Aesthetics Commons^™

Hope And Wonder In The Wasteland: Post-Apocalyptic Fiction As Tolkienian Fairy Story, Alfredo J. Mac Laughlin

Journal of Tolkien Research

J. R. R. Tolkien’s four functions of fantasy stories, as developed in his Andrew Lang lecture “On Fairy Stories” (1939), have become a key conceptual tool for discussing human beings’ attraction to fantasy stories, particularly when attempting to push the analysis beyond the literary into the aesthetic, and beyond the aesthetic into the existential. Applying this interpretive key to an analysis of the expanding genre of post-apocalyptic fiction reveals that post-apocalyptic stories, despite superficial differences, are surprisingly close to fairy stories in their aesthetic core and orientation, and that post-apocalyptic stories are well-suited to fulfill—albeit with their own distinctive aesthetic …

Negative Dialectics In Elliott Carter: Toward An Adornian Aesthetics Of Carter's Music, Gregory J. Menillo

Dissertations, Theses, and Capstone Projects

This dissertation is an attempt to lay the groundwork for an Adornian aesthetics of Elliott Carter’s music. The first chapter suggests that Theodor W. Adorno’s negative dialectics is the most appropriate paradigm for understanding the material antagonisms that characterize Carter’s music over a quasi-Hegelian “unity of opposites” as suggested in the Carter scholarship. Chapter Two demonstrates this through an Adornian reading of key aspects of the first movement of Carter’s 1948 Sonata for Cello and Piano, the watershed work for Carter’s mature style. The third chapter addresses the issue of musical time in Carter from a philosophical perspective; it discusses …

"You Can't Be Shakespeare And You Can't Be Joyce": Lou Reed, Modernism, And Mass Production, Daniel C. Jacobson

Dissertations, Theses, and Capstone Projects

This dissertation proposes a reevaluation of the overlooked connections between American popular music and modernist literature’s scope and formal experimentation which arose in the mid-20th century. Because Lou Reed’s ever-changing persona situates his work uncomfortably between high art and pop-culture, modernism and “post-modernity,” literature and music, and ethics and aesthetics, I intend to consider Reed as this dissertation’s empty, refracted center. One that will allow for a critique of several major intellectual movements, both inside and outside the academy, that continue to influence thinking about art, ethics, and material culture. Additionally, I hope to show that the work of a …

Ambiguity Of Vision: Reimagining The Hypervisible Void, Kiwha Lee Blocman

Theses and Dissertations

Asking questions about what Painting is in the 21st century and the dominant narratives it can challenge, my paintings complicate the viewer’s reading of pictorial hierarchy and the projection of human relations in the world. I de-hierarchize and decentralize the compositional components that make up a painting by using patterns to create spatial depth, not European perspectival conventions. In dialogue with modernists such as Matisse who drew from the visual vocabulary of “The Orient”, my central forms derived from architecture and ornamental fragments possess a body-like presence. Further, I reinvent ancient Asian printmaking processes with oil paint. Observing the tenets …

Save And Continue?, Douglas Boyd Johnson

Theses - ALL

The purpose of this thesis is to describe the research I completed and the body of work produced during the course of my Master's studies. The paper begins by briefly recounting early influences and the nature of my practice at the time I began the program. Then elaboration follows on the development of my work across various media, both traditional and digital. The work centers on formal questioning of pictorial media and draws conclusions on the nature of picture making, and the motivations I have for pursuing pictorial art.

Dust, Mist, Haze, Michael C. Tracy

Theses and Dissertations

This paper explores painting through the ideas of dust, mist, and haze as specific atmospheric metaphors that could be used to describe ontologies of space, time, memory, and history.

“Paint What You Hate”: Philip Guston’S Hooded Figures And The Postponement Of The Exhibition Philip Guston Now, Thomas Baldwin

Theses and Dissertations

This thesis interrogates the postponement of the Philip Guston Now exhibition, examining the justification for the postponement, the actions taken by the National Gallery of Art, and the effects of the postponement. My research examines the museum’s choice to cite social justice as the main context for understanding Philip Guston.

