Aesthetics Commons^™

Turn, Turn, Turn: Civic Instrumentalisation And The Promotion Of Autonomy In ‎Contemporary Arts Funding, Connell Vaughan, Michael O'Hara, Elizabeth Matthews, Colm Desmond, Jeanette Doyle, Catherine O'Carroll

Conference papers

Over the past twenty-five years aesthetic practice, theory and Arts policy in Europe and North America has been subject to three different yet interrelated and international “turns”: creative, social and ethical this has been exemplified by Arts funding policy in Ireland. Combined, these three turns produce a tone of cultural production that is pitched toward a more measurable and overtly instrumental direction. This paper explores the trends regarding the critical terms of instrumentality and autonomy and their relevance to arguments relating to criteria employed in current Irish Arts funding policy. We argue that that existing Arts funding criteria relegates the …

Course Syllabus (Fa15) Coli 211 Literature & Psychology: "Material Aesthetics", Christopher Southward

Comparative Literature Faculty and Student Scholarship

An examination of questions concerning aesthetic experience from the standpoint of the structural and functional logics of the capitalist mode of production

Remembering The Philosopher Ted Cohen (1939-2014), Curtis L. Carter

Philosophy Faculty Research and Publications

No abstract provided.

Presence-At-Hand, Eric Lyle Schultz

Graduate School of Art Theses

Abstract

The writing that follows is intended to provide a theoretical framework for the motives behind my practice. The primary concerns addressed are the reception, transmission, and physical shape of knowledge. I will discuss a human condition that exists as a byproduct of both the legacy of representation as well as the innate biology of the brain. I will argue that as a society we are governed by the residue of an extreme logic, and that this condition places severe margins on our potential for creative solutions. I will propose that our ability to create meaning is stifled by the …

We Begin When We Finish When We Begin, Students Of Risd, Risd Archives

All Student Newspapers

We Begin When We Finish When We Begin was a graduate student publication published in 2015. It featured essays, interviews, and student work dealing with themes of identity, geography, academics, and student life. Students as well as faculty contributed.

Considering Triple Self-Portraiture In The Work Of María Izquierdo, Brooke Lashley

The Quiet Corner Interdisciplinary Journal

This paper looks to María Izquierdo’s paintings, Prisioneras (Prisoners) of 1936 and Sueño y presentimiento (Dream and Premonition) of 1947, as case studies for activating a theory of triple self-portraiture. The theory reflects how plurality arises in the singular or in single significations of the self and disrupts homogeneity in thinking about identities for the self and others within the genre of self-portraiture. In activating a theory of triple self-portraiture, I found three forms of the self in Izquierdo's works: the self as oppressed (the past); the self as oppressing (the current); and the self as an emancipator (future). Although …

The Philosophical Side Of Contemporary Art Forms, Kristina Bodetti

Dissertations, Theses, and Capstone Projects

The purpose of this project is to show that contemporary art forms, specifically popular music, film and comics/graphic novels, are capable of, and do in many cases work as philosophical pieces. I believe that an analysis of these mediums will reveal instances in which the works of art explicate established philosophical theories, expand upon them, and in some cases invent new theories.

Each new medium of art gets examined by philosophy in its turn and its merits as a unique art form are debated. From these arguments it is possible to extrapolate the ways in which these works can become …

The Finales Of Robert Shumann's Piano Sonatas And Fantasie, Emiko Sato

Dissertations, Theses, and Capstone Projects

This dissertation sets out to examine the finales of Robert Schumann's Piano Sonatas (opp. 11, 14, 22 [original finale]), and Fantasie (op. 17), with an especial focus on their form, which can be broadly categorized as parallel form. The introduction examines historical criticisms of Schumann's large-scale works, pointing out some of the idiosyncratic features found in Schumann's finales. Each chapter will present a comprehensive analysis of one of the finales. I make use of color diagrams in the formal analyses, which expeditiously and efficiently elucidate the repeating patterns of thematic and transitional materials; they also visually reflect the actual …

Finding Aid To The Collection Of Vernon Lee Materials, Violet Paget, Colby College Special Collections

Finding Aids

The Vernon Lee Collection at Colby College contains over 1000 letters, 136 manuscripts and articles, 117 photographs, and a small number of personal documents and artifacts, spanning the years 1866-1960. First and subsequent editions of Vernon Lee titles are described in the Colby Libraries web catalog. Materials arranged in seven series: Correspondence from Vernon Lee, Correspondence to Vernon Lee, Manuscripts, Published Writings, Photographs, Personal Items and Artifacts, and Clippings.

What Makes A Technology Appropriate?, Barrett Hazeltine

Articles

No abstract provided.

A Company Town, Daniel Peltz, Sheridan Coleman

Articles

No abstract provided.

Urban Eden, Anne Tate

Articles

No abstract provided.

Critical Design And The Critical Social Sciences, Damian White

Articles

No abstract provided.

On The Hallelujah Efect: Priming Consumers, Recording Music, And The Spirit Of Tragedy, Babette Babich

Articles and Chapters in Academic Book Collections

An overview of The Hallelujah Effect concentrating on priming or sonic branding, media, online porn as well as marketing and media programming, with a special excursus on the space of music --and radio in Adorno's Current of Music, and a detailed discussion on Nietzsche and music in antiquity as he explores this with reference ot Beethoven in The Birth of Tragedy.

