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Articles 1 - 4 of 4
Full-Text Articles in Comparative Philosophy
A Critique Of Nelson Goodman’S Aesthetics: Music As Process, William S. Gilbert
A Critique Of Nelson Goodman’S Aesthetics: Music As Process, William S. Gilbert
PANDION: The Osprey Journal of Research and Ideas
This essay seeks to provide a space to argue for music as both a process and memory as a counter to Nelson Goodman who argues for score as the fundamental means of identifying a piece of music. This paper builds off the work done by So Jeong Park in her piece, ‘Sound and Notation: Comparative Study on Musical Ontology’ in which she outlines an argument for calling attention to thinking about music as experienced over focusing on Platonic forms. She specifically focuses on the question, “what is music?'' rather than “what is a musical score”? Her question was intended to …
Cognitivism, Feelings, And The Background Structures Of Emotion, David R. Willard
Cognitivism, Feelings, And The Background Structures Of Emotion, David R. Willard
UNF Graduate Theses and Dissertations
The aim of this thesis is to call attention to some of the shortcomings of a cognitivist theory’s incorporation of feeling into a philosophy of emotion. There has been a tendency within the cognitivist theories to assume as irreducible the intentional structures through which these theories operate. A consequence of this tendency often sees feelings compartmentalized through internal and external distinctions, such as bodily feelings and world-directed feelings. What appears to be ignored is the notion that prior to all emotional experience we have already found ourselves belonging to a world, and attempts at a phenomenological understanding of a category …
Confucian Role Ethics: Issues Of Naming, Translation, And Interpretation, Sarah Mattice
Confucian Role Ethics: Issues Of Naming, Translation, And Interpretation, Sarah Mattice
Showcase of Faculty Scholarly & Creative Activity
This chapter explores the arguments behind considering Confucian ethics as a kind of "role ethics", as articulated by Roger Ames and others. I see at least three sets of concerns that animate the reasoning behind Confucian role ethics: naming, translation, and interpretation. In terms of naming, I discuss this project as an example of zhengming 正名, or proper naming, which is a common Confucian ethical project. Confucian thinkers are often preoccupied with appropriate categorization, one species of which is naming. The naming of Confucian ethics as role ethics, I argue, is not only consistent with but is situated in a …
Art As Person: Correlative Personhood In Aesthetic Representation, Michael Dufresne
Art As Person: Correlative Personhood In Aesthetic Representation, Michael Dufresne
UNF Undergraduate Capstone Projects and Honors Theses
In this paper, I argue that the metaphor of art as person should be implemented as a way to understand artistic interaction, such that the relationship between artworks and spectators should be understood as one between persons. I begin this argument by first juxtaposing Hans-Georg Gadamer’s notion of aesthetic representation with the values that constitute correlative person in Confucianism. This juxtaposition draws similarities between artworks and persons that make the metaphor of art as person a plausible means for understanding artistic interaction. I then appeal to Michel Foucault for two significant reasons: his subjectfication of the self solidifies the comparisons …