Genres, Communities, And Practices, Evan Malone

Legacy Theses & Dissertations (2009 - 2024)

In this dissertation, I defend a communitarian, practice-based, theory of genre and aesthetic value. I argue that theories of aesthetic value and art ontology within analytic philosophy have been too focused on the intentions of individual artists, the features of individual works, and the aesthetic experience of individual audience members. Accordingly, philosophical accounts of genre also follow this model. However, taking genre seriously means recognizing that they are social categories. If this is right, then philosophy of art ought to pay closer attention to the ways in which genres (as social categories) mediate aesthetic practices, values, and concepts. By thinking …

Attention, Reflection, And Contemplation: Approaching The Divine Through Romantic Poiesis, Katelynn Tyner

English Undergraduate Honors Theses

Often the techniques of the said and the unsaid work together. This paper will explore ways in which poets embrace iconophilic or iconoclastic postures toward divine poiesis. One objective will be to focus on the arrangement of an abundance of images into itineraries and poetic landscapes. Another objective will be to demonstrate how these patterns of cultivation can be related to a divine poiesis. Through poetry, there are ways of attending to, reflecting on, and contemplating divine images that can return us to forms of participation with the sacred. First examining poetic attention, I identify poets who demonstrate …

Postmarked 2022, Students Of Risd, Risd Archives

All Student Newspapers

Postmarked was a publication started during the COVID-19 pandemic by three RISD architecture students. The first issue has the theme of "sonder" and contains student writing and artwork on postcards that deal with this theme.

Betwixt & Between., Xuanyi Wang

Electronic Theses and Dissertations

In this thesis, I will discuss the process of learning, borrowing, and exploring the fusion between styles that emerged from the exchange of Eastern and Western civilizations. I will also use the process of transformation and merging of motifs to evoke my thoughts on the identity of immigrants. In addition, the essay will also discuss the similarities between traditional Chinese and Western designs metaphorically. This thesis will also explain why I use IUDs for pattern creation and provide views on the body ownership of women in the East and West. I will also consider the evolution and reflection of the …

Bad Actors, Wendell Ward

English Theses & Dissertations

This manuscript contains a collection of short stories. It also includes the first several chapters of a novella. Within are characters who act and suffer consequences without the imposition of supernatural elements to affect outcomes, which is hopefully what makes them seem “real.” But then there are ambiguities and archetypes and symbolic imagery dancing around the edges of their predicaments, too. Think flambéed Flaubert with the saltiness of Hemingway and the peppery tang of Woolf complimented with a sugary pinch of Charlotte Bronte to bring out the flavor of the tomatoes, poured over with a rich, Jungian gravy. If this …

V.1 Spring 2022, Center For Arts & Language, Students Of Risd, Risd Archives

All Student Newspapers

v.1 is a publishing platform for the ongoing work, ideas, discussions, debates, and aspirations of students at the Rhode Island School of Design. The Spring 2022 issue contains writings divided into five categories: ecosystems, homes, archaeologies, explorations, and new constructions. Writings touch on urban ecology, wilderness, physical and mental health, identity, and other topics. Visual work is also present in this issue.

The Aesthetic Impact Of The Garden Of Eden, David Fenner

Contemporary Aesthetics (Journal Archive)

No garden in the history of the world has had a greater impact on gardens and gardening than the Garden of Eden, as expressed in the Jewish, Christian, and Islamic religions, regardless of whether the Garden of Eden ever existed. Yet, given evidence in the texts of the stories of Eden of its unchanging nature, and given that all gardens are naturally dynamic, Eden does not qualify to be a true garden. In addition to the story’s impact on gardens and gardening, Eden is aesthetically impactful because it is from appreciation of the story as a morality tale that we …

A Festival Of Form: Score, Anthony Elia

Bridwell Library Research

"A Festival of Form" was both an event at Bridwell and Perkins School of Theology and a conceptual piece of music that lasted several days. In this rendering, the "piece of music" was articulated in a fluid combination of activities that included works by other composers, including John Cage. The activities involved--from lectures, conversations, and meals to actual performances of both short works and especially the world-record breaking rendition of "Organ2/ASLSP" played by Christopher Anderson--comprise the entirety of "A Festival of Form" as performance piece. The challenge of this work is that unlike nearly any other music, it is purposely …

Thinking With Film: On John Carvalho’S Reading Of Godard’S Le Mépris, Deborah Knight

