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Aesthetics Commons

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2015

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Articles 61 - 63 of 63

Full-Text Articles in Aesthetics

One Song, Many Works: A Pluralist Ontology Of Rock, Dan Burkett Jan 2015

One Song, Many Works: A Pluralist Ontology Of Rock, Dan Burkett

Contemporary Aesthetics (Journal Archive)

A number of attempts have been made to construct a plausible ontology of rock music. Each of these ontologies identifies a single type of ontological entity as the “work” in rock music. Yet, all the suggestions advanced to date fail to capture some important considerations about how we engage with music of this tradition. This prompted Lee Brown to advocate a healthy skepticism of higher-order musical ontologies. I argue here that we should instead embrace a pluralist ontology of rock, an ontology that recognizes more than one kind of entity as “the work” in rock music. I contend that this …


Shusterman’S Thinking Through The Body And Everyday Aesthetics, Tom Leddy Jan 2015

Shusterman’S Thinking Through The Body And Everyday Aesthetics, Tom Leddy

Faculty Publications

How does Richard Shusterman’s Thinking Through the Bodyapply to the issues of everyday aesthetics? As it turns out, many chapters contribute significantly to everyday aesthetics, in particular the work on architecture, self-styling, the body as background, lovemaking, and the process of making a photographic portrait. Shusterman’s concentration on the art of living has special importance to everyday aesthetics. Current debates within the field of everyday aesthetics also raise problems for somaesthetics. I also question the limits of somaesthetics and Shusterman’s rejection of defamiliarization in making the ordinary extraordinary.


Postcession, Evan D. Pomerantz Jan 2015

Postcession, Evan D. Pomerantz

Theses and Dissertations

This is a series of daily writings. Each day consists of a new topic and is closed at the end of the day. The ideas presented are philosophical, humorous, rambling, lamentations, incantations, doubt-ridden, aesthetic pep talks which combine into an affective representation of my studio practice’s becoming. There will be little congruency, some stories, and a lot of parallels because that is who I am.