Statecraft: Vandalism And Iconoclasm In The Digital Age, Connell Vaughan

Conference papers

Not only is vandalism increasingly subject to digital documentation, but the aesthetic nature of vandalism itself is different as a result of the digital. No longer is vandalism a local destructive act, it has become an act performed primarily for broadcast to global markets. This paper uses the example of Islamic State (IS) iconoclasm to explore the way in which digital media is strategically used by vandals and considers the responses of the heritage industry to respond to such destruction. It illustrates how the deliberate digital documentation and subsequent global broadcasting of the destruction of cultural heritage by Islamic State …

Matafunctional/Metafictional Objects, Paolo Cardini

Articles

No abstract provided.

Design For Transitions - From And To What?, Cameron Tonkinwise

Articles

No abstract provided.

On Creative Dialectics, Ian Gonsher

Articles

No abstract provided.

Adolescents' Characterization Of Their Neighborhood Through An Art-Based Community Project, Eileen Finnegan

Wayne State University Dissertations

The purpose of this research was to study adolescent participation in the development of a neighborhood mural as an art-based community project. I examined perceptions of the adolescents regarding the awareness of their community and neighborhoods. Additionally, I explored adolescents' perceptions of their own development in terms of building their self-confidence. To accomplish this, I facilitated the creation and design of a mural that depicts their perceptions of their neighborhoods, using art as a modality for expression. Fourteen seventh grade students attending a parochial school in a low socioeconomic area of a large metropolitan city participated in the study. They …

A 'Paradox Of Expression': Bertolt Brecht's Verfremdungseffekt In Performance, Cohen L. Ambrose Mr.

Graduate Student Theses, Dissertations, & Professional Papers

No abstract provided.

Editorial

Contemporary Aesthetics (Journal Archive)

No abstract provided.

Experience Of Awe: An Expansive Approach To Everyday Aesthetics, Thomas Leddy

Contemporary Aesthetics (Journal Archive)

As opposed to Melchionne and Naukkarinen, I defend an expansive definition of everyday aesthetics, one that includes festivals, tourism, and many daily activities of artists and other professionals, along with most ordinary and common experiences. I argue for continuities between aesthetics of everyday life and the aesthetics of art and nature. Looking through a window, for example, may involve aspects of all three. Although I agree with Melchionne that everyday aesthetics is closely related to questions of subjective well-being, I take a more expansive approach to this, drawing from recent psychological studies of the experience of “awe” to stress the …

What Is Temporal Art? A Persistent Question Revisited, John Powell

Contemporary Aesthetics (Journal Archive)

This article examines the fourteen conditions constituting Levinson and Alperson’s taxonomy of conditions for temporal arts. It claims that some of the conditions and several of the lists of arts exemplifying them need revision. It recommends adding a new condition concerned with the effects of the passage of time on gardens, environmental sculpture, and outdoor installations. The article concludes that gardens may be a model for understanding and appreciating other arts sharing the same bi-(multi-) modality.

Performing Politics, Troy R.E. Paddock

Contemporary Aesthetics (Journal Archive)

Walter Benjamin’s observation that fascism turns politics into aesthetics is, by now, a well-worn idea. This article argues that Benjamin’s critique of politics can apply just as much to the modern democratic politics of the United States. Borrowing from Benjamin, Jürgen Habermas, and Carl Schmitt, this article suggests that modern political discourse in the United States does not follow the classical liberal ideal of rational discourse in the marketplace of ideas within the public sphere. Instead, contemporary politics has become spectacle where images and slogans replace thought and debate in a 24/7 news cycle and political infotainment programs. The result …

Speed And Resolution In The Age Of Technological Reproducibility, Shawn Taylor

Theses and Dissertations

The rate of acceleration of the biologic and synthetic world has for a while now, been in the process of exponentially speeding up, maxing out servers and landfills, merging with each other, destroying each other. The last prehistoric relics on Earth are absorbing the same oxygen, carbon dioxide and electronic waves in our biosphere as us. A degraded .jpeg enlarged to full screen on a Samsung 4K UHD HU8550 Series Smart TV - 85” Class (84.5” diag.). Within this composite ecology, the ancient limestone of the grand canyon competes with the iMax movie of itself, the production of Mac pros, …

Archiving The Eighteenth-Century Intelligencer, James E. May

1650-1850: Ideas, Aesthetics, and Inquiries in the Early Modern Era

No abstract provided.

Special Feature Paper, Ink, And Achievement: Gabriel Hornstein

1650-1850: Ideas, Aesthetics, and Inquiries in the Early Modern Era

No abstract provided.

Front Matter

1650-1850: Ideas, Aesthetics, and Inquiries in the Early Modern Era

No abstract provided.

Birthing The Poet Elizabeth Singer Rowe And The Athenian Mercury, Heidi Laudien

1650-1850: Ideas, Aesthetics, and Inquiries in the Early Modern Era

No abstract provided.

Fighting Fire With Fire Anti-Methodist Exaggeration In Samuel Foote And William Hogarth, Brett C. Mcinelly

1650-1850: Ideas, Aesthetics, and Inquiries in the Early Modern Era

No abstract provided.