Contemporary Aesthetics (Journal Archive)

In Thinking with Images, John Carvalho is especially interested in situations where we do not know what to think about a work of art — where it perplexes us, where we cannot find answers to the questions it raises. I will focus on Carvalho’s final chapter which discusses Jean-Luc Godard’s 1963 film, Le Mépris (Contempt), adapted from the novel by Alberto Moravia. I argue that Le Mépris is not primarily about its literary content involving the collapse of a marriage during the filming of an adaptation of Homer’s Odyssey. I recommend that instead we think about such …

More Thinking About Thinking With Images: A Response To Ivan Gaskell, Deborah Knight And Sonia Sedivy, John M. Carvalho

Contemporary Aesthetics (Journal Archive)

I want to start by thanking my critics for reading my book and coming to so many insightful comments and challenging observations about it. I especially want to thank Deborah Knight for suggesting a panel to discuss the book and for doing so much to realize it. There is so much to say about the intelligent and generous commentary offered by Ivan Gaskell, Deborah Knight, and Sonia Sedivy. Put briefly, in the short space below, I say my book thinks mostly about how and that artworks mean rather than what they mean, as Gaskell recommends. Knight’s remarks prompt me to …

John Carvalho’S Thinking With Images, An Enactivist Aesthetics, Sonia Sedivy

Contemporary Aesthetics (Journal Archive)

John Carvalho’s Thinking with Images, an Enactivist Aesthetics argues that puzzling artworks can draw us into a special activity – thinking when we don’t know what to think – which is valuable because it takes us beyond our skills and understanding. Enactivism is the theory of mind that best explains such thinking. The book illustrates this proposal with four chapters that detail Carvalho’s highly personal or individual encounters with enigmatic works of art. I raise two concerns. First, the four illustrative chapters say that they are enactivist, but they do not show this. The illustrative chapters detail considerations about …

Against Theory—Again (Though With Reservations), Ivan Gaskell

Contemporary Aesthetics (Journal Archive)

In Thinking with Images (2019), John Carvalho proposes an “aesthetics without theory,” a phrase to be taken rhetorically rather than literally, for he accepts that percipients of artworks bring a theoretical knowledge to their encounters. He seeks to balance appropriate theoretical knowledge, notably Gibson’s theory of affordances, with reliance on empirical engagement with artworks to produce what he terms an “enactivist aesthetics.” He explores this proposal through discussion of four case studies: works by Francis Bacon, Duane Michals, Marcel Duchamp, and Jean-Luc Godard. This overview challenges Carvalho’s concern with meaning above making and use; and his apparent reluctance to offer …

Theory Of Knowledge In The Tretise Of Al-Gazali “Al-Kistasu-Lmustakim” (Right Scales), Kodirov Davronbek

The Light of Islam

Today, one of the urgent tasks of the social sciences is the construction of the Third Renaissance in our country, the transfer of the heritage of our ancestors to the younger generation, and their education in the spirit of moral and spiritual ideas based on Islamic philosophy. Therefore, it is important to study and research the sources that underlie the religious and philosophical views that have been formed and consolidated in our country for centuries. One of these philosophical writings is Al-Qistasu-l-Mustakim (Right scales) by Abu Hamid Muhammad ibn Muhammad alGhazali, a thinker, lawyer, philosopher, and mystic who lived and …

Steve Mcqueen, The Filmmaker, And Kant’S Sensus Communis, Livia Melamed Margon

Theses and Dissertations

This thesis reflects on the ways in which art reinforces community and reduces political polarity by stimulating shared feelings, namely through Kant's idea of sensus communis. To illustrate its argument, this thesis analyzes the work of Steve McQueen, a politically aware, ethically engaged, and broadly recognized filmmaker and artist.

Art Concept Pluralism Undermines The Definitional Project, P.D. Magnus, Christy Mag Uidhir

Philosophy Faculty Scholarship

This discussion note addresses Caleb Hazelwood’s ‘Practice-Centered Pluralism and a Disjunctive Theory of Art.’ Hazelwood advances a disjunctive definition of art on the basis of an analogy with species concept pluralism in the philosophy of biology. We recognize the analogy between species and art, we applaud attention to practice, and we are bullish on pluralism— but it is a mistake to take these as the basis for a disjunctive definition.

Editorial, Yuriko Saito

Contemporary Aesthetics (Journal Archive)

No abstract provided.

The Liberatory Potential Of Fashion, David Billie Suoth

Honors Theses and Capstones

Fashion has the potential to be liberatory and this can be seen in the ways fashion has been targeted by systems of oppression. Fashion is the use of clothes as a vessel to create a greater social meaning. According to Edward Sapir, the meaning of fashion “while it is primarily applied to dress and the exhibition of the human body is not essentially concerned with the fact of dress or ornament, but with its symbolism” (Barnard, 2007, p. 65). Fashion with the symbolism behind it is able to show the sentiments and attitudes of civilization at different points in history …

The Puzzle Of Fictional Resemblance, Jeffrey C. Goodman

Faculty Scholarship

This paper discusses a puzzle, the heart of which is this question: How is it that real individuals can resemble fictional individuals?  It seems that any answer given by one who has taken a stand on the ontology of fictional individuals will come with significant drawbacks.  An Anti-Realist will have to explain, or explain away, the apparent truth of our positive assertions of resemblance, while a Realist will have to explain how we are to understand resemblance in light of either the further claim that fictional characters are not associated with properties in the same way real individuals are, or …

Fictional Universal Realism, Jeffrey C. Goodman

Faculty Scholarship

Certain realists about properties and relations identify them with universals.  Furthermore, some hold that for a wide range of meaningful predicates, the semantic contribution to the propositions expressed by the sentences in which those predicates figure is the universal expressed by the predicate.  I here address ontological issues raised by predicates first introduced to us via works of fiction and whether the universal realist should accept that any such predicates express universals.  After discussing the lines of reasoning given by Braun (2015) and Sawyer (2015) for fictional universal anti-realism, I propose a novel, Kripke-inspired argument for the same.  I ultimately …

Actualization Through Constraint: An Analysis Of Hegelian Self- Consciousness In Fascism- Exclusionary Expression And In Modular Orchestral Composition, Marisa Kaye Janke

2022 Symposium

How does a conscious entity become aware of itself and its place in the world? According to German Idealist Philosopher G.F.W. Hegel, there are required conditions that facilitate this movement of awareness. Recognition serves as a central requirement, for a consciousness cannot progress in an isolated space. Coexistence allows for referential points, and is often necessary for the actualization of concepts by providing social interactions wherein recognition both of and by others can occur.

This paper illustrates the progression of two such concepts, discourse and musical composition as forms of freedom “in-itself”. They are both imperfect for the promotion of …

Symposium On Thinking With Images: An Enactivist Aesthetics By John Carvalho: Introduction, Editorial Office

Contemporary Aesthetics (Journal Archive)

The commentaries collected in this symposium were first developed at the “Author Meets Critics” session on John Carvalho’s Thinking with Images: An Enactivist Aesthetics at The American Society for Aesthetics Eastern Division Meeting in Philadelphia on April 17, 2021. We thank Deborah Knight for organizing the papers to be published as a symposium for Contemporary Aesthetics and all the authors for their contributions.

The Disappearance Of The Anti-Aesthetic; The Death Of Fashion, Scrap Evans

Capstone Showcase

In this essay, Scrap explores the connection between famous nihilist and postmodernist theorists, Dadaism, the concept of the anti-aesthetic, and today's high fashion. They provide a history of nihilism and follow its influence through time upon other social, political, and artistic movements. They then make direct connections between famous theorists' prose and famous fashion designers' collections. Finally, they analyze the current state of the fashion world and discuss their plan of action.

V.1 Winter 2022, Center For Arts & Language, Students Of Risd, Risd Archives

All Student Newspapers

v.1 is a publishing platform for the ongoing work, ideas, discussions, debates, and aspirations of students at the Rhode Island School of Design. The Winter 2022 issue is a special edition "art writing capsule," with three zines that each feature a student writing about a work of art, and a fourth zine with an editor's note and postscript. Writing 1 is Angelina Rogers on Salman Toor's "Two Boys with a Dog," Writing 2 is Maxwell Fertik on Shahzia Sikander's "Epistrophe," and Writing 3 is Sabo Kpade on Lynette Yiadom-Boakye's "Any Number of Preoccupations."