name presented in Kierkegaard's 1844 work The Concept of Anxiety. It will also be seen how the structure of Being and Time closely resembles that of Concept …

Philosophy's Rarified Air: On Peden's Spinoza Contra Phenomenology, Steven Swarbrick

Publications and Research

No abstract provided.

Through The Eyes Of The Dead Others, Isaac Aaron Ceniceros

Open Access Theses & Dissertations

I use Edith Wyschogrod's figure of the heterological historian to argue that we have a responsibility to learn from the "dead others" of the past in order to better apply in practical ways the lessons we learn from history. I draw on an interpretation of Nietzsche's view on historiography, to examine the claims of Hegel's dialectic, namely, that the Ideal Absolute for which Spirit pines, is actually achievable, particularly through the advent of the Internet. Beginning with a relatively well-known interpretation of Hegel's philosophy of history, Fukuyama's, I show how Hegel's dialectic takes shape in Fukuyama's interpretation as a